previous next
75. And now Antony once more sent Caesar a challenge to single combat.1 But Caesar answered that Antony had many ways of dying. Then Antony, conscious that there was no better death for him than that by battle, determined to attack by land and sea at once. And at supper, we are told, he bade the slaves pour out for him and feast him more generously; [2] for it was uncertain, he said, whether they would be doing this on the morrow, or whether they would be serving other masters, while he himself would be lying dead, a mummy and a nothing. Then, seeing that his friends were weeping at these words, he declared that he would not lead them out to battle, since from it he sought an honourable death for himself rather than safety and victory.

[3] During this night, it is said, about the middle of it, while the city was quiet and depressed through fear and expectation of what was coming, suddenly certain harmonious sounds from all sorts of instruments were heard, and the shouting of a throng, accompanied by cries of Bacchic revelry and satyric leapings, as if a troop of revellers, making a great tumult, were going forth from the city; [4] and their course seemed to lie about through the middle of the city toward the outer gate which faced the enemy, at which point the tumult became loudest and then dashed out. Those who sought the meaning of the sign were of the opinion that the god to whom Antony always most likened and attached himself was now deserting him.

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 United States License.

An XML version of this text is available for download, with the additional restriction that you offer Perseus any modifications you make. Perseus provides credit for all accepted changes, storing new additions in a versioning system.

load focus Greek (Bernadotte Perrin, 1920)
hide References (6 total)
hide Display Preferences
Greek Display:
Arabic Display:
View by Default:
Browse Bar: