Showing posts with label Kathryn Allan. Show all posts
Showing posts with label Kathryn Allan. Show all posts

Friday, September 28, 2018

Kuppers, Studying Disability Arts and Culture (2014)

Petra Kuppers, Studying Disability Arts and Culture: An Introduction. Palgrave Macmillan, 2014. Pp. 186. ISBN 978-1-137-41346-8. $37.99.

Reviewed by Kathryn Allan

Petra Kuppers is a well-known and respected figure in the disability community at large, her work encompassing (and transgressing) the realms of academia, theatre and dance, literature, and activism. It is no surprise then that her handbook, Studying Disability Arts and Culture: An Introduction, brings all of these various backgrounds together to guide those interested in learning about “the work of disabled artists and their allies” and “artful responses to living with physical, cognitive, emotional or sensory difference” (back cover). Primarily marketed as an undergraduate text, Studying Disability Arts and Culture is a useful arts-based learning tool for anyone who wants to explore “disabled bodies and minds in theatre, performance, creative writing, art and dance” (back cover). As a past university educator and current independent scholar who sometimes dabbles in creative writing, I found Kuppers’ text admirably accessible and comprehensive—for someone new to disability studies in general or to disability-centred art practices specifically, this handbook is a useful resource.

Friday, September 14, 2018

Kuppers, Pearl Stitch (2016)

Petra Kuppers, Pearl Stitch. Spuyten Duyvil, 2016. Pp. 102. ISBN 978-1-944682-06-4. $15.00.

Reviewed by Kathryn Allan

I first read Petra Kuppers’ poetry collection, Pearl Stitch, on a plane while en route to a conference on the fantastic arts. I don’t normally reach for poetry as my go-to travel reading but given my previous encounters with Kuppers’ writing—buying her short story “Playa Song” for Accessing the Future and thoroughly enjoying her short story collection, Ice Bar—I felt that reading something a bit out of the ordinary, as her story-telling always is, would fit the bill. I was not disappointed.

Tuesday, July 12, 2016

Imarisha & brown (ed.), Octavia’s Brood (2015)

Walidah Imarisha & adrienne maree brown (ed.), Octavia’s Brood: Science Fiction Stories from Social Justice Movements. AK Press, 2015. Pp. 304. ISBN 978-1-84935-209-3. $18.00.

Reviewed by Kathryn Allan

Walidah Imarisha and adrienne maree brown’s Octavia’s Brood: Science Fiction Stories from Social Justice Movements is important. I received my review copy of this short story collection a year ago—although life intervened every time I sat down to write my review, it also gave me the opportunity to think deeply about Octavia’s Brood and the legacy of Octavia Butler’s work. To be honest, I don’t think I could have written this review right after reading the anthology. I needed that extra time to let the vision of Imarisha and brown’s project become clearer to me.

Saturday, June 28, 2014

Hughes, More Than a Feline (2014)

Rhys Hughes, More Than a Feline: Cat Tales and Poems. Gloomy Seahorse Press, 2013. ISBN 978-1-291-61927-0. £3.99/£4.99.

Reviewed by Kathryn Allan

Touted as “an illustrated volume of cat stories and poems by cult author Rhys Hughes written over the past two decades and collected together for the very first time,” More Than a Feline is a sometimes irreverent, mostly fun book about cats. If you really like cats and have a generous sense of humour, then you will probably enjoy at least a few of the stories in this short collection (27 stories and poems, totalling 103 pages). I had brought More Than a Feline along with me while attending a conference in Orlando, Florida. The home-spun image on the front cover and a quick skim of its contents told me that this is the kind of book best meant for vacation reading.

Wednesday, April 03, 2013

Jennings & Darrach, Menial (2013)

Kelly Jennings and Shay Darrach (edd.), Menial: Skilled Labor in Science Fiction. Crossed Genres, 2013. Pp. 146. ISBN 978-0-6157056-1-3. $11.95.

Reviewed by Kathryn Allan

The future is full of sprawling cities and colonized alien worlds. Cityscapes tower above placid lakes and human economies span the solar system. While most science fiction stories focus on the shiny technologies of the future and heroes who wield them, we don’t often stop to consider the builders, clerks, and cleaners. In Menial: Skilled Labor in Science Fiction, edited by Kelly Jennings and Shay Darrach (published by Crossed Genres), seventeen short stories explore the future of the worker. Being from the working class, I have an affinity for the people who work behind the scenes, on whose labour we entirely depend to make our lives safer and more convenient. I was certainly pleased to see a volume of SF compiled around the theme of labour.

Saturday, March 16, 2013

Koponen, World SF in Translation (2012)

Jari Koponen, World SF in Translation: Bibliography. Avain/BTJ Finland Oy, 2012. Pp. 429. ISBN 978-951-692-944-9. €48.00.

Reviewed by Kathryn Allan

Sometimes things get lost in the mail. It happens. When the journey from point A to point B crosses two continents and the Atlantic Ocean, it is understandable that a few packages will lose their way. I like to believe that my review copy of World SF in Translation was lost in the icy, wintery sea. Or, perhaps, it fell into the hands of a lonely, SF-loving mail carrier who was too taken by the happy little robo-astronaut on the bibliography’s cover to pass it on. I will never know what happened to my lost book, but the publisher of World SF in Translation, Avain, was gracious enough to provide me an e-book copy. Whether in paper or digital format, at first glance, Finnish SF scholar Jari Koponen’s bibliography is overwhelming. Written in three languages—Finnish, Swedish, and English (with translation of the Preface by Ben Roimola [Swedish] and Elina Koskelin [English])—the bibliography is not a resource for the casual reader of SF. World SF in Translation is a text for the serious student or scholar, in particular those interested in non-Anglo-American utopian literature and SF. Once I was comfortable with the sheer number of entries (around 3,500, give or take a hundred), it was a lot of fun skimming through the book to occasionally find a familiar name and be impressed by SF’s prodigious reach across the globe.

Thursday, May 17, 2012

Tyler, Shadow on the Wall (2012)

Pavarti K. Tyler, Shadow on the Wall. Fighting Monkey Productions, 2012. Pp. 215. ISBN 978-0-9838769-0-8. $11.95.

Reviewed by Kathryn Allan

Pavarti K. Tyler’s Shadow on the Wall: Book One of the Sandstorm Chronicles promises to be a new take on the superhero mythos by challenging the current trend of Islamophobia in the United States with its lead, Recai Osman: “Muslim, philosopher, billionaire, and Superhero” [backcover]. Set in modern day Elih, Turkey (Elih is the Kurdish name for the real Turkish city of Batman), Tyler creates a not-so-imaginary world of corruption and oppression that is “all in a day’s work for the nefarious RTK, the brutal, self-appointed morality police” [backcover]. Basically, the narrative follows the trials and tribulations of Recai, a spoiled—but disenfranchised—playboy who wakes up in the desert one day and must rely on the kindness of strangers in a hostile land. Recai is a difficult character to like, and Tyler takes her time with his transformation from mere man to the superhero, The SandStorm. Aiding him on his journey of self-discovery are an old Jew, Hasad, and a young Muslim nurse, Maryam.