Thoughts on the new Fujifilm X100T, X-T1 Graphite & More announcements

Ok, I’ll admit it – I’m a bit of a Fujifilm fan boy because I’ve had quite a bit of enjoyment out of reviewing and owning X-series cameras. As a result, I get excited to hear about what’s new when new models are released. Amidst all the hoopla around the iPhone 6 announcement, I almost missed this one!

Fujifilm X100T Digital Camera

The Fujifilm X100s is a very good camera that I enjoyed reviewing quite a bit. I was very surprised when I had discovered a new replacement was already being released. The full press release is here, but the highlights are an improved rear LCD & hybrid viewfinder, finer grain control on things like the aperture ring, exposure compensation dial, and up to 7 programmable buttons. While interesting, I’m not seeing anything here that makes this camera worthy of an upgrade so this one will be lower on my review priority list than the new lenses mentioned later.

When I see the back of this camera I get concerned as it appears they’ve decided to standardize on the X-T1 selector buttons that didn’t work very well on the X-T1 unit I reviewed.

X100T Rear View featuring X-T1 selector buttons :(

Here’s the X100s Rear Screen view which shows a smaller screen than the new X100T but a new button layout which means some relearning for loyal X100 users. While I welcome the new display, I much prefer the x100s rear view design. From what I see everything on top and in front of the camera on the X100T improves for the better, so this may not be an issue for some.

X100s Rear View

One thing that perplexes me is why can’t Fujifilm just settle on one design? In my opinion, the best rear panel design in the Fujifilm line up is the X-E2, which is why I bought one myself:

X-E2 Rear View

This was a good design that worked and people liked it. I’m all for innovation and trying new things, but the new body changes seem to be making things worse rather than better.

New X-T1 Graphite Edition – Now Featuring Hard To Read Controls!

Fujifilm X-T1 (Graphite Silver Edition) - Rear View
Pay $200 more to have harder to read controls – hum?

I think one of the things that gets people excited about the Fujifilm X series cameras is their cool retro style, and the silver editions are always a big hit. Over time I’ve discovered that the black ones are infinitely more usable in the real world because they resist scratches better and are easier to read in the bright sunlight. However, I’d still call all of the past silver editions as usable. However, I’m really perplexed by the press photo shown above of the rear of the X-T1 because even in the photo the controls are hard to read. Perhaps it is just a bad photograph, but I can certainly imagine that the black on graphite text is going to be a challenge to read in the real world use.

I’m also saddened to see that in designing a new camera body that they didn’t use the opportunity to come up with a better selector button design like they have in the X-E2.

As a camera, the X-T1 is fantastic – one of my favorite Fujifilm’s – but this edition doesn’t inspire much confidence. My advice is to stick with the black X-T1. At the time of this writing it is $200 cheaper and has easier to read controls.

Now for the really fantastic news – finally the ultimate zoom lens for portrait photographers!

Fujifilm XF 50-140mm f/2.8 R LM OIS WR Lens

Without question, my most beloved lens for real world shooting is my 70-200mm f/2.8 with image stabilization. As a result, I was thrilled to see Fujifilm XF 50-140mm f/2.8 R LM OIS WR Lens which has an 35mm effective focal length of 76 - 213 mm – close enough!

I want this lens big time as it’s the perfect zoom lens for how I enjoy photographing people. Granted, the 56mm f/1.2 I’ve tested has been one of my favorite thus far – it’s tough to live without a zoom in a camera system that is designed to be compact. Of course, some might say that this lens is too big for that reason, but personally I’m glad to see see it added to the line up.

Here’s more info on Fujifilm’s site about this cool new lens.

New 56mm f/1.2R APD – for bokeh junkies who thought the current 56mm f/1.2 wasn’t good enough

Fujifilm XF 56mm f/1.2 R APD Lens

The still fairly new XF 56mm f/1.2 R is a fantastic lens, so I’m perplexed why a company with so many other needs in the lens department would release a new variant so soon. The answer lies in the APD designation which is supposed to offer much better bokeh than what is possible in the regular version – at a $500 premium. I’ll definitely have to test this lens because I was extremely happy with the bokeh of the non APD version that I tested as shown in the photo below, so I can’t see how the new one will really be $500 better.

However, for some more is better, so it’ll fun to be give it a try and see how it goes. However, it would have to be pretty incredible for me to recommend it over the existing 56mm which is a brilliant lens.

Here’s more info on Fujfilm’s site about APD.

For the record, I saw no problems with the bokeh from the original:

The original XF56mm f/1.2R does NOT have APD,
but I thought its bokeh quality was outstanding
(FUJIFILM X-E2, f/1.2 @ 56 mm, 1/300, ISO 400, No Flash – Unedited)

Conclusion

I’ll definitely get the lenses in for review, but I’ll not bother with the hard to read X-T1. The X100T will be in the queue for when I’m done with the lenses, or sooner if I get enough requests.

Share your thoughts – is this great news or would you have rather seen something else by Fujifilm announced?

[NOTE: Comments are not auto approved due to spam bots, so please only submit once and be patient for the comment to appear – sometimes days later. I do read every one!]

Where to order

Click the links above learn more or order from B&H. My friends at Adorama have a cool landing page for all of the new Fujifilm products featured here as well.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

• Fujifilm X100s
• Fujifilm X-E2
• Fujifilm X20 (X30 Review coming later this year)
• Fujifilm XPro-1
• Fujifilm XQ1 (vs X20 & Canon s110)
• Fujifilm X-S1
• Fujifilm X-T1 (includes 18-55mm & 23mm lens reviews)
• Fujifilm X-E1, X100s, X20 & X10 Compared
• Fujifilm XF 56mm & XF 10-24mm Lens Review

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

REVIEW: Fujifilm X-E2 – A DSLR Replacement?

Fujifilm X-E2

When I first shot my first X-Series camera, the x100, I was instantly in love with the charm of this compact Fujifilm series. However the x100 was a nightmare to use indoors and its fixed focal length lens turned me off. When the X-Pro1 came out my expectations were high as my lens concerns were addressed by a camera with an interchangeable lens, but despite the great in-camera results I got with that camera I still cursed it’s AF system. The price of the X-Pro1 was a tough pill to swallow for many, so they ditched the expensive hybrid view to make the super successful X-E1.

Fast forward to today and the X-E2 is one of the hottest cameras for the holiday season because of the incredible performance of the x100s.The x100s seemed to address all of the sins of past Fujifilm cameras and add much improved AF performance, so I highly anticipated getting my hands on the X-E2. I’m happy to say that it didn’t disappoint in that it is a fantastic cameras with some of the same quirks as its predecessors.

I’m a big fan of the X-series so this is one that I was saving for this holiday season. Read on to see how I liked it and if I decided to get it. You can also check out a gallery of sample images at http://photos.ronmartblog.com/fujifilm/x-e2.

Video Overview Review

I hate doing video, but I’m testing a video lighting product right now so I’m including a simple overview review video:

View X-E2 Video Review on YouTube

Compared to the X-E1 & X100s

Honestly I didn’t see much beyond speed and image quality improvements to set the X-E2 ahead of the X-E1. Wi-fi is a new addition over its predecessor, but from a shooting perspective the two cameras feel identical.

