Undoubtedly one of the most iconic figures in the world of opera, Luciano Pavarotti's powerful and effortless vocal abilities have left audiences awestruck for decades. Possessing a bright and strong voice with great range and depth, his exceptional technique allowed him to perform challenging roles such as the famous "Nessun Dorma" aria with ease. His extensive repertoire included the works of Verdi, Puccini, and Donizetti, as well as popular Neapolitan songs, helping bridge the gap between classical and popular music. Pavarotti's charisma and larger-than-life personality further cemented his status as a legend in the world of opera.
With an astonishing career spanning over six decades, Plácido Domingo's immense versatility, warm timbre, and impeccable artistry place him among the greatest opera singers in history. Remarkably, this titanic figure has performed over 150 roles across the operatic spectrum, from Italian classics to contemporary works. In addition to his remarkable singing abilities, Domingo is an accomplished conductor and has served as the general director for numerous opera houses. His commitment to imparting his passion and knowledge of opera to future generations has contributed greatly to the art form's growing popularity and enduring legacy.
Blending pop and classical influences, Andrea Bocelli's luminous voice has captivated millions of listeners worldwide. Despite a devastating accident that left him blind at an early age, Bocelli's unwavering determination and innate musical talent propelled him to stardom under the mentorship of Luciano Pavarotti. As one of the best-selling classical artists in history, his emotional renditions of Italian opera standards and popular crossover songs have garnered him countless accolades and legions of devoted fans. Bocelli's heartfelt performances continue to enchant audiences, proving that the power of music knows no boundaries.
The epitome of elegance and grace, Renée Fleming has achieved great renown for her superb lyric soprano voice and impeccable technique. A muse for many contemporary composers, her extensive repertoire ranges from Mozart and Strauss to contemporary American opera, showcasing her immense versatility as a performer. Fleming has been featured on numerous film soundtracks and has even graced the stage of the Super Bowl with her exquisite rendition of the national anthem. As a dedicated advocate for the arts, she continues to inspire a new generation of aspiring musicians through her tireless work in arts education and outreach.
As one of the legendary "Three Tenors" alongside Plácido Domingo and Luciano Pavarotti, José Carreras has enraptured audiences with his passionate and expressive voice. His triumphant return to the stage after a battle with leukemia has been an inspiration to many and demonstrated his tremendous perseverance. Carreras' extensive career includes performances in some of the most demanding and iconic opera roles, as well as popular crossover projects with fellow musical legends. Moreover, his humanitarian endeavors, including the creation of the José Carreras International Leukemia Foundation, are a testament to his unwavering compassion and dedication to those in need.
A true diva in every sense of the word, Maria Callas' electrifying stage presence and dramatic soprano voice have become the stuff of legend. Lauded for her exceptional acting abilities and intense emotional connection to her characters, Callas was able to breathe new life into each role she undertook. Her distinctive vocal style, characterized by her unique use of coloratura and a penetrating upper register, made her an ideal interpreter of both iconic bel canto roles and the verismo repertoire. Beyond the stage, Callas' glamorous and tumultuous personal life only served to heighten the mystique surrounding her unparalleled artistry.
Heralded as the reigning prima donna of the 21st century, Anna Netrebko's sumptuous soprano voice and captivating stage presence have earned her a place among the world's most celebrated opera singers. Her meteoric rise to fame began with her unforgettable portrayal of Natasha in Prokofiev's "War and Peace" and has continued unabated ever since. Over the years, she has tackled an impressive array of roles, showcasing her remarkable vocal agility and dramatic prowess. Netrebko's commitment to supporting charitable causes and nurturing young talent has further solidified her position as an influential figure in the world of opera.
Considered one of the foremost English tenors of the 20th century, Peter Pears was acclaimed for his refined technique and exceptional skill as an interpreter of both operatic and song repertoire. His close collaborations with composer Benjamin Britten led to the creation of numerous roles specifically tailored to his distinctive voice, including the iconic Peter Grimes. Pears' precise diction and expressive delivery made him an ideal performer of lieder, as well as contemporary music. His lasting impact on the English operatic scene continues to be felt through the Aldeburgh Festival, which he co-founded with Britten.
In an all-too-brief career, Mario Lanza's powerful tenor voice and undeniable charisma captured the hearts and imaginations of both opera enthusiasts and moviegoers alike. With a natural talent for singing that emerged during his early years in Philadelphia, Lanza quickly established himself as a major talent in both classical and popular music. His meteoric rise to fame was fueled by his starring roles in multiple Hollywood films, ultimately earning him a star on the Walk of Fame. Though his life was tragically cut short, Lanza's legacy lives on through his unforgettable performances and recordings, which continue to inspire generations of opera lovers.
A star of both opera and the concert stage, Dame Kiri Te Kanawa has been captivating audiences with her radiant lyric soprano voice for over four decades. Born in New Zealand, Te Kanawa quickly rose to international prominence after her sensational debut as the Countess in Mozart's "The Marriage of Figaro" at the Royal Opera House. With a repertoire spanning from the Baroque era to contemporary works, her versatility as an artist and commitment to excellence have made her one of the most respected figures in opera. As a dedicated mentor, she continues to nurture the next generation of performers through her tireless work with the Kiri Te Kanawa Foundation.
Best known for his commanding presence on stage and screen, Avery Brooks is also a highly accomplished opera singer with a rich baritone voice. Balancing his passion for music alongside his successful acting career, Brooks has graced the world's most prestigious stages, often performing works by American composers, as well as standard operatic repertoire. It's no wonder that his deep, resonant voice has captured the hearts of audiences worldwide and has contributed significantly to the world of opera. Offstage, Brooks is also an esteemed educator, imparting his vast knowledge and experience to aspiring artists in various institutions.
Widely regarded as one of the greatest tenors in the history of opera, Enrico Caruso's stellar career spanned two continents and countless successes. Born in Naples, Italy, Caruso quickly rose to fame due to his powerful voice, incredible range, and innate musicality. His groundbreaking recording career brought his artistry to the masses, making him one of the first true international superstars of opera. Despite his untimely death at the age of 48, Caruso's legacy has continued to inspire countless performers and his recordings remain treasured artifacts of operatic history.
A true icon in the world of opera, Jessye Norman's magnificent mezzo-soprano voice and unparalleled artistry have earned her a place among the greats. With an extraordinary range and a distinctive, warm timbre, she has captivated audiences around the globe, performing roles from both the classical and contemporary repertoire. Norman's performances transcended traditional boundaries, incorporating recitals, concerts, and even jazz, showcasing her vast talent across multiple genres. Her tireless advocacy for the arts, as well as her philanthropic efforts, have made a lasting impact on the world of music and beyond.
Hailing from Wales, Bryn Terfel has established himself as one of the most sought-after bass-baritones in the opera world. His powerful and nuanced voice, coupled with his magnetic stage presence, has made him a favorite among critics and audiences alike. Terfel has excelled in a variety of roles, from the comedic to the dramatic, showcasing his incredible versatility as a performer. Beyond the stage, Terfel also devotes time to promoting Welsh culture and music, further cementing his commitment to the arts and his heritage.
Canadian soprano Measha Brueggergosman is a dynamic force in the world of opera, acclaimed for her gorgeous, crystal-clear voice and captivating stage presence. She has garnered international attention for her riveting performances in works by composers such as Wagner, Poulenc, and Golijov. Equally at home in the realms of jazz, gospel, and pop, Brueggergosman's boundless versatility has enabled her to collaborate with an impressive array of artists across different genres. Her unwavering commitment to arts education and humanitarian causes further demonstrates her passion for using her talents to make a positive impact on the world.
Drawing comparisons to the legendary Luciano Pavarotti, French tenor Amaury Vassili has been enchanting audiences with his soaring voice since his debut at the age of 14. Noted for his remarkable vocal control and impressive range, Vassili has excelled both in opera and the world of popular music, earning acclaim for his performances of classical works and contemporary ballads alike. As the youngest professional tenor in history, he serves as an inspiration to aspiring singers, proving that youth and dedication can lead to a brilliant career in the world of opera.
Considered one of the most famous castrati in the history of music, Farinelli's astonishing vocal abilities and unparalleled range secured his place among the legends of opera. Born Carlo Broschi, his exceptional gifts became apparent from a young age, leading to a career that spanned Europe's most prestigious stages during the 18th century. Beyond his extraordinary singing, Farinelli was also known for his considerable acting talent and magnetic stage presence, making him a complete artist who left an indelible mark on the world of opera.
