Audrey Hepburn's dazzling portrayal of Holly Golightly in Breakfast at Tiffany's captures the essence of 60s romance, as her character embodies the mix of sophistication and vulnerability that defined the era's love stories. The film explores the trope of hidden identities and transformation, as Holly navigates her socialite lifestyle while hiding a past that she yearns to escape. The complex relationship between Holly and Paul Varjak (George Peppard) adds depth to the plot, exemplifying the notion that love can transcend societal expectations and class boundaries. Furthermore, the iconic New York City setting and the timeless theme of self-discovery allow Breakfast at Tiffany's to endure as a quintessential romantic classic from the 1960s.
- Released: 1961
- Directed by: Blake Edwards
The Sound of Music is an unforgettable portrait of love blossoming amidst adversity and serves as an eternal symbol of hope, making it one of the best romance films of the 1960s. The endearing romance between Julie Andrews' Maria and Christopher Plummer's Captain von Trapp grows organically, highlighting the theme of finding love in unexpected places. Their shared passion for music serves as the foundation for their relationship, reflecting the era's emphasis on shared interests as the basis for true love. The movie's stunning Austrian backdrop and iconic musical numbers further elevate this film as a prime example of romantic cinema during the 60s.
- Released: 1965
- Directed by: Robert Wise
Winner of five Academy Awards, The Apartment marks a dramatic shift in 60s romantic storytelling by delving into cynicism, infidelity, and the darker side of love. The film follows the poignant journey of C.C. Baxter (Jack Lemmon) and Fran Kubelik (Shirley MacLaine), two lost souls navigating the pitfalls of corporate America and toxic relationships. Their burgeoning romance illustrates the trope of finding genuine love amongst a sea of superficiality, providing an authentic look at the struggles that 60s couples faced. This classic movie deftly balances humor and heartbreak, making The Apartment a unique and compelling representation of 1960s romance.
- Released: 1960
- Directed by: Billy Wilder
A delightful adaptation of George Bernard Shaw's play Pygmalion, My Fair Lady epitomizes the transformational love stories prevalent in 60s cinema. The film revolves around the unlikely romance between Eliza Doolittle (Audrey Hepburn), a poor Cockney flower girl, and Professor Henry Higgins (Rex Harrison), an arrogant and wealthy linguist who bets he can turn Eliza into a sophisticated lady. This transformation trope emphasizes the idea that love can bridge social divides and challenge societal norms. Moreover, the enchanting musical score and vibrant costumes in My Fair Lady solidify its status as a groundbreaking romantic film from the 1960s.
- Released: 1964
- Directed by: George Cukor
- 1On the Street Where You Live132 Votes
- 2I Could Have Danced All Night107 Votes
- 3Wouldn't It Be Loverly90 Votes
A modern-day adaptation of Shakespeare's Romeo and Juliet, West Side Story captures the passionate, tragic, and idealistic elements of young love amidst the backdrop of racial tension and gang violence in 1960s New York City. The ill-fated romance between Maria (Natalie Wood) and Tony (Richard Beymer) demonstrates the power of love to defy societal barriers and prejudice, while also revealing its vulnerability to external forces. The film's integration of song and dance adds an additional layer of emotion to the story, creating a highly immersive experience for viewers. West Side Story endures as a heartbreaking and poignant exploration of the sacrifices inherent in the pursuit of love.
- Released: 1961
- Directed by: Jerome Robbins, Robert Wise
Charade masterfully intertwines suspense and romance, creating an electrifying tale of love, deception, and intrigue. Set against the backdrop of Paris, the film follows the enigmatic relationship between Regina Lampert (Audrey Hepburn) and Peter Joshua (Cary Grant), who form a reluctant alliance as they unravel a deadly conspiracy. The movie capitalizes on the classic trope of the cat-and-mouse game, with both characters keeping their true motives hidden, which ultimately serves to strengthen their romantic bond. Charade effectively demonstrates that love can overcome deception and danger, making it a standout entry in the pantheon of 60s romance films.
- Released: 1963
- Directed by: Stanley Donen
Neil Simon's delightful stage-to-screen adaptation of Barefoot in the Park is a charming and witty look at the trials and tribulations faced by newlyweds in the 1960s. The film follows the free-spirited Corie (Jane Fonda) and her cautious husband Paul (Robert Redford) as they navigate the challenges of married life in a cramped New York City apartment. This light-hearted romantic comedy captures the era's fascination with the complexities of marriage, highlighting the importance of compromise, understanding, and communication. Barefoot in the Park remains an endearing classic that showcases the joys and obstacles of 60s love from a humorous perspective.
