Showing posts with label essay. Show all posts
Showing posts with label essay. Show all posts

Saturday, November 16, 2024

AFTER WAR (2024) DOC NYC


Hybrid film mixes narrative, documentary interview transcriptions performed by actors, essay and other things to create a one of a kind film looking at the effect of war on the survivors. It’s truly unlike any other film you've seen that is impossible to either classify or describe. To be completely honest I’m not certain it really works since the lines spoken by the actors don’t always connect to the images. Additionally the actors staring hard into the camera works for a little bit but the intensity is a bit much.

Give the film a lot of points for trying to do something unique, but at the same time a little goes along way.

Wednesday, October 16, 2024

25 more horror films to watch for Halloween

Haunted House Hamburgers in Farmingdale New York

On Sunday I posted a piece from 2018 that listed 25 horror films you probably haven’t seen before, With Halloween two weeks away I’ve thrown together a quick list of 25 more recent horror films that I haven’t seen talked about much since the release and haven’t been on any list I’ve seen. (I was going to include The Coffee Table but that keeps popping into my time line

There is no order or preference for this list – just films worth your time

RED ROOMS recent film about a woman following a murder trial 

HOUSE OF SCREAMING GLASS throw back to a 1970’s drive in movie about a woman who inherits a school from her grandmother  

STING is about spiders from space in a brownstone in Brooklyn during a blizzard 

WHAT YOU WISH FOR a chef subs for a friend and well things go side ways 

IT LIVES INSIDE scary horror film about a demon that is released 

YOU’LL NEVER FIND ME on a dark and stormy night a woman knocks on a man’s door 

THE BLACKENING is the typical old friends get together for a reunion and one of them is a killer. Genre breaking horror comedy is a delight 

SILENT MADNESS 1984 3D film a bout a killer on the loose. One of the best films spawned by Halloween and Friday the 13th 

MINORE a giant monster in the sea off Greece  

GODLESS THE EASTFIELD EXORCISM what happens when a couple tries to deal with mental health issues and discovers it’s way more than that. On of the best exorcist films I’ve run across. It’s genuinely scary. 

CRAWLSPACE (2022) A workman is trapped under the floor of a deserted cabin when  some bad people show up to do some bad things. 

NIGHTSIREN one of the best films of 2022 is what happens when a woman returns home to her mother’s house in the woods. 

THE LAKE (2022) a giant monster lives in a lake. 

DEADLAND is the story of a sheriff who picks up a man on the side of the road… and sets in motion supernatural revenge  

THE BUNKER (2023)  during World War 1 some soldiers cross the battle field and find something in the trench across the way that should have remained locked up 

LEGIONS demons and exorcists and really scary shit 

LORE recent horror anthology that actually has all good stories. 

DARK INTRUDER Leslie Nielsen stars in a film that was almost a pilot for a TV show. Think of Kolchak set in turn of the 20th century San Francisco 

EXHUMA recent Korean horror film about a ghost that is dug up that will mess you up- and make you want a sequel  

ABIGAIL probably the biggest film here and is too much fun not to include- it’s the story of a group of people who are hired to kidnap a little girl but aren’t told she’s a vampire 

BLOOD VESSEL if you can go with the rhythms of the film, this tale of people fleeing on a ship to a better life only to find it a deadly place will keep you on the edge of your seat l

WHERE EVIL LURKS f-ed up take of two brothers who don’t fo the right thing when they find out a demon is a bout to be born and thus doom their community. Wrong on so many levels you won’t sleep afterward. 

EVERYONE WILL BURN a woman about to kill herself meets a young girl and the reality is things go  really bad from there 

WHERE THE DEVIL ROAMS the Adams family nightmare about a group of performers who do disturbing things 

SHAKY SHIVERS horror comedy about two girls, one of which is werewolf 

As you can see there are dozens of great horror films to see beyond the typical Freddy, Jason, Michael and chainsaw one.

I will leave you to track them down.

Sunday, October 13, 2024

From 2018: A fast and loose list of 25 horror films to try for Halloween - I doubt you've seen most of these

This is a repost of a piece from 2018 listing some horror films that people are not talking about but should.

With Halloween approaching and everyone making their lists of horror films you simply MUST SEE. The problem is everyone is hitting the same old titles- you know what I’m talking about- NIGHTMARE ON ELM STREET, HALLOWEEN, ALIEN, HEREDITARY, IT and on and on. If you went by the majority of these must see lists you’d see everything there is to see in one night and never know about the vast trove of horror films out there.

But there are literally thousands of films out there that you probably never heard of and which are way better than the lack of discussion about them would indicate. You have to keep in mind that the reason everyone keeps going back to the same old films is combination of laziness mixed with the big well know films are getting pushed. For whatever reason they had a PR machine behind them that could push them in everyone’s face. As a result you know Jason and Freddie ad nauseum and not a legion of other titles.

We have to correct that.

What follows is a list of 25 films that are largely off the beaten path, that we’ve reviewed in the last two years. While we have reviewed dozens more, these are the ones that are either the best of the bunch that aren’t the big well known titles or are interesting enough so as to be worth a look. I’m not going to pretend that they are all best of the best, that isn’t the case, but they are all worth a look. I've given each film a one line description and linked to the longer review. While you may not like everyone of these I think you'll find a few you'll really like.

