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n transferred the centre of population east of the college. The construction of the Craigie Bridge in 1809 largely contributed to this result also. Both of these bridges were originally private enterprises, their profits being dependent upon tolls. As the town increased, other bridges were built, partly on account of the growth of population, and partly for the purpose of bringing real estate into the market. Prison Point Bridge was constructed in 1815, under authority of an act passed in 1806. It was laid out as a county road in 1839. The bridge at the foot of River Street was completed in 1811, and was assumed by the town in 1832. The Western Avenue Bridge was built under authority of an act passed in 1824. A glance at the streets and avenues which were laid out as feeders to the Boston bridges will show the important part played by these corporations in the development of the town. Radiating from Main Street (now Massachusetts Avenue) and covering the territory from the C
The Cambridge of eighteen hundred and ninety-six: a picture of the city and its industries fifty years after its incorporation (ed. Arthur Gilman), Harvard University in its relations to the city of Cambridge. (search)
t five per cent. computed thereon. Of the land procured for the Botanic Garden in 1818, nearly all still remains in the possession of the college, the missing area having been taken for widening streets. Across Garden Street from the Botanic Garden more than 600,000 feet of land were bought between 1841 and 1886 for the purposes of the Observatory; but nearly one half of that area was subsequently sold. The land on which College House now stands was acquired in six parcels between 1772 and 1806, one parcel having been devised by Judge Lee, and the others having been bought. The acquisition of land by the President and Fellows has been going on gradually all through the existence of the institution, but with different degrees of activity. The first lands acquired were the western part of the College Yard and the lots near Holyoke and Dunster streets. The enlargement of the College Yard to the eastward was the next object; and then came the extensions to the north, namely, the Mem
ng her highly respected citizens a number of well-known journalists who rode into Boston each morning in the hourlies to aid in making the daily papers of our neighboring city, and rode out again in the evening to take their well-earned repose at their homes hard by the banks of the placid Charles. Among these were Joseph Tinker Buckingham (ne Tinker), The father of Mr. Buckingham was Nehemiah Tinker, but the son took his mother's name by permission of the Massachusetts legislature, in 1806. He has been immortalized by Mr. Lowell, in the first series of the Biglow Papers, which was published in the Courier, in 1846-1848, when Mr. Buckingham was its editor. his Folks gin the letter to me and i shew it to parson Wilbur and he ses it oughter Bee printed, send it to mister Buckinum, ses he, i don't allers agree with him, ses he, but by Time, ses he, I du like a feller that ain't a Feared. It was in the New England Magazine, then under the editorial care of Mr. Buckingham, that
Francis Jackson Garrison, William Lloyd Garrison, 1805-1879; the story of his life told by his children: volume 2, Chapter 1: the Boston mob (second stage).—1835. (search)
the conduct of the cause rested. She was baptized into it in 1834, became the soul of the Boston Female A. S. Society, and from 1840 her administrative energy maintained the organ of the American A. S. Society, and so virtually the Society itself. She was, in her Right and Wrong series (1836-40), the chronicler of a critical epoch, and in countless other ways her pen was effectively employed, both in prose and in verse, in the Liberator, the Liberty Bell, the Standard, etc. She was born in 1806; her husband, Henry Grafton Chapman, in 1804. He was the son of Henry and Sarah Greene Chapman of Boston. The elder Chapman was the only one of those then reckoned the Boston merchants par excellence to make the anti-slavery cause his own: his wife paid, through the Boston Female A. S. Society, the counsel fee in the Med case (see hereafter). Both Mrs. M. W. Chapman and her husband joined the ranks of the abolitionists against the earnest remonstrances of their pastor, Dr. Channing, and und
nt over the new isms, 224. Adams, Nehemiah, Rev. [1806-1878], author of Pastoral Letter, 2.133. Adams, R.— Letter to G., 1.302. Fessenden, William Pitt, [1806-1869], 1.289. Fillmore, Millard [1800-1874], 1.483. Foster, Festus, 2.103. Foster, Lafayette Sabine [1806-1880], 1.392.— Portrait in Livingston's Portraits an, Oct. 11, 1809], 2.119. Fox, Charles James [1749-1806], 1.379, 465, tribute from Burke, 2.130.-See, also, , 318, W. Phillips, 2.383. Johnson, William Cost [1806-1860], 2.433. Journal (Camden, S. C.), 1.234. , 127. Pitman, Isaac, 1.330. Pitt, William [1759-1806], 1.379, 465. Plumly, —, Mr., 1.137. Plummer, Ha8, unanswered, 366, 368. Sutherland, Duchess of [1806-1868], meets G., 2.385, 387, bespeaks his portrait, 2.81. White, James C., Rev. [b. Lancaster, Mass., 1806], 1.221. White, Lydia, free-produce store, 1.264; 286; on J. H. Noyes, 289. Wise, Henry Alexander [1806-1876], opposes D. C. emancipation, 1.483, and recept<
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 2: the early drama, 1756-1860 (search)
robably the first dramatic version of the Pocahontas story, and Superstition (1824), whose motif was the witchcraft delusion in New England, Barker represents the American playwright working with native material. Even in Marmion (1812) he put in King James's mouth a ringing speech which, while seeming to apply to Scottish conditions, actually reflected the feeling of America toward England in 1812. Marmion was played as late as 1848. Payne, unlike Barker, represents foreign influence. From 1806 when his Julia, or The Wanderer, was acted in New York, his dramatic work consisted largely of adaptation from English, French, and German sources. His complete bibliography See Bibliography. records sixty-four plays, of which nineteen were published. His most significant work was done in the field of tragedy, such as his Brutus, first played in London in 1818, or in comedy like Charles II, first performed in London in 1824, while the bulk of his work is composed of melodrama or farce.
