Brika Does National Geographic

National Geographic's Your Shot page has long been a favorite of mine. Images are submitted from all over the world for consideration, and the senior editorial staff selects 12 photographs on a daily basis to display.

The images that are chosen never cease to be remarkable in some way. Rare moments, human emotion, nature, world events, and artistic creativity are among the elements that can often be seen side-by-side in the Daily Dozen. Unique is probably the best way to describe the shots in this feature.

It's fun to see some fly fishing subject matter in the mix today. Brika, the sweetheart pup of WorldCast guide Casey Birkholz, is posing on a wooden dory in today's picks.

I've been asked if this image was done using HDR software, and the answer is no. I achieved the effect using a neutral density filter, an off-camera strobe diffused through an umbrella, and some light burning of the clouds in CS5.

Nikon D300
Tokina 12-24mm AT-X Pro
Nikon SB600, off-camera, diffused through a 32" umbrella & triggered w/ radio slave
Tiffen HT 2-stop ND Grad

PhoDOGraphy

A week ago I enjoyed the opportunity to attend a field trial event held in Utah by the National Vizsla Association (NVA). Since this was a formal, judged event there were not many opportunities for photography, but it was a great experience to see some extremely well-trained pointers in action.

While there I was speaking with a trainer who was interested in capturing better images of dogs in the field. The first question that came up was, "What is the most important piece of equipment that makes the biggest difference?"

My response was simple - "Your kneecap."

I went on to explain that the biggest mistake most people make when photographing dogs is to shoot standing up, creating a strong downward angle from the camera to the subject.

In 2-dimensional space, a downward angle makes the subject appear less prominent as it occupies a weaker position within the frame. The next time you see one of those campaign ads about dogs and cats that are in need of rescue, take note of the camera angle. It will always be high, looking down at the animals to create a feeling of helplessness and dependence. This is done intentionally. Typically these are the qualities you want to avoid in photographing sporting breeds where strength, athleticism, power, and confidence are the elements we are seeking to portrait.

Kneeling down and lining up the lens at eye level is the key to creating a strong, powerful presence for subjects like hunting dogs.

On Saturday while fishing in Wyoming I took a few shots of Brika (my favorite German Shorthaired Pointer that I don't own myself) to illustrate. Dropping to one knee poses a few problems out in the sticks where mud, cactus, rocks, and all manner of detritus usually make kneeling a real pain in the patella. Regardless, perspective is always paramount and foremost in my mind when looking to capture man's best friend.

Getting low and shooting at eye level will give your pup a more commanding presence in the photo and create a stronger connection with the viewer. The photographer's willingness to mess up a nice pair of jeans and hork down ibuprofen for a few days after the shoot makes a bigger difference than any choice of gear.