Ultimately if you want a good horror film and you are on Netflix or Prime or one of the other streaming services look at the listing for horror and just start watching films - the best stuff is often hidden in under titles that you normally wouldn't try.

(And If you want even more recommendations for off the beaten horror films simply click on the horror tag )


THE BOOK OF BIRDIE - just hitting VOD is a creepy film about a young girl who is put into a convent by her grandmother. Part horror film, part fairy tale it is a film that is not like anything else you’ve probably seen.

WEREWOLF - on the festival circuit this Polish film is about a bunch of children just released from a concentration camp and the horrors of war. It will disturb you deeply.

ENDZEIT: EVER AFTER  another festival film about zombies that is not like anything you’ve seen before. Two women try to get to safety and find that the plague is the result of the earth in revolt.

SHOCKWAVES 1977 classic about undead Nazi soldiers coming back to kill people on an island paradise. A lot of fun and Peter Cushing too.

MANDY Nick Cage in a wild and weird throwback horror film that is on VOD and in theaters.

END TRIP  a ride share driver is a serial killer in this small scale thriller

CARGO Martin Feeman is bitten by a zombie and has to get his daughter to safety. A great film on Netflix

THE ENDLESS  it may not completely work, but this tale of two brothers visiting the “death” cult they left years before has some creepy moments

THE DEMON  creepy realistic film about demonic possession. Great performances and stark black and white photography help build the chills

HOUSE OF DEMONS  Think a Vertigo comic book melded into a drive-in film in a film about time travel and cults.

TRENCH 11 military horror film about an abandoned secret base and the monsters that live there- its one of the best of the sub-genre

THE OLD DARK HOUSE  Classic horror film about a dark and stormy night and a weird family who opens their doors to travelers

THE VAULT  A bank robbery goes wrong...and James Franco has a solid role

RED CHRISTMAS   Psycho Killer on the loose with a twist- who the killer is not who anyone suspected

DEVIL’S GATE   The FBI goes to investigate the disappearance of a woman and her son and finds something much worse than they could have imagined

THE VOID   a cult opens up a gate to another dimension and things cross over

DON’T KILL IT  Dolph Lundgren is a demon hunter troubled by a demon that jumps from person to person if you kill its host. This film needs a sequel

BE AFRAID   what is the dark figure that appears in a small town driving people mad and dragging people away?

DELUSION   three years on a man gets a letter from his wife saying she will always be around.

DAY OF RECKONING  Demons rise up from the center of the earth in one of the few good found footage films

PARASITES  college kids go to skid row and end up being hunted

LADIES OF THE HOUSE friends go home with a stripper only to find she and her housemates are cannibals.

WITHOUT NAME  A surveyor goes to an isolated house to map a forest and finds something weird in the woods.

INERASEABLE is one of the scariest films I’ve ever seen. The story of a haunted house that becomes truly terrifying

THE WAILING Mostly one of the scariest films I’ve ever seen about a town where everyone is going nuts and the efforts to stop it which leads to a demon.

(And a big thank you to the great Ted Geoghagen for saying on Twitter how all the list cover the same five titles- Ted -your anger got me to do this list. I hope you approve.

And while we are talking Ted don't forget to see his BROOKLYN 45WE ARE STILL HERE and MOHAWK for three very different types of horror films)

Thursday, October 3, 2024

Jimmy (2024) NYFF 2024


A meditation on James Baldwin's 1948 trip to Paris, where he found a home and began to write.

This is a black and white film told with a driving jazz score that is more about feelings than facts. Yes Baldwin wanders through the film, and there is some attempt at narrative sequences, however the truth is those are the weakest parts of the film. This is a film that work bests on mood. 

Running just over an hour the film is an interesting footnote.

Sunday, September 8, 2024

VIKTOR (2024) Toronto 2024


Deaf man who loves samurai films  wants to fight for his home land Ukraine after the Russian invasion, but his lack of hearing keeps him out of the army.

Moody expressionistic black and white cinematography mix with a soundtrack put together to mimic Viktor’s hearing to make a film that plays more as a cinematic essay than documentary. It’s a hypnotic and compelling viewing experience that is even more so in a darkened theater with no distractions.

The problem is that as a documentary the subject gets overwhelmed by the presentation and there comes a point where you want the cinematic tricks to stop and just focus on Viktor. I’m not certain if the film tells us enough or not because there are some facets to this story about which I want to know more and others aspects we get to know too much. The film doesn’t seem to know what it wants to be.

While I think the film is worth a look for the presentation It’s not a must see.

Thursday, August 29, 2024

Box Up Your Gaiman or Pondering What To Do With All The Books Now That An Author Is Persona Non Grata

 This is not going to be what you expect.  Frankly this isn't what I expected when I started this. This is look at the whole disaster that is swirling around writer Neil Gaiman and how it is rattling the cages of the people who found hope and life in his writing. 