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 3: early essayists (search)
in brother, Willis Gaylord Clark, a Philadelphia journalist whose Ollapodiana papers inherited something of Lamb and anticipated something of Holmes. See also Book II, Chap. XX. Flashes of cleverness, geniality, and quiet humour, however, could not conceal the lack of originality and barrenness of invention that were becoming more and more apparent among the remoter satellites of Geoffrey Crayon. The stream of discursive literature was indeed running dry when Nathaniel Parker Willis (1806-61) burst into prominence like a spring freshet, frothy, shallow, temporary, but sweeping all before it. This prince of magazinists, precociously celebrated as a poet even before his graduation from Yale in 1823, and petted by society in this country and abroad, has suffered the fate of other ten days wonders. Though the evanescent sparkle and glancing brilliance of his A l'abri, less extravagantly known by its later title of Letters from under a Bridge, fully deserved Lowell's praise, thoug
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 4: Irving (search)
neying in Europe during those years of war and of national upheaval was a dangerous matter. Irving was stopped more than once, and on one occasion was arrested at some place in France on the charge of being an English spy. He seems to have borne the troublesome interruptions with a full measure of equanimity, and he used each delay to good purpose as an opportunity for a more leisurely study of the environment and of the persons with whom he came into touch. He returned to New York early in 1806, shortly after Europe had been shaken by the battle of Austerlitz. Irving was admitted to the bar in November, 1806, having previously served as attorney's clerk, first with Brockholst Livingston and later with Josiah Ogden Hoffman. The law failed, however, to exercise for him any fascination, and his practice did not become important. He had the opportunity of being associated as a junior with the counsel who had charge of the defence of Aaron Burr in the famous trial held in Richmond
Cambridge History of American Literature: volume 1, Colonial and Revolutionary Literature: Early National Literature: Part I (ed. Trent, William Peterfield, 1862-1939., Erskine, John, 1879-1951., Sherman, Stuart Pratt, 1881-1926., Van Doren, Carl, 1885-1950.), Chapter 5: Bryant and the minor poets (search)
bocker editors of literary journals See Book II, Chap. XX. and charitably remembered respectively for The old Oaken Bucket and Woodman, Spare that Tree, were popular song writers in the sentimental fashion (perhaps more developed in America than in England) that seems to have originated with Tom Moore. Yet such songs had music, point, and refinement that sets them far above their popular descendants — the raucous, vulgar inanities born of vaudeville and cabaret. Charles Fenno Hoffman (1806-1884), another Knickerbocker editor See Book II, Chaps. VII and XX. and a song-writer, who, says a recent critic, Trent, W. P., in American literature, p. 457. possessed a lyric note almost completely unknown in the America of his time, --by which is meant a certain catchy musical lilt,--is, however, chiefly memorable for the fine ballad Monterey: We were not many, we who stood Before the iron sleet that day: Yet many a gallant spirit would Give half his years if but he could Have bee
Wendell Phillips, Theodore C. Pease, Speeches, Lectures and Letters of Wendell Phillips: Volume 2, Review of Dr. Crosby's Calm view of Temperance (1881). (search)
ave learned something. Now, when these new converts-these nursling babies of grace-mislead by their crude suggestions the Temperance public, obstruct its efforts and waste its means, are we bound to sit silent and make no protest against such waste and recklessness? The treasury of reform is not rich enough to bear such extravagance on the pretence of harmony; much less are we bound to silence when a neighbor's mistake seriously harms and hinders the movement. If Boston lived, as it did in 1806, with no steam fire-engine,--only leather buckets hanging in each man's front entry,--cheerfully would I stand with Dr. Crosby and a hundred more to pass buckets of water up to the firemen on a burning building. But in 1881, I should not obstruct the engine, and crowd it out of its place, merely that Dr. Crosby and I might have a chance harmoniously to unite in passing empty buckets toward the flames. Life is too short for such false courtesies; too short for us to postpone working on our l