When compared to the x100s, I find the X-E2 to be identical in nearly every way except the viewfinder & fixed lens. Personally I prefer the X-E2 viewfinder, so I’d advise those deciding if they should get a x100s or X-E2 that they should go for the X-E2.

Bookshelf Test

My bookshelf shots are taken with camera default settings but at ISO 200 (the native base ISO for this camera). As you can see below the color and quality of the image are very solid, but it’s rather dark in the shadows despite the in-camera Dynamic Range setting being set to Auto.

f/2.8 @ 18 mm, 1.7s, ISO 200, No Flash

The image quality is excellent even with the kit lens, and the color is outstanding. Click this article to see how the Adobe raw processing works with the X-E2.

If you turn off RAW you can go to ISO 12800 and 56000, but the results aren’t that impressive from a color and detail standpoint:

f/2.8 @ 18 mm, 1/80, ISO 25600, No Flash, AWB, Standard Film Simulation, NR=0

You’ll definitely want less aggressive noise reduction, so I recommend setting the NR setting to –2. Here’s how detail is obliterated with the in-camera noise reduction:

There’s no RAW after ISO 6400, so if you use ISO 12800 or 25600 you’ll want to turn noise reduction off to avoid the smearing shown here at ISO 25,600

Even at f/22 I found the image quality to be excellent when a tripod and low ISO were used. The lack of obvious diffraction certainly puts this camera ahead of most at this price range and sensor size.

From an image quality standpoint, this camera is definitely on par or better than many DSLR’s with APS-C size sensors. It’s certainly on par with the x100s (which you can compare against by downloading images from here). Click here for a gallery of x100s images.

Sample Images

Click here to go to my Real World Sample Images article

Observations

The ability for the auto focus to lock in low light seems to be lens dependent as I’ve seen consistent poor performance with the 18-55mm lens, but good performance with newer lenses like the 55-200mm seems to be more reliable. That said, the pre-release X-E2 seemed to perform better than what I see with the released version, so I’m suspecting there will probably be a firmware update in the future that improves upon the low light auto focus problems I continue to see with this model.

The built-in flash height still hasn’t changed so it will get the job done, but you’ll get shadows on longer zoom lenses with hoods as shown below…

Popup flash gets the job done but it's nothing to write home about

Remove the hood from the 18-55mm when using the popup or you'll get shadows like this

There’s also some carryover body design problems from the X-E1. They include an AF illumination lamp that is easy to block with finger, and the AF mode switch is easily bumped with the finger. I also find the in-camera noise reduction to be horrible (it destroys detail), so when not reviewing for the blog I prefer to set Noise Reduction to –2 and use Noiseware to eliminate noise better while still preserving detail.

The Velvia film simulation is still my favorite for everything but people where it seems to do a skin softening effect on people that make them look very plastic like. Here’s an example that shows how reds look using standard film simulation:

f/4 @ 44.4 mm, 1/60, ISO 2500, No Flash, AWB, Standard Film Simulation

and here’s the vibrant Velvia film simulation (no edits):

f/4 @ 44.4 mm, 1/60, ISO 2500, No Flash, AWB, Velvia Film Simulation

Here’s the problematic face smearing (even when in-camera noise reduction was off):

f/4 @ 55 mm, 1/17, ISO 6400, No Flash, Velvia film simulation & NR = -2

While the dynamic range isn’t anything to write home about, it’s not bad. Here’s a tough shot because it was taken in total darkness:

Shot in total darkness, but a great AF assist beam and good contrast helped to get the shot
f/2.8 @ 18 mm, 1/60, ISO 800, No Flash, AWB, Standard Film Simulation

Overall I had no issues with this camera from a quality standpoint, and the speed overall seems to be much better in the X-E2 than its processor.

Great Lens Choices

Fujifilm has done an incredible job of bringing a wide range of excellent lenses to market. They’ve also teamed up with Zeiss to provide a an excellent range of premium quality lenses:

FUJIFILM X-Mount Lens Roadmap - July 23, 2013

For those who are wondering, my favorite lens in the Fujifilm lineup is the 23mm:

Fujifilm XF 23mm f/1.4 R Lens

This lens with the X-E2 will have x100s owners wishing they would have waited this super combo. Sure, it’s a lot more expensive, but this is one of those “sure to be a legend” lens like Canon’s 85mm f/1.2L and Nikon's 14-24mm.

Will I give up my DSLR and go mirrorless?

With great image quality, lenses and even a EF-42 shoe mount flash for only $159 (at the time of this writing) to round out this platform to give you really everything you need to make a switch from a DSLR. The question is should you? Will I?

As great as these cameras are, I still prefer my DSLR bodies primarily for the autofocus performance. Yes, these are excellent cameras, so if I were to buy one it would be a complementary setup to keep me from having to lug my heavy DSLR around.

Prior to getting my review unit of the X-E2, I was 100% convinced that this was “the” one I was going to buy. I adored the x100s, but I need more lenses choices. I don’t care about a X-Pro2 because I think the optical viewfinder on this class of camera is garbage, so the electronic viewfinder on the X-E2 is good enough for me. However, the real world indoor performance of the AF system still isn’t where I want it to be so I don’t think I could trust it as my only camera when traveling. With that reality, it means that I’d still need to lug my DSLR on trips so this would become more of a hassle when traveling.

Around town I’d feel totally confident to only bring the X-E2 as long as I had the right lenses, but there again presents another problem for me – I’d  probably need to invest in at least three lenses and a flash. For me that just added up to more expense than I wanted, so in the end I’ve decided that this fantastic and fun to use camera just isn’t for me – for now. However, if I was going to go mirrorless this would be the one I’d get. 

Conclusion

If you are looking for an x100s with interchangeable lenses or you were disappointed with the X-Pro1 performance then your dream camera has arrived. There’s lots to love about the X-E2 as its build quality is excellent, the lens choices are plentiful, and the image quality makes me fall in love with photography all over again. This is an excellent product that I long to own should I decide to buy with my heart instead of my head, but for now common sense keeps me behind a DSLR for at least another generation.

If you don’t already own a DSLR then I’d say start with this camera and invest in the X mount lenses. If you stick with prime lenses, the AF performance seems to improve so there’s a workaround if you are willing to pay the price of more lenses.

The Fujifilm X-E2 is an excellent camera that I highly recommend. I also think it makes sense over the x100s as XF 23mm lens will give you everything people love about the x100s with better image quality and the ability to swap to a different lens when you need it.