- Released: 1967
- Directed by: Gene Saks
In this heartwarming film, Haley Mills stars in dual roles as estranged twin sisters who concoct an ingenious plan to reunite their divorced parents, played by Maureen O'Hara and Brian Keith. The Parent Trap explores the theme of rekindled romance, demonstrating that love can endure despite distance and misunderstandings. The film's whimsical nature and the sisters' innocent determination to bring their parents back together emphasize the transformative power of love. Consequently, The Parent Trap continues to charm audiences with its timeless tale of reconciliation and family unity.
- Released: 1961
- Directed by: David Swift
Based on Jean Kerr's popular book, Please Don't Eat the Daisies is a light-hearted comedy that delves into the many facets of love within a changing family dynamic. Starring Doris Day as Kate, a mother of four children, and David Niven as her husband Lawrence, this film explores the familial challenges the couple faces while attempting to maintain their individual passions. By addressing common struggles faced by married couples in the 1960s such as compromise and finding balance, Please Don't Eat the Daisies resonates with audiences as a touching portrayal of love's resilience and adaptability. The film's humor, warmth, and optimism make it a delightful and endearing representation of 60s romance.
- Released: 1960
- Directed by: Charles Walters
Funny Girl is a timeless tale of ambition, heartache, and the transformative power of love, showcasing the incomparable talents of Barbra Streisand as Fanny Brice. The central romance between Fanny and her dashing gambler husband Nick Arnstein (Omar Sharif) is fraught with challenges, yet it highlights the complexities of love in the face of personal growth and societal expectations. As Fanny's star rises within the world of showbiz, the strength of her relationship with Nick is tested, emphasizing the theme of love's endurance through adversity. Funny Girl remains a deeply touching and poignant portrayal of love and loss, solidifying its place in the annals of 60s romantic movies.
- Released: 1968
- Directed by: William Wyler
A delightful blend of romance and comedy, How to Steal a Million brings together Audrey Hepburn and Peter O'Toole as artistic forger's daughter Nicole Bonnet and charming thief Simon Dermott. This fast-paced, high-society caper showcases the trope of opposites attracting, with the initially reluctant Nicole falling for the audacious Simon as they plot to steal a priceless sculpture. Set amidst the glamour of Paris, the film's palpable chemistry between its two leads and the exhilarating thrill of their daring heist make How to Steal a Million an exceptionally entertaining and stylish entry in the 1960s romantic canon.
- Released: 1966
- Directed by: William Wyler
A groundbreaking examination of interracial relationships in the 1960s, Guess Who's Coming to Dinner tells the story of Joanna Drayton (Katharine Houghton), a young white woman who brings her African-American fiancé, Dr. John Prentice (Sidney Poitier), home to meet her liberal but concerned parents (Spencer Tracy and Katharine Hepburn). This film navigates the prejudices, tensions, and changing attitudes surrounding mixed-race relationships, showcasing the strength and courage required for love to overcome racial barriers. The emotional depth and powerful performances in Guess Who's Coming to Dinner make it a poignant and compelling exploration of love in a changing social landscape.
- Released: 1967
- Directed by: Stanley Kramer
Bonnie and Clyde redefined the 60s romance genre by introducing a glamourized, rebellious couple who lived their lives on the edge of society. The passionate relationship between the notorious criminals Bonnie Parker (Faye Dunaway) and Clyde Barrow (Warren Beatty) showcases the desire for freedom and excitement in a time when societal norms were beginning to be questioned. Their shared pursuit of a life outside the law serves as the foundation for their love affair, pushing the boundaries of what a romantic relationship could look like on screen for that era. Unpredictable, thrilling, and ground-breaking, Bonnie and Clyde remains an iconic example of counterculture romance in the 1960s.
- Released: 1967
- Directed by: Arthur Penn
Send Me No Flowers is a charming romantic comedy that explores the dynamics of trust and communication in marriage during the 1960s. Starring Doris Day and Rock Hudson as Judy and George Kimball, the film follows the humorous misunderstandings that arise when George mistakenly believes he's dying and sets out to find a new husband for his wife. This endearing story showcases the importance of honest communication and the comedic side of loving relationships. With its clever dialogue, captivating performances, and light-hearted take on love, Send Me No Flowers remains an enjoyable and engaging example of 60s romantic cinema.
- Released: 1964
- Directed by: Norman Jewison
A sweeping epic set against the backdrop of the Russian Revolution, Doctor Zhivago tells the story of a love that transcends time, war, and societal norms. The film explores the tumultuous affair between Yuri Zhivago (Omar Sharif), a dedicated physician and poet, and his muse, Lara (Julie Christie), who is married to an impassioned revolutionary. Doctor Zhivago represents not only love's ability to shape and define an individual's life but also the price that must sometimes be paid for following one's heart. This cinematic masterpiece captures the very essence of forbidden love, solidifying its status as one of the most poignant and unforgettable romantic films of the 1960s.