What this is is me pondering out loud if we can cut the author away and save all of the work that has, honestly and truly, saved the lives of thousands of people who found a life preserver in the words of a guy from England. I am doing this because too I have heard too many stories of how people who were considering dying or doing something worse were made better by reading things like Sandman.

This is me arguing that we should forget the author, never buy another one of his works except used, so he never makes a dime. 

I know it's stance that many of you may not like, because I am not saying burn it all down, but I have been told "I was lost until I read...." too many times for me not to argue that the work should be saved and not be tossed on the trash heap. I don't want to risk our losing people  because they did not get that "oh my god someone understands" moment.

So, what am I to make of the charges against Neil Gaiman? 

If you don't know, increasing number of women have come forward to say that they were forced into sexual situations that they did not want by the award-winning author.

My initial thought was to wait and see what the real story was because of the source of the initial charges from two women, Tortoise Media, had a reputation for going after and trying to take down people who were trans-friendly or just opposed to their conservative way of seeing the world.

Things became complicated when it was clear the Tortoise story was, if not on target, definitely close to it. Gaiman, then said something did happen, and it wasn't what was being reported. He would explain soon. While some people I know tried to bend the stories as they waited for Gaiman's side of the story, things became infinitely more complicated with additional women coming forward, and questions about things that are alleged to have happened appearing.  As people pointed out we should be taking Gaiman's own words and simply "believed the victims".

The additional charges effectively broke much of his fan base and social media was full of people saying they were going to junk all of their Gaiman materials.

Personally, I was never a big fan. While never a member of his fan base I was close enough to it because of friends that I might as well have been part of it.  I have friends who were close to him, and they are shattered. A rock of their existence was now gone.

I drifted into the fringes of the Gaiman fans through friends. They loved his work and they dragged me along. While they would go to all the local events  I would stay on the outside. The closest I ever got to actually meeting him was pushing two programs from the New York Film Festival in his face when Princess Mononoke played.

I was jokingly banned from ever meeting Gaiman because since I was on the fringe I was hearing all sorts of stories. Actually, people were afraid I would ask him about Scientology...  

Scientology? Remember when that was the big bugaboo regarding Gaiman? No one wanted to have to worry about his possibly secretly putting Scientological messages into his comics  and thus turn every one into followers of Xenu. 

Why did people think that? 

Through it all Gaiman's public stance was always for the underdog. He championed free speech, women and trans rights. He did benefits for survivors of sexual violence. Gaiman was always on the right side of history, always insisting we need to believe the victims.

More importantly through it all he was turning out work that connected with people and brought them hope. He showed millions of people that there was place for them and that they were never alone. His work saved countless lives by showing people where they belonged was somewhere out there. For many people Gaiman was the guy who "got" them.

Neil Gaiman was the best of the best...until recently when he suddenly wasn't.

The revelations sent shock waves through his fandom. People don't know what to do because the guy who "got" them has turned out to be a not so nice guy. In response people are purging their collections... most of the fans I mentioned above are looking to get rid of their Neil Gaiman books and memorabilia.

What troubles me about this is that Gaiman's work was the literal lifeline for many of them. Over the years I have heard how the words of Neil Gaiman saved lives. I have been told numerous times over the years how his work was what people turned to when things got bad. Reading Sandman or one of the novels centered people and gave them the ability to go on.

Because of that I have to ask "Now that Gaiman is on the outs, can we save his words?" Not the man, but his words and stories.

I'm going to be honest and say I have no dog in this fight.  Whatever happens is not really going to affect my feelings toward his work because I was never that invested. All I know is that Gaiman's words and stories kept people alive and I want to keep that going. 

For me, any work of art exists as its own thing. The creator be damned once they give it birth and it's out in the world it has its own life and becomes its own thing regardless of what the creator wants... and most importantly regardless of what the artist does after that. The work exists on its own.

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The question everyone is asking is how am I to feel about his stories when he is a bad man? 

My response is the same way you always have - just kill the notion of their creator and just see them as standalone stories. Let the stories still fill you with joy, just stop thinking about the man who wrote them. The stories aren't about him anyway they are about you and how they make you feel.

The stories stand, even if the man who created them has fallen. The stories are not the man.  The stories are the stories.  Nothing in them changed when Gaiman was revealed to be less than a saint. Indeed most people I know came to their first Gaiman story without knowing the man and so found hope with the tales with no figure head. They only knew the stories. The stories spoke to them.  The stories healed them when they were divorced from the creator.

The stories are still those magic touchstones that saved lives. They are still these wondrous stories. The author doesn't need enter into it- the stories now exist on their own in the world. 

Why not put the stories away for a while and wipe your memory of Neil Gaiman.

I know some of you are going to be upset. you want them all gone because of what he did and I respect that. Hell my attitude is not to buy his works new anymore but buy them used or better yet trade the existing books. That way he makes no money. He has no power and he will eventually fade away. I know this will complicate the TV series and films, but perhaps bootleg them?

It is not an easy to figure out what to do with those who have fallen from grace and their work. How are we to handle their art. This is an important question since  ultimately no one is a true angel.  