May 2014 Update

After being disappointed with the selector controls of the X-T1, I finally broke down and bought the X-E2. I’ve been very happy with it, and these lenses that I tested with it were amazing:

• Fujifilm XF 56mm & XF 10-24mm Lens Review

Where to order

• Fujifilm X-E2 KIT w/18-55mm (Black) – (Adorama)
• Body Only Link – (Adorama)

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

• Fujifilm X-T1 (includes 18-55mm & 23mm lens reviews)
• Fujifilm X-E2 – Real World Sample Images (Includes raw processing info)
• FIRST LOOK: Fujifilm X-E2 & X-Q1 (ISO 12,800)
• Fujifilm X-E2 & X-Q1 - Preview and more info
• Fujifilm X20 (My personal P&S camera)
• Fujifilm X100s
• Fujifilm X-E1
• Fujifilm X-M1 Preview
• Fujifilm XPro-1
• Fujifilm X-S1
• COMPARISON: Fujifilm X-E1, X100s, X20 & X10

The Perfect Bag for this Camera

Think Tank Photo Mirrorless Mover 30i

I carried the X-E2 in my Mirrorless Mover or Turnstyle 20 bag during my testing and found both to be excellent choices for this camera.

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Fujifilm X-E2 – Real World Sample Images

Fujifilm X-E2 Mirrorless Digital Camera with 18-55mm Lens (Silver)

If you’ve followed my blog then you know I’m a big fan of Fujifilm X-Series cameras, so I’ve been eager to get my hands on the X-E2. There was always something about the X-E1, X-Pro1, and x100s that gave me a good excuse for not owning them, but on paper this looked to be THE Fujifilm that seemed worth of my hard earned cash.

Want to know if it got it? Stay tuned for part II of my review of this camera.

Sample Photos

You can view the full set of casual snapshot photos at http://photos.ronmartblog.com/fujifilm/x-e2. Please note that this gallery currently contains images that were shot with the internal noise reduction feature set to –2 (basically, off). This will cause pixel peepers to incorrectly assume that the X-E1 had better noise handling but that couldn’t be farther from the truth. In fact, I set the camera to –2 for my testing specifically so I could see how much it has improved.

The film mode choice was Velvia which won’t be to everyone’s taste, but I like it enough that I typically don’t do editing on X-Series images shot in Velvia. That’s exactly what I want from a little camera, so it’s one of the many reasons I like this platform.

Please note that all of these images are the original jpeg’s as they came out of the camera. If you click the image you’ll see the full size version exactly as it came out of the camera. The file name will also offer a clue as to what’s what lens and settings were used when the shot was taken.

Typical Fuji good job with backlighting
f/4 @ 18 mm, 1/60, ISO 2000, No Flash

I love the colors out of camera
f/2.8 @ 18 mm, 1/60, ISO 250, No Flash

Fuji still puts an insane amount of skin softening on your subjects by default
f/3.2 @ 21.4 mm, 1/28, ISO 6400, No Flash

The “kit” lens is still plenty nice in my opinion
f/3.2 @ 21.4 mm, 1/40, ISO 6400, No Flash

I was disappointed to see how this camera handled this shot
when the x10’s EXR mode could get the interior and stained glass in one shot
f/5.6 @ 25.4 mm, 1/52, ISO 6400, No Flash

Really tough scene handled well, but remember in-camera noise reduction was off
f/3.2 @ 21.4 mm, 1/45, ISO 6400, No Flash

The X-E2 did a good of not blowing out the exposure here using camera defaults
f/5.6 @ 22.3 mm, 1/950, ISO 200, No Flash

This is no sports camera – I had dozens of misses for this scene,
but only one frame (above) that was in focus
f/5 @ 32.9 mm, 1/120, ISO 400, No Flash

The 18-55mm doesn’t offer much reach, but when you can
catch colors like this then who cares?
f/5.6 @ 18 mm, 1/160, ISO 400, No Flash

I thought the tree turned out well but I was disappointed in the
fake green look in the grass.
f/5.6 @ 24.3 mm, 1/80, ISO 400, No Flash

I intentionally went down to –2 EV when taking this shot to see if I’d be
left with any detail in the shadows. I was very satisfied with result
f/3.2 @ 20.5 mm, 1/320, ISO 800, No Flash, –2 EV

This is where not having a low pass filter pays off!
X-E2, f/16 @ 19.6 mm, 12s, ISO 200, No Flash

This camera is going to be fun with winter skies!
f/3.2 @ 18 mm, 1/150, ISO 800, No Flash

Lightroom 5.3 & Adobe Camera Raw 8.3

On December 11th Adobe released Lightroom 5.3 and Adobe Camera Raw 8.3 to allow support of RAW files in their products. I’ve checked it out and it works great. The raw processing is Adobe standard so it doesn’t simulate the film simulation modes (i.e., Velvia as shown in my images) but it is on par with the raw processing I see with Adobe standard on Canon and Nikon cameras. The default film mode on Fujifilm is Provia which is still more saturated than Adobe Standard RAW processing, but the effect can easily be simulated by dragging the saturation slider. This is on par with the latest generation Canon cameras which have much more default saturation too.

Adobe does not offer Camera Calibration Profiles for the Fujifilm X-E2 Film Simulation modes in its RAW processing at this time like it does with Canon and Nikon.

For those hearing myths about Fujifilm RAW processing not being very good in Adobe products, I’d encourage you to read this article. Back in Lightroom 4.4/ACR 7.4 Adobe had worked closely to address earlier raw processing problems found in versions before that release. It was true that before that time that Adobe didn’t handle Fujifilm RAW processing very well, but that has been significantly improved ever since then. LR 5.3/ACR 8.3 added X-E2 support which I tested and found to be very good.

Conclusion

Stay tuned for part II of this review when I’m done testing this camera.

Where to order

• Fujifilm X-E2 KIT w/18-55mm (Black) – (Adorama)
• Body Only Link – (Adorama)

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

• FIRST LOOK: Fujifilm X-E2 & X-Q1 (ISO 12,800)
• Fujifilm X-E2 & X-Q1 - Preview and more info
• Fujifilm X20 (My personal P&S camera)
• Fujifilm X100s
• Fujifilm X-E1
• Fujifilm X-M1 Preview
• Fujifilm XPro-1
• Fujifilm X-S1
• COMPARISON: Fujifilm X-E1, X100s, X20 & X10

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

B&H’s Best Deals of the Year Now LIVE (Save up to $1400 on Fujifilm X-E1/X-Pro1)

The best deals of the year are finally getting announced. You can keep track by subscribing to my deals newsletter and checking the archive here. 

Below is one of my favorite, but CLICK HERE to see a bunch more!

Fujifilm X-E1 Buy Together & Save Promo

Save up to $1400 with instant rebates when you purchase Fuji lenses with camera in one order

See my review of this product

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

Have My Dream Fujifilm Cameras Arrived? (X-E2 & X-Q1)–Sample Images Gallery Link Included

If you read my x100s review, you know that I loved that camera – A LOT. However, I would never spend that kind of money for a fixed lens camera. It just makes no sense to me. However, I wanted a x100s in a X-E1 body, and it seems that Fujifilm has both listened and delivered!

A interchangeable lens camera with the X-Trans CMOS II and EXR Processor II is exactly what I wanted, and the lens line up for XF lenses keeps getting better and better. I can’t wait to get my hands on this one!!!

With a 1D X as my primary shooter, this camera might just be the one that causes me to give up my 5D Mark III in favor of a more compact second camera.

Fujifilm X-E2 KIT w/18-55mm (Black) – (Adorama)
Body Only Link – (Adorama)

Fujifilm X-E2 KIT w/18-55mm (Silver) – (Adorama)
Body Only Link – (Adorama)

*** CLICK HERE to see sample images taken with the X-E2 ***

Fujifilm X-Q1 – Perhaps my next Point & Shoot!