- Released: 1965
- Directed by: David Lean
Starring Jane Fonda and Rod Taylor, Sunday in New York is a lighthearted exploration of the era's evolving attitudes toward love, relationships, and sex. The film follows Eileen Tyler (Fonda) as she navigates the complexities of dating in 1960s New York City and embarks on a whirlwind romance with the dashing Mike Mitchell (Taylor). With its engaging characters, witty dialogue, and snapshot of a changing cultural landscape, Sunday in New York provides an insightful and charming depiction of love and courtship in the 60s.
- Released: 1963
- Directed by: Peter Tewksbury
The Graduate is a groundbreaking exploration of love and disillusionment during the turbulent 1960s. Dustin Hoffman stars as Benjamin Braddock, an aimless college graduate who embarks on an affair with the glamorous and older Mrs. Robinson (Anne Bancroft) before falling for her daughter, Elaine (Katharine Ross). This film captures the essence of a generation questioning societal conventions and searching for authentic connections. With its iconic soundtrack, memorable performances, and innovative storytelling, The Graduate remains a defining romantic classic of the 60s era.
- Released: 1967
- Directed by: Mike Nichols
A charming adaptation of the beloved Broadway musical, The Music Man centers on the unlikely romance between charismatic conman Harold Hill (Robert Preston) and spirited librarian Marian Paroo (Shirley Jones). Set in the idyllic town of River City, Iowa, the film explores the transformative power of love and community. In a time of cultural change, The Music Man offered audiences nostalgic escapism and a heartwarming depiction of traditional small-town romance. With its catchy tunes, vibrant choreography, and endearing characters, the film secures its position as one of the most enchanting romantic movies of the 1960s.
- Released: 1962
- Directed by: Morton DaCosta
Though primarily an animated adventure, 101 Dalmatians features the endearing romance between canine heroes Pongo and Perdita, as well as their owners, Roger and Anita. The film emphasizes the importance of love and family, as the central characters band together to foil the nefarious plans of the villainous Cruella De Vil. With its heartwarming message, delightful animation, and memorable characters, 101 Dalmatians remains an enchanting example of love conquering adversity in 1960s cinema.
- Released: 1961
- Directed by: Wolfgang Reitherman, Hamilton Luske, Clyde Geronimi
An exuberant adaptation of the hit Broadway musical, Hello, Dolly! features the incomparable Barbra Streisand as Dolly Levi, a resourceful matchmaker determined to find love herself. The film's lavish production numbers and vivacious energy capture the spirit of the 1960s while paying homage to classic Hollywood musicals. Set in the Gilded Age, Dolly's pursuit of the wealthy Horace Vandergelder (Walter Matthau) is both charming and comedic, showcasing the timeless appeal of love and the transformative power of a magnetic personality. Hello, Dolly! remains a vibrant and lively representation of love and matchmaking in the 1960s.
- Released: 1969
- Directed by: Gene Kelly
In this dark comedy, Shirley MacLaine stars as Louisa May Foster, a widowed woman whose numerous wealthy husbands all meet untimely deaths. The film explores Louisa's journey to find true love amongst her many marriages, poking fun at the materialistic values of the 1960s while also examining the themes of loyalty and devotion. Boasting an impressive ensemble cast that includes Paul Newman, Robert Mitchum, and Gene Kelly, What a Way to Go! is a clever and entertaining exploration of love and expectations in the 60s.
- Released: 1964
- Directed by: J. Lee Thompson
In this amusing comedy, Doris Day stars as Ellen Arden, a woman presumed dead in a shipwreck only to return home five years later to find her husband, Nick (James Garner), has remarried. The film cleverly explores the theme of rekindled romance and the challenges of picking up where a relationship left off, offering a unique perspective on love in the 1960s. The chemistry between Day and Garner is both endearing and hilarious, making Move Over, Darling an entertaining and heartwarming portrayal of love in the face of unexpected obstacles.
- Released: 1963
- Directed by: Michael Gordon
Steve McQueen and Faye Dunaway star in this captivating romantic thriller, which showcases the chemistry and tension that can arise from a battle of wits. McQueen plays Thomas Crown, a suave millionaire who orchestrates elaborate heists, while Dunaway is Vicki Anderson, an insurance investigator determined to bring him to justice. The push-and-pull dynamic between the duo creates an electric atmosphere, highlighting the allure of forbidden romance in the 60s era. The Thomas Crown Affair remains a thrilling and seductive film that pushed the boundaries of romantic storytelling in the 1960s.
