Maximilien Luce (1858–1941) was a trailblazer of Neo-Impressionism and key figure in anarchist and libertarian communities. Leaving an indelible legacy through his deep artistic and political passions, his paintings of urban and rural scenes as well as the human experience reflect the social and industrial shifts of his time. Although his stunning landscapes take center stage in this exhibition, he also portrays subjects that were unexplored by his fellow Pointillists, such as workers in motion.
The humanistic spirit at the core of his work defines its essence, yet landscape remains a central theme that energized his art throughout his career. With a distinctive sensitivity, Luce masterfully portrays light and color. This exhibition, the first major Paris retrospective of Luce since 1983, showcases his artistry and brings his frequently underappreciated work to a wider audience.
Luce lived on rue Cortot from 1887 until 1899, just steps from where this exhibition, the first Paris retrospective since 1983, is now being held. — BPJ
27 March 2025
Letting Luce
25 March 2025
Table Tuesday
19 March 2025
Window Wednesday
17 March 2025
Saint Patrick d'Irlande
Happy Saint Patrick's Day
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Some Irish pubs in Paris to lift a glass:
- Check for info and opening hours -
16 March 2025
Fashion fiends
12 March 2025
Window Wednesday
Window into the mesmerizing worlds of Pablo Picasso and Henri (Le Douanier) Rousseau.
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Pablo Picasso and Henri Rousseau are the latest dynamic duo pairing at the Atelier des Lumières, with both men's artistic styles diverging dramatically despite sharing the same era. Picasso, a titan of modern art, pioneered Cubism with its fragmented, abstract forms, breaking reality into geometric shards that challenged perception. Like his revolutionary Les Demoiselles d'Avignon, Picasso's work pulsed with intellectual complexity and emotional intensity, often bending perspective to mirror the chaos of the human experience. In contrast, Rousseau, known as Le Douanier, was a self-taught naïf who painted with a childlike simplicity, crafting flat, dreamlike jungle scenes. His style leaned on vivid colors and meticulous detail, exuding a serene, almost surreal innocence that ignored academic norms. Where Picasso dissected the world, Rousseau enchanted it, offering a whimsical escape to Picasso’s cerebral upheaval. Together, they highlight the era’s spectrum: innovation versus intuition, fragmentation versus fantasy. - BPJ
Above: Pablo Picasso (1881 - 1973)
Below: Henri (Le Douanier) Rousseau (1844 - 1910)
10 March 2025
Mona Monday
9 March 2025
Art is always a good idea
Currently at Le Grand Palais Champs-Élysées:
Ends March 19, 2025
24 February 2025
Mona Monday
16 February 2025
Rappelle-toi
Rappelle-toi Barbara Il pleuvait sans cesse sur Brest ce jour-là. Et tu marchais souriante. Épanouie ravie ruisselante. Sous la pluie. Rappelle-toi Barbara - Jacques Prévert
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Today ends an in-depth exhibition highlighting the life and work of Jacques Prévert at the Montmartre Museum with its stunning Renoir Gardens and small tea room.
From my college days I've fond memories of how my father would recite "Rapelle-toi Barbara" to me because it had my name in it, not realizing that Prévert was much more than a prolific poet. A talented writer, screenwriter and, in his own right, artist whose best friends were notable painters of the day such as Pablo Picasso and Joan Miró, he spent his time in Montmartre welcoming a beau monde from a small studio that overlooked Le Moulin Rouge and was filled with books and scraps of cuttings to create his astonishing surrealist collages.
Prévert's Wikipedia biography states, "He died of lung cancer in Omonville-la-Petite on 11 April 1977. He had been working on the last scene of the animated movie Le Roi et l'Oiseau ("The King and the Mockingbird") with his friend and collaborator Paul Grimault. When the film was released in 1980, it was dedicated to Prévert's memory, and on opening night, Grimault kept the seat next to him empty. His dog Auto was given to a family friend after his death." - BPJ
Below: in a spontaneous moment at the exhibition a couple embraces in front of one of Prévert's collages that happened to be just around the corner from a poster of the film, "Les Enfants du Paradis" (1945), screenplay by Jacques Prévert
10 February 2025
6 February 2025
Crochet crazy
A giant serpent coils around The Tree of Life in an immense art installation representing the beginning of humankind.
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24 January 2025
Belladonna
"Tatiana Wolska’s Belladonna exhibition nestles between the political and the intimate, offering a physical and cognitive experience where drawing merges with sculpture. Witches’ plant, good or magic weed known since ancient times, Belladonna, is both the remedy and the poison reminding us that its use requires subtle handling as well as great knowledge. Through the history of this plant, the exhibition promotes proliferation and dialogue in order to unite the familiar and the strange, lightness and ardor, suggestion and claim."
Curated by Marianne Derrien
January 24 - April 20, 2025
20 January 2025
Maison&Objet Monday
Last chance to catch the creativity and beauty that is Paris Design Week.
Full program 2025:
10 December 2024
Tower Tuesday
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27 November 2024
Window Wednesday
25 November 2024
Museum Monday
18 November 2024
Mona Monday
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Pie-in-the-face Mona
A fun exhibition on a narrow Marais side street.
Ended November 16
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FINAL DAY: all weekend and thru Monday November 18:
Montmartre's unique annual Portes Ouvertes des ateliers d'artistes: from Anvers to Abbesses, when artists open their private ateliers to the public and Parisians and visitors alike roam the streets, stairways and hills, maps in hand, searching hidden addresses and local art.
101 Artistes - 63 Ateliers
Thank you organizers and Mairie du 18ème
11 November 2024
Mona Monday
Trompe your oeil at this eye-catching exhibition.
Musée Marmatton Monet
4 November 2024
Museum Monday
A bride stands before the largest painting in the Louvre, Les Noces de Cana, The Wedding at Cana, by Paolo Veronese (1528-1588).