I loved my x10 so much that I named it my Point & Shoot of the Year a few years back, so it was a no brainer for me to get the x20. As much as I love it, it would be nice to have something that is a little smaller – especially when my wife and I are out on a formal dinner date.

Everything I see from the specs on this one sounds good, so I am excited to see it in New York next week. I’m even more excited about reviewing it!

Fujifilm X-Q1 (Black)

Fujifilm X-Q1 (Silver) – (Adorama)

Conclusion

I’m very excited about these cameras and can’t wait to review them. I really hope I can get my review unit soon and have one under the Christmas tree this holiday season!

Where to order

Click any of the links above to learn more or pre-order these cameras.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

• Fujifilm X20 (My personal P&S camera)
• Fujifilm X100s
• Fujifilm X-E1
• Fujifilm X-M1 Preview
• Fujifilm XPro-1
• Fujifilm X-S1
• COMPARISON: Fujifilm X-E1, X100s, X20 & X10
• New Mirrorless Panasonic & Sony Cameras available for Pre-Order (Oct 17 2013)

Press Releases

The following are the official unedited press releases for these cameras:

FUJIFILM ONCE AGAIN REDEFINES THE PHOTOGRAPHIC EXPERIENCE WITH THE NEW X-E2

New X-E2 digital camera features high-speed hybrid AF with phase detection, lens modulation optimizer and professional movie capture

Valhalla, N.Y., October 18, 2013 – As a leader in advanced digital camera technology and outstanding image resolution, FUJIFILM North America Corporation today announced the new FUJIFILM X-E2, a premium interchangeable lens camera featuring the latest generation 16.3 Megapixel APS-C X-Trans CMOS II ^*1 sensor and the segment’s fastest autofocus of 0.08 seconds^*2 for a truly remarkable photographic experience.

As the fifth interchangeable lens camera system introduced within the award-winning FUJIFILM X-Series, the FUJIFILM X-E2 delivers picture quality that rivals full-frame cameras with high definition image capture, Fujifilm’s legendary color reproduction and category-leading speed.

“Outstanding image quality and beautiful design are the hallmarks of the FUJIFILM X-Series experience, and today’s announcement of the new X-E2 shows Fujifilm’s unrelenting commitment to photographic excellence,” said Manny Almeida, senior vice president and general manager, FUJIFILM North America Corporation, Imaging and Electronic Imaging Divisions. “With the X-E2, photographers will immediately be amazed by its high-speed hybrid AF with phase detection, pin-sharp image quality, and improved HD movie capture for endless photographic possibilities.”

Award-winning 16.3 Megapixel APS-C X-Trans CMOS II sensor and EXR Processor II

The FUJIFILM X-E2 uses the 16.3 Megapixel APS-C X-Trans CMOS II sensor which expertly controls moiré and false color generation. This is attained by using an original color filter array with a highly randomized pixel arrangement that removes the need for an Optical Low Pass Filter (OLPF) that degrades resolution. The image quality in the X-E2 is further refined by the inclusion of the first Lens Modulation Optimizer (LMO) for interchangeable lens cameras.

The EXR Processor II in the new X-E2 more than doubles the processing speed^*3 of the previous generation. It is able to harness the information taken from over 100,000 phase detection pixels incorporated in the X-Trans CMOS II to deliver extraordinary imaging capability.

This advanced technology has been made possible by the integrated development of lens, sensor and processor, and is based on the optical performance and characteristics of individual lenses. With each of these components working together, the X-E2 achieves astonishing resolution, extends dynamic range, and reduces noise at high sensitivity.

Fast and accurate focusing

The FUJIFILM X-E2 gives photographers and enthusiasts ultra-fast response times to catch even the quickest memorable moments. The X-E2 has a rapid startup time of 0.5 seconds^*4, minimal shutter lag of 0.05 seconds, and high-speed continuous shooting of 7.0 fps (up to approx. 28 frames) ^*5.

With its auto switching AF, the X-E2 combines contrast AF with an improved phase detection AF algorithm that provides accurate capture of low-contrast subjects in low light as well as high-speed responsiveness.

Manual focus made easier

Manual focus has been made easier by the inclusion of Digital Split Image^*6 technology. This helps the user achieve pin-sharp focusing by simply adjusting focus to line up the four stripes displayed in the central part of the live view. Focus Highlight Peaking allows for an outline in

high contrast areas of subjects during focusing, further assisting the photographer in achieving stunningly sharp images.

Classic design and intuitive operation

The FUJIFILM X-E2 continues the tradition of the X-Series with uncompromising craftsmanship and classic design that puts the photographer first. The X-E1 features manually adjustable shutter speed and exposure compensation dials, which has been increased to ±3 EV, for easy controls. The X-E2 also allows users to customize up to four buttons on the top and back of the camera to suit their own shooting style.

The X-E2 features a bright and accurate 2.36 million dot OLED viewfinder with Fujifilm’s original optical design for a distortion-free field of view. A premium clear 3” LCD screen with 1.04 million dot resolution and reinforced glass gives users high viewing angles and a true view of their subject.

Improved movie performance

The FUJIFILM X-E2 shoots full HD video at 1920x1080 with up to 60fps with AF tracking performance for exceptional speed, accuracy and smoothness with a high bitrate of 36Mbps. The X-E2 delivers quick focusing on subjects, even when panning and zooming. With the X-E2, film simulation settings and exposure compensation (±2 EV) can be used during movie recording.

Easy Image Transfer with WiFi^® button

The FUJIFILM X-E2 includes a WiFi button that lets users transfer high quality photos and movies^*7 to smartphones, tablets and computers for easy sharing on social media sites.

To connect the X-E2 to a smartphone or tablet, users can download the free dedicated “FUJIFILM Camera Application” to their iPhone™ / iPad™ or Android™ smartphone or tablet device to transfer up to 30 pictures at a time from the X-E2. The app also lets users download movies, expanding the range of options available for enjoying pictures taken with the camera.

Once paired, users can press and hold the WiFi button to begin sharing images and movies immediately to their smartphone or tablet.

The X-E2 also has an Advanced Filter function and Film Simulation modes to give users a range of creative filters and film effects to apply and achieve unique and artistic looks.