- Released: 1968
- Directed by: Norman Jewison
Natalie Wood and Robert Redford light up the screen in this bittersweet romantic drama set in Depression-era Mississippi. Based on a Tennessee Williams' play, the film explores the tragic love affair between Wood's Alva Starr, a poor but beautiful young woman, and Redford's Owen Legate, a railroad official who comes to town bearing devastating news. With its steamy southern backdrop and aching sense of longing, This Property Is Condemned remains an enduring and hauntingly beautiful portrayal of the complexities of love in the 1960s.
- Released: 1966
- Directed by: Sydney Pollack
An epic account of the legendary Egyptian queen's life and loves, Cleopatra stars Elizabeth Taylor as the titular character, with Richard Burton and Rex Harrison as her two most famous paramours: Mark Antony and Julius Caesar. This lavish historical drama offers a sweeping portrayal of a love triangle unfolding amidst political intrigue, capturing the tempestuous nature of passion in the face of ambition and power. With its opulent sets, costumes, and cinematography, Cleopatra remains an iconic testament to the enduring appeal of love stories throughout history and an unforgettable entry in the annals of 1960s cinema.
- Released: 1963
- Directed by: Joseph L. Mankiewicz
In this sophisticated romance, Doris Day plays Cathy Timberlake, an innocent young woman who becomes entangled with the wealthy and debonair Philip Shayne (Cary Grant). The film explores the theme of love transcending social class in a time when status and wealth played a significant role in relationships, with Cathy trying to resist being swept up by the glamorous lifestyle that Philip offers. Featuring elegant costumes, witty banter, and a sparkling chemistry between its leads, That Touch of Mink is a charming and timeless example of 1960s romantic cinema.
- Released: 1962
- Directed by: Delbert Mann
Doris Day and Rock Hudson reunite for this charming romantic comedy in which they play rival advertising executives engaged in a fierce competition for accounts. As they embark on a series of outrageous deceptions, they inadvertently fall in love, proving that love can conquer even the most antagonistic of relationships. Featuring an engaging blend of humor and romance, Lover Come Back is an ideal representation of the witty and sophisticated comedies that characterized the 1960s.
- Released: 1961
- Directed by: Delbert Mann
In this endearing romantic comedy, Cary Grant plays Walter Eckland, a grumpy and unkempt man who finds himself stranded on a deserted island with a prim and proper schoolteacher, Catherine Freneau (Leslie Caron), and her students. As they navigate the challenges of survival, the unconventional duo discovers an attraction that transcends their differences, illustrating the classic trope of opposites attracting in love. Father Goose remains a charming example of how the 1960s explored unexpected romances in unique settings, proving that love can blossom under even the most unlikely circumstances.
- Released: 1964
- Directed by: Ralph Nelson
A lively romantic comedy starring Elvis Presley and Ann-Margret, Viva Las Vegas perfectly captures the glitz, glamour, and excitement of Sin City. As race car driver Lucky Jackson (Presley) and talented swimming instructor Rusty Martin (Ann-Margret) fall in love, the film showcases the era's fascination with high-stakes relationships and larger-than-life personalities. With its irresistible musical numbers, dazzling displays of Las Vegas attractions, and the palpable chemistry between its leads, Viva Las Vegas remains a quintessential example of 60s romantic escapism.
- Released: 1964
- Directed by: George Sidney
A delightful romantic comedy starring Sandra Dee and Bobby Darin, That Funny Feeling captures the charm and excitement of young love in the 1960s. The film follows the hilarious misunderstandings that ensue when Dee's character Joan unwittingly falls for her employer Tom (Darin), not realizing she is also his housemaid. Set against the backdrop of New York City during its swinging heyday, That Funny Feeling is a charming and nostalgic representation of the era's evolving attitudes toward love and courtship.
- Released: 1965
- Directed by: Richard Thorpe
Based on Helen Gurley Brown's popular book, Sex and the Single Girl is a delightful farce that pokes fun at tabloid journalism and the fast-changing sexual mores of the 1960s. The film stars Natalie Wood as Dr. Helen Brown, a relationship expert who becomes embroiled in a scandalous love triangle involving Tony Curtis and Henry Fonda. Witty, irreverent, and brimming with slapstick humor, Sex and the Single Girl is a perfect example of the romantic comedies that delighted audiences during the era.
