"Holmes/Poirot" at Park Square Theatre

A year and a half after cancelling the remaining shows in their 2022-2023 season, Park Square Theatre is back! After experiencing financial difficulties, they took a season off to reassess and regroup, and are coming back with a four-show season on their main stage in the Historic Hamm Building in downtown St. Paul. First up is one of those cancelled shows - a world premiere new mystery combining two of literature's favorite detectives. Holmes/Poirot was inspired by a dream that Steve Hendrickson (who has played Holmes multiple times) had, and told to prolific local playwright Jeffrey Hatcher. The result is not one but two thrilling and well-plotted mysteries, brought to life by a fantastic nine-person cast. Park Square has a long history of presenting summer mysteries, and while it is now finally, thankfully, fall, Holmes/Poirot fits well in that popular tradition. Playing Thursdays through Sundays until November 3.

"Johnny Skeeky; or, The Remedy for Everything" by Theater Latte Da at the Ritz Theater

I'm not sure what I expected from the new work of music-theater Johnny Skeeky; or, The Remedy for Everything, based on Puccini's one-act comic opera Gianni Schicchi, but it wasn't... that. #TCTheater legends Bradley Greenwald and Steven Epp have adapted the story about a wealthy man's family fighting over his will (with additional inspiration from Succession and Arrested Development) and written new English lyrics for the music. The result is the most ridiculous and delightful opera I've ever seen. If it can even be called an opera anymore; there's much more dialogue than operas typically contain. But whatever you call it, it's simply a joy to watch this outrageously talented cast sing this gorgeous music with modern, silly, and even sometimes crude words. It's a 100-minute wild romp of an opera. You have plenty of time to get to the Ritz Theater in Northeast Minneapolis and see it before it closes in