FUJIFILM X-E2 key features list:

• 16.3 million Megapixels APS-C X-Trans CMOS II Sensor
• EXR Processor II
  • Start-up time of 0.5
  • Shutter lag time of 0.05
  • Shooting interval time of 0.7
• AF speed 0.08 seconds
• Lens Modulation Optimizer for improved image quality
• Extra high resolution 2.36 million dot OLED electronic viewfinder
• ±3 EV Exposure Compensation dial with third stops increments
• 3” (1.04 million dot) premium clear LCD (High contrast, High Brightness and Wide viewing angle)
• Built-in Super Intelligent pop-up Flash(hot shoe attachment also available for external flash)
• ISO200 - 6400, extended ISO 100, 12800, 25600, Auto(maximum ISO setting from ISO 400 – ISO6400 available)
• Q Menu shortcut button
• In-camera RAW converter
• Film simulation modes (Velvia, ASTIA, PROVIA, Monochrome, Sepia, Pro Neg.Std & Pro Neg.Hi)
• Artistic features: Multiple exposure, Panoramic shooting,Toy Camera, Miniature, Dynamic Tone, Pop Color, Soft Focus, High Key, Low Key, and Partial Color.
• Selection of Bracketing functions (AE/ISO/Dynamic Range &Film Simulation)
• Full HD Movie
• Microphone/shutter release input (φ2.5mm)
• Super Intelligent Flash
• Approximately 350 shots per battery charge

FUJIFILM X-E2 accessories list:

• Dedicated all-leather case BLC-XE1 with separate cloth wrap
• Compatible with all FUJINON X Mount lenses
• M Mount Adapter for additional lens compatibility
• Hand Grip HG-XE1
• Three dedicated flash models to choose from depending on requirements (EF-X20, EF-20, EF-42)
• Protector filters (PRF-39, PRF-52, PRF-58 and PRF-62)
• Remote release RR-90

The FUJIFILM X-E2 (body only) will be available in November 2013 for $999.95 in both black, and a two-tone black and silver.

The FUJIFILM X-E2 and XF18mm-55mm (27-84mm) F2.8-4 lens (kit) will be available in November for $1,399.95.

The FUJIFILM X-E2 uses the same FUJIFILM X-Mount as the X-Pro1, X-E1 X-M1 and X-A1, and all FUJIFILM XF and XC lenses work with all X-Series interchangeable lens cameras.

The current Fujifilm lens family includes the following FUJINON XF and XC lenses:

• XF 14mm F2.8
• XF 18mm F2.0
• XF 23mm F1.4
• XF 27mm F2.8
• XF 35mm F1.4
• XF 60mm F2.4
• XF 18-55mm F2.8-4.0 OIS
• XF 55-200mm F3.5-4.8 OIS
• XC 16-50mm F3.5-5.6 OIS
• XC 50-230mm F4.5-6.7 OIS

*1: X-Trans is a trademark or registered trademark of FUJIFILM Corporation

*2: FUJIFILM research as of September 2013. Compared with other digital cameras equipped with 4/3-inch sensor or larger, based on CIPA standards, and using internal measurement methods under high performance mode. Attached with XF14mm F2.8R lens.

*3: Compared with EXR Processor Pro

*4: In high performance mode with XF27mm F2.8 lens

*5 JPEG format: Use a card with SD speed class with class 10 or higher.

*6 Digital Split Image is a trademark or registered trademark of FUJIFILM Corporation

*7 FUJIFILM Camera Application for iOS can save movie files up to 1280 x 720

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 10 companies around the world granted U.S. patents in 2012, and in the year ended March 31, 2013, had global revenues of $26.7 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 83 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

NEW FUJIFILM XQ1 COMBINES STUNNING IMAGE QUALITY WITH ULTRA PORTABILITY

Pocket-sized XQ1 features bright F1.8 4x zoom lens, 2/3” X-Trans CMOS II sensor and amazing 0.06 second AF speed

Valhalla, N.Y., October 18, 2013 – As a leader in advanced digital camera technology and outstanding image resolution, FUJIFILM North America Corporation today announced the new FUJIFILM XQ1, a premium pocket-sized digital camera with a bright FUJINON F1.8 4x zoom lens, an advanced 12 Megapixel 2/3” X-Trans CMOS II^*1 sensor with phase detection, and the EXR Processor II that delivers the world’s fastest autofocus speed in its category of up to 0.06^*2 seconds.

“The XQ1 combines the amazing image quality of the Fujifilm X Series with ultra-portability that makes taking beautiful pictures enjoyable anywhere,” said Manny Almeida, senior vice president and general manager, FUJIFILM North America Corporation, Imaging and Electronic Imaging Divisions. “The XQ1 is the most portable X-Series camera ever developed, and people can now experience a premium compact that easily slips into a pocket or purse.”

X-Series image quality and advanced focusing

The FUJIFILM XQ1 uses the 12 Megapixel 2/3” X-Trans CMOS II sensor that is designed to control moiré and false color generation by using an original color filter array with a highly randomized pixel arrangement. This technology removes the need for an Optical Low Pass Filter (OLPF) that degrades resolution. The image quality in the XQ1 is further enhanced by using a Lens Modulation Optimizer (LMO) for stunningly sharp pictures, as well as a 3.0 stop^*3 Optical Image Stabilization for shooting in low light situations.

The newly developed FUJINON F1.8 4x zoom (25-100mm^*4) is constructed with 4 aspherical and 3 extra low dispersion lenses and each lens surface is coated with HT-EBC to reduce flare and ghosting. The XQ1 also has a wide sensitivity range from ISO100 to ISO12800 so you can take realistic and vibrant images even in low light.

The EXR Processor II in the new XQ1 more than doubles the processing speed^*5 of the previous generation, and it easily captures the information taken from over 100,000 phase detection pixels incorporated in the X-Trans CMOS II to deliver astonishing images.

Superb shooting speed and premium compact design

The XQ1 boasts that world’s fastest AF of 0.06 seconds, a shooting interval of just 0.3 seconds^*6 between shots, and a shutter lag of 0.015 seconds to capture even the most fleeting and memorable moments.

With its auto switching AF, the XQ1 combines contrast AF with an improved phase detection AF algorithm that provides accurate capture of low-contrast subjects in low light as well as high-speed responsiveness. The XQ1 also gives users Focus Highlight Peaking that outlines high contrast areas of subjects during focusing, which helps users focus accurately for picture results that look fantastic on-screen and in print.

The XQ1 is made with outstanding craftsmanship and the classic design that the X-Series is known for, all within an ultra-small body that is 3.93” (w) x 2.3” (h) x 1.3” (d). With a sharp 920,000 dot LCD screen made of anti-reflective glass, the XQ1 gives photographers an amazing 85°vertical and horizontal viewing angles as they frame every shot.

Improved movie performance

The FUJIFILM XQ1 shoots full HD video with up to 60fps and AF tracking performance for quick and smooth focusing that records clear subjects, even when moving the camera body thanks to its dedicated image stabilization.

Easy Image Transfer with WiFi^® button

The FUJIFILM XQ1 includes a WiFi button that lets users transfer high quality photos and movies^*7 to smartphones, tablets and computers for easy sharing on social media sites.

To connect the XQ1 to a smartphone or tablet, users can download the free dedicated “FUJIFILM Camera Application” to their iPhone™ / iPad™ or Android™ smartphone or tablet device to transfer up to 30 pictures at a time from the XQ1. The app also lets users download movies, expanding the range of options available for enjoying pictures taken with the camera.

Once paired, users can press and hold the WiFi button to begin sharing images and movies immediately to their smartphone or tablet.

The XQ1 also has an Advanced Filter function and Film Simulation modes to give users a range of creative filters and film effects to apply and achieve unique and artistic looks.