- Released: 1964
- Directed by: Richard Quine
Doris Day and Rod Taylor star in this delightful romantic comedy about a couple attempting to balance their busy lives while maintaining their marriage. The film captures the essence of the hectic, modern lifestyle that characterized the 1960s, highlighting the importance of prioritizing love amidst the chaos. With Day's signature charm and a witty script, Do Not Disturb serves as an insightful and entertaining example of how 60s cinema captured the challenges and joys of love in a rapidly changing world.
- Released: 1965
- Directed by: Ralph Levy
Based on the beloved Broadway musical, Camelot brings to life the legendary love triangle between King Arthur (Richard Harris), Queen Guenevere (Vanessa Redgrave), and Sir Lancelot (Franco Nero) in a story that captures the majesty, heartache, and passion of medieval romance. The film's sweeping narrative, lush production design, and memorable songs transport audiences to a time of chivalry, valor, and unyielding devotion to one's heart's desire. Set against a tumultuous backdrop of intrigue and betrayal, Camelot serves as a timeless reminder of the power of love to inspire and transform even in the face of adversity.
- Released: 1967
- Directed by: Joshua Logan
A visually stunning and emotionally gripping French musical, The Umbrellas of Cherbourg follows the heart-wrenching love story of Geneviève (Catherine Deneuve) and Guy (Nino Castelnuovo) as they are separated by war and circumstance. Director Jacques Demy's innovative use of color and intricate compositions, coupled with Michel Legrand's haunting score, creates a mesmerizing and unforgettable cinematic experience. With its evocative portrayal of love, loss, and longing, The Umbrellas of Cherbourg stands as an enduring testament to the power of love during the 1960s.
- Released: 1964
- Directed by: Jacques Demy
Robert Mitchum and Shirley MacLaine shine in this engaging romantic drama about two lonely souls who find solace and understanding in each other's arms. Adapted from a stage play by William Gibson, Two for the Seesaw explores the complexities of modern love and relationships, highlighting the themes of healing and personal growth that were common in 60s romantic films. With its intimate look at the challenges and triumphs of love in the face of adversity, Two for the Seesaw remains a poignant and powerful representation of love's resilience during a transformative period in cinematic history.
- Released: 1962
- Directed by: Robert Wise
Based on the bestselling novel by Leon Uris, Exodus is an epic drama centering around the founding of modern Israel and the resulting conflicts. At its heart lies the love story between Ari Ben Canaan (Paul Newman), a passionate Zionist fighter, and Kitty Fremont (Eva Marie Saint), an American nurse caught in the turmoil of war. Their inspiring romance showcases the power and resilience of love amidst the chaos of world events, making Exodus a compelling and thought-provoking exploration of love and politics in the 1960s.
- Released: 1960
- Directed by: Otto Preminger
In this epic war film set against the backdrop of 1920s China, Steve McQueen stars as Jake Holman, a disillusioned Navy engineer who finds solace in the arms of a beautiful local woman, Maily (Marayat Andriane). Their poignant and forbidden love affair exemplifies the theme of love transcending cultural and societal boundaries prevalent in many 1960s romance films. Despite its dramatic and politically charged storyline, The Sand Pebbles ultimately endures as a powerful tale of love and sacrifice during times of great conflict and upheaval.
- Released: 1966
- Directed by: Robert Wise
Franco Zeffirelli's lush adaptation of Shakespeare's immortal love story is a testament to the enduring appeal of star-crossed romance during the 1960s. Featuring Leonard Whiting and Olivia Hussey as the doomed young lovers, this sumptuous retelling of the tragedy is filled with stunning sets, breathtaking costumes, and a palpable sense of passion and desire. Romeo and Juliet serves as a poignant reminder of the power of love to defy convention and societal constraints, making it a classic example of the romantic tradition in 60s cinema.
- Released: 1968
- Directed by: Franco Zeffirelli
Based on a novella by Tennessee Williams, The Roman Spring of Mrs. Stone tells the story of a wealthy and aging actress (Vivien Leigh) who falls for a handsome but opportunistic young man (Warren Beatty) while vacationing in Rome. The film explores themes of desire, loneliness, and the seductive allure of illusion, showcasing the darker side of love and relationships in the 1960s. With its richly drawn characters and haunting atmosphere, The Roman Spring of Mrs. Stone offers a provocative and engrossing look at the complexities of love during a transformative era in cinema.
- Released: 1961
- Directed by: José Quintero
Audrey Hepburn and William Holden star in this delightful romantic comedy about a young woman who becomes the muse and lover of a beleaguered screenwriter struggling to complete a script. Set against the enchanting backdrop of Paris, Paris When It Sizzles captures the whimsical spirit of creativity and the magnetic pull of love in the most romantic city in the world. The film's charming performances, witty dialogue, and lighthearted tone make it an unforgettable entry in the pantheon of 1960s romantic cinema.