Philippe Jaroussky
As one of the most acclaimed countertenors of his generation, Philippe Jaroussky has mesmerized audiences with his ethereal voice and extraordinary artistry. His impressive vocal range and agility have allowed him to breathe new life into the music of the Baroque era, including works by Vivaldi, Handel, and Monteverdi. Jaroussky's commitment to rediscovering forgotten masterpieces and promoting contemporary works has earned him numerous accolades and established him as a groundbreaking figure in the world of classical music. Offstage, his dedication to arts education and mentoring is apparent through his work with the Philippe Jaroussky Music Academy.
A German countertenor with a superb sense of artistry and nuanced understanding of both classical and contemporary music, Kai Wessel has made a significant impact on the world of opera. Having established himself as one of the leading interpreters of early music, his performances of Bach, Händel, and Monteverdi have garnered widespread critical acclaim. Remarkably, Wessel is also a gifted conductor and teacher, sharing his vast knowledge and passion for opera with future generations of musicians. His commitment to excellence across multiple disciplines demonstrates the depth of his dedication to the art form.
Known as "La Stupenda," Dame Joan Sutherland remains one of the most celebrated sopranos in operatic history. With a voice of incredible power, agility, and coloratura, she stunned audiences with her portrayals of iconic roles such as Lucia di Lammermoor, Norma, and La Traviata. Her extraordinary presence both on stage and in recordings left an indelible mark on the world of opera. Sutherland's incredible career, spanning four decades, serves as an inspiration to aspiring singers worldwide.
One of the most famous sopranos of her time, the Australian-born Dame Nellie Melba is revered for her spectacular voice, remarkable technique, and glamorous stage persona. Melba achieved international fame for her interpretations of legendary roles such as Violetta in "La Traviata," Mimi in "La Bohème," and the title role in "Manon." Her outstanding career, which included countless performances around the world, helped pave the way for the success of future generations of Australian opera singers. Melba's legacy lives on through her numerous recordings and the lasting impact she had on the world of opera.
Acclaimed for her consummate artistry and beautiful lyric soprano voice, German-born Elisabeth Schwarzkopf is considered one of the greatest singers of the 20th century. Renowned for her elegant portrayals of Mozart, Strauss, and Verdi roles, she captivated audiences with her exceptional clarity of tone and immaculate phrasing. Beyond her operatic endeavors, Schwarzkopf was also a renowned recitalist and an esteemed teacher, sharing her vast knowledge and expertise with aspiring musicians. Her profound musical legacy endures through her many recordings and the countless singers who have been inspired by her artistry.
With an extraordinary mezzo-soprano voice characterized by its agility, warmth, and expressiveness, Cecilia Bartoli has become one of the most beloved opera singers of her generation. Known for her vivid interpretations of both Baroque and bel canto music, Bartoli has breathed new life into the operatic canon through her work with early music ensembles and her dedication to rediscovering forgotten repertoire. As a champion of contemporary music and emerging artists, Bartoli's impact on the world of opera is nothing short of monumental. Her contributions to the art form, coupled with her magnetic stage presence, have solidified her reputation as a true operatic great.
Boasting a velvety bass voice and magnetic stage presence, Italian-born Ezio Pinza was a leading figure in the world of opera during the mid-20th century. Renowned for his interpretations of Mozart and Verdi, Pinza graced the stages of some of the world's most prestigious opera houses, including La Scala and the Metropolitan Opera. His successful crossover into Broadway and Hollywood later in his career further showcased his versatility as a performer and cemented his status as a true opera legend. Pinza's legacy lives on through his numerous recordings and the countless artists who have been influenced by his remarkable artistry.
Considered one of the finest baritones of the 20th century, German-born Dietrich Fischer-Dieskau was celebrated for his exceptional vocal technique, impeccable diction, and deeply expressive interpretations. Known for his affinity for lieder, he was also an accomplished opera singer, acclaimed for his portrayals of Mozart, Verdi, and Wagner roles. Fischer-Dieskau's extensive discography remains a testament to his enduring legacy, providing inspiration for countless musicians who have followed in his footsteps. His commitment to excellence in all aspects of his craft sets the standard for future generations of opera singers.
Widely regarded as one of the greatest Wagnerian sopranos of all time, Norwegian-born Kirsten Flagstad dazzled audiences with her rich, warm voice and remarkable vocal stamina. With a career spanning nearly four decades, Flagstad's portrayals of iconic roles such as Isolde, Brünnhilde, and Sieglinde have earned her a place in the pantheon of operatic greats. Her strong stage presence, emotional depth, and unwavering professionalism further solidified her reputation as a true icon in the world of opera. To this day, Flagstad's lasting impact on the genre serves as a benchmark for aspiring artists.
Renowned for his velvety baritone voice, magnetic stage presence, and exceptional artistry, Russian-born Dmitri Hvorostovsky was a true giant of the opera world. Beloved by critics and audiences alike, Hvorostovsky excelled in roles by Verdi, Tchaikovsky, and other great composers, bringing an unparalleled depth of emotion and nuance to each performance. His many records and concert appearances showcased his versatility as an artist and his dedication to his craft. Despite his untimely passing, Hvorostovsky's impact on the world of opera remains immense, inspiring generations of singers who dare to follow in his footsteps.
Possessing a clear, bright tenor voice and exceptional vocal technique, German-born Fritz Wunderlich remains one of the most celebrated opera singers of the 20th century. Known for his remarkable interpretations of Mozart, Schubert, and Strauss, his career was tragically cut short at the age of 35. In spite of his brief time on the world stage, Wunderlich's artistry left a powerful impression on both audiences and fellow singers alike. His numerous recordings endure as treasured reminders of a great talent taken too soon from the world of opera.
Belgian-born Helmut Lotti possesses a striking tenor voice and a magnetic stage presence that have captivated audiences worldwide. Blurring the boundaries between classical and popular music, Lotti has released best-selling albums and given unforgettable performances on some of the most prestigious stages in the world. Known for his diverse repertoire and passion for collaboration, Lotti's artistry demonstrates his commitment to keeping the world of opera vibrant and accessible to new generations of music lovers.
Francesco Albanese
As one of the leading Italian tenors of his generation, Francesco Albanese enchanted audiences with his fluid, expressive voice and remarkable interpretive skills. Born in Naples, he enjoyed a thriving career on both the operatic and concert stages, earning particular acclaim for his portrayals of roles by Verdi and Donizetti. Albanese's dedication to his craft, coupled with his innate musicality and versatility, ensured his place among the pantheon of operatic greats. Today, his legacy lives on through his recordings and the countless musicians inspired by his extraordinary artistry.
Ruggero Raimondi
Acclaimed for his commanding bass-baritone voice, Italian-born Ruggero Raimondi has enjoyed a distinguished career in the world of opera. Renowned for his portrayals of iconic roles such as Don Giovanni, Boris Godunov, and Scarpia, Raimondi's impeccable technique, powerful stage presence, and ability to convey deep emotion have earned him a place among the greats. In addition to his operatic endeavors, Raimondi has also ventured into film and television, showcasing his versatility as an artist. His lasting impact on the world of opera is immeasurable, inspiring generations of singers to follow in his footsteps.
Ukrainian-born Yuri Mazurok was a renowned baritone known for his exceptional vocal technique, rich timbre, and powerful stage presence. He excelled in roles by Russian composers such as Tchaikovsky and Mussorgsky, as well as Italian and French operas. Mazurok's international career included performances at major opera houses around the world, earning him widespread acclaim and respect from both critics and audiences. His artistry and dedication to the world of opera have left a lasting impact that continues to inspire singers today.
Hailing from Russia, Feodor Chaliapin remains one of the most revered basses in the history of opera. With a voice as distinctive as it was powerful, Chaliapin's incredible range, expressiveness, and dramatic intensity set him apart from his contemporaries. Best known for his compelling portrayals of roles such as Boris Godunov, Mephistopheles, and Don Quixote, Chaliapin's multifaceted career also included film and concert appearances. His enduring legacy serves as a testament to his immense talent and dedication to the world of opera.
A star of both stage and screen, Hungarian-born Ilona Massey enjoyed a successful career as a soprano opera singer and actress. With her ravishing beauty, crystal-clear voice, and natural acting abilities, Massey captivated audiences worldwide with her memorable performances in operettas, musicals, and films. Her diverse talents and undeniable charm endeared her to both opera aficionados and mainstream audiences alike, cementing her status as a true icon of the entertainment world.
Jeanne Gordon
Canadian mezzo-soprano Jeanne Gordon dazzled audiences in the early 20th century with her powerful voice and magnetic stage presence. Overcoming difficult beginnings, she quickly rose through the ranks of the Metropolitan Opera, earning particular acclaim for her performances in works by Wagner and Saint-Saëns. Gordon's versatility as an artist enabled her to excel in both dramatic and comedic roles, securing her place as one of the most talented musicians of her era. Her lasting impact on the world of opera is evident through the continued admiration of both critics and audiences alike.
