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[334]

In answer to this letter of criticism, Stedman replied that he was speaking only of his personal experience in youth; that it was not the sentiment of Newport or Boston, but of a Calvinistic back-country, where he was injured for life and “almost perished of repression and atrophy.”

January 9, 1888
Do pay proper attention to William Austin, of whom Duyckinck has some account. I think his “Peter Rugg” had marked influence on Hawthorne. At any rate, he anticipated Hawthorne in what may be called the penumbra of his style-passing out of a purely imaginative creation through a medium neither real nor unreal and so getting back to common earth. Brockden Brown could not do this, but always had to come back with a slump upon somnambulism or ventriloquism; and Edward Bellamy, who has I think more of the pure Hawthorne invention than any of our men, fails always in the same way.

Austin's “English travels,” which I have, are racy and remarkable, especially for the period (1804). I knew his daughter and granddaughters, all uncommonly fine women.


Cambridge, May 13, 1903
It is a great pleasure to hear from you again, and all the more since you are seventy, as you allege, and so practically coeval with me, since I, please note, am only seventy-nine and a half and so still among the septuagenarians. I have just been answering, with some difficulty, an authoress who had spoken of me,


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