For me I look to see if what they did is reflected in their art. If their art is connected to what they did I cut them off entirely.  JK Rowling's tirades against trans people make it hard  to deal with her Harry Potter books where we are supposed to be accepting of everyone. Likewise, I can't watch the work of filmmaker Nina Paley whose Seder-Masochism said that everyone should be free to be who they are, and who said the divisions are the work of the patriarchy spews hatred concerning trans women. While I never liked Louis CK his material which often concerns the same subjects he got in trouble for, made it easy to cut him off. 

As for people who spread hatred like Dave Chappelle I just cut him off and wish him well and hope the door hits him on the way out.

I'm not going to lie and say that I can shut everyone out for bad behavior, largely because I am human and I waffle. Much like my gay friends and family who will go to Hobby Lobby Lobby and Chic-Fil-a despite the owners of those stores pathological stand against anyone being gay. “Yes I know they want to kill me because I'm gay, but I love their chicken” is what they say as they give money to their potential murders.

As for the work of people like Eric Clapton and Van Morrison whose racist tirades about people of color and of differing religions, I find that I am okay with what I grew up with  but I will not give them any more money. The same with actors like Kevin Spacey predatory behavior makes it hard to watch many of his films.

It’s hard to go back and undo the past. Gaiman's books are part of people's lives and it will be hard to remove that so I’m again saying don’t.

Box up Your Gaiman

Now that the mask has been removed from Gaiman, I know many of you want to take all your books and burn them. 

Stop wait don’t.  

I’m going to suggest that instead of just doing it, that you box them up put them in the back of the closet and wait a year or so. Seriously put all the books and DVDs into a box tape it shut and put it in the back of the closet and think no more of this Gaiman person. 

And then in a year or so, when you are looking for that great pair of shoes you can stumble on it and figure out what you want to do with his shit.

No seriously, give it some time before you do the grand purge.

Why am I suggesting this is simply because odds are that the writing in Sandman or in the novels means something. I suspect that if you are reading this the words really do mean something deep and meaningful to you and are in fact etched upon your soul. I’m guessing the words, which you probably discovered before you knew who this Neil person was, touched you in ways that no other words ever had.  It’s entirely possible that the words prevent you from doing something stupid and kept you among the living. (This is why I am what I am saying)

These words matter to you do not throw them away without careful thought and reflection. These are words that you may need again.

You need to really be sure you really want to remove part of you before you throw them away – which is why I am saying  don’t throw them out in a fit of emotion.

The first thing you need to remember is that the words are not the writer. Yes, the words came from him, but they are not him. The words once published and out into the world are now something else entirely. They are a living and breathing thing that are now part of you. They live in your heart and your soul and as such the words belong to you as much as they once belonged to the writer. I say this because as the words get adapted into other forms our feeling change – that is not how we saw it- that is not what I would have done. Why do you feel this way? Because the story is now part of you.

The writer doesn’t enter into it. Indeed, when you think of the stories you think of the characters and situations you don’t think of this writer person who is oh so far away.

The words are not this shadowy person who you barely know but they are instead something you carry with you in everything you say and do and are.

Words matter because they move us. They, in the right hand make us better. The words have power to change the world- which why people try to ban them- and you must remember, that outside of this mess, that the words I am arguing for you not to lose are the target of people who want to keep you small and dull and stupid and in their control.

Words are the key to freedom.

The words in Sandman and the other works opened doors, broke down walls and showed you and other people that there was life and community outside your and their darkness.  The reason that you are hesitating in throwing away the words is that Sandman opened these doors for you.

In the case of the fandom it gave you each other. Friendships that would not exist if not for the words.

Embrace the words and the stories and use them to reconnect to the friends you have made along the way. Use the words to be together without the writer. Throw the writer away and keep the stories & friends that are now part of you

Remember the words are going to live on well past the writer’s demise – so you should be connected to them and not that other person.

Tuesday, March 12, 2024

Solaris Mon Amour (2023) First Look


Stanislaw Lem's novel Solaris was published the same year as Hiroshima Mon Amour was released. Using the two works of art as a pivot point, directors Kuba Mikurda and Izabela Zubrycka cut together 70 Eastern European educational films from the period and overlay it with a radio adaption of Solaris in order to create a trip to another world.  

Belt in ladies and gentleman this is a wild ride.

Weaving together a bunch of things that should never go together Mikurda and Zubrycka have created a film that creates its very own world. Watch the film we quickly fall under it spell and go to a planet far away. It's so well done that unless you know it was cut together from various sources, you would never know. (No really, this plays as an off-kilter art film from the period)

I personally love collage films like this because I find that when they are done right the illusion of reality is so much stronger than a regular film. As such, this film got me where I live and took me to some where else.

Highly recommended.

Sunday, March 10, 2024

THE IN BETWEEN (2024) SXSW 2024


THE IN BETWEEN is a lovely film.

This is a chronicle of filmmaker Robie Flores, who in the wake of the death of one of brothers returns home to Eagle Pass which is on the US border with Mexico. There she reconnects to life and the place she grew up.

While we have seen similar films before, rarely have we seen one that is as vital and as important as this one. Kicking the notion of immigrants along America’s southern border to the curb, THE IN BETWEEN sets the record straight, The people who are coming to America are actually just like everyone else. It’s a wild concept that those on the far right are not going to want to consider. The power in the film is simply that Flores simply shows us her life. There is no embellishment, it is simply life in a small town in Texas. That may not sound like much but in a time where the media fans the flames that anyone who isn’t white is a potential threat it’s so nice to be shown that isn’t the case.

There is no false drama, just life.

There is a magic to it  all. Watching the film I found myself lifted. Just like Flores I reconnected to life because I was seeing that there is life out there beyond the shrill screaming of the media.

I really liked this film a great deal.

Recommended.

Friday, December 29, 2023

Fifteen 2023 Horror Films with Great Performances


This is Ted Geoghegan's fault.  Ted and I were talking about the great horror performances this year and about how some of the year end horror lists were made up of just the big hits or festival favorites. Everything was the typical horror films with typical performances, no one it seemed to be discussing how the films this year were containing performances that did more than check off boxes on the horror film cheat sheet. Any talk of good horror or horror performances on the net was focused on your typical EVIL DEAD, SAW, scream queen sort of thing. 

As we talked, I started to drop titles of films with magnificent- and often unexpected performances- performances that are not typical horror performances but very real to the point that they make the films something greater-sure they are horror films, but they are also life. The bad things in these films are happening to real people and not just cut outs for horror directors to move around and slaughter. Many of the films I was truly impressed by transcended the genre to be something more (though some are just great scary movies).

Why were people taking the road most traveled, and not looking at the grand field of horror in 2023?

Since I did the work already, I decided to add a couple of films to get it up to 15 and then post my list of what I consider great horror films with great performances.

A few quick notes: 

First - I am not going to name a lot of names. Not because I am lazy, but because I picked films where the whole cast kicked ass. These are films where there isn't a bad performance anywhere in them. (Also, I did this on the fly in the spur of the moment and I wanted to get it out and up before I had time to forget what I wanted to say)

Second - I have included three short films. Honestly, I could have done a piece of just short films that was two or three times as long as this whole list made up of just shorts because there were so many that were that good. For this list I simply picked the first shorts that came to mind.

Lastly - there is no real order to this list. Yes, Ted's film is the best of the lot because it is truly has Oscar worthy performances, but honestly the casting of all of these films are as good as BROOKLYN 45 since there isn't a bad performance in any of them.

Fifteen 2023 Horror Films with Great Performances.

BROOKLYN 45 - This is as perfectly cast a (horror) film as you will see all year. I have been championing the film and the performance of Anne Ramsay in particular since I first saw it. Ramsay gives a performance for the ages as a torturer who wants to forget what she did in the war. The moment where she agrees to use her skills to find out if someone was a Nazi spy is one of the most crushing moments in any film this year, while also being the most terrifying, because her demeanor is now cold and monstrous.  The typical horror movie monsters are not as chilling as this woman doing evil for her country.  What makes it all the more chilling is that she is backed up by a cast to kill for. Kristina Klebe as her victim breaks our hearts, as does Jeremy Holm as a man doomed by his own actions. The rest of the cast crush us as they reveal the depths that basically good people have sunk to in the name of preserving freedom. Thanks to the performances BROOKLYN 45 transcends the genre and becomes a blistering social commentary that is more chilling than the occasional ghost that drifts through the film.

WHERE THE DEVIL ROAMS - The Adams family strikes again with a chilling tale of horror carnies with the devil's heart. As with all of the films from the Adams family the characters are front and center. Sure, there is some spooky stuff, but mostly in their films the effects are at a minimum and what we react to is the perfectly rounded characters. While this film has more blood and guts than their earlier films, the characters are still what makes the films. And while the characters are well drawn, the fact that the performances are flawless makes the film all the more disturbing.

IT LIVES INSIDE - A young woman unleashes an ancient evil and we are terrified. While the fact that this is an Indian centric tale might make it's ability to connect with a wide audience seem uncertain, most, but the fact that the performances are so good never have us question as to whether this could ever happen to us.

WHEN EVIL LURKS - Sure the evil that is unleashed in this film is icky, and disturbing, but at the same time if the performances weren't perfect, the over the top nastiness would be funny and not stomach churning horrific. No one is a cartoon, they are just real people we know sliding off the table into unspeakable evil. Hell, where in most horror films we chuckle at the doomed doing something stupid, here we are just crushed at the start. We know they are fucked but we can't laugh. Why? Because the performances make the characters people we know.

TRANSYLVANIE - horror short film is one of the greatest vampire films ever made. What seems like a jokey film seems at first that this is a light an airy film, but the "goofy" performances of kids ends up turning into perfection as the film reaches its conclusion and we realize what we were watching.

GODLESS THE EASTFIELD EXORCISM - the story of a couple dealing with the weird experiences of one of them seems like a typical mental health drama or a typical horror film, but then the film turns into something black and unexpected. That it works is the result of actors selling their experiences. We aren't in a fake horror film but something very real. Possession is frightening again.

HUMANIST VAMPIRE..... horror comedy romance  should have fallen off the ledge and into parody, but the cast sell the charmer in ways that you don't see in horror film, namely creating characters that are more than just vampires.