French soprano Marie Favart enjoyed a long and successful career as a versatile and accomplished opera singer. Born into a musical family, her extraordinary vocal talents were apparent from a young age, leading her to make her operatic debut at the prestigious Opéra-Comique in Paris. Known for her captivating performances in works by both French and Italian composers, Favart's commitment to her art, as well as her undeniable charm, endeared her to generations of opera-goers.
Sophie Arnould
A star of the French stage in the 18th century, Sophie Arnould's exceptional talents as a soprano and actress quickly made her one of the leading performers of her time. With a voice characterized by its strength, beauty, and agility, she captivated audiences in roles by Gluck, Rameau, and other great composers of the era. Arnould's magnetic stage presence and lively personality extended beyond the stage, earning her a place among the luminaries of Parisian society. Her enduring impact on the operatic world is a testament to her remarkable gifts as an artist.
Hailed as the "Queen of Coloratura," Slovak soprano Edita Gruberová has enjoyed a long and illustrious career as one of the foremost interpreters of the bel canto repertoire. Her extraordinary vocal agility, breathtaking high notes, and impeccable technique have earned her widespread acclaim for her portrayals of iconic roles such as Lucia di Lammermoor, Queen of the Night, and Norma. Beyond the stage, Gruberová's extensive discography provides a lasting testament to her immense talent and exceptional artistry, inspiring generations of opera lovers worldwide.
Monica Yunus
The daughter of Nobel Peace Prize laureate Muhammad Yunus, soprano Monica Yunus has become a star in her own right, acclaimed for her beautiful voice and captivating stage presence. Her diverse repertoire spans from Mozart and Puccini to contemporary works, showcasing her remarkable versatility as an artist. An advocate for social change through music, Yunus co-founded Sing for Hope, an organization dedicated to transforming lives by bringing the power of the arts to those in need. Through her exceptional talent and dedication to making a difference, she has left a lasting impact on the world of opera and beyond.
Mei Lanfang
Considered one of the greatest performers of Beijing Opera, Chinese-born Mei Lanfang was renowned for his exquisite artistry and exceptional vocal abilities. Specializing in female roles, Mei's outstanding technique and emotional depth made him a true innovator within his art form. His impact extended beyond China, as he introduced the beauty and expressiveness of Beijing Opera to audiences around the world. Mei Lanfang's legacy continues to inspire new generations of artists and opera lovers from all corners of the globe.
A true powerhouse of Russian opera, soprano Galina Vishnevskaya captivated audiences worldwide with her unique combination of vocal prowess, dramatic intensity, and artistic expressiveness. Her unforgettable portrayals of roles from composers such as Tchaikovsky, Mussorgsky, and Verdi earned her widespread acclaim and international recognition. Beyond the stage, Vishnevskaya made a lasting impact on the world of opera through her dedication
- Licia Albanese (July 22, 1909 – August 15, 2014) was an Italian-born American operatic soprano. Noted especially for her portrayals of the lyric heroines of Verdi and Puccini, Albanese was a leading artist with the Metropolitan Opera from 1940 to 1966. She also made many recordings and was chairwoman of The Licia Albanese-Puccini Foundation, which is dedicated to assisting young artists and singers.
- Nils Olov Håkan Hagegård (born 25 November 1945 in Karlstad, Sweden) is a Swedish operatic baritone. Hagegård studied at the Royal College of Music in Stockholm and has performed on stages around the world, including Carnegie Hall, the London Royal Opera House, La Scala, the Metropolitan Opera, the Sydney Opera House, the Deutsche Oper Berlin, the Vienna State Opera (Così fan tutte conducted by Nikolaus Harnoncourt), and the Royal Swedish Opera in Stockholm. He played the role of Papageno in Ingmar Bergman's acclaimed film version of Mozart's Die Zauberflöte (Trollflöjten, 1975). He sang the baritone solos in choral conductor Robert Shaw's acclaimed and highly popular 1980 recording of Carmina Burana, with the Atlanta Symphony Orchestra and Chorus. In 1985 he was appointed vocalist to King Carl XVI Gustaf of Sweden. He was the Senior Lecturer in Music at the Indiana University Bloomington School of Music. Hagegård also held a Professorship in Vocal Studies at the Norwegian Academy of Music in Oslo, Norway. He has premiered notable song cycles by such prominent composers as Dominick Argento and Stephen Paulus. In 1996, Hagegård received the International Scandinavian Cultural Award from the Scandinavian-American Hall of Fame, held during Norsk Høstfest.
- Francesco Rasi (14 May 1574 – 30 November 1621) was an Italian composer, singer (tenor), chitarrone player, and poet. Rasi was born in Arezzo. He studied at the University of Pisa and in 1594 he was studying with Giulio Caccini. He may have been in Carlo Gesualdo's retinue when he went to Ferrara for his wedding in 1594. In 1598 he joined the court of Duke Vincent I in Mantua, and probably served the Gonzaga family the rest of his life, with whom he travelled all over Italy and as far afield as Poland. He sang in the first performances of Jacopo Peri's Euridice and Caccini's Il rapimento di Cefalo in 1600. In 1607 he created the title role in Claudio Monteverdi's Orfeo, and in 1608 sang in the first performances of Marco da Gagliano's La Dafne.In 1610 in Tuscany Rasi and his accomplices were sentenced to be hanged, drawn, and quartered for the murder of his stepmother's servant and the attempted murder of his stepmother; however because of the protection of the Gonzaga family he escaped, and his sentence was eventually annulled with the agreement that he never return to Arezzo, his birthplace.He wrote an opera, Cibele, ed Ati, which seems not to have been performed and whose music does not survive, and another libretto, Elvidia rapita. He published poetry, including in the anthology La cetra di sette corde, and a good deal of monody which survives in the anthologies Vaghezze di musica (1608) and Madrigali (1610). Almost all of these are written for tenor voice, suggesting that they were written to display Rasi's own skill as a singer, and they follow in the style of Caccini's compositions.Rasi was a well-respected singer, whose skill in ornamentation and diminution, beautiful voice, and ability to sing with grace and feeling, led to him being involved in the first performances of many of the first operas.
Eugenia Tadolini
Eugenia Tadolini (née Savorani) (1809 – 11 July 1872) was an Italian operatic soprano. Admired for the beauty of her voice and stage presence, she was one of Donizetti's favourite singers. During her career she created over 20 leading roles, including the title roles in Donizetti's Linda di Chamounix and Maria di Rohan and Verdi's Alzira. She was born in Forlì and studied music there and in Bologna before making her debut in Florence in 1828. She sang in all of Italy's leading opera houses, as well as in Paris, Vienna, and London before retiring from the stage in 1852. She spent her remaining years first in Naples, where she had been the Teatro San Carlo's reigning prima donna for many years, and then in Paris, where she died of typhoid fever at the age of 63. From 1827 to 1834, she was married to the Italian composer and singing teacher, Giovanni Tadolini.- Lawrence Tibbett was an actor who had a successful Hollywood career. In 1997, he was honored with a U.S. postage stamp as part of the Postal Service's "Legends of American Music" series, along with fellow opera stars Richard Tucker, Rosa Ponselle and Lily Pons,. Tibbett made film his next project, appearing in "The Cuban Love Song" (1931) and "Metropolitan" (1935). Later in his career, Tibbett acted in "Under Your Spell" (1936). Tibbett was married to Grace Mackay Smith. Tibbett passed away in July 1960 at the age of 64.
- Luigi Rossi (c. 1597 – 20 February 1653) was an Italian Baroque composer. Rossi was born in Torremaggiore, a small town near Foggia, in the ancient kingdom of Naples and at an early age he went to Naples. There he studied music with the Franco-Flemish composer Jean de Macque who was organist of the Santa Casa dell’Annunziata and maestro di cappella to the Spanish viceroy. Rossi later entered the service of the Caetani, dukes of Traetta. Rossi composed just two operas: Il palazzo incantato, which was given at Rome in 1642; and Orfeo, written after he was invited by Cardinal Mazarin in 1646 to go to Paris for that purpose and given its premiere there in 1647. Rossi returned to France in 1648 hoping to write another opera, but no production was possible because the court had sought refuge outside Paris. Rossi returned to Rome by 1650 and never attempted anything more for the stage. A collection of cantatas published in 1646 describes him as musician to Cardinal Antonio Barberini, and Giacomo Antonio Perti in 1688 speaks of him along with Carissimi and Cesti as "the three greatest lights of our profession." Rossi is noteworthy principally for his chamber-cantatas, which are among the finest that the 17th century produced. A large quantity are in manuscripts in the British Library and in Christ Church Library, Oxford. La Gelosia, printed by F. A. Gevaert in Les Gloires d'Italie, is an admirable specimen. He left about 300 cantatas in total.
