The New Classics: Oslo, August 31

Michael Cusumano here for the 30th episode of The New Classics.

It was hard. Absolutely.

Scene: The Bucket List 
Halfway through Joachim Trier’s Oslo, August 31 we get an extended scene of the protagonist, Anders (Anders Danielsen Lie), sitting in a cafe and simply listening to the other patrons talk. He appears perfectly ordinary sitting there. Just a guy in a cafe. What we in the audience know, which everyone who meets him on this fateful day does not, is that Anders started the day by filling his pockets with rocks and wading into a lake, attempting suicide a la Virginia Woolf. He couldn't go through with it and spends the rest of the film teetering quietly on the brink...

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The New Classics - The Handmaiden

by Michael Cusumano

Hello, everyone. I'm celebrating my 80th day of quarantine by letting my mind wander to one of the most uproariously debauched scenes in recent years.

Scene: The Reading
We hear about Lady Hideko’s readings a few times before we actually see one in action. Earlier, when she says she is worn out after a performance, we take it as a sign of her weakness. She is so sheltered and delicate a simple reading wipes her out her. When we actually witness one of these performances halfway through Chan-wook Park’s The Handmaiden, we change our tune in a big hurry. The readings are nothing if not impressive displays of stamina...

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The New Classics: The Descent

Michael Cusumano here to discuss the movie scene that scared me more than any other in my adult life.

There are some tried and true rules of horror filmmaking that get trotted out whenever the topic is discussed. There is The Hitchcock Rule about the difference between suspense and surprise, and The Jaws Rule about withholding the monster from view until absolutely necessary. I propose adding a new rule to the list of horror maxims: The Descent Rule, named after Neil Marshall’s 2005 terrifying excursion into the caves of Appalachia: Structure your story so that it’s scary even if the main threat never arrived. 

Scene: The Tunnel
The Descent didn’t invent this principle, of course...

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Weekly Trivia

Hey folks. Michael Cusumano here. We had a great time at last week's trivia match and I though I would drop in and give you a sample. Last week we had rounds focused on Cate Blanchett and an audio round on Oscar nominated scores of the 2010's plus the general knowledge round we do every week. The round was one minute per question. Let me know how you would have done in the comments (No Googling. Duh.)

 Every winning team gets to choose a round topic for next week's match, and I'm pleased to report 5/21 champs TEAM PEACH chose LGBT Movies/characters/actors nominated for Oscars for this Thursday's game. 

So brush up on that topic if you want a chance at the crown!

To play in this week's game: The event is held every Thursday at 7:30 PM EST on Zoom and runs approximately 2 hours. It’s $5 per person payable through Venmo or PayPal. Send a team name along with the payment and I will reply with the ZOOM information. You can include your contact information in a comment along with the PayPal or Venmo payment or contact me one of these ways: 

Email: WhiskeyCatProd@gmail.com
Twitter: @TriviaWhiskey
Facebook: Whiskey Cat presents: Zoom Movie Trivia  

Hope to see you there this Thursday!

The New Classics: Nightcrawler

About once a decade we get a film set in the world of television that serves not just as a satire but a warning, asking us to take a look at the glaring problems in the way Americans get their information. Titles like A Face in the Crowd (1957), Network (1976), and Broadcast News (1987). It’s clear to me that that the film to take up this mantle for this last decade was Dan Gilroy’s Nightcrawler (2014). 

The trend in these stories does not inspire optimism. If the 2010’s spat up Jake Gyllenhaal’s Lou Bloom to represent it, am I ever terrified to meet the standard-bearer for the 2020’s... 

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