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Entries by Michael C. (232)

Tuesday
May192020

Trivia: Name That Kiss

Hey everyone. Michael Cusumano here.  There is still time to sign up Thursday's Movie Trivia Night, sponsored by The Film Experience. 

I thought I'd give you guys one more sample round, so here's Round 5 from this past Thursday's game: Name That Kiss There was one minute per slide for teams to settle on an answer. How would you have done? (Question #3 stumped the room.)

The 10 gifs are after the break along with information on how to join this Thursday's game... 

Click to read more ...

Tuesday
May192020

The New Classics: Capote

Michael Cusumano here to celebrate a film that is so much more than just another "based on a true story" prestige pic. I have noticed that Bennett Miller’s Capote is often shoved into the biopic genre in a way that diminishes the film’s achievements. 

Lesser biopics bask in the glow of reflected importance coming off their subjects. Significance through osmosis. They value the flush of recognition over insight, and the accumulation of incident over meaning. Capote on the other hand is crafted with a stark, unwavering discipline. It has more in common with a portrait of artistic self-destruction like Black Swan than with Walk Hard inspirations like Ray...

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Sunday
May172020

Announcement: Weekly Trivia!

Hey, everyone. Michael Cusumano here with an exciting announcement. My company Whiskey Cat LLC recently launched a weekly Movie Trivia night on Zoom and The Film Experience has come aboard as a sponsor! It's 5 rounds with 50+ question with a variety of questions and games including audio and visual clues. Rest assured I am taking care to craft questions that The Film Experience audience will enjoy. Oscars and actresses will no doubt abound. Nathaniel will be writing one of the 5 rounds this week!

Here's an example of one ten minute round last week. Within that time limit, how many of these could you answer correctly (no googling allowed obviously)

How do you play? The event is held every Thursday at 7:30 PM EST on Zoom and runs about 2 hours. It’s $5 per person payable through Venmo or PayPal. Send a team name along with the payment and I will reply with the ZOOM information. You can include your information in a comment along with the PayPal or Venmo payment or contact me one of these ways: 

Email: WhiskeyCatProd@gmail.com
Twitter: @TriviaWhiskey
Facebook: Whiskey Cat presents: Zoom Movie Trivia  

Hope to see you there this Thursday!

Wednesday
May132020

Over & Overs: Anatomy of a Murder (1959)

In this series members of Team Experience share their feelings for movies they have watched multiple times and that they can never get enough of. Here's Michael Cusumano

I can’t remember what originally drew me to Anatomy of a Murder. I certainly never held strong feelings toward the courtroom genre in general or the films of Otto Preminger in particular. I do recall a youthful obsession with George C. Scott that might explain it; Dr. Strangelove and The Hustler both would both qualify as top contenders for this series.

Whatever path I took to Anatomy of a Murder, once discovered it was never far from my rotation. You would think courtroom movies would be ill-suited for repeat viewings since most are structured like mysteries where the truth is gradually forced out into the open. Once the secrets are spilled, what is left for the return visit? But therein lies the appeal of this surprisingly idiosyncratic title...

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Tuesday
May122020

The New Classics: Two Days, One Night

by Michael Cusumano

I become invested in the struggles of Sandra in Two Days, One Night in a way I rarely do with other protagonists. 

The Dardenne’s unadorned style combined with the rawness of Marion Cotillard’s performance convince me completely of the reality of what’s unfolding, and I monitor Sandra like a friend for whom I am gravely concerned, inspecting every downward glance for hints of an impending crack up. When she teeters on the brink of a deep abyss after the film’s brutal first act, I can intuit that she is probably one more setback away from surrendering to her darkest impulses. The film doesn't need to say so...

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