Since I last posted here about my play Belfast Girls, it has been staged in Germany, in New York twice, in Australia again and in Ireland! It returned to Ireland this Autumn and is currently touring. Presented again by Quintessance Theate, the play has a new cast and a new director in Rhiann Jeffrey. It is also a different production, and seems ready-made for its need now to be a portable, touring entity. The play previewed in Drogheda last week and is currently on in An Grianan Theatre in Letterkenny. I will get to see it a few times during its 24-show tour and I'm looking forward to it. There are a few production shots of the Irish show below. Some of the reviews the play received in New York were wonderful. Such as: "Skillfully structured ... Five wonderful actors" New Yorker ★★★★ Front Row ★★★★ NY Stage Review ★★★★ Total Theater "One of the most ... considered portraits of the harm Ireland has done to women ... that I have ever seen" Irish Central ...
Overall, I had a busy 2020. Despite having no shows on (two productions of Belfast Girls and a production of the female version of Leopoldville were all cancelled this year), breaking the pattern for the past five years of at least two play productions a year , I wrote fairly consistently and read every day. Once again however, as with last year, my reading of contemporary works mostly consisted of books I was asked to review - otherwise I read either classics or not-so-recent contemporary fiction. This is not as a snub to the plethora of brilliant new novels and novelists out there but simply because I have a very long catch-up list and I just happen to be a slow (though careful) reader. I also watched a lot of TV drama and far fewer films than I usually do (mainly due to Covid restrictions impacting the film industry and cinemas). I also reread The Theatre and its Double by Antonin Artaud and the plays of Sarah Kane. I wrote about this for Samuel French during the year ...