Ethan Hawke at 50: An Appreciation

by Lynn Lee

If I had to pick one actor who most perfectly embodies the spirit of Generation X, the choice would be a no-brainer.  With all due respect to other 40 and 50something stars (Leo, Brad, Johnny, Keanu) or dead icons (River, Heath) in his peer group, it could never be anyone other than Ethan Hawke.  Not because—or not only because—of Reality Bites, which made him the poster child for cynical, disaffected (but secretly vulnerable) Gen X slackers everywhere.  Rather because his career exemplifies the quiet independence and under-the-radar achievements of that not-quite-lost, but certainly liminal, generation.  He’s been working steadily since his debut, at the age of 14, in Explorers (1985), yet like any good Gen Xer, has successfully eluded easy characterization.  He reaches the half century mark today having assembled one of the most intriguing and eclectic bodies of work of any currently living actor... 

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The New Classics: First Reformed

Michael Cusumano here with the most recent film I've yet to induct into this series. Despite its newness, it's one of the titles I'm most confident will earn the label of classic in the course of time.

Can you pinpoint the moment someone crosses the line between faith and fanaticism? Is it even possible to fully define the boundaries between the two? Most reasonable people would agree it’s around the moment someone commits an act of violence in the name of God, but an individual crosses that boundary internally long before he straps on a suicide vest. 

That elusive moment of radicalization exists somewhere in the vast gray silences of Paul Schrader’s First Reformed. It passes by so quietly that it is possible to be late into the film and have no inkling of the wild-eyed zealot Ethan Hawke’s Reverend Toller will become in the film’s shocking final movement...

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Blueprints: Memorable Scenes from Your "Best Original Screenplay" Nominees

by Jorge Molina

We all rose at the crack of dawn on Tuesday morning to hear Kumail Nanjiani and Tracee Ellis Ross banter in a way that we won’t see anyone do on the actual Oscar stage. While we were all bracing for catastrophe (and yes, Bohemian Rhapsody is a Best Picture nominee), the nods balance between expected precursors and delightful surprises (still high on the Marina de Tavira wave). As for Best Original Screenplay, there were no surprises. Four out of the five nominees were pretty locked from very early on. It was the fifth slot that was the question mark. While I was hoping for Bo Burnham’s distillation on teen angst, Paul Schrader’s distillation on environmental nihilism works just fine as well.

After the jump the writers, their history with Oscar, and what scene we think landed them that nomination...

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Podcast: Critics Awards, Capernaum, Vox Lux

Nathaniel R, Murtada Elfadl, and Nick Davis to talk new films and awards madness

Index (68 minutes)
00:01 Top ten lists mania. And what makes a screener gay?
04:42 Vox Lux. What is going on there with Brady Corbet's messaging and Natalie Portman's ACTING?
16:01 Celebrity Cameos: Boots Riley, Julia Roberts, and pre-SAG silliness
22:16 LAFCA prizes and critical consensus especially around Roma
36:00 Ethan Hawke vs Bradley Cooper for Best Actor
41:22 Nadine Labaki's amazing Oscar submission Capernaum
49:20 Foreign Film Contenders. We don't like Girl
56:45 "Narratives" Glenn Close, Regina King, Amy Adams, Emily Blunt
63:30 Category Fraud Giggles and Carol Throwbacks
66:50 Ask us some questions, bitches!

Further Reading / References
• Boots Riley's Twitter account
• Foreign Film Race
• Nick's take on Girl
• LAFCA Awards
• ...oh and this is Christopher the cat, who was present for the recording

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Critics Awards, Vox Lux, Capernaum, and More...

NYFCC Obsesses Over Roma

The New York Film Critics Circle are one of the two most influential groups who pass out critics prizes (the other being their Los Angeles counterparts the LAFCA) during Oscar's preseason. Today the 40+ New York critics made their choices which involve multiple rounds of voting and discussions among the critics attending in the room. They were wild for Roma giving the Mexican black & white memoir the top prize and giving writer/director/producer/editor/director of photography Alfonso Cuarón two additional prizes with Best Director and Best Cinematography.

Their prizes went like so...

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