DEADLAND - months on I am still haunted by the characters in the film. The story of a border agent who finds a dying man and has his world turned upside down shouldn't work. Or rather in different hands wouldn't work. The weirdness and the paths the film take shouldn't be as compelling as this.  We accept the weirdness because the actors give us people we can relate too, and as such we'll buy what they are experiencing.

ABRUPTIO - Yes I know the characters in this film are puppets. However the manipulation of them and the vocal performances make them very real. Frankly I remember them more than many real actors.

YOU'LL NEVER FIND ME - a woman shows up at a trailer home in a pouring rain storm and dark magic happens. Sure the plotting doesn't work to the  end, but god damn this two hander is absolutely riveting. It's just two people interacting for 90 minutes with no effects. Pure movie magic.

COFFEE TABLE - horrifying tale of the events around a coffee table will turn your stomach. Why? because once it gets going it's simple the interaction of characters orbiting a black hole of the soul. This could have been the wrong sort of funny, but it's not, it's just soul crushing.

PRYING EYES - the reason this short is as chilling as it is is simply because, like BROOKLYN 45 this is a ghost story about the people. As it is the film's horror isn't about the ghost but the ugliness hidden in people.

OUTWATERS - I am not a found footage fan. However there are exceptions, this is one of them. This story of something evil in the dark shouldn't work. So much of this is dark and impenetrable, but the performances, often just vocal, sell this. We feel the fear, if not in the words and images but the inflection in the screams.

UNDER BUG - social commentary horror film about the cost of hate works because we accept the characters. We buy who they are going into the house and we are moved by the karmic events they are forced to endure. Sure we are frightened but at the same time our hearts break.

WHITE NOISE- final film and final short is the story of a woman with a hearing problem undergoing a procedure that goes wrong. Sure the film has a kick ass sound track, but it wouldn't work if Bahia Watson's other worldly performance didn't knock it out of the park.  She is the film and it's terrifying.

Wednesday, November 8, 2023

Looking Forward (2023) DOC NYC 2023


One of the best shorts of DOC NYC is LOOKING FORWARD, a meditation on the future and how we view it.

The film is mostly a series of AI generated images based on director Steven Ascher‘s commentary about how we see the future. It’s a thought provoking look at how he see the future shapes the future…and most interestingly suggests at one point that perhaps seeing the future as full of doom and gloom may result in survival since, especially in a world on the verge of war, gets us to move to safety.

I was entranced by the film and I had to watch it a second time…and I pondered getting a ticket to see it on the big screen since the AI created images are dream like and burn their way into your brain.

A brilliant look at life, LOOKING FORWARD is recommended.

Wednesday, September 6, 2023

Hello Dankness (2023) opens Friday at the Film Forum


The Australian artists known as Soda Jerk tell the story of America from 2016 until today using repurposed and altered movie clips to reveal a country in freefall.

First up if you are a Trump supporter or MAGA cut member you can skip this. The film will simply piss you off.

The first third to half, up until the film shows the Democratic party treating Donald Trump as John treats Garfield, yelling at him, but not punishing him, this film is absolute cinematic magic. Re-purposing films like THE BURBS, WAYNE'S WORLD, George Romero’s LAND OF THE DEAD and others so that they took place in current America is brilliant. The level of angst and spot on vitriol is amazing.  Watching the film I found I was reacting to both the ideas being presented and the actual filmmaking. This film is frequently a perfectly crafted film.

The problem with the film is that after a certain point the film loses focus. Things are not quite tied together. Yes we get brilliant sequences, Spring Time For Hitler over sequences of cops dancing and beating up protesters, but the pieces don’t fit together.  For example equating zombies for true believers never quite goes anywhere after a certain point. Bemoaning Bernie Sanders dropping out of the race in 2016 never pays off despite constant mentions.

While  the film is very uneven, it is still a must see. The points the film makes need to be discussed. The editing and repurposing is brilliant. While I know that this film will date badly and ten years down the road will only make sense to those who lived through the last few years (a point I’m stealing shamelessly from Nate Hood because he is right) for now, it is a glorious piece of filmmaking.

Sunday, September 3, 2023

Nightcap 9/3: What does it take to be a critic?

A critic hard at work

For a critic?

You have to watch EVERY movie you can. You have to have an undying passion for ALL films of all types. You need to see movies that make you HAVE to talk about them. Just seeing certain films is dead wrong since you will compare all others to them. Cinema is infinite

That was a response to PR person extraordinaire and wonderful human being Alicia Diaz pondering on Twitter… er X, about what films  you need to see to be a critic. She was looking for a list of five films, but I don’t think there are a set number you need to see.

My feeling is that you can't just see five films you need to see more. Actually what you need to see are hundreds if not thousands of films from everywhere of every type. Film/Cinema/movies are an infinite medium with as many notions of what "film is" as there are creators.

And you can’t just watch good films.  You need to watch bad films, and mediocre films, and boring films and action films, and dramas and comedies and science fiction and horror and children’s films and shorts and features and everything you can get your hands on.

You have to watch films day and night...even when you sleep (leave TCM as you do so- the films will work their way into your brain)

If you only watch certain films, especially just the big films or the awards films you are limiting yourself. You need to go beyond them to anything you can get your hands on.