FUJIFILM XQ1 key features list:

• 12 Megapixels 2/3” X-Trans CMOS II Sensor
• EXR Processor II
  • Start-up time of 1.0
  • Shutter lag time of 0.015
  • Shooting interval time of 0.3
• AF speed 0.06 seconds
• F1.8-F4.9 4x optical zoom equivalent to 25-100mm in 35mm format
• 4x Intelligent Digital Zoom (16X combined with optical zoom)
• Lens Modulation Optimizer for improved image quality
• 3” (920,000 dot) premium clear LCD (High contrast, High Brightness and Wide viewing angle)
• Built-in Super Intelligent pop-up Flash
• ISO100 – 12800
• Full HD Movie
• In-camera RAW converter
• Film simulation modes (Velvia, ASTIA, PROVIA, Sepia and Monochrome)
• Artistic features: Toy Camera, Miniature, Dynamic Tone, Pop Color, Soft Focus, High Key, Low Key, and Partial Color Selection of Bracketing functions (AE/ISO/Dynamic Range &Film Simulation)

FUJIFILM XQ1 accessories list:

• Bottom leather case (Black BLC-XQ1 BC and Brown BLC-XQ1 BW)
• Waterproof case WP-XQ1 for depth to 40 meters
• O Ring Kit ORK-XQ1

The FUJIFILM XQ1 will be available in October 2013 for $499.95 in both all-black and all-silver.

*1: X-Trans is a trademark or registered trademark of FUJIFILM Corporation

*2: FUJIFILM research as of September 2013. Compared with other digital cameras equipped with 2/3-inch sensor or larger, based on CIPA standards, and using internal measurement methods under high performance mode

*3: CIPA standard

*4: 35mm format

*5: Compared with the EXR Processor Pro

*6: In High Performance Mode

*7: FUJIFILM Camera Application for iOS can save movie files up to 1280 x 720

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

FUJIFILM X-M1 available for pre-order (includes XC16-50mm (24-76mm) F3.5-5.6 OIS lens)

Fujifilm has made things a bit more interesting by offering yet another X series camera with interchangeable lenses, yet this time the starting price drops to lower than a X-E1 thanks to cost savings caused by removing the viewfinder. Before you shed tears for the viewfinder (which I found to be useless anyway on the X-Series), this model picks up built-in WiFi along with the APS-C X-Trans CMOS sensor and EXR Processor II. What this means is that you have a state of the art X-Series camera that works with the X Mount lenses for a starting price under $700 (body only) or under $800 with the new image stabilized zoom lens.

To be clear, this isn’t a X100s with interchangeable lenses – I’m expecting that to appear in the replacement for the X-Pro1 and X-E1. This uses the original x100 APS-C X-Trans CMOS sensor found in the X-E1, but it does use the X100s new EXR Processor II and it doesn’t have a optical low pass filter. As a result, great image quality is very likely for a very reasonable price!

Fujifilm X-M1

Press Release

X-M1 Rear View

 

Valhalla, N.Y., June 24, 2013 – FUJIFILM North America Corporation today announced the all new, premium FUJIFILM X-M1 compact system camera (CSC), the third interchangeable lens system camera introduced within the award-winning FUJIFILM X-Series. The X-M1 is a lightweight camera that includes the same 16.3 Megapixel APS-C X-Trans CMOS sensor used in the critically acclaimed FUJIFILM X-Pro1and X-E1 that delivers outstanding image quality, all in a premium, beautifully crafted body.

The X-M1 will ship with a newly-designed FUJINON XC16-50mm (24-76mm)*¹ F3.5-5.6 OIS zoom lens that allows enthusiast photographers to capture crystal clear wide angle to mid-telephoto range images. The XC16-50mm is a versatile lens that is ideal for a wide range of photographic subjects, including stunning low-light scenes, true to life portraits and rich colorful landscapes. The lens consists of 12 all glass elements in 10 groups including 3 aspherical elements and 1 ED element. The lens features seven round-edged aperture blades, which offer 17 stops in 1/3 EV increments for precise aperture control.

“The X-M1 is a perfect combination of power and performance, all within a lightweight and well-built chassis. Photographers and enthusiasts alike can confidently take the X-M1 everywhere they go, and it will deliver images that exceed their expectations,” said Go Miyazaki, president and chief operating officer, FUJIFILM North America Corporation.

“The remarkable new X-M1 with its large APS-C X-Trans sensor, 3” tilting LCD screen, new XC16-50mm lens and easy wireless image transfer, gives enthusiasts the ability to capture amazing quality images and also share them effortlessly.”

Award-winning 16.3 Megapixel APS-C X-Trans CMOS sensor and EXR Processor II

The FUJIFILM X-M1 uses the same large APS-C X-Trans CMOS sensor that is found in the X-Pro1 and the X-E1 with a unique color filter array that minimizes moiré and false color without the need for an optical low pass filter. This makes it possible for the camera to maximize extremely high resolution, and to capture each image with accuracy and clarity when using high performance FUJINON lenses.

With the X-M1, users can set the sensor sensitivity from ISO200 to as high as ISO6400 in 1/3 step increments, and even take advantage of the extended range of ISO100 and ISO25600 to obtain amazingly clear and low-noise images even in low-light conditions when shooting at night or indoors.

Together with the EXR Processor II, the X-M1 gives customers incredible speed and response times with a start-up time of 0.5 seconds*², a shutter time lag of 0.05 seconds and a maximum burst speed of 5.6 frames per second (max. 30 frames*³).

Compact performance and advanced features

X-M1 Top View

The X-M1 compact ILC combines advanced features in a go-anywhere design. The X-M1 weighs just 11.6oz*⁴ and measures 4.6” W by 2.6” H by 1.5” D, about half the size of a traditional DSLR body. With a slim profile of 1.3” at its trimmest point, the X-M1 is easily carried anywhere, and can be trusted to deliver high-quality images.

Along with its large APS-C X-Trans CMOS sensor, the X-M1 also features a 3” tilting high resolution LCD screen with 920,000 dots for easy image viewing and framing at various angles.

The 3” LCD monitor tilts at variable vertical angles, facilitating both low-angle and high-angle shots whether on or off a tripod.

The X-M1 gives users additional flexibility with its built-in high precision flash, with the guide number 7*⁵, and Super Intelligent Flash technology that automatically controls flash strength according to scene types to reduce highlight clipping.

Easy Image Transfer with WiFi^® button

The X-M1 features a WiFi button that lets users transfer photos and movies*⁶ from the camera to smartphones, tablets and computers allowing enthusiasts to upload high quality images to social media sites for easy sharing.

To connect the X-M1 to a smartphone or tablet, users can download the free dedicated “FUJIFILM Camera Application” to their iPhone™ / iPad™ or Android™ smartphone or tablet device to transfer up to 30 pictures at a time from the X-M1. The app also lets users download movies, expanding the range of options available for enjoying pictures taken with the camera.

Intuitive design and easy operation

The intuitive design of the X-M1 gives users the ability for one-handed camera operation, which is perfect for the fleeting moments when you need to pick up the camera quickly and start shooting.

The X-M1 has its key operation buttons and dials positioned on the right side of the camera’s rear panel for easy use and quick picture taking. The Mode Dial for selecting the optimum setting for each scene gives access to the Advanced SR Auto function, which automatically recognizes each scene and selects the best settings for sharp and clear images.

