Showing posts with label Hug Snug Seam Binding. Show all posts
Showing posts with label Hug Snug Seam Binding. Show all posts

Tuesday, May 19, 2015

Hemline Variations: A Tutorial

Today I wanted to share a tip using my favorite sewing notion . . . rayon seam binding!  Yes, I have found yet another excuse to keep adding to my collection of Hug Snug.

Hemming a garment is generally one of, if not the last, steps in the construction process - this means it is often rushed.  But a bit of extra time and effort can make a huge difference to the overall quality of a garment.  It really is all about the little details!


There are many, many different ways to hem a garment.  This particular option works quite well with thicker fabrics since it covers the raw edge without adding any bulk, although I also like to use it on lightweight fabrics, like this gorgeous floral cotton.


This technique involves a length of rayon seam binding (to cover the raw edge) and some catch-stitches (to contain and secure the binding to the garment).

The first step is to mark the fold line.


On most fabrics, I like to use a fabric pen to lightly mark the fold line on the wrong side of my fabric.  Tailor’s chalk is another excellent option.  

Next, a running stitch is worked along that marked line.  (I suggest using silk thread since it will be easy to remove later on.)


This basting stitch allows the fold line to be visible on both the right and wrong sides of the fabric.  It will also not disappear under a spray of steam at an inopportune moment!

A length of rayon seam binding is then stitched to the right side of the hemline along the raw edge.  I like to drop the spool of binding next to me at the sewing machine and apply the binding without pins, but you can certainly cut a length of seam binding sufficient to run the length of your hem and pin in place, giving yourself an inch or so extra at one end.


The stitching line should securely attach the seam binding to the fabric, making sure that the raw edge is covered.  Because the rayon binding is so lightweight, you will be able to feel the edge of your fabric to keep the binding in place, with or without pins.


To finish the end of the seam binding, simply trim and fold under the raw edge, overlapping the initial cut edge, and stitch in place.


Give the hemline a quick press to remove any puckering along the stitch line.


That should look something like this.


Press the hem up along the basted fold line.


Pin the hem into place.


For my initial versions of this hem variation, I would stitch through the upper edge of the binding.  While both edges of the ribbon are woven and will not fray, the application always seemed a bit unstable.

One day while I was catch-stitching seam allowances to an underlining, it hit me.  I could just as easily catch-stitch the seam binding on a hem application!


Moving left to right, catch-stitch the hemline in place, taking a bite out of the stitched edge of the seam binding followed by a tiny bite out of the fabric to secure the hem in place.


This hand stitch is best worked flat – that means no hemming while sitting on the couch watching a movie, no matter how tempting it may be!

The good news is that this hand work is virtually invisible from the outside of the garment.


Make sure to give your hemline a good press.  All that hand sewing means the garment has been handled quite a lot - a bit of steam will fix that! 


The final step is to remove the line of basting stitches.  I often leave basting threads throughout my finished garments, but in this case, they should really should be removed.


Yes, this hemming technique requires a bit of extra effort, but the end result looks so pretty!  The catch-stitch also makes for a very flexible hemline.  And beautifully finished garments really are a joy to wear!



[The fabric for this dress was received in exchange for my contributions as a Britex Guest Blogger.]

Thursday, November 27, 2014

Beribboned


Here is the finished skirt!


It did not make it past the first round of The Great Pattern Review Sewing Bee, but I did manage to start and finish a project that has been stuck in my head for years, so I am going to call it a success!


Which is actually a relief.  A week is not enough time to produce a detailed garment (for me, at least!) and the hectic schedule would have stressed me out.


The contest did finally get me to watch the Great British Sewing Bee.  Clearly, the show was not produced in America.  My goodness, everyone was so kind to one another (why can’t reality television in the States be more like that?!).  The snarkiest thing I heard was Ann commenting that she could have made rouleau straps as delicate as those on the winning dress that week – and I believe her.  I actually think that the smocked design looked a bit silly with such tiny straps that would probably end up destroyed after being worn by an active child.


To continue the sewing television trend, I have also starting watching some of the old Project Runway shows.  Wow . . . not quite sure what to think!  The time constraints are ridiculous, and some of the hem finishes are painful to look at; I wonder what they really look like in person.  


All I can say is that I am very thankful the only time constraints and deadlines I have are self-imposed! 



Skirt:  Made by me, Sewaholic Hollyburn Skirt
Sweater:  Banana Republic
Shoes: INC

Wednesday, June 6, 2012

Garden Party, Part 1


Another Marin Symphony event, another excuse to play dress up!  This time around it was a fundraiser at a country club, complete with a golf tournament. 


I had plans to make this fantastic pattern up (you may remember it from the goodies I received from Mr. Male Pattern Boldness) in a cotton toile with contrasting collar and belt before making a more dressy version.  However, as soon as I heard about the event, this was the first project that came to mind.

I have been obsessed with Advance 5470 ever since it showed up at my doorstep (I believe that sending Peter those patterns may be the best thing I ever did!).


Because I did not want anything to happen to the pattern tissue, the first thing that I did was to trace all of the pieces on muslin (except the skirt because I ran out of fabric – however did that happen?).


My rayon fabric comes from Fashion Fabrics Club.  It was one of those lucky picks.  I have had some bad luck and I have had some amazing luck with my purchases from the company.  I have been hoarding this particular print, and finally decided that I would wait for a formal occasion to present itself and would pair it with a certain Vintage Vogue pattern.  Well, when this somewhat informal occasion presented itself, and with Peter’s pattern fresh in my mind, I could not help but pull out the bold black and white print.


The pattern requires a somewhat fluid material for the sleeves.  However, the bodice, skirt, and collar would work better in a fabric with some body.  My solution was to underline the bodice pieces with silk organza.  The skirt was just going to have to wait for a crinoline to prop it up.


The facings and armbands were underlined with cotton.


I find that it is easier to first cut out a pattern piece in cotton and layer that piece on my fashion fabric before cutting and hand basting the edges together.  Once you move the rayon piece, it is usually impossible to match that piece back to any sort of interfacing or underlining.



Because I never seem to purchase fabric with a specific pattern in mind, I rarely have enough, or I end up with too much of my yardage.  This time around, I had just about 4 yards.  However, the sleeved version requires a little more than that. 

And while my limited yardage did not allow for much matching, I did manage to cut the center front properly.


To help with my fabric limitations, I used a white silk/rayon blend for the second cut of my collar.  The self-fabric section was lined with my organza, and the white satin was matched with some cotton.  






This turned out quite nicely – the collar is not stiff at all, but it does have a crispness that the original rayon did not have.



And, of course, my raw edges are encased in seam binding.  You didn’t honestly think I would skip that step, now did you?!


I believe that I have found the secret to bound buttonholes.  It is time – lots and lots of time and patience.  And it really works.  There is something a bit relaxing about marking buttonhole placement with silk thread.








It truly is worth the extra effort so everything matches up in the end.


And those silk organza scraps were put to good use as a stabilizer for my hand-picked zipper.


So another weekend has passed without completing that massive Spring Cleaning I keep meaning to do.  Instead, my sewing room looks like a bomb went off with bits of fabric and pins strewn about - I am not looking forward to the clean-up.



At least I have a new dress . . . finished pictures to come soon!

Fabric: 
Rayon Satin from Fashion Fabrics Club
Silk Organza for underlining
Cotton for interfacing

Notions:
Buttons from JoAnn Fabrics
Silk thread for basting
14” zipper