- Vincenzo Maria Righini (22 January 1756 – 19 August 1812) was an Italian composer, singer and kapellmeister.
- Richard Hale was an actor who had a successful Hollywood career. Hale's early acting career consisted of roles in various films, such as the drama "None Shall Escape" (1944) with Marsha Hunt, the Nelson Eddy adaptation "Knickerbocker Holiday" (1944) and "Counter-Attack" (1945). He also appeared in the Cornel Wilde adventure "A Thousand and One Nights" (1945), the western "Abilene Town" (1946) with Randolph Scott and the Randolph Scott western "Badman's Territory" (1946). His passion for acting continued to his roles in projects like "The Man With a Cloak" (1951), the Maureen O'Hara adventure "Flame of Araby" (1952) and the drama "The Miracle of Our Lady of Fatima" (1952) with Gilbert Roland. He also appeared in the Gary Cooper western "Springfield Rifle" (1952). In the latter half of his career, he continued to act in the Frank Sinatra comedy "Sergeants 3" (1962), "Tower of London" (1962) with Vincent Price and the dramatic adaptation "To Kill a Mockingbird" (1962) with Gregory Peck. He also appeared in "Scandalous John" (1971) and "Rafferty and the Gold Dust Twins" (1975). Hale was most recently credited in "Warm Summer Rain" (1989) with Kelly Lynch. Hale passed away in May 1981 at the age of 89.
Maureen Forrester
Maureen Kathleen Stewart Forrester, (July 25, 1930 – June 16, 2010) was a Canadian operatic contralto.- To movie fans, Jan Rubeš is best known for his portrayal of the stern Amish father in Peter Weir's Oscar-winning thriller "Witness." Yet Rubeš is more than a well-established character actor; he is an internationally renowned opera singer. Following World War II, the Czechoslovakia-born performer graduated from the Prague Conservatory and was soon performing at the Prague Opera House. In the late 1940s, he emigrated to Canada, where his career in opera flourished. Shortly thereafter, Rubeš broke into film with the lead role in the espionage drama "Forbidden Journey." Yet he didn't return to movies until 1963, when he accepted a supporting role in the animal adventure "The Incredible Journey." Since then, he's proven prolific, appearing in nearly 100 film and television productions, chief among them 1985's "Witness." Shortly after this eye-catching performance, Rubeš won a series regular role on the short-lived medical drama "Kay O'Brien." His next major film role came in 1994, when he played lovable father figure Jan opposite Emilio Estevez in Disney's ice hockey comedy "D2: The Mighty Ducks." Rubeš continued to balance work in the opera with appearances in film and television into the 2000s, with parts in such popular series as the Canada-set crime comedy "Due South," the paranormal series "The X-Files," and the Las Vegas-set drama "Tilt." He made his final television appearance in 2005, playing Pope John Paul II in the controversial drama "Our Fathers." Rubeš died four years later, leaving behind a lengthy filmography and a legacy of music.
- Angelika Kirchschlager (born November 24, 1965, Salzburg) is an Austrian mezzo-soprano opera and lieder singer.
- Emanuel Schikaneder (1 September 1751 – 21 September 1812), born Johann Joseph Schickeneder, was a German impresario, dramatist, actor, singer, and composer. He wrote the libretto of Wolfgang Amadeus Mozart's opera The Magic Flute and was the builder of the Theater an der Wien. Peter Branscombe called him "one of the most talented theatre men of his era".
- Nicola Rossi-Lemeni (November 6, 1920 – March 12, 1991), was a basso opera singer of mixed Italian-Russian parentage. Rossi-Lemeni was born in Istanbul, Turkey, the son of an Italian colonel and a Russian mother. In his prime he was one of the most respected bassos in Italy. The composer Ildebrando Pizzetti wrote the opera Assassinio nella cattedrale (1958) specifically for Rossi-Lemeni. He was also a prize-winning poet and a painter.
- Isabel Bayrakdarian (Armenian: Իզաբել Բայրաքդարյան; born February 1, 1974) is an Armenian-Canadian operatic soprano.
- Erland Philip Peter Van Lidth De Jeude (June 3, 1953 – September 23, 1987) was a Dutch-American actor, opera singer, and amateur wrestler.
Paolo Silveri
Paolo Silveri (b. Ofena, 28 December 1913 – d. Rome, 3 July 2001) was an Italian baritone, particularly associated with the Italian repertory, one of the finest Verdi baritones of his time.- Dawn Upshaw (born July 17, 1960) is an American soprano. The recipient of several Grammy Awards and Edison Prize-winning discs, she performs both opera and art song, and in repertoire from Baroque to contemporary. Many composers, including Henri Dutilleux, Osvaldo Golijov, John Harbison, Esa-Pekka Salonen, John Adams, and Kaija Saariaho, have written for her. In 2007, she was awarded a MacArthur Fellowship.
Gerald Finley
Gerald Hunter Finley, (born January 30, 1960) is a Canadian baritone opera singer.Kathleen Howard
Kathleen Howard was a Canadian actress who appeared in "Blossoms in the Dust," "Crash Dive," and "Laura."- Eileen Farrell (February 13, 1920 – March 23, 2002) was an American soprano who had a nearly 60-year-long career performing both classical and popular music in concerts, theatres, on radio and television, and on disc. NPR noted, "She possessed one of the largest and most radiant operatic voices of the 20th century." While she was active as an opera singer, her concert engagements far outnumbered her theatrical appearances. Her career was mainly based in the United States, although she did perform internationally. The Daily Telegraph stated that she "was one of the finest American sopranos of the 20th century; she had a voice of magnificent proportions which she used with both acumen and artistry in a wide variety of roles." And described as having a voice "like some unparalleled phenomenon of nature. She is to singers what Niagara is to waterfalls."Farrell began her career in 1940 as a member of the CBS Chorus on CBS Radio. In 1941 CBS Radio offered Farrell her own program, Eileen Farrell Sings, on which she performed both classical and popular music for 5 years. In 1947 she launched her career as a concert soprano and nine years later began performing on the opera stage. The pinnacle of her opera career was five seasons performing at the Metropolitan Opera from 1960–1966. She continued to perform and record both classical and popular music throughout her career, and is credited for releasing the first successful crossover album: I've Got a Right to Sing the Blues (1960). After announcing her retirement from performance in 1986, she still continued to perform and record music periodically up into the late 1990s. She was also active as a voice teacher, both privately and for nine years at Indiana University.
- Charles Castronovo (born June 19, 1975) is an American operatic tenor. Castronovo was born to a Sicilian father and an Ecuadorian mother in Queens, New York, but grew up in Southern California. He attended California State University, Fullerton, for undergraduate studies in classical voice. During his time at the university, his talent came to the attention of William Vendice, the chorusmaster of the Los Angeles Opera, who promptly hired him as a chorister.
Lisette Oropesa
Lisette Oropesa (born September 29, 1983) is an American operatic soprano. She has a wide repertoire that includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. With her lyric coloratura soprano voice, she has performed roles in her native Spanish and English, as well as German, French and Italian. She is particularly noted in the roles of Susanna, Gilda, Konstanze and Lucia. Oropesa is a vegan, and avid runner/marathoner who has been featured in Runner's World Magazine. In 2014, she co-contributed to Running, Eating, Thinking: A Vegan Anthology by Martin Rowe, where she talked about her weight loss journey and how she now follows a plant-based diet. In 2015, she was a contributor to Master Singers: Advice from the Stage which includes interviews from famous opera singers about "analysis and awareness of their technique, art, interpretation and stagecraft".In 2019, she won two of the largest prizes given to opera singers in the United States, The Richard Tucker Award and the Beverly Sills Award.- Brenda Boozer (born January 25, 1948) is an American mezzo-soprano who has had an active international career performing in operas and concerts since the mid 1970s. She was a member of the Metropolitan Opera in New York City for 11 seasons.
- Giuseppe Di Stefano (24 July 1921 – 3 March 2008) was an Italian operatic tenor who sang professionally from the mid 1940s until the early 1990s. Called Pippo by both fans and friends, he was known as the "Golden voice" or "The most beautiful voice", as the true successor of Beniamino Gigli. Luciano Pavarotti said he modeled himself after Di Stefano. In an interview Pavarotti said "Di Stefano is my idol. There is a solar voice...It was the most incredible, open voice you could hear. The musicality of di Stefano is as natural and beautiful as the voice is phenomenal". Di Stefano was also the tenor who most inspired José Carreras.
Per Grundén
Per Grundén was a Swedish singer and actor. He spent a substantial part of his career performing in Vienna at the State Opera and the Volksoper. Later in his operatic career he moved from the romantic lead roles to character parts. He became a screen actor, playing in a large number of Swedish films in the 1980s.- Ned Romero (December 4, 1926 - November 4, 2017) was an American actor and opera singer who appeared in television and film.
Francesco Tamagno
Francesco Tamagno (28 December 1850 – 31 August 1905) was an Italian operatic tenor who sang with enormous success throughout Europe and America. On 5 February 1887, he sang Otello in the first performance of Giuseppe Verdi's opera. He is also the earliest Italian tenor of note to have left a sizeable body of recordings of his voice. As a man, he was one of the first international public figures to admit (and take quiet pride) in the fact that (from her birth) he was the single parent and carer of a daughter (see below).- Richard White is an American actor and opera singer best known for voicing the character of Gaston in Disney's Beauty and the Beast and in the TV series House of Mouse.
Titta Ruffo
Titta Ruffo (9 June 1877 – 5 July 1953), born as Ruffo Cafiero (double forename) Titta, was an Italian operatic baritone who had a major international singing career. Known as the "Voce del leone" ("voice of the lion"), he was greatly admired, even by rival baritones, such as Giuseppe De Luca, who said of Ruffo: "His was not a voice, it was a miracle" (although not often published is the second part of De Luca's conclusion "which he [Ruffo] bawled away..."), and Victor Maurel, the creator of Verdi's Iago and Falstaff. Maurel said that the notes of Ruffo's upper register were the most glorious baritone sounds he had ever heard (see Pleasants, cited below). Indeed Walter Legge, the prominent classical record producer, went so far as to call Ruffo "a genius".Thomas Hampson
Thomas Walter Hampson (born June 28, 1955) is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings. Hampson's operatic repertoire spans a range of more than 80 roles, including the title roles in Mozart's Don Giovanni, Rossini's Guillaume Tell and The Barber of Seville, Ambroise Thomas' Hamlet, and Tchaikovsky's Eugene Onegin. The center of his Verdi repertoire remains Posa in Don Carlo, Germont in La traviata, the title roles in Macbeth and Simon Boccanegra, and more recently also Amfortas in Wagner's Parsifal and Scarpia in Puccini's Tosca. As a recitalist Hampson has won worldwide recognition for his thoughtfully researched and creatively constructed programs that explore the rich repertoire of song in a wide range of styles, languages, and periods. He is one of the most important interpreters of German Romantic song – especially known for his interpretations of the music of Gustav Mahler – and, with his "Song of America" project collaboration with the Library of Congress, has become known as the "ambassador" of American song.Hampson's diverse and expansive discography has earned him an Edison Award for Lifetime Achievement, four Edison Awards, four Echo prizes, numerous VEB Deutsche Schallplatten, Gramophone Awards, and Grand Prix du Disque, as well as six Grammy Award nominations, and one Grammy Award. Dame Elisabeth Schwarzkopf once said of her student, "[Thomas Hampson is] the best singer in Europe right now."Nathan Gunn
Nathan T. Gunn (born November 26, 1970, in South Bend, Indiana) is an American operatic baritone who performs regularly around the world. He is an alumnus of the University of Illinois at Urbana-Champaign where he is currently a professor of voice. He has appeared in many of the world's well-known opera houses, including the Metropolitan Opera in New York City, the San Francisco Opera, Lyric Opera of Chicago, Houston Grand Opera, Seattle Opera, the Dallas Opera, the Opera Company of Philadelphia, the Pittsburgh Opera, The Santa Fe Opera, The Royal Opera in London, the Paris Opéra, the Bavarian State Opera in Munich, Theater an der Wien in Vienna, Opera Theatre of Saint Louis, Teatro Real in Madrid, and the Théâtre Royal de la Monnaie in Brussels. He has also appeared at the Glyndebourne Festival near London, the Ravinia Festival near Chicago, and the Mostly Mozart Festival in New York City. In 2011, Gunn was featured as a guest star in the Mormon Tabernacle Choir's annual Christmas concert before an audience of 80,000 in Salt Lake City. The concert was broadcast on PBS and was released as an album in 2012 entitled Once Upon a Christmas. In August 2015, Gunn starred in the world premiere of a new opera presented by The Santa Fe Opera. It was Jennifer Higdon's Cold Mountain, based on the award-winning 1997 novel of the same name by Charles Frazier. Gunn's previous Santa Fe performances include a 1998 production of Berlioz’ Béatrice et Bénédict as well as a 1999 production of Richard Strauss’ Ariadne auf Naxos.While he is noted for his vocal prowess and acting, Gunn has received almost as much fame for his physique, a peculiar feat for an opera singer. He has been dubbed a "barihunk" although as a play on baritone and hunk, he has said he prefers the term "hunkitone." In 2008, he was featured in People magazine's list of "The Sexiest Men Alive."Gunn was appointed a tenured professor of voice in 2007 at the University of Illinois School of Music, and in 2013 he was named general director of the Lyric Theater @ Illinois. In 2012 the Opera Company of Philadelphia appointed him director of its American Repertoire Council promoting new American works. His wife, Julie Jordan Gunn, who holds a doctorate (A. Mus. D.) in vocal coaching and accompanying from University of Illinois, was also appointed associate professor in collaborative piano at the University.- Robert Merrill (June 4, 1917 – October 23, 2004) was an American operatic baritone and actor, who was also active in the musical theatre circuit. He received the National Medal of Arts in 1993.
Matti Salminen
Matti Kalervo Salminen (born 7 July 1945) is a Finnish operatic bass singer, now semi-retired, who has sung at the most important opera houses of the world, including the Metropolitan and Bayreuth Festival.Salminen is distinguished by an imposing figure and height (6' 5"); a cavernous, heavy, dark voice with a huge upper register; and an expressive face. According to one reviewer, in his prime Salminen was "... simply the largest bass voice in captivity. It is not just its roar in powering over Wagner's maximum orchestra, but the way he carves the sonority and forms the color."Salminen has a special gift for playing menacing, threatening characters. He performed as Fafner and Hagen in the PBS video broadcast Ring Cycle from the Metropolitan Opera, for the largest viewing-audience of the Ring in history. He sang in the premiere of Sallinen’s Kuningas Lear in 2000 (King Lear, title role), and Jukka Linkola's Robin Hood in 2011 (Sheriff). Salminen is a widely video-taped singing actor with three different performances as Hagen available on DVD; also two performances as the Commendatore, several as Sarastro, two as Hunding and two as Daland. Videotaped performances and films are also available as King Phillip II, the Grand Inquisitor, Seneca, Gurnemanz, Pogner, Kaspar, Rasputin (in the Finnish opera by composer Einojuhani Rautavaara), and Boris Godunov. Salminen was born in Turku. In his youth he earned money for voice lessons by singing Finnish tangos in night clubs. He has published an anthology of Finnish tangos. He first caught public eye as a lucky understudy in the role of King Philip II, when he was just 24 years old. He continued performing this role until (almost) the end of his career; a DVD was released in 2014.At the Bayreuth Festival he first appeared in 1976 as Titurel (Parsifal), and as Hunding (Die Walküre) and Fasolt (Das Rheingold) in the Jahrhundertring (Centenary Ring) in 1976, celebrating the centenary of both the festival and the first performance of the complete cycle, conducted by Pierre Boulez and staged by Patrice Chéreau, recorded and filmed in 1979 and 1980. He continued until 1989 adding Fafner (Rheingold, Siegfried), Daland (Der fliegende Holländer), King Marke (Tristan und Isolde), Heinrich (Lohengrin), Pogner (Meistersinger), Landgraf (Tannhäuser) and Hagen (Götterdämmerung) to his roles there. He made his Metropolitan Opera debut as King Marke on January 9, 1981, and performed 132 times there in several roles, until March 28, 2008.Other important roles are King Philip II (Don Carlos by Giuseppe Verdi), the Grand Inquisitor in the same work, Seneca in L'Incoronazione di Poppea, Sarastro in Die Zauberflöte, the Commendatore in Don Giovanni, the title role in Boris Godunov and Prince Ivan Khovansky in Khovanshchina. He also performs in sacred music and concert recitals. He gave a farewell concert at the Zürich Operahouse in December of 2016.Peter Hofmann
Peter Hofmann was an opera singer.Alan Crofoot
Alan Crofoot (June 2, 1929 – March 5, 1979) was a Canadian operatic Heldentenor, character tenor specialist, and actor. He is best remembered as the host of Mr. Piper, a 1960s children's television series that aired on the CBC in Canada.- Jan Peerce (June 3, 1904 – December 15, 1984) was an American operatic tenor. Peerce was an accomplished performer on the operatic and Broadway concert stages, in solo recitals, and as a recording artist. He is the father of film director Larry Peerce.