The Advanced Filter function gives users a range of creative filters to apply and achieve unique and artistic looks. The use of two perfectly positioned Command Dials allows users to effortlessly adjust the aperture, shutter speed and exposure compensation, while frequently-used functions are given individual buttons, thereby enabling intuitive and quick operation.

FUJIFILM X-M1 key features list:

• 16.3 Megapixel APS-C X-Trans CMOS sensor
• EXR Processor II
• Start-up time of 0.5
• Shutter lag time of 0.05
• Shooting interval time of 0.7
• 3” (920K dot) tilting high resolution LCD screen
• Full range of ISO100 – ISO25600
• Wireless image transfer
• Q Menu shortcut button
• In-camera RAW processing
• Film Simulation modes (Velvia, ASTIA, PROVIA, Sepia, and Black & White)
• 8 Advanced Filters (Toy Camera, Miniature, Dynamic Tone, Pop Color, Soft Focus, High Key, Low Key and Partial Color)
• Multiple Exposure mode to superimpose a second exposure on the first exposure
• Full HD movie 1080P\30fps and built-in stereo microphone
• Available accessories include: Leather Case, Hand Grip, and Clip-on Flash

FUJINON XC16-50mm (24-76mm) F3.5-5.6 OIS

· 24-76mm equivalent F3.5-5.6 lens

· Fully compatible with FUJIFILM X-Mount

· 12 all glass elements in 10 groups including 3 aspherical elements and 1 ED element

· Seven round-edged aperture blades, which offer 17 stops in 1/3 EV steps

The FUJIFILM X-M1 (body only) will be available in black and silver in July 2013 for $699.95.

The FUJIFILM X-M1 and XC16-50mm (24-76mm) F3.5-5.6 OIS lens (kit) will be available in July 2013 for $799.95.

The FUJIFILM X-M1 (body only) will be available in brown in August 2013 for $699.95.

The FUJIFILM X-M1 uses the same FUJIFILM X-Mount as the X-Pro1 and X-E1, and all FUJIFILM XF and XC lenses will work with all X-Series interchangeable lens cameras.

The current Fujifilm lens family includes the following FUJINON XF and XC lenses:

• XF 14mm F2.8
• XF 18mm F2.0
• XF 27mm F2.8
• XF 35mm F1.4
• XF 60mm F2.4
• XF 18-55mm F2.8-4.0 OIS
• XF 55-200mm F3.5-4.8 OIS
• XC 16-50mm F3.5-5.6 OIS

*1 35mm format equivalent

*2 Quick Start mode

*3 Maximum number of frames can be shot in JPEG setting, using a “Class 10” or higher SD card

*4 Including the battery and memory card, excluding the lens

*5 ISO200・m; When shooting at ISO200, the light reaches a subject up to (7/F number) meters away

*6 FUJIFILM Camera Application for iOS can save movie files up to 1280 x 720

 

Where to order

Click here to order the Fujifilm X-M1 web site. My friends at Adorama have it available here.

Other articles you may enjoy

If you enjoyed this article, you may also enjoy these:

• Fujifilm X20 (My personal P&S camera)
• Fujifilm X100s
• Fujifilm X-E1
• Fujifilm XPro-1
• Fujifilm X-S1
• COMPARISON: Fujifilm X-E1, X100s, X20 & X10
• Things You Need AFTER You Buy Your New Camera - Must Have Photography Accessories

Disclosure

If you make a purchase using links found in this article, I may make a commission. It doesn’t cost you a penny more, but it does help to support future articles like this.

What Gear Should I Bring To Disney?

Disney Reality (Unedited X20 Shot)
You’ll often be shooting during harsh mid-day sun while you are slathered in sunscreen with massive crowds
all around you. This leaves you with limited angles to get a shot and even If you get some things to go right
you can still get an epic fail like this shot with sunscreen on the lens!

It’s funny how often this question comes up, but during the summer it seems to happen weekly. You are going to one of the Disney properties with the family and you are deciding what gear you should bring. Most often this is the “dad” trying to decide what lenses and camera(s) to bring, but occasionally I get a mom asking this question to.

Why are you going to Disney?

Disney is almost always about family (Unedited X20 Shot)
Disney Photo Pass Photographers will photograph you with your camera if you ask
They may not be perfect shots, but they are free keepsakes that you’ll cherish years later

At Disneyland a few years back my wife stopped me and grabbed me by the biceps and said “is this Disney boot camp? Are we here to have fun or to complete your checklist?” This was a life changing moment for me because I knew she was right – the goal of Disney is to have fun with your family, not to take photos or see every attraction. Sure, we want to have nice memento photos of the event, but unless you go alone on assignment your objective is NOT photography. This is a good time to leave your hobby/passion at home and focus on the family, but I can relate with the desire to still have great keepsake photos to remember the event. Here’s some tips on how you can do that:

1. Leave the DSLR at home – Yes, I know this is painful as there are so many beautiful colors and things to photograph at Disney, but are you there to take photos or to have a great experience with your family? I’ve talked to hundreds of photographers who before their trip thought they could do both, but I have not spoken to a single spouse who agrees that they accomplished that objective. Your objective is to spend time with family, so leave your big camera and lenses at home. Should you decide to bring them, you’ll often find that they get in the way and you never have the lens you want for any given moment in time. Stopping to switch lenses or add a flash isn’t going to make your spouse or kids happy, so trust me when I say DO NOT GO THERE!
2. Get a killer small camera – I’ve written articles in the past where I’ve taken a G9 to Disneyland, and for Disney World this year I’m taking the X20. Whatever camera you take – make sure it is compact. If you want great photos with a compact camera then you better be willing to pony up some bucks because all of the great ones I’ve reviewed have been in the $500+ range. A used Fujifilm X10 is a good budget solution, but at the end of the day you are going to want a camera that you can lift, click and get the shot – without a lot fiddling around. Great high ISO performance is a huge plus, and personally I prefer a zoom lens over fixed lens solutions like the Sony RX-1 of Fujifilm X100s. See the right side of my blog for a complete list of cameras I’ve reviewed.
3. Open up your wallet – While the shots may not be as good as one’s you would take with your fancy, schmancy DSLR, go ahead and pay for Disney Photo Pass to take DSLR shots of you and your family. Your family will appreciate you being in the shot and you’ll get your high quality keepsakes. Sure they are shooting with Rebel-class cameras, but odds are they will still be better than yours small camera by virtue of a larger sensor. These folks often know where the great places are to shoot because these people take the same damn shot a thousand times a day in that spot! Sadly though these photographers range from mediocre to downright sloppy, but you’ll care less about composition / quality 20 years from now when your little ones are all grown up.

Tip: Involve your family in your limited photography by letting them take the shots too – even the small kids.

While not perfect, this shot taken by my 5 year old daughter (at the time)
was one of my favorites of the trip – because it was her photo!
Involving family may not get you perfection, but it might get you pleasant
memories. I highly encourage it! 

