cult film freak: mickey shaughnessy

Showing posts with label mickey shaughnessy. Show all posts

Written by James M. Tate / 3/23/2022 / No comments / edgar buchanan , forties , glenn ford , leslie nielsen , mickey shaughnessy , pernell roberts , shirley maclaine , warner archives , western , william bowers

GLENN FORD IN GEORGE MARSHALL'S WESTERN 'THE SHEEPMAN'

<p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEXNQ8CKMx0Yr5N8Fk0lF6F8km9hhtZrqDWGN4GpKvZk9b1PxJ3K_gstDt212cII61YNBtLpnn5f8QD-_yuzGwtj85-xYk6rm9vjBJ_FB2lhXwXI0436FSDtKyhi4sx_qzlqXVfs4PwQ5N1jtJEZ1QQIqvZs3rEQ4FDDdJUMYUOwhSMaDzdVouicFpXg/s1115/Screen%20Shot%202022-03-26%20at%201.35.44%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="738" data-original-width="1115" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEXNQ8CKMx0Yr5N8Fk0lF6F8km9hhtZrqDWGN4GpKvZk9b1PxJ3K_gstDt212cII61YNBtLpnn5f8QD-_yuzGwtj85-xYk6rm9vjBJ_FB2lhXwXI0436FSDtKyhi4sx_qzlqXVfs4PwQ5N1jtJEZ1QQIqvZs3rEQ4FDDdJUMYUOwhSMaDzdVouicFpXg/s16000/Screen%20Shot%202022-03-26%20at%201.35.44%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: THE SHEEPMAN Year: 1958 Rating: ****</u></td></tr></tbody></table><p>George Marshall's THE SHEEPMAN could have been a genuine satire, deliberately playing upon Western tropes as "stranger in town" Glenn Ford knows there's always the expository-spouting "cracker barrel philosopher" (Edgar Buchanan); the brawling bully everyone fears (Mickey Shaughnessy); and Leslie Neilsen as the powerful yet sophisticated villain, an old acquaintance of Ford's Jason Sweet about to marry local tomboy Shirley MacClaine.<br></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Co-written by William Bowers, THE SHEEPMAN resembles his later <a href="http://www.cultfilmfreaks.com/2019/03/support1.html">SUPPORT YOUR LOCAL SHERIFF</a> with a resilient sharpshooter who, no matter what's thrown at him, from fists to bullets, deals with cowboys protecting their cattle with the prospect of sheep... </p><p><span></span></p>

edgar buchanan, forties, glenn ford, leslie nielsen, mickey shaughnessy, pernell roberts, shirley maclaine, warner archives, western, william bowers

GLENN FORD IN GEORGE MARSHALL'S WESTERN 'THE SHEEPMAN'

Title: THE SHEEPMAN Year: 1958 Rating: **** George Marshall's THE SHEEPMAN could have been a genuine satire, deliberately playing upon W...

ROBERT MORSE IN 'THE BOATNIKS' WITH STEFANIE POWERS

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2FcK2myU-t6zS85KQ-pH_fE6L8uWQeksyjgIPa6vXp33iDuLh5mZDsQOQzDuk-QbwGcMxlKeFmtdF7D0SYi95s2jzUpzWJf90G1D01qFdZKiQrpzDWF43QxFPdQ2BFNVzbA4a_gYgrxwS/s1751/Screen+Shot+2021-08-22+at+11.52.15+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="973" data-original-width="1751" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2FcK2myU-t6zS85KQ-pH_fE6L8uWQeksyjgIPa6vXp33iDuLh5mZDsQOQzDuk-QbwGcMxlKeFmtdF7D0SYi95s2jzUpzWJf90G1D01qFdZKiQrpzDWF43QxFPdQ2BFNVzbA4a_gYgrxwS/s16000/Screen+Shot+2021-08-22+at+11.52.15+PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Opening Credits for THE BOATNIKS Year: 1970 Rating: ***1/2</u></td></tr></tbody></table><p>Like THE APPLE DUMPLING GANG five-years later, Disney juggles two stories in one with wacky villains and a kindhearted underdog in a World War II hero's son taking over a West Coast/Coast Guard headed by strict Don Ameche bossing the short, pudgy, gap-toothed Robert Morse...</p><p></p><p>Way too quickly hooked up with gorgeous sailing instructor Stefanie Powers, who rents vessels to three bumbling jewel thieves headed by Phil Silvers flanked by a cautious Norman Fell and dimwitted Mickey Shaughnessy...</p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0wwngl2ik4hsJpo3l8KFuw-F7E-Lr0EjXSpT3FctmbVCumVAphBIcKjhA839Ua_AmXNLXCFvew4WDPRTWfwwzbnPOvQhL7WwEkNYa_Ctr5qaZtdA8Caqk4gHslzkYPXS5HU25G6gI_ZUf/s1767/Screen+Shot+2021-08-22+at+11.53.45+PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="866" data-original-width="1767" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0wwngl2ik4hsJpo3l8KFuw-F7E-Lr0EjXSpT3FctmbVCumVAphBIcKjhA839Ua_AmXNLXCFvew4WDPRTWfwwzbnPOvQhL7WwEkNYa_Ctr5qaZtdA8Caqk4gHslzkYPXS5HU25G6gI_ZUf/s16000/Screen+Shot+2021-08-22+at+11.53.45+PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Phil Silvers, Kelly Thorsden and Robert Morse in THE BOATNIKS</u></td></tr></tbody></table><p>Who take up most of the film, NOT in trying to sail to Mexico but attempting to recover the treasure where they accidentally dropped it in the bay, providing Morse a chance to prove he's isn't a flake, which is strange since, as the film's "jinxed" lead, he's really not all that clumsy or unlucky... </p><p></p><p>Meanwhile the best scenes ultimately become the slowest as the crooks keep ahead of their pursuers using a stolen mini submarine in a 100-minute comedy that should've been a sparse 80. But, overall, the most enjoyable aspect is visual as in bikinis and tan shirtless souls on yachts and sailboats under So Cal's groovy 1970's sunshine: A freedom long gone. <br></p><p><span></span></p>

