Sew Together Bag (the first)

I am super lucky to already have a Sew Together Bag, made for me by my friend Anne (featuring cats, of course).  Anne has made lots of these bags, and has become sort of a guru.  A couple of weeks ago, I watched her walk another friend, Wendy, through the process for making one, and realised that it didn't seem so hard after all (you can see Wendy's bag here).

I went to Craftsy to buy the pattern, and found that I had already bought it!  So I definitely had to try my hand at making one myself. When I went to buy zips, I found myself immediately drawn to the peach zips, and knew I had to use some of my peachy fabrics in this bag.

The good thing about the Sew Together Bag is that lots have been made already, so you can do a lot of google or instagram stalking to see which ones you like, and the different things that people have done that work for you.

I didn't use the maximum possible number of different fabrics for this bag, because I like the slightly more controlled look that fewer fabrics give. The interior fabrics are a mix of Lizzy House, Carolyn Friedlander, Heather Ross, Umbrella Prints and Sarah Watts prints, and the exterior is Carolyn Friedlander (binding and side panel) and Jay McCarroll (the main fabric).

I worked from both the pattern instructions (which are rather lacking in pictures), and the excellent Quilt Barn sew-along.  My tips for this pattern are to go slow, step by step, be prepared to change your thread colour lots (and have different colours in the top thread and the bobbin as required), and cut a second bag at the same time you cut your first (because it's that addictive).  It's definitely fiddly, but satisfyingly so!

Raspberry Lemonade (Show Off Irish Chain) - a quilt pattern review

I've written before about Penny and Fenella Jameson, a mother/daughter team who own Stitch Playroom in Christchurch. I met them when they visited Wellington to teach their quilted hexagon ottoman class and then saw them again in Christchurch when I attended Sarah Fielke's class (which was organised by Fenella).

Last year, Fenella asked if I would be interested in reviewing one of their quilt patterns. Since I had so much fun making the ottoman, I jumped right on board. The pattern is for a modern variation on the traditional irish chain pattern, which is designed to show off fabulous large scale designs (hence the name Show Off Irish Chain). Penny's original quilt is made with lots of different coloured Kaffe Fassett fabrics set against a neutral linen background and is a lot of fun. I decided to go down a slightly different route, choosing to keep my feature fabrics in the same colour family (red, pink, purple) and set them against a bright and completely contrasting background (for a great explanation on why those red prints seem to be jumping right off the aqua background, check out Anne's great post on complementary colours).

 

I found this aqua fence to hang my quilt on - wasn't someone daring with their paint colour! The quilt top was a cinch to put together, and super speedy because of the large pieces. I think it would be great for a beginner, and actually, the first quilt I ever made was nine patches alternated with large squares - exactly like this quilt in construction, if not design.

 

Fenella picked out the Kaffe Fassett Collective fabrics that I used, and she did a fantastic job with my extremely vague instructions of "red, pink, purple, maybe a bit of orange"! I swapped out a couple of her picks for fabrics from my stash - partly because I wanted to keep this quilt very bright and there were a couple of darker purples that weren't quite working for me, and partly because I love to show how fabrics from different designers can work together. I've snuck in a bit of Jay McCaroll, Amy Butler, and one older Michael Miller fabric.

 

One of the things I look for in a pattern is room to put my own spin on it and to make tweaks. I like the way that this pattern has guidance on how you might like to lay out your blocks, but isn't overly prescriptive. Having a clear construction diagram also meant it was easy to make the borders a bit narrower than the original quilt. Of course, I had to pull out my quilt math, but I enjoy that part! I do really like the chunky borders on the original quilt, but I'm trying to get out of the habit of making enormous quilts, and reducing the size of the borders meant it was easier to baste and quilt (hooray!).

I love my finished quilt, and I would heartily recommend the pattern, especially for beginners.  If you are interested in getting your hands on a copy, email Fenella (fenella at stitchplayroom dot co dot nz) for all the details.

I'd love to know - do you find it hard to resist tweaking patterns too, or are you a strictly by the book kind of quilter?

Quilt Stats
Pattern: Show Off Irish Chain by Stitch Playroom
Finished Size: approx 66" by 75"

Fabric: assorted Kaffe Fassett collective prints, also prints from Amy Butler, Jay McCarroll and Michael Miller, Freespirit Designer Solid in Caribbean Sea.