Screw you Ron, I’m bringing my good camera

Okay, let’s assume I’m an idiot and don’t know what I’m taking about about. At a minimum if you are going to bring your good gear then consider a mirrorless like the Fujifilm X-E1 where you’ll have a smaller body and lenses to haul around. If you aren’t willing to make that investment and you must bring your big DSLR, then consider a big zoom like a Canon 28-300mm or Nikon 18-300mm so that you aren’t changing lenses. Sure you’ll sacrifice a little quality over your high end pro lenses, but that can most often be fixed in post-processing via sharpening. Personally I find 200mm is plenty of reach – especially with cropped sensor cameras. If you want great quality then a dual lens setup with a 24-70 f/2.8L II & 70-200mm or a 70-300mm can be a a good choice. 

One thing I ask before you do this though is have your spouse read this article. ;-) While s/he may not say anything at first, it’s been my experience that 100% of the time the spouse gets fed up with the Disney vacation becoming a photo walk. Their visions of a happy family enjoying a wonderful experience together are already ruined by the sheer exhaustion that typically happens during a Disney vacation, so your clicking a half dozen photos every 5 minutes is not going to help keep that frustration at bay.

Thanks for depressing me, now what?!!!

Disney offers many fun shooting opportunities (Unedited X20 Shot)
While your images might not be DSLR like, good weather and light can give you some
solid images that look great after simple editing with Color Efex

When I give people Disney Camera advice I usually get the following reactions:

1. You don’t know what you are talking about MY spouse is different – This is the photographer who usually has a piece of photography gear thrown at them by their formerly unflappable spouse who never got angry once in the X years they had been married. If you think this, then hire a good lawyer because there will come a day – and it may be 20 years from now – where you’ll need it because you are clueless about to read your partners true intentions.
   
2. Crap, I’ve spent $4000 on gear and you are telling me I need something else now? – This is the tough one that even I faced, but I’d also consider you do what I did – reach out to your friend network and see if you have a friend who will loan you the camera you need – perhaps even in exchange for you loaning them your DSLR. Even if you are terrified of loaning someone your gear, TRUST ME – gear at Disney will take more of a beating than anything your friend will typically do with your DSLR back home! You are the one who is going to add scuffs and dings to their precious camera. You can also consider renting which is cheaper than purchasing, so if you go back to your DSLR when you get home then your rental money will be well spent.
   
3. Okay, I trust you – now what?!! – See #2, but generally speaking you want an all-in one solution. Sure cameras like the x100s and RX-1 are tempting, but the lack of zoom will prove frustrating at Disney. My weapon of choice in the past was the Fujifilm x10, but now is the x20. It’s hard to go wrong with either, but the x10 does have the advantage of its EXR mode which is pretty much a full-auto that “just works”. Sure you won’t have raw files, but are you REALLY going to go through and process the RAW versions of all 450+ Disney photos you took? Are these really your portfolio images, or are they really for your family and parents? The truth of the matter is that these photos will often be keepsakes that are shared privately so the content will outweigh the quality 99.999999% of the time. As a result, take advantage of the engineering you’ve paid for in your camera and take advantage of the work done to create very usable JPEG images that are sure to make mom happy! If you can get RAW images out of your camera then do that too for the extra insurance you get with having a raw handy.

If you REALLY want to do it right…

Okay, with the lecture behind me I can honestly say that any Disney property is a photographers dream. While you probably won’t get the release you need to use the photos commercially, it can still be a great place to add photos to your personal collection. If you really want to do Disney right as a photographer my biggest advice is to carve out a few days where it’s just you and your camera at the park. This removes you from any family obligations so you can be there for the park opening and most importantly, sunset. What’s more it’s my understanding that you can still bring tripods into the park, so you can setup and take your time to get the great shots of your favorite locations. This also allows you to take super long exposures with a ND filter to help eliminate moving people from your shot. While flash photography isn’t allowed in the attractions, a good DSLR with great high ISO performance is going to help you a lot at freezing the action. Point and shoots generally don’t cut it here, and the smaller form factor cameras that do often don’t have the high ISO range of some of the better DSLR’s.

Lens wise you’ll benefit from having a lens or dual camera setup that minimizes your lens changes, but generally speaking you’ll probably not want anything larger than a 70-200mm lens – even if you are by yourself. A macro is always handy at Disney as is a standard zoom lens.

You can do yourself a huge favor when you are on your own by timing your visit to occur during off-peak times. This will mean shorter park hours, so if your real objective are fireworks, the light parade or Cinderella’s castle at night then peak season might be a better bet. Generally after the fireworks and last parade the park remains open for about an hour with a much smaller group of people. This is where the photographers come out with the tripods and set up the perfect shot.

Don’t leave home without this…

Whether you choose to shoot with a point and shoot or DSLR, there’s a few must haves that you’ll want on your trip:

1. Hoodman Loupe – If you do any daytime shooting it will be very difficult to see your LCD in the bight California or Florida sunshine, so you’ll be very glad to have something that can cover your screen so you can view your LCD image with some degree of accuracy. Especially when the light goes harsh this is important as camera meters have to make tough tradeoffs in hash light, so you’ll end up with images that can easily be too bright or too dark. Knowing that before you get home is important, and your histogram won’t always tell you what you really need to know – does my exposure look the way I intended.
2. Lens cleaner and microfiber – You’ll need a lot of microfibers in fact because you’ll be sweating profusely with sunscreen getting smeared on your camera during the hustle and bustle of getting around the park. Wiping your lens with your shirt or a napkin isn’t going to cut through residue, so clean your lens & LCD often and properly to get the best results. Typically when you are waiting in line for an attraction is a good time.
3. Lens Hood – Your lens should always have a hood on it in sunny conditions (at a minimum), so if you don’t have a hood at Disney you’ll probably end up with a lot more lens flare and washed out shots than you were expecting.
4. Flash – A flash – especially one that supports high-speed sync – can be invaluable tor getting you proper fill flash exposures in harsh conditions. If you are stuck with an on-camera flash then just use a single layer of a white napkin or a ketchup cup, because you don’t want to be the dork at the park with reflectors and an assistant!
5. Essentials – It goes without saying that sunscreen, water, hand sanitizer, and something like baby wipes to keep the oils off your hands are very helpful – at any location on a hot day. There’s a bunch more, but there are tons of books written on what to bring to Disney.

TIP: I’ve seen sunscreen completely erase lettering on cameras before, so if you care about your gear then be careful to avoid sunscreen on it.

Conclusion

Disney Parks are a great activity for the family, so unless you have very deep pockets I’d suggest spending the money on your family first. A good point and shoot or even cell phone will give you the memory shots that you want from a trip, and the picture pass can give you some DSLR shots for the most scenic photo ops with the family. Investing in great memories with your family is going to pay better dividends in the end too!  As such, to me Disney is about fun with loved ones, not photography.

If you don’t have a family yet or have tons of money to burn, then make a special trip to Disney as a photography destination and enjoy everything but the rides during the peak lighting conditions. Stay at the Disney owned hotel closest to the park and dump your gear off mid-day to enjoy the park or rest, and save your shooting times when the odds are in your favor. There’s lots of fun things to shoot and you’ll have a lot more fun when your family isn’t yelling at you stop taking photos and saying c’mon!

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