The 2015 Ivey Awards at the State Theatre

On Monday night I attended my 9th Ivey Awards. Yes, even before I started Cherry and Spoon in 2010 and started getting press tickets to the event in 2013, I was still a theater geek (read all the words I've written about the Iveys here). The Ivey Awards are my favorite theater night of the year, not so much for the awards themselves, but because it's a celebration of another year of amazing local theater that gathers all of my favorite theater artists in one room. Even though I've met many of them, I still get starstruck when I walk through the crowd and every other face I see is someone I've enjoyed watching on stage. I love to watch awards shows on TV so it's a thrill to get all glammed up and actually attend one in person. I even painted my toenails with a glittery green called "One Short Day" - appropriate because of its musical theater geekiness and and because this event that I look forward to all year goes by in a whirlwind of people and honorees and loud music and conversations. And now it's over for another year, but more great theater is still to come which we will be celebrating next year!

The super talented Christina Baldwin and Regina Marie Williams hosted this year's awards ceremony. They performed a funny and topical musical opening number, did bits and introductions throughout the show, and closed with Regina dressed as a nun (she's playing the Whoopi Goldberg role in Sister Act at the Chanhassen this fall) and Christina dressed as a WWII Army soldier from Sisters of Swing (get it - they're both sisters!). The awards were presented by past winners and representatives from the night's sponsors. In between awards we were treated to scenes from musicals and plays from the last year.

The Iveys don't have set categories and nominees, rather they award exceptional work wherever they see it. This year 11 awards were given out, representing 12 productions. I saw all but two of them - perhaps my highest percentage to date! And the winners are:

1. Walking Shadow Theatre Company's WWII drama Gabriel, about which I said "so captivating, horrifying, chilling, and completely engaging that it hangs with you well after you leave the theater."
2. Steve Tyler for music direction of the gorgeous Pirates of Penzance at the Ordway
3. Shá Cage for her "tour de force" performance in the one-woman show Grounded by Frank Theatre
4. One of the two honored shows I missed was Green T Productions' Prince Rama's Journey, for which Joko Surtisno was honored for music direction
5. Claudia Wilkins and Barbara Kingsley for their work in Gertrude Stein and a Companion at the Jungle, a show they've performed in several times over the last 20 years, prompting Claudia to say "maybe this time we got it right!"
6. The lovely and charming dancing couple Brian Sostek and Megan McClellan for their delightful, funny, and innovative creation Trick Boxing, seen many times on many stages around the country but most recently at Park Square Theatre
7. Another show I missed, Nothing is Something at Open Eye Figure Theatre
8. The ensemble of Pillsbury House Theatre's Marcus, or the Secret of Sweet, seen at the Guthrie studio last fall
9. Peter Rothstein wins again (deservedly), this time for his direction of Ten Thousand Things' Romeo and Juliet
10. Matthew LeFebre was doubly awarded for his costume design of The Mystery of Irma Vep at the Jungle and A Christmas Carol at the Guthrie (both remounts)
11. Last but not least, Live Action Set was honored for the super creepy and very real production design of the walk-through experience that was Crime and Punishment at the Soap Factory

Every year Ivey honors an artist at the beginning of her or his career and one who is further into their career and has made many contributions to the local theater scene over a number of years. This year's Emerging Artist had already been honored as part of the cast of Marcus (my first thought was Nathan Barlow, but nope, maybe next year) - Mikell Sapp. I've seen him a couple of times on stage and definitely taken notice; I look forward to seeing more of him. In perhaps the only predictable award of the night, recently retired 20-year Artistic Director of the Guthrie Joe Dowling received the Lifetime Achievement Award. He was beautifully celebrated in a grand gala and performance earlier this year, and it was nice to once again celebrate his accomplishments over the last 20 years.