Backing: Blockprint Blossom in Blush from Joel Dewberry's Heirloom collection

Binding: Michael Miller Ta Dot in Berry

Pieced and quilted by: me

Linking up with finish it up friday at crazy mom quilts.



Full disclosure - Fenella provided me with the prints I used on the front of the quilt in exchange for this review.  The rest of the fabric came from my stash.  The review is an honest reflection of my thoughts on the pattern.

Top of the Lake Quilt

Way back in May last year, I was inspired to make a quilt featuring the colours of the TV show Top of the Lake.  I used the St Louis 16 Patch tutorial to make my blocks and the quilt top went together at the speed of light.  I threw in a few rogue blocks for interest and to use my fabric to maximum efficiency - they blend into the top surprisingly well,

 

I basted the quilt pretty promptly, but since then it has sat and sat in my cupboard waiting to be quilted. Initially, I started quilting 1/4" off the seams, but I really didn't like how it was looking, so I ripped that quilting out.  Then I had grand ideas about tracing the pattern of the fabric on the back of the quilt using free motion quilting, but I realised that there was so much happening on the front of the quilt, the quilting wouldn't really show up anyway.

 

I ended up quilting a simple diagonal crosshatch grid, using a light grey Aurifil thread (#2600) on the top, and my trusty off-white Aurifil #2021 in the bobbin.  They both just melt into the quilt leaving a great texture.  This quilting has also left the quilt beautifully drapey and soft - I can't wait to wash it and see whether it crinkles up much.

 

For me, this quilt is full of unexpected fabric combinations and contrasts, with soft and pretty florals mixed with dark, graphic and challenging fabrics. For the back of the quilt, I wanted to continue this unexpectedness by clashing the front, which is full of slightly off, dirty colours, with fabric that looks like soppy sweet old-fashioned wallpaper.  I ended up with this floral stripe from Spotlight, which is so not my usual type of fabric but I love it on this quilt.

I pretty much want to put this black and white pin dot binding on every quilt!  In my original post, I described this quilt as deliberately un-pretty.  I still think it's brooding and a bit dark, but I have come round to thinking it is pretty as well.

Have you ever had a quilt grow on you as you've worked on it?

Linking up with finish it up friday at crazy mom quilts.

WIP Wednesday

I have been playing around with these 5" squares - I am using them to make two baby quilts.  I was planning to make two half square triangle quilts, which would have been very similar but unique at the same time.  However, I just can't face trimming the number of half square triangles I would need to make two quilts, so I decided to change things up a little.

One quilt will be half square triangles, and one quilt will be...wait for it... wonky stars.  Can you believe I have never made a star block before?  Crazy!  I must remedy this immediately.

I've also been plotting my item for the Modernista Homemade swap.  I posted this picture of my potential fabric selection to see whether my partner would like it, but she hasn't commented.  I was aiming for a spread of colour values from light to dark, but given the lack of feedback and my partner's stated preferences, I think I will stick with the brighter fabrics.

What are you working on this week?

Linking up with Lee at Freshly Pieced:

Handmade Christmas Revealed - Day 4

Happy New Year!

I had been thinking about making an oven mitt for a while, but hadn't really got round to it.  I wanted to make my Dad something for Christmas that he would actually use, and since he enjoys cooking (and, incidentally, is an excellent cook) I thought an oven mitt would be just the thing.

The process to make it was quite simple - I used freezer paper templates made from tracing around my own oven mitt.

The side that touches hot dishes is Essex Yarn Dyed Linen in black, and I filled it with a layer of Insulbright and a layer of cotton batting.  I am quite happy with the square based free motion quilting design I used to quilt the mitt.  Because of the sharper than normal angles, this required a little bit more concentration than other designs I have done, but once I got into the swing of things, it was quite quick and fun.

The trickiest part for me was the binding.  I initially bound it with store bought bias binding, but then I caught it with my iron, and because it was poly-cotton, it melted instantly.  Obviously, it wasn't suitable for an oven mitt in any event, so I pulled it off and made my own bias binding using my favourite crosshatch sketch in charcoal.  I'm much happier with this binding and know it will stand up for the heat of dishes straight out of the oven.

Have you even made an oven mitt, or had a small disaster with melting fabric?