- Released: 1964
- Directed by: Richard Quine
Elvis Presley stars in this sun-soaked romantic adventure as Chad Gates, a young man who returns to his native Hawaii after a stint in the army, eager to embrace island life and escape the stifling expectations of his wealthy parents. Along the way, he falls for the lovely Maile (Joan Blackman), and the two embark on a whirlwind romance set against the backdrop of the island's stunning natural beauty. Filled with song and dance, Blue Hawaii is a lush and colorful ode to the power of love and the allure of the exotic.
- Released: 1961
- Directed by: Norman Taurog
In this intriguing psychological thriller from the master of suspense, Alfred Hitchcock, Tippi Hedren stars as Marnie Edgar, a troubled young woman with a dark past who falls under the spell of wealthy businessman Mark Rutland (Sean Connery). Exploring themes of obsession, control, and redemption in love, Marnie is a stark departure from traditional romantic fare, offering a complex and challenging portrayal of a relationship filled with secrets and deceit. The enigmatic chemistry between Hedren and Connery adds an air of danger and eroticism, making Marnie a compelling and thought-provoking exploration of love's darker side during the 1960s.
- Released: 1964
- Directed by: Alfred Hitchcock
Set against a backdrop of political intrigue and Cold War tensions, Seven Days in May tells the story of a military coup plot and the men and women caught up in the action. At the heart of the film is the budding romance between Colonel Casey (Kirk Douglas) and Eleanor Holbrook (Ava Gardner), whose relationship adds depth and humanity to the high-stakes political drama. Directed by John Frankenheimer, this suspenseful thriller showcases the power of love to uplift and inspire even in the most dire circumstances, making it an intriguing entry in the canon of 1960s romance films.
- Released: 1964
- Directed by: John Frankenheimer
Sophia Loren and Marcello Mastroianni deliver captivating performances in this Italian comedy-drama about a passionate and tumultuous love affair spanning over two decades. With its unflinching portrayal of the complexities of love and relationships, Marriage Italian Style captures the evolving attitudes toward love, marriage, and fidelity during the 1960s. Directed by Vittorio De Sica, the film's wit, charm, and emotional depth make it a standout entry in the pantheon of international cinema from the era.
- Released: 1964
- Directed by: Vittorio De Sica
- Although his mother (Dolores del Río) chooses seven eligible candidates for marriage, Prince Ramon (Omar Sharif) shows scant interest and rides away on his wild stallion. When the horse throws him, he's rescued by flying monk Brother Joseph (Leslie French). Joseph gives him a sack of flower, telling him that his future wife will make seven dumplings from it, but that Rodrigo will only get six. Sure enough, local peasant Isabella (Sophia Loren) makes seven dumplings, but eats one herself.
- Released: 1967
- Directed by: Francesco Rosi
- Tom Jones (Albert Finney), a bastard foundling raised by the kindly Squire Allworthy (George Devine), loves the beautiful Sophie Western (Susannah York), but cannot marry her due to the difference in their stations. When the villainous Blifil (David Warner) tricks the squire into casting Tom out of his household, the young man goes forth into the world on a series of high-spirited adventures, including heroic swordfights, mistaken identities, good deeds and lusty women.
- Released: 1963
- Directed by: Tony Richardson
- Tom Healy (Anthony Quinn) and his traveling stage show are on the run from creditors, thanks to Angela Rossini (Sophia Loren), his seductive leading lady. After arriving in Cheyenne, Wyo., the troupe gets mixed up with a shady banker (Ramon Novarro) and a gunslinger, Clint Mabry (Steve Forrest). When Mabry is forced to join the show, he becomes Tom's rival for Angela's affections. After a dangerous trek and a shootout, everything culminates in a show-stopping opera production.
- Released: 1960
- Directed by: George Cukor
Marilyn Monroe and Yves Montand light up the screen in this lively romantic comedy about a wealthy businessman who becomes smitten with an aspiring actress and sets out to win her over. As the two engage in a playful game of mistaken identity, the film showcases the charm, wit, and sex appeal that characterized many popular romantic comedies of the 1960s. With its catchy tunes, engaging performances, and effortless chemistry between its leads, Let's Make Love remains an endearing and entertaining example of love in the golden age of Hollywood.
- Released: 1960
- Directed by: George Cukor
In this iconic James Bond adventure, Sean Connery stars as the suave British spy who finds himself caught up in a deadly web of espionage and intrigue while wooing the beautiful Russian defector Tatiana Romanova (Daniela Bianchi). With its exotic locales, thrilling action, and smoldering chemistry between its leads, From Russia with Love showcases the allure of danger and adrenaline-fueled romance that made the Bond series a global phenomenon. The film remains an exciting and stylish example of 1960s romantic escapism at its finest.