The performances are often the funnest part of the night. This year they included a pre-show warm-up by the beautiful, talented, and athletic young men of Mixed Blood Theatre's Colossal. We also got a brief history of the Iveys from the Church Basement Ladies (celebrating their 10th anniversary this year at Plymouth Playhouse). Next, a couple of past Emerging Artists performed. Ricardo Vázquez led the cast of History Theatre's River Road Boogie in Minnesota rock & roller Augie Garcia's appropriately titled big hit "Ivy League Baby" (Ricardo can currently be seen at Park Square in the moving and powerful portrait of a soldier, Elliot, A Soldier's Fugue). And in the most adorable moment of the night, Tyler Michaels and the cutest lost boys ever bounced around the stage singing "I Won't Grow Up," from Children's Theatre Company's delightful Peter Pan (watch Tyler take on another iconic role in Theater Latte Da's Sweeney Todd, opening at the Ritz this weekend). Not all the performances were musicals; we also saw a montage of scenes from four excellent plays - Jeffrey Hatcher's Hamlet (the playwright's latest work, the musical Glensheen, can be seen at History Theatre beginning next weekend), Thurgood (the previous two plays both presented at Illusion Theatre), Penumbra's Detroit '67, and Frank Theatre's Grounded (giving the audience a taste of why Shá Cage received the Ivey). The always sobering and poignant In Memoriam section was accompanied by a lovely song "We Are the Wandering Wondering" from the new original musical Jonah and the Whale by 7th House Theatre (who are presenting another new original musical at the Guthrie studio this winter). In what has come to be one of the most cleverly entertaining segments of the show, Shade's Brigade managed to work all of the sponsors into their radio drama. The disgruntled princess of Casting Spells' Disenchanted sang a (not so) happy tune, and the evening was brought to a delightful close with Ann Michels and the cast of Chanhassen Dinner Theatres' Mary Poppins singing and dancing their way through "Supercalifragilisticexpialodocious!" And then it was time for the party!

One of my favorite things in this past year is that I've gotten to know several of my fellow bloggers. We're a strange breed, and it's nice to know that other people understand the stress, obsession, and pure joy of being a theater blogger in this town. Last night I had such fun hanging out with Laura (One Girl Two Cities), Stephanie (phenoMNal twin cities), Julie (Minnesota Theater Love), Todd (l'etoile), and Kendra (Artfully Engaging) - check them out! I also had the great pleasure of chatting with many of my favorite theater artists, including but not limited to: Sally Wingert working the check-in at the pre-show party (see her as Mrs. Lovett in Theater Latte Da's Sweeney Todd opening this weekend); Kim Kivens handing out programs at the State (one of The Realish Housewives of Edina, opening at the New Century Theatre this weekend); Adam Qualls (with whom I geeked out about the new musical Glensheen that he's in, opening at History Theatre next weekend); Rachel Weber (whom I will see Dancing at Lughnasa at Yellow Tree tonight); Ivey winner Shá Cage (go see her powerful one-woman show U/G/L/Y at the Guthrie this weekend!); Sam Landman (who seems to have recovered well from his recent health scare); and the Nature people (who totally deserve an Ivey, be sure to catch one of the last two stops on their 2015 tour). There were more people I wanted to talk to but my feet were not getting along with my beautiful golden shoes, so my night had come to end shortly before midnight, just like Cinderella.

So there you have it. Another year of brilliant, funny, clever, challenging, strange, delightful theater, and another wonderful celebration of these beautiful cities we are lucky enough to call home. Were all of my favorite shows from this past year honored? Of course not, but you'll have to wait until my end of the year wrap-up in December for more on that. Until then - happy theater-going!


This article also appears on Broadway World Minneapolis.


P.S. ICYMI, here's the Cherry and Spoon Twitter feed from Awards night:

"Trick Boxing" at Park Square Theatre

Husband and wife dancing duo Brian Sostek and Megan McClellan, aka Sossy Mechanics, has been touring their original dance/theater piece Trick Boxing for over ten years, performing it hundreds of times around the world. The years of experience have turned it into something flawlessly polished, but have not worn off the fresh and innovative feeling when viewing it, whether for the first, second (in my case, I saw it at the Guthrie a few years ago), or, one assumes, hundredth time. The original story centers on a boxing manager and the men he trains. Brian and Megan use every tool in their theater, dance, and storytelling toolboxes to tell this story in a delightfully charming way.