Yes, you have to watch the big films everyone is talking about  but more importantly you MUST watch the films no one is talking about. You need to go out and watch the small films at festivals that no one is attending, you need to watch the films that don’t have friends. There is very often gold in those films. More importantly you will learn way more from the smaller films than the big ones- why? because you will see things not like anything else, your horizons will be opened.

As a critic you need to have a wide open palette  and be able to acknowledge that there is more to films than the big ones. You need to know where people like Quentin Tarantino is stealing from because a lot times filmmakers are stealing from other people.

If you only watch certain films then your opinion will ultimately be useless to readers. If you can’t put what you are seeing into the context of all cinema then your opinion is less important. I see this with newer writers. Many will not revisit black and white films or anything outside of the Oscar films from before 1970. This makes reading their pieces difficult  because they aren’t aware  of the film’s connections to earlier films or earlier versions. I recently read a piece on a remade film  where a writer talked about how wonderfully new something was while the filmmaker was on record as saying he lifted sequences from earlier films.

Beyond seeing anything and everything you should talk to people and list discuss the films you are seeing. And I do mean discuss.  Go to festivals and talk to the people around you. Talk to other people at the festival. Talk to the other fans and see what they are seeing or what they thought. Talk to the ushers and staff and see what they have liked. Listen to what these other fans are saying. Listen because they will open up doors you never knew existed, in part about the film you are discussing, but other films. Listening will allow you to connect up other films and filmmakers. It will give you new films to see and most importantly it will give you a new set of friends.

Going to the movies is a social event. Be social.

Always have your own opinion. Do not follow the crowd, follow your heart.  If you don't like a film that everyone else does say so. Explain why. Have your own voice and use it- we need new voices not echo chambers.

And stand by your opinion. Your opinion is just as right as anyone else's. Speak your truth because no one else can. Just because you don't agree doesn't mean you are wrong. I frequently get into battles over the big award films everyone loves.  In many cases I like the films but I can't go out on a ledge for them. In other times I know I'm right and other people are wrong and I have to try and pull people back from the edge.

Champion the films you love. If you love a film no one else does, speak out. Your job as a critic is not just to critique the films you see but to highlight things you are seeing. As a critic you have to point out the films we might have missed. Champion the things you love so others will find them

Lastly what you need to be a critic is to always remember and never ever forget that you are a fan of the movies. If you ever forget that you were that six year old kid staring wide eyed at some magical thing on a screen bigger than dad and twice as ugly, then you will be useless as a film writer. You need to have a connection to the spark, to the gob smacked sense of joy that made you love the films. You have to remember that what you are trying to do in write on movies is to connect your sense of "WOW!!!" to that bit of every one who reads you or sees you. You want to push the readers emotions so they want to feel what you're feeling and go out and see that film.

Too many critics are buttoned up,they feel they are above the fray. They know all. Being in a critics screening can be daunting because many critics won't talk to you. They won't let their guard or pretensions down. I didn't talk to anyone for the longest time.  But then I began to find my friends, the people here at Unseen Films, and people like the late Gerald Wright and the people in the back row at the Tribeca pre-screenings and I realized that some critics knew they were real people. They loved films because they did. No pretensions, no demand that films be high brow, just a love for a good story regardless. I gravitated to them. I still aspire to be them.

What do you need to be a critic?

An undying passion for the darkness and the flickering images shown there and the desire to share the great things you found there with anyone who will listen.

Saturday, July 29, 2023

HOME INVASION (2023) Fantasia 2023


Experimental look at doors, doorbells, visitors, home invasion and home security.

This is not going to be for everyone. One part documentary, one part essay it’s wrapped up in a porthole view point that puts everything into the fisheye lens of a door bell camera. It’s a very deliberate film that raises a lot of questions about our homes and the people who lurk outside.

Frankly I have no idea how to describe what exactly this film is. It’s a wild ride through history. It’s also a deeply disturbing film  that frequently gets under your skin to make this film scarier than any horror movie you’ve seen this year. Part of it is the presentation which is carefully designed to provoke a reaction, but mostly it’s a deeply troubling thing that raises a lot of questions you probably don’t want to think about.

I was bothered by it on a gut level.

If you want to have reality kick you in the knees HOME INVASION is a must

Wednesday, June 14, 2023

MIDDAY BLACK MIDNIGHT BLUE (2022) starts Friday

 



A man ponders a lost love while going through his days.

This achingly beautiful film is a cinematic poem about love, loss and memory.  I absolutely love portions of this film because it gets the emotions so absolutely perfect  that I saw sections of my life reflected in them. And yet other moments didn't resonate with me at all as if I was just watching some random stranger talk at me. The result is a film is that in many ways is  more like life than any other.

Recommended for those who want a unique experience.

Friday, June 9, 2023

Playland (2023) Tribea 2023


Imagine what would have happened if  Lina Wurtmuller and Rainer Werner Fassbinder made cinematic essay about a legendary gay bar in Boston  using the styles of Wes Anderson and Peter Greenaway and then you might have an idea of what PLAYLAND is. It’s a cinematic piece of art that is going to delight some and bore others.