action, comedy disney, denise lynn, disney, don ameche, kelly thorsden, lynn borden, mickey shaughnessy, norman fell, phil silvers, robert morse, seventies, stefanie powers, wally cox

ROBERT MORSE IN 'THE BOATNIKS' WITH STEFANIE POWERS

Opening Credits for THE BOATNIKS Year: 1970 Rating: ***1/2 Like THE APPLE DUMPLING GANG five-years later, Disney juggles two stories in one ...

DAN DURYEA AND JAYNE MANSFIELD STEAL 'THE BURGLAR'

<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigZ2UrBbjZNTgsykB0iqaPGXxbmx5xDejVHr1_xzoMA85xDuoONcfVsyUUuA11nIGtNYw_sGaGQwYaAJXdX6i9OxtViTm5qejykf_PU-aeIvrUi49GERHtG2LYGGRRSx1miDb3n7ALxoE/s1600/13767342_144516732644178_1382499727680812918_o.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigZ2UrBbjZNTgsykB0iqaPGXxbmx5xDejVHr1_xzoMA85xDuoONcfVsyUUuA11nIGtNYw_sGaGQwYaAJXdX6i9OxtViTm5qejykf_PU-aeIvrUi49GERHtG2LYGGRRSx1miDb3n7ALxoE/s400/13767342_144516732644178_1382499727680812918_o.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Dan Duryea breaks in in THE BURGLAR Year: 1957</u></td></tr>
</tbody></table>
Dan Duryea is Nat Harbin, a man with a mission… but first there’s inspiration. The film begins with a vignette of newsreels (which, taking up the entire screen, doesn't seem as such), including a piece about a rich woman/charlatan spiritualist holed up in a plush mansion. And what's this have to do with crime? Well eventually we see our title character watching from his theater seat. The only thing missing is the lightbulb flashing over his head... but his expression says it all.<br />
<br />
<div style="text-align: left;">
</div>
The initial heist inside the mansion is right out of THE ASPHALT JUNGLE but there are fewer people involved. Nat’s partners wait outside as he does the real work, about to lift diamonds from the safe. Yet the real suspense occurs after the heist is nearly finished: Two curious policemen are standing outside Nat’s vehicle, parked across the street from the mansion. Instead of taking off, like his partners suggest, the intrepid thief strolls right up to the policeman and acts like the car had broken down. After the cops leave, Nat goes right back in to finish the job. A coolheaded pro at work.<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<div style="text-align: left;">
</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXl3kLx1fx-5jbC3iGO2FvMfTIVlzZkQZL3CCxbSnHvbrFU1i5eyf3epAQHZghS3Ou9XySZJSM4MVoOyWGgjyRmk0Em-GAeEwyzKRKaZgb7m0aCagAR4T0OeJZASK_t8oWeC6oscd4-eU/s1600/13698094_144443552651496_8754140495265417454_o.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXl3kLx1fx-5jbC3iGO2FvMfTIVlzZkQZL3CCxbSnHvbrFU1i5eyf3epAQHZghS3Ou9XySZJSM4MVoOyWGgjyRmk0Em-GAeEwyzKRKaZgb7m0aCagAR4T0OeJZASK_t8oWeC6oscd4-eU/s320/13698094_144443552651496_8754140495265417454_o.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Captures the Loneliness of Being Crooked</u></td></tr>
</tbody></table>
Describing the first part of THE BURGLAR is important to summarize the rest of the film. A mysterious person is tailing Nat and his girlfriend Gladden, played by voluptuous blonde Jayne Mansfield, the team's mansion-casing dame with a backstory with Nat, and who ain't too crazy about being holed up with his partners, one in particular...<br />
