CHORUS.
The Chief hath spoken: let his will
Be law, ye Trojans.-Raise the cry
To Arms! To Arms! and down the line
Of allies pass the battle-sign.
The God of Ilion liveth still;
And men may conquer ere they die.
Exeunt.
NOTES
THE play presupposes a knowledge of the Iliad in some form, if not exactly in the form which it now wears. We are not only supposed to know that Hector, son of Priam, leads the Trojans and their allies ("Trojans, and Lycians, and Dardans bold": in tragedy they are also called Phrygians) in defence against the Greeks-Argives, Achaeans, Hellênes-under Agamemnon, king of men, and his brother Menelaüs, husband of Helen. This sort of supposition is usual in all Greek tragedy. It merely means that the poet takes for granted the main outlines of the heroic saga. But in this play we are also supposed to take up the story as it stands at the opening of the Doloneia or Tenth Book of the Iliad. Indeed one might almost say that the Rhesus is simply the Doloneia turned into drama and set in the Trojan camp. The only other play that is taken straight from Homer is the Satyr-play, Cyclops, which tells the story of Odyssey IX., but it is likely enough that if we possessed more of the earlier epic literature we should find many other plays closely hugging their traditional sources.-The Trojans are camping out on the field of battle, close to the Greek lines. Hector, always ready for danger, seems to have his tent or log-hut set up quite in the van, just behind the outposts. In Il. X. 415 ff. he is holding counsel with the other chieftains "away from the throng"; the allies are taking their sleep and trusting to the Trojans, who keep awake in groups round the camp fires; no watchword is mentioned.THE END