Alexander Kipnis
Alexander Kipnis (February 13 [O.S. February 1] 1891 – May 14, 1978) was a Ukrainian-born operatic bass. Having initially established his artistic reputation in Europe, Kipnis became an American citizen in 1931, following his marriage to an American. He appeared often at the Chicago Opera before making his belated début at the Metropolitan Opera in New York City in 1940.Thomas Hardie Chalmers
Thomas Hardie Chalmers (October 20, 1884 – June 11, 1966) was an American opera singer, actor, and filmmaker.- Anna Maria Alberghetti (born May 15, 1936) is an Italian-American operatic singer and actress. She became a U.S. citizen in 1961.
Wynne Evans
Wynne Evans (born 27 January 1972) is a Welsh tenor. Known for his role as the tenor Gio Compario in the Gocompare.com insurance adverts on television in the United Kingdom, he sang the role of Ubaldo Piangi in the 25th anniversary production of Andrew Lloyd Webber's The Phantom of the Opera at the Royal Albert Hall. He also responded to the New Zealand All Blacks' Haka in 2004, singing "Cwm Rhondda". He went on to sing at over 30 Welsh International rugby matches. Evans, a lifelong Tottenham Hotspur fan, also sang "Glory Glory Tottenham Hotspur" at the last ever game at White Hart Lane. He reprised the song at the opening of the new Tottenham Hotspur Stadium at the inaugural Premier League match against Crystal Palace.- Karla Burns (born December 24, 1954) is an American operatic mezzo-soprano and actress who has performed nationally and internationally in opera houses, theaters, and on television. She is notably the first black person, African-American or otherwise, to win the Laurence Olivier Award, Britain's most prestigious award for theatre.
Patricia Neway
Patricia Neway (September 30, 1919 – January 24, 2012) was an American operatic soprano and musical theatre actress who had an active international career during the mid-1940s through the 1970s. One of the few performers of her day to enjoy equal success on both the opera and musical theatre stages, she was a regular performer on both Broadway and at the New York City Opera during the 1950s and 1960s. Critic Emily Langer of The Washington Post wrote that, "Neway was a rare type of singer — one with the classical training and raw vocal strength to meet the demands of opera as well as the acting talent and appeal required to succeed in musical theater." She is particularly remembered for creating roles in the world premieres of several contemporary American operas, most notably Magda Sorel in Gian Carlo Menotti's The Consul. On Broadway she won a Tony Award for her portrayal of the Mother Abbess in the original production of Rodgers and Hammerstein's The Sound of Music.Giuseppe Valdengo
Giuseppe Valdengo (May 24, 1914, Turin – October 3, 2007, Aosta) was an Italian operatic baritone. Opera News said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical."Tito Schipa
Tito Schipa (Italian pronunciation: [ˈskipa]; born Raffaele Attilio Amedeo Schipa; 2 January 1889 in Lecce – 16 December 1965) was an Italian tenor, considered the greatest tenore di grazia and one of the most popular tenors of the century.Luigi Lablache
Luigi Lablache (6 December 1794 – 23 January 1858) was an Italian opera singer of French and Irish ancestry. He was most noted for his comic performances, possessing a powerful and agile bass voice, a wide range, and adroit acting skills: Leporello in Don Giovanni was one of his signature roles.- Sir Simon Keenlyside CBE (born 3 August 1959) is a British baritone who has had an active international career performing in operas and concerts since the mid-1980s.
- Andrés Perelló de Segurola (27 March 1874 – 23 January 1953) was a Spanish operatic bass.
Louis Quilico
Louis Quilico, (January 14, 1925 – July 15, 2000) was a Canadian opera singer. One of the leading dramatic baritones of his day, he was an ideal interpreter of the great Italian and French composers, especially Giuseppe Verdi. He was often referred to as "Mr Rigoletto" in reference to the Verdi opera. During his 45-year-long career he shared performing credits with opera's greatest stars. He spent 25 consecutive years at the Metropolitan Opera in New York City. After his retirement from the stage in 1998 he continued to perform and record, most often with his second wife, pianist Christina Petrowska Quilico, with whom he made four CDs. The couple also toured together extensively in concerts until Quilico's death in 2000 in Toronto, Ontario, Canada. Quilico received the Governor General's Performing Arts Award, Canada's highest honour in the performing arts, in November 1999 for his lifetime contribution to classical music.- Adrianne Pieczonka, OC (born March 2, 1963) is a Canadian soprano opera singer. Pronounced AY-dree-in pyeh-CHON-kuh.
Alessandro Moreschi
Alessandro Moreschi (11 November 1858 – 21 April 1922) was an Italian castrato singer of the late 19th century and the only castrato to make solo recordings.Eric Shilling
Eric Shilling (12 October 1920 – 15 February 2006) was an English opera singer and producer, long associated with English National Opera. He was married to the soprano Erica Johns, and their son is George Shilling. He was born and died in London.Carlo Tagliabue
Carlo Pietro Tagliabue (January 13, 1898 in Mariano Comense – April 6, 1978 in Monza) was an Italian baritone. After studies with Leopoldo Gennai and Annibale Guidotti he made his debut in Lodi, Lombardy, in Loreley and Aida. His debuts in Genoa (1923), Torino, La Scala (1930), Rome (1931), and Naples (1931) were all in Tristan und Isolde (sung in Italian). He also performed in Wagner's Götterdämmerung, Tannhäuser and Lohengrin. However, Tagliabue would go on to excel in the Verdian repertoire, especially La forza del destino, Aida, Rigoletto, La traviata, Nabucco, and Otello. He created the role of Basilio in Respighi's La fiamma in 1934. His international career included Buenos Aires' Teatro Colón (1934), the Metropolitan Opera, New York City (1937–39), and San Francisco Opera and Covent Garden, London (1938). Tagliabue's last performance was in 1955 at La Scala, at the famous performance of La traviata conducted by Carlo Maria Giulini and directed by Luchino Visconti, where Maria Callas scandalized the public by throwing her shoes off. In his book Voci Parallele Giacomo Lauri-Volpi wrote, "[Tagliabue] is the only survivor of a school that knows that in Rigoletto, in Ballo in Maschera, Trovatore, Traviata a melodramatic piece should be sung, measured and breathed musically in line with the mastery of great art."Antonio Pini-Corsi
Antonio Pini-Corsi (June [?] 1858 or 1859 – 21 April 1918) was an Italian operatic baritone of international renown. He possessed a ripe-toned voice of great flexibility and displayed tremendous skill at patter singing. Pini-Corsi participated in numerous operatic premieres, creating such roles on stage as Ford in Giuseppe Verdi's Falstaff and Schaunard in Giacomo Puccini's La bohème. Part of the first generation of recorded musicians, Pini-Corsi was one of the finest buffo singers of his era.Antonio Scotti
Antonio Scotti (25 January 1866 – 26 February 1936) was an Italian baritone. He was a principal artist of the New York Metropolitan Opera for more than 33 seasons, but also sang with great success at London's Royal Opera House, Covent Garden, and Milan's La Scala.- Alma Gluck (May 11, 1884 – October 27, 1938) was a Romanian-born American soprano.