<br />
Of the two edgy thugs bookending the coolheaded leader, Mickey Shaughnessy’s square-jawed bully Dohmer is the real treat for the genre, igniting Noir into Gangster just a bit and through all the pathos, reminding us we’re watching a bonafide crime flick: He's is as no-nonsense and ultimately lethal as this group gets, yet the quiet Nat Harbin is still in charge. Duryea, who usually played antsy characters, is remarkably subtle here – this isn’t a powerhouse performance but a foundational one.<br />
<br />
<div style="text-align: right;">
</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF1DpLLoq71Cp9Zs_93jlE4cphVg3dA9c0bFuGjlnlZx1sdxPktPuwEeKodMRAF1rfkGbXD4z4S4EDvYtbh8FJZe7jO-67dY2f3ZGD12bUmya1B6UyMMh-9p-SfY574N_YMPgXtk7TDGU/s1600/13730998_144446762651175_6123299201799129011_o.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF1DpLLoq71Cp9Zs_93jlE4cphVg3dA9c0bFuGjlnlZx1sdxPktPuwEeKodMRAF1rfkGbXD4z4S4EDvYtbh8FJZe7jO-67dY2f3ZGD12bUmya1B6UyMMh-9p-SfY574N_YMPgXtk7TDGU/s320/13730998_144446762651175_6123299201799129011_o.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Jayne Mansfield enters sexy in THE BURGLAR</u></td></tr>
</tbody></table>
Deep pockets of downtime occur within the mid-section, especially when Nat finds a new lady love in BIG SLEEP blonde beauty Martha Vickers and Gladden takes up with a stranger who might have something to hide, and a lethal agenda. Meanwhile Dohmer, our token wild card, holed up in the tiny house and just about ready to explode, has to weather the most annoying character...<br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEkDEP_NjqrkuGzBMxo9ay8rJDSPMrWnQ64lzCxiqKs-DyYdNCT0gbmpoL0Kk4zVCgKToxxWT8I0CO9kOl52pMAuuH0hn0db0vwGK75VuTyyVXmSUa2yaDafua2EmVxiNCCs3GBRvANXc/s1600/the-burglar-movie-poster-1957-1010400975.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEkDEP_NjqrkuGzBMxo9ay8rJDSPMrWnQ64lzCxiqKs-DyYdNCT0gbmpoL0Kk4zVCgKToxxWT8I0CO9kOl52pMAuuH0hn0db0vwGK75VuTyyVXmSUa2yaDafua2EmVxiNCCs3GBRvANXc/s1600/the-burglar-movie-poster-1957-1010400975.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>MOVIE SCORE: ***1/2</u></td></tr>
</tbody></table>
Peter Capell's Baylock, repeating like a scratched record how much he loathes prison, does tends to overact, and yet he successfully provides an edgy third fiddle in the tight yet completely mismatched band of thieves. <br />
<div style="text-align: right;">
</div>
<br />
As a whole, THE BURGLAR stands out from THE ASPHALT JUNGLE, THE KILLING, ARMORED CAR ROBBERY and other Heist-Noirs by use of surreal flashbacks and creative camera angles. And while the robberies are pivotal or climactic in those films, it's the springboard for this one: All leading to an inevitable showdown inside a fun house, kind of a mellow version of the famous Orson Welles LADY FROM SHANGHAI climax: Yet there are no mirrors or tricks, only Duryea, diamonds, two beautiful ladies, and a determined, desperate killer.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWyCNcSeADEkRusCmKBy0SOlpih5GKZR4iowaumB7A8tgTSLuNSogWO3Tk1ufNBT6V51POO-8G9wU-ZDcDC3fURE0HT93N28ZpbvXbdXs41eQyKyVXbe3j7raIy2ZNJP-Cf74nA_CIoNt4/s1600/burglar10.