The film is a look inside the Playland bar in Boston which was home to a thriving gay community for decades. Closed down by the city and due to be demolished, director Georden West brought in various people to repopulate the bar one last time. Mixing tableaus in the bar with news stories on the bar and remembrances with people who were there the film is one of a kind cinematic piece of art. There is no real narrative such but a heavy sense of mood. We are left to piece the various bit together into something. How do the two guys who work in the kitchen tie to the waitress in the silver sequined dress? That’s for us to sort out.

If you can get on the films artistic wavelength then there is going to be enjoy. Largely visual I found myself searching each image looking for hidden details and even watched the film a second time just to enjoy the images.

As much as I like the film I do think the film kind of runs out of steam on the other side of the halfway point. While I still enjoyed the images, the lack of “narrative” had me checking my watch.

Reservation aside, PLAYLAND will still delight anyone who is ready for it’s one unique charms.



Sunday, April 30, 2023

Echo Of Everything (2023) Hot Docs 2023


ECHO OF EVERYTHING is a trip. My basic attitude is just buy a ticket and take a ride, but since that doesn’t really work for a review, let me talk for a couple of minutes.

ECHO is a meditation on the nature of music, or it starts off as a meditation/essay on the nature of music and then goes off into all sorts of unexpected places like the meaning of life, the universe and everything. Nominally it is an illustrated talk where director Cam Christiansen‘s talk is illustrated by Andy Curtis in Caligari like make up and segments with different musicians whose music help to illustrate the points he is making.

It’s very hard to really explain what this film is because the film isn’t a film, but a trip. Where we get on to the train of celluloid is not where we get off. The film changes as it goes along. More importantly the film changes us as we go along. Whether you like the film or not the sheer act of seeing  THE ECHO OF EVERYTHING is going to alter your DNA. The questions it raises, and the thoughts it puts before you will force you to engage with them and as you wrestle with the implications of each point your view of “everything” changes. You are not the same person you were at the start.  This isn’t am idle statement, but the truth since each piece of information builds on the last. It’s like a perfectly selected play list of music and ideas meant to your head and heart dancing in a new direction.

I can only imagine what second and third or more viewings will result in since, as I said above, everything builds on everything else.

And while that may make the film sound overly heady, it isn’t. It is instead a fun ride that delights you in the best ways. Its such a blast to just watch, that odds are you aren’t going to realize that it got your mind going until sometime after the end credits have finished rolling and you find you are still thinking about the film.

What an absolute delight.

A must see.

Wednesday, March 1, 2023

Gods Of Mexico (2022)

 


GODS OF MEXICO must be seen on a big screen. Full of stunning image after stunning image this is one of the most visual arresting films of the year.

The film is a portrait of various regions of Mexico. It is told via sound and image, and I don't remember any dialog. It is told in the form of a visual essay with images both real and surreal, color and black and white.

You will forgive me if I keep my comments brief but GODS OF MEXICO is not a film easily described. It is a film that you must experience for yourself since it is a film that is pure emotion and visceral reaction. This is a film you watch and listen to, allowing it to wash over you and trigger your endorphins and centers of wide eyed wonder. Words don't enter into it since the place you end up when the end credits roll is a place beyond them.

This is a magnificent film you must see big and loud.

Friday, December 9, 2022

And Then They Burn The Sea (2022)


“I want to remember you even without your own memories”

Majid Al-Remaihi tries to come to terms with his mother’s fading memory in a film that is part documentary, part essay and part silent scream into the night.

Transcending being just about a son’s loss of his mother, it  becomes a moving look at how we view the world and how not only our memories, but those of the one’s be love shape our world.

This film will rock you.

If you can see this under optimal conditions, a darkened theater with no distractions it will rock your world. This is rightly in the Oscar mix.

Sunday, October 9, 2022

Brief thoughts on The Super 8 Years NYFF 2022


Annie Ernaux edits the super8 footage she and he family shot over roughly a ten year period, 1972 to 1981.

I don’t have much to say about THE SUPER 8 YEARS other than it’s a very good little film. A perfect portrait of a time and place now half a century away. Having lived through the same period, in America as opposed to Europe, I still felt a certain amount of nostalgia for a time gone by.

This is a wonderful personal essay film which has a great deal about life as it was lived in it’s perfectly timed one hour length.

Worth a look.

Friday, September 16, 2022

EVERYTHING WRONG AND NOWHERE TO GO (2022) Camden International Film Fest 2022


Director Sindha Agha is worried about how climate change is pushing us to extinction so she contacts a Climate Psychologist and begins having sessions to come to terms with the things she can't change.

Cinematic meditation on how climate change is making many of us nuts. The fear of not being able to either control what is happening or know what will happen is a real thing and there is a whole new track in mental health aimed at helping people. Agha uses her own fears to help everyone in the audience.

This nifty little film is going to be a god send for many. In its brief running time it lays out why we feel as we do and how we can deal with it. Sure it may not replace sessions with a professional but it at least can help us calm down a bit and realize we are neither alone nor crazy.

This is a super little film and is recommended.