Enrico Tamberlik
Enrico Tamberlik (16 March 1820 – 13 March 1889) was an Italian tenor who sang to great acclaim at Europe and America's leading opera venues. He excelled in the heroic roles of the Italian and French repertories and was renowned for his powerful declamation and clarion high notes.Roberto Stagno
Roberto Stagno (Italian pronunciation: [roˈbɛrto ˈstaɲɲo]; 18 October 1840 [some sources give 1836 as his birth year] – 26 April 1897), was a prominent Italian opera tenor. He became an important interpreter of verismo music when it burst on to the operatic scene during the 1890s; but he also possessed an agile bel canto technique which he employed in operas dating from earlier periods. In 1890, he created the pivotal verismo role of Turiddu.- Fortunio Bonanova was an actor who had a successful Hollywood career. Bonanova's career in acting began with his roles in various films like "Tropic Holiday" (1938) with Dorothy Lamour, the Don Ameche musical "Down Argentine Way" (1940) and the adventure "A Yank in the R.A.F." (1941) with Tyrone Power. He also appeared in the adaptation "Moon Over Miami" (1941) with Don Ameche, "Citizen Kane" (1941) and "Blood and Sand" (1941) with Tyrone Power. He kept working in film throughout the forties, starring in "Brazil" (1944), the crime flick "Double Indemnity" (1944) with Fred MacMurray and the Bing Crosby dramatic adaptation "Going My Way" (1944). He also appeared in "Ali Baba and the Forty Thieves" (1944). Film continued to be his passion as he played roles in the Errol Flynn action picture "Adventures of Don Juan" (1949), the Gene Tierney crime feature "Whirlpool" (1950) and the Ann Sothern musical "Nancy Goes to Rio" (1950). He also appeared in "September Affair" (1951) with Joseph Cotten and the biopic "So This Is Love" (1953) with Kathryn Grayson. Bonanova more recently acted in "The Running Man" (1963). Bonanova passed away in April 1969 at the age of 76.
Ben Heppner
Thomas Bernard (Ben) Heppner, CC (born January 14, 1956) is a Canadian tenor and broadcaster, now retired from singing, who specialized in opera and other classical works for voice.Mario Sammarco
(Giuseppe) Mario Sammarco (13 December 1868, although some sources say 1867 – 24 January 1930) was an Italian operatic baritone noted for his acting ability.Nicolo Grimaldi
Nicolò Francesco Leonardo Grimaldi (5 April 1673 (bap) – 1 January 1732) was an Italian mezzo-soprano castrato who is best remembered today for his association with the composer George Frideric Handel, in two of whose early operas he sang. Grimaldi was usually known by his stage name of Nicolini. Nicolini was born in Naples, where he made his operatic début in 1685. He also sang sacred music as a soprano in the Cathedral and Royal Chapel (to which extant libretti from the 1690s identify him as virtuoso). Between 1697 and 1731 he sang many operatic roles at various Italian cities in works by composers such as Alessandro Scarlatti, Nicola Porpora, Leonardo Vinci, and Johann Adolf Hasse. Other composers who wrote major roles for him included Francesco Provenzale (who was his teacher), Pollarolo, Ariosti, Lotti, Giovanni and Antonio Maria Bononcini, Caldara, Albinoni, Leo, and Riccardo Broschi. Of more than a hundred productions in which he took part, thirty-six were in Naples, thirty-four in Venice, and fifteen in London. Nicolini first visited London in 1708, where his fine singing and critically renowned acting were crucial to the success of Italian opera, and, more specifically, opera seria in London. In 1711 he created the title role in Handel's Rinaldo, a work whose immediate popularity was instrumental in the establishing of Handel's lengthy career in England. He also sang the title role in Handel's Amadigi in 1715 and continued to sing in London, usually in various pasticcios, until 1717. The eighteenth-century musicologist Charles Burney described Nicolini as "this great singer, and still greater actor", while Joseph Addison labelled him "the greatest performer in dramatic Music that is now living or that perhaps ever appeared on a stage". His Handel roles reveal that he possessed exceptional vocal agility and virtuosity. Between 1727-1730 he performed with Farinelli in Italy. In 1731 he planned to sing at Naples in Giovanni Battista Pergolesi's first opera seria, La Salustia, but became ill and died during rehearsals.Mariano Stabile
Mariano Stabile (12 May 1888 in Palermo, Italy – 11 January 1968 in Milan, Italy) was an Italian baritone, particularly associated with the Italian repertory, especially the role of Falstaff.- Longtime actor, singer, director, and acting coach Deke Anderson developed his early fondness for sports through his participation in high school and college football. This experience led Anderson to pursue to athletics and eventually found the largest bodybuilding gym in northern Nevada. Anderson's commitment to physical conditioning and growing interest in performance attracted the attention of Hollywood, and starting in 1983 he earned several small roles in independent features including "Hardbodies," "American Drive-In," and "Sword Of Heaven." This exposure won Anderson the chance to co-star with Josh Brolin in the 1987 television movie "Private Eye." He followed this with guest-starring and recurring roles in television series "Webster," the ever-popular "Cheers," and top daytime dramas "General Hospital" and "Days of Our Lives." During this period, Anderson cultivated his love of music by studying voice and performing opera at Reno's historical Pioneer Theater Auditorium. Relocating to Los Angeles, Anderson committed to film and television, appearing in the 1995 production of Sam Raimi's "Army of Darkness," while also taking a first assistant director position and acting role in "Felony." Anderson then began coaching acting and opened his own studio successfully. In 2007, he returned to the small screen in "Friday Night Lights" and "The Lying Game" in 2010. Relocating his acting studio to Reno, Nevada, Anderson continued his involvement with Hollywood appearing in the 2011 feature "Green Lantern."
Joyce Ebert
Joyce Ebert (June 26, 1933 – August 28, 1997) was an American actress. She was particularly known for her work as a dramatic actress at the Long Wharf Theatre in New Haven, Connecticut where she portrayed both leading and supporting roles in more than 80 productions. She also appeared on television and in films, and had a brief career as an opera singer.Born in Homestead, Pennsylvania, Ebert graduated from the drama school at Carnegie Mellon University. In 1959 she won the San Diego Shakespeare Festival's Atlas Award. In 1961 she created the role of Betty Parris in the world premiere of Robert Ward's The Crucible at the New York City Opera. That same year she made her off-Broadway debut at the Phoenix Theatre debut as Ophelia in Hamlet. In 1964 she was the recipient of both the Clarence Derwent Award and the Obie Award for her appearance as Andromache in The Trojan Women at Circle in the Square Theatre.In 1977 she was nominated for a Drama Desk Award for her performance as Maggie in Michael Cristofer's The Shadow Box. In 1996 she was honored with the Connecticut Critics Circle's special achievement award.Giovanni Manzuoli
Giovanni Manzuoli (Giovanni Manzoli) (1720–1782) was an Italian castrato who sang as a soprano at the beginning of his career, and later as a contralto.Grant Williams
Grant Williams found incredible success as an accomplished actor, appearing in a variety of films throughout his Hollywood career. Williams worked on a variety of projects during his early entertainment career, including "Away All Boats" with Jeff Chandler (1956), "Follow Your Heart" (NBC, 1952-54) and "Jane Wyman Presents the Fireside Theater" (NBC, 1954-58). He also contributed to "Matinee Theater" (NBC, 1955-58). He then appeared in "The Incredible Shrinking Man" (1957), "The Monolith Monsters" (1957) and "Written on the Wind" (1957). Williams also appeared in "The Leech Woman" (1960), the drama "Susan Slade" (1961) with Troy Donahue and the crime flick "The Couch" (1962) with William Kuehl. He also appeared in "Brain of Blood" (1971). Williams was most recently credited in "It Nearly Wasn't Christmas" (1989-1990). Williams passed away in July 1985 at the age of 54.Afro Poli
Afro Poli (22 December 1902 in Pisa – 22 February 1988 in Rome) was an Italian operatic baritone, particularly associated with the Italian repertory.- Isabella de Villiers is a South African opera singer, actress and television presenter.
- Karina Gauvin is a Canadian soprano who has made several recordings and is especially recognised for her interpretation of Baroque music. Opera News stated that, "Gauvin knows how to rivet an audience in opera and concert. She has been a queen of Baroque opera for years. Her personality is big enough to dominate her elaborate wigs and costumes, and her soprano voice is like a clear, refreshing and inexhaustible spring that darts and sparkles around any ornamental obstacle in its way."