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWyCNcSeADEkRusCmKBy0SOlpih5GKZR4iowaumB7A8tgTSLuNSogWO3Tk1ufNBT6V51POO-8G9wU-ZDcDC3fURE0HT93N28ZpbvXbdXs41eQyKyVXbe3j7raIy2ZNJP-Cf74nA_CIoNt4/s1600/burglar10.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Mickey Shaughnessy should have done more since he's great in this, making the bad guys bad</u></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfLNqETYpI2VeUOl0J2bx_r9dFEKQNNRbW2zOndnsBwLPs_09cyNnyiusSHUOY4Ma8wqkghpBoS9FIJZD6ZoetcMKB9fAKU3Ug9eXheOexG_FGjp9UsceJRcGOgoWm1RKNf17kNnllcGyJ/s1600/burglar1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfLNqETYpI2VeUOl0J2bx_r9dFEKQNNRbW2zOndnsBwLPs_09cyNnyiusSHUOY4Ma8wqkghpBoS9FIJZD6ZoetcMKB9fAKU3Ug9eXheOexG_FGjp9UsceJRcGOgoWm1RKNf17kNnllcGyJ/s1600/burglar1.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Great Opening Credit Sequence featuring our leading crook walking outside a theater about to...</u></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0rWsrTkbYGCq0BBMCwxZIh2I43ShNMyxDvAmbF7OgGKuoSCt-_gQtl7fFbPUpST0h2osw8i8tgjOWjXgXDYm3_62G3v9np-n-9Xx6upaxeeuixmCFJ-jg5m5MRzg4pQJnO_w-mo1d8H1Q/s1600/burglar3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0rWsrTkbYGCq0BBMCwxZIh2I43ShNMyxDvAmbF7OgGKuoSCt-_gQtl7fFbPUpST0h2osw8i8tgjOWjXgXDYm3_62G3v9np-n-9Xx6upaxeeuixmCFJ-jg5m5MRzg4pQJnO_w-mo1d8H1Q/s1600/burglar3.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.8px;"><u>Light up a cigarette while the title, his character, is read in a cool lower case font</u></td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg4Ksjs2dEMqy36gInU1BRYaldSMpSFjw464TTmFYkl5lK4CZGbSbgQWbiaAocGyyLgHP5mao8vYPhyfyyFiCShejB1HUl9xJmZJOdBlSGAOl0Q2MzoVoiYCuj7uZZmGJ8SqTwzDiRSyxP/s1600/burglar7.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg4Ksjs2dEMqy36gInU1BRYaldSMpSFjw464TTmFYkl5lK4CZGbSbgQWbiaAocGyyLgHP5mao8vYPhyfyyFiCShejB1HUl9xJmZJOdBlSGAOl0Q2MzoVoiYCuj7uZZmGJ8SqTwzDiRSyxP/s1600/burglar7.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Jayne Mansfield as Gladden on the beach with a mysterious stranger</u></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyvHuth7RFxZ8NI_zoUN9ZAjMPcPpkX33v4h-bRk5Yzhf_7pI7EovI96qo_8gs5MpOKkQHIywq0lENaCl9bDW8NVUcCeN6CTnXXvLtocE3bAZwsFV1jz6ZzsWKw99JdeXKsrSQdt4_UoLU/s1600/burglar8.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyvHuth7RFxZ8NI_zoUN9ZAjMPcPpkX33v4h-bRk5Yzhf_7pI7EovI96qo_8gs5MpOKkQHIywq0lENaCl9bDW8NVUcCeN6CTnXXvLtocE3bAZwsFV1jz6ZzsWKw99JdeXKsrSQdt4_UoLU/s1600/burglar8.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Martha Vickers as Della with Dan Duryea in THE BURGLAR</u></td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3j7XMGlHuB2n3C0ntsEQUF7v1MEXU4tq4jBY8uWECewroAX-LTQEK_rEbFYA3mttHqvXUb6uodxPOygZt0mVwbdFTLbdYHc5tHxUazCFbDekH1ti9m8_mJ-UY31URDJDYp-2okd7rdPji/s1600/burglar12.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3j7XMGlHuB2n3C0ntsEQUF7v1MEXU4tq4jBY8uWECewroAX-LTQEK_rEbFYA3mttHqvXUb6uodxPOygZt0mVwbdFTLbdYHc5tHxUazCFbDekH1ti9m8_mJ-UY31URDJDYp-2okd7rdPji/s1600/burglar12.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><u>Though hard to find, and a bit pricey now, THE BURGLAR is terrific viewing, right Dan? </u></td></tr>
</tbody></table>

crime, dan duryea, fifties, film noir or melodrama, jayne mansfield, martha vickers, mickey shaughnessy