The storyteller guiding us through this little tale (set in the 1930s or 40s) is a gambler and boxing manager named Buck. He discovers a young immigrant who's fast on his feet and decides to turn him into a boxer and use him in a scheme. While training for his first match, Dancing Danny David wanders into a dancehall and meets Bella, whose brother Rocky was previously trained/used by Buck. She decides to help Danny get out from under Buck's thumb.

Megan McClellan dodges a punch from Brian Sostek
(photo by V. Paul Virtusio)

The two actor/dancers play about a dozen different characters in the story, with nothing more than a change of voice, accent, and body stance to distinguish them. Megan primarily plays the dancehall dancer with a heart of gold and Jersey accent. Brian plays Buck, Danny, Rocky, a scary evil gambler, the bookie, and several other people, each one a specific and distinct character. He often is on stage alone, having conversations with himself, the movement and words of one character flowing seamlessly into the other. It’s amazing to watch him switch back and forth between two characters, you can almost see the two sides simultaneously (like Stephen Colbert’s "Formidable Opponent," but without the benefit of a split screen). Scenes include a boxing training video, a radio spot, and the most graceful game of hopscotch I've ever seen (new for this incarnation of the show). In perhaps the most amusing scenes of the play, the boxing matches are represented by dolls in a tiny ring, with Brian voicing and moving the dolls as well as doing the play-by-play. But above all, there's the dancing. Whether it's Bella training her brother, or a demonstration of boxing moves, or Danny and Bella at the dancehall, it's truly a delight to see - fast and graceful and light and just gorgeous.

On certain nights, the show is followed by “Special Features” like you might find on a DVD, only live and interactive. Brian and Megan share deleted scenes, bloopers, history of the show, and adventures on the road as prompted by the audience. It sheds greater insight into the development of the show and the lives of this charming couple.

I love the art of dance, but I don't get the chance to see it very often due to my busy theater schedule. So I'm thrilled whenever dance makes its way into my theater world. It's a joyous experience to watch these two so effortlessly dance light-footed and light-hearted across the stage with each other, while telling this amusing and entertaining story. Trick Boxing continues at Park Square's Andy Boss stage through February 8.

"Trick Boxing" by Sossy Mechanics at the Guthrie

The last production I saw at the Guthrie's Dowling Studio was a dance piece about swimming. And now - a dance piece about boxing*. Both shows feature the grace and dance-like movements found in sport. But Trick Boxing, by husband and wife duo Brian Sostek and Megan McClellan, aka Sossy Mechanics, is about more than just boxing. It's a delightful love story told through theater, dance, and puppets.

The storyteller guiding us through this little tale (set in the 1930s or 40s) is a gambler and boxing manager named Buck. He discovers a young immigrant who's fast on his feet and decides to turn him into a boxer and use him in a scheme. While training for his first match, Dancing Danny David wanders into a dancehall and meets Bella, the sister of a boxer previously used by Buck. She decides to help Danny get out from under Buck's thumb.

The two actor/dancers play about a dozen different characters in the story, with nothing more than a change of accent and body stance to distinguish them. Brian plays Buck, Danny, Bella's brother, a scary evil gambler, the bookie, and several other characters. He often is on stage alone, having conversations with himself, the movement and words of one character flowing seamlessly into the other. In perhaps the most amusing scenes of the play, the boxing matches are represented by puppets in a tiny ring, with Brian doing the play-by-play. And then there's the dancing. Whether it's Bella training her brother, or a demonstration of boxing moves, or Danny and Bella at the dancehall, it's truly a delight to see.

I've seen Brian and Megan dance once before, and I've seen Brian in several things as an actor, but I've never before witnessed the full extent of their talent. It's a true pleasure watching artists tell stories using their own unique gifts, and I love the Guthrie for supporting artists and helping them do what they do, while making it easily accessible to theater-goes. You should take advantage of that while you can and go see the show, playing now through September 2. While Swimming with My Mother made me want to go swimming, Trick Boxing makes me want to take swing dance lessons!


*I received one complementary ticket to Trick Boxing as part of the Guthrie's "Blogger Night."