Karita Mattila
Karita Marjatta Mattila (pronounced ['karita 'mattila]) (born 5 September 1960) is a Finnish operatic soprano.Mattila appears regularly in the major opera houses worldwide, including the Metropolitan Opera, the Royal Opera House in London, Théâtre du Châtelet, Opéra Bastille, the Lyric Opera of Chicago, San Francisco Opera, Houston Grand Opera, Vienna State Opera, Toronto Roy Thomson Hall, and Großes Festspielhaus in Salzburg.Jochen Kowalski
Jochen Kowalski (born 30 January 1954) is a German alto or mezzo countertenor, noted for his very rich timbre.Lee Hoi-Chuen
Lee Moon-shuen (4 February 1901 – 7 February 1965) known professionally as Lee Hoi-chuen, was a Hong Kong Cantonese opera singer and film actor. He was the father of Bruce Lee, the father-in-law of Linda Lee Cadwell, and also the paternal grandfather of Brandon Lee and Shannon Lee.- Isabel Leonard (born February 18, 1982) is an American mezzo-soprano opera singer. She is of Argentine ancestry on her mother's side.Leonard was born in New York City. For five years she sang with the Manhattan School of Music children's chorus. She attended the Joffrey Ballet School. She is a graduate of The Cathedral School of St. John the Divine and the Fiorello H. LaGuardia High School of Music & Art and Performing Arts. She earned her Bachelor of Music and Master of Music degrees at the Juilliard School, where she was a pupil of Edith Bers. She has also studied with Marilyn Horne, Brian Zeger, Warren Jones, and Margo Garrett. She is a 2005 winner of the Marilyn Horne Foundation Vocal Competition. In 2006, she received The Licia Albanese-Puccini Foundation Award. She was also chosen as a recipient of a Movado Future Legends award in 2006. In 2013, she received the Richard Tucker Music Foundation Award. In New York, Leonard has performed with the Chamber Music Society of Lincoln Center and with the Juilliard Opera Center. Her first appearance with the New York Philharmonic was in a concert version of Leonard Bernstein's Candide, and she later sang the part of the Squirrel in L'enfant et les sortilèges in concert with the orchestra and Lorin Maazel. In February 2007, Leonard made her professional operatic stage debut as Stéphano in Roméo et Juliette. In September 2007, she made her Metropolitan Opera debut in the same role. Leonard made her debut with Santa Fe Opera as Cherubino in 2008. Her commercial recordings include a DVD recording for Euroarts as Dorabella in the 2009 Salzburg Festival production of Così fan tutte. On April 26, 2014, Leonard sang the role of Dorabella in a performance at the Metropolitan Opera that was transmitted worldwide as part of the Metropolitan Opera Live in HD program. In February 2011, Leonard made her Vienna State Opera debut singing Cherubino in Le nozze di Figaro, returning to the venue in January 2012 as Rosina in Il barbiere di Siviglia. 2014 to 2016 Leonard and Sharon Isbin performed a well-received series of eleven soprano/guitar-duet recitals, including at Zankel Hall (Carnegie Hall).Leonard won two Grammy Awards for Best Opera Recording: in 2014 for Thomas Adès' The Tempest, and in 2016 for Maurice Ravel's L'enfant et les sortilèges. Leonard married baritone Teddy Tahu Rhodes in December 2008; they are now divorced. Based in New York City, Leonard raises their son, Teo, born 17 May 2010.
Lorenzo Regazzo
Lorenzo Regazzo, (born in Venice) is an opera singer. His voice can be categorised as bass, bass-baritone or basso cantante. He is especially well known for interpreting Baroque, Classical, and bel canto repertoire. Among the qualities frequently noted by the critical press are his virtuosic coloratura technique, sumptuous tone, and vivid stage presence.Performing at the major opera and concert venues of Europe, as well as in Japan and the USA, Regazzo has also been a regular guest at musical events such as the Salzburg Festival and the Rossini Opera Festival in Pesaro. Among the conductors he collaborated with are Simon Rattle, Riccardo Muti, Lorin Maazel, Colin Davis, Claudio Abbado, Riccardo Chailly, Daniele Gatti, Nikolaus Harnoncourt, Jesús López-Cobos and Marcello Viotti. He has made Baroque music recordings and took part in live performances with such specialists of the genre as René Jacobs, Emmanuelle Haïm, Rinaldo Alessandrini, Jean-Christophe Spinosi, Fabio Biondi, Claudio Scimone, and Andrea Marcon. Regazzo holds degrees in singing, piano, choral music, and choral conducting, and has studied voice with Sesto Bruscantini and Regina Resnik. His operatic début (in Rossini's L'inganno felice) took place in 1994 at the Pesaro Festival.Franz Mazura
Franz Mazura (born 22 April 1924 in Salzburg) is an Austrian bass-baritone opera singer and actor. He was made a Kammersänger in 1980 and an Honorary Member of the National Theater of Mannheim in 1990. He most often plays villains and strange characters. Mazura studied with Frederick Husler at the Academy of Music in Detmold, and worked during his studies as an actor at the National Theater in Detmold. Mazura's debut on the operatic stage was delayed by the outbreak of World War II until 1949; he debuted then in Kassel, thereafter singing in Mainz, Brunswick, and Mannheim (where he was a member from 1964–1987). In 1960 he performed at the Salzburg Festspiele, in 1961 at the Berlin Opera, in 1971 at Bayreuth, and in 1973 at the Hamburg State Opera; he has also performed at the Vienna State Opera, the Paris Opera, and the Metropolitan Opera. Notable appearances include his 1976 performance as Alberich in Richard Wagner's Das Rheingold under Georg Solti and Peter Stein, and as Dr. Schön in Alban Berg's Lulu under Pierre Boulez and Patrice Chéreau, in its first complete performance as well as performances of Parsifal, Tosca, Wozzeck, Fidelio, Moses und Aron, and Der Kaiser von Atlantis. Although he is typecast as a villain, he appeared at Bayreuth as good-guys a few times: as the Wanderer in Siegfried (1988, with Daniel Barenboim conducting) and as Gurnemanz in Parsifal (1973, with Eugen Jochum conducting). Mazura is one of the longest-careered opera singers in history, having performed in 2017 in the world premier of Giorgio Battistelli's opera Lot, in the role of Abraham, when he (Mazura) was 93 years old. In April 2019, he performed as Meister Hans Schwarz the stocking-weaver in Die Meistersinger von Nürnberg at the Staatsoper Unter den Linden. The final performance of this run was April 21; on April 22 Mazura celebrated his 95th birthday. Mazura appears on three Grammy Award winning recordings: as Dr. Schön in Lulu, conducted by Pierre Boulez (Best Opera Recording 1980), as Gunther in The Ring of the Nibelung (Best Opera Recording 1983), and as Moses in Moses und Aron, conducted by Sir Georg Solti (Best Opera Recording 1985). He can be seen on video as Gunther in the Jahrhundertring production of Der Ring des Nibelungen, Klingsor in a performance of Parsifal from the Metropolitan Opera conducted by James Levine, Biterolf in a performance of Tannhäuser, and as Doktor Schön in Lulu, also from the Metropolitan Opera under Levine.Stefan Dimitrov
Stefan Dimitrov was a basso opera singer. Born in the Black Sea town of Burgas, Bulgaria, he was of Greek origin. He won four international singing competitions at the very beginning of his career: those in Toulouse, the "Erkel" in Budapest, the "s’Hertogenbosch" in the Netherlands, and the "Young Opera Singers" in Sofia. In 1965 Stefan Dimitrov met the piano accompanist and répétiteur, Malina Dimitrova, who graduated at this time and took her first steps in the opera accompanying field. They were later to be married. The couple had one son, Liuben, who graduated as solo pianist and later become part of the Genova & Dimitrov piano duo.Françoise Rosay
Prolific, charismatic character actress from the French stage who turned her attention to film following her marriage to director Jacques Feyder in 1917. Rosay appeared in over 100 international films during a sixty-year career.Loa Falkman
Carl-Johan ("Loa") Falkman (born July 24, 1947) is a Swedish baritone singer and actor.After studying music, Falkman made his first major performance on the Royal Swedish Opera in 1973. In the 1990 Melodifestivalen (Swedish preselection contest for the Eurovision Song Contest), Falkman got the last place with his song "Symfonin" ("The Symphony"). He often plays pompous, vile characters like Wall-Enberg in Lilla Jönssonligan, Tillström in Newsmakers or Factory Owner Persson in Kronjuvelerna.Ivy Ling Po
Huang Yu-chun (born 16 November 1939 in Shantou, Republic of China), known by her final stage name Ivy Ling Po, is a retired Hong Kong actress and Chinese opera singer. She is best known for a number of mega-hit Huangmei opera films in the 1960s, especially The Love Eterne (1963) which made her an Asian superstar overnight. She played an important role in the entertainment industry for preserving the Huangmei opera art form.She has used many names in her past. When she was a young child, she was sold to a family in Xiamen (Amoy), where she took on the name Jun Haitang (Chinese: 君海棠; Pe̍h-ōe-jī: Kun Hái-tông) and worked as a domestic maid. After reaching preadolescence, her foster mother forced her to enter the Hong Kong movie industry to exploit her. She first acted in Amoy Hokkien films under the stage name Xiaojuan (Chinese: 小娟; Pe̍h-ōe-jī: Sió-koan), later in Cantonese films under the stage name Shen Yan (Chinese: 沈雁; Jyutping: Sam2 Ngaan6), before finally entering the Shaw Brothers Studio to act in Mandarin films as (Ivy) Ling Po (Chinese: 凌波; pinyin: Líng Bō) and rising to superstardom.
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