- Released: 1963
- Directed by: Terence Young
In this fun-filled sequel to the popular 1959 teen film Gidget, Sandra Dee reprises her role as the plucky surfer girl who finds love and adventure in the sun-soaked paradise of Hawaii. The film's infectious energy, captivating scenery, and charming portrayal of young love exemplify the lighthearted spirit and optimism that defined many romance films of the era. With its carefree surf culture backdrop and irresistible performances by Dee and co-star James Darren, Gidget Goes Hawaiian remains a nostalgic and entertaining representation of 1960s teen romance.
- Released: 1961
- Directed by: Paul Wendkos
A controversial and provocative adaptation of Vladimir Nabokov's infamous novel, Lolita tells the story of the illicit love affair between an older man, Humbert Humbert (James Mason), and his teenage stepdaughter, Dolores Haze (Sue Lyon). Directed by Stanley Kubrick, the film explores themes of obsession, manipulation, and forbidden love, challenging conventional notions of romance during the 1960s. Its daring subject matter and masterful storytelling make Lolita an unforgettable and groundbreaking entry in the history of romantic cinema.
- Released: 1962
- Directed by: Stanley Kubrick
Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa, The Leopard is an epic historical drama recounting the life and loves of a Sicilian nobleman during the tumultuous period of Italian unification. Burt Lancaster stars as Prince Fabrizio Salina, a man caught between tradition and progress, who finds solace in the love of his beautiful wife Angelica (Claudia Cardinale). Luchino Visconti's masterful direction and the sumptuous production design make The Leopard a visually stunning and emotionally compelling representation of love and loyalty in a changing world.
- Released: 1963
- Directed by: Luchino Visconti
In this stylish romantic comedy, Ann-Margret stars as Maggie Scott, a young fashionista who travels to Paris for work and becomes entangled in a whirlwind romance with a dashing Frenchman (Louis Jourdan). As they explore the City of Lights and navigate the world of high fashion, their enchanting love story exemplifies the glamour and sophistication that defined 1960s romance films. With its stunning costumes and picturesque Parisian backdrop, Made in Paris remains a chic and charming tribute to the allure of love and the transformative power of style.
- Released: 1966
- Directed by: Boris Sagal
- An unusually gifted high school senior, Alan Musgrave (Roddy McDowall), decides to direct his mental powers toward helping an innocent new student, Barbara Ann Greene (Tuesday Weld), achieve her goal of popularity. With Alan's guidance, Barbara climbs the social ladder, finds a husband and eventually gets a shot at a glamorous movie career. But when Barbara's husband begins to get in the way of her ambitions, Alan will stop at nothing to make sure she reaches the top.
- Released: 1966
- Directed by: George Axelrod
- Jules and Jim is a 1962 French film directed by François Truffaut. Set around the time of World War I, it describes a tragic love triangle involving French Bohemian Jim, his shy Austrian friend Jules and Jules' girlfriend and later wife Catherine. The film is based on Henri-Pierre Roché's 1953 semi-autobiographical novel describing his relationship with young writer Franz Hessel and Helen Grund, whom Hessel married. Truffaut came across the book in the mid-1950s whilst browsing through some secondhand books at a bookseller along the Seine in Paris. Later he befriended the elderly Roché, who had published his first novel at the age of 74. The author approved of the young director's interest to adapt his work to another medium. The film won the 1962 Grand Prix of the French film price Étoile de Cristal and Jeanne Moreau won that year's prize for best actress. The film ranked 46 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010. The soundtrack by Georges Delerue was named as one of the "10 best soundtracks" by Time magazine in its "All Time 100 Movies" list. The shooting of the movie was the subject of a documentary directed in 2009 by Thierry Tripod.
- Released: 1962
- Directed by: François Truffaut
- Diamond Head is a film starring Charlton Heston, Yvette Mimieux, George Chakiris, and James Darren, directed by Guy Green, and released by Columbia Pictures. The original music score was composed by John Williams, Hugo Winterhalter composed the theme, and Darren sang the title song. The soundtrack album was released by Colpix Records. Silent film star Billie Dove makes her last film appearance in a brief cameo.
- Released: 1963
- Directed by: Guy Green
- In a Nottingham factory, Arthur Seaton works in a mindless haze, but his weekends are even more muddled due to his love affairs and his alcohol problem. One of the women Arthur is involved with, Brenda, is married to his coworker, but pregnant with Arthur's child. Meanwhile, Arthur is also pursuing Doreen. Soon enough, he is found out by Brenda, who wants money or an abortion, and Arthur finds himself at a crossroads.
- Released: 1960
- Directed by: Karel Reisz
- Michele O'Brien (Leslie Caron) recently lost her husband, so she moves, along with her infant son, from her suburban home to a New York City apartment. After contemplating her son's fatherless future, she decides to remarry and thinks her boss, child psychologist Philip Brock (Bob Cummings), would be a perfect mate. While she pursues Philip, she develops a love-hate relationship with her upstairs neighbor, an amateur porn director (Warren Beatty) who harbors a crush of his own.
- Released: 1966
- Directed by: Arthur Hiller
- Sir Lancelot (Cornel Wilde) is a knight of the Round Table and one of King Arthur's (Brian Aherne) most trusted men. Arthur pledges to wed Princess Guinevere (Jean Wallace) and sends Lancelot to protect her on the long journey back to the castle. Arthur is unaware, however, that Guinevere and Lancelot have fallen deeply in love. As Lancelot struggles to reconcile his love for her with his duty to Arthur, he must also defend the land against a rival king.
- Released: 1963
- Directed by: Cornel Wilde
- A Woman Is a Woman is a 1961 French film directed by Jean-Luc Godard, featuring Anna Karina, Jean-Paul Belmondo and Jean-Claude Brialy. It is a tribute to American musical comedy and associated with the French New Wave. It is notable for being the first film Jean-Luc Godard shot in color and Cinemascope.
- Released: 1961
- Directed by: Jean-Luc Godard
- Teenager David Clemens (Keir Dullea) develops a hysterical fear that he will die if he comes into physical contact with another person. Perturbed, David's overbearing mother places him in a home for mentally disturbed young people, but David remains withdrawn from the other patients and his psychiatrist. Over time, however, David grows interested in 15-year-old Lisa (Janet Margolin), who suffers from multiple personalities -- one who can only speak in rhyme, and the other, a mute.
- Released: 1962
- Directed by: Frank Perry
- Stationed in an isolated desert outpost, Lt. Curtis McQuade (George Hamilton), an inexperienced cavalry officer, must adjust to his new spartan life under his surly superior, Capt. Stephen Maddocks (Richard Boone). Tensions between the young soldier and his embittered leader are heightened by their mutual infatuation with the beautiful Tracey Hamilton (Luana Patten). When the troops have to face fierce local Apaches, will Maddocks and McQuade be able to put their differences aside?
- Released: 1961
- Directed by: Joseph M. Newman
- Cinephile slackers Franz (Sami Frey) and Arthur (Claude Brasseur) spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile (Anna Karina). The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.
- Released: 1964
- Directed by: Jean-Luc Godard
- Jean-Louis (Jean-Louis Trintignant) is a devout Roman Catholic who subscribes to an austere moral code influenced by the philosophy of Blaise Pascal. When he spots a pretty girl (Marie-Christine Barrault) at church, he promises to one day marry her. But then an old friend (Antoine Vitez) introduces him to alluring divorcee Maud (Françoise Fabian). After a conversation about love and philosophy, the chaste Jean-Louis spends the night at Maud's place, conflicted about what he desires.
- Released: 1969
- Directed by: Éric Rohmer
- Lola, is a 1961 film, the debut film directed by Jacques Demy as a tribute to director Max Ophüls and is described by Demy as a "musical without music". Anouk Aimée starred in the title role. The film was restored and re-released by Demy's widow, French filmmaker Agnès Varda. The names of the film and title character were inspired by Josef von Sternberg's 1930 film Der blaue Engel, in which Marlene Dietrich played a burlesque performer named "Lola Lola."
- Released: 1961
- Directed by: Jacques Demy
- Stolen Kisses is a 1968 French romantic comedy-drama film directed by François Truffaut starring Jean-Pierre Léaud and Claude Jade. It continues the story of the character Antoine Doinel, whom Truffaut had previously depicted in The 400 Blows and the short film Antoine and Colette. In this film, Antoine begins his relationship with Christine Darbon, which is depicted further in the last two films in the series, Bed & Board and Love on the Run. The original French title of the film comes from a line in Charles Trenet's song "Que reste-t-il de nos amours ?" which is also used as the film's signature tune. The film was nominated for Academy Award for Best Foreign Language Film. The film begins with a pan onto the locked gates of the Cinémathèque Française then based at the Palais du Chaillot. On the gates there is a sign 'Relache'. This is Truffaut's reference to the Affaire Langlois when the head of the Cinémathèque had been sacked by the French government. He was eventually reinstated after filmmakers like Truffaut used all their wiles to foment protest.
- Released: 1968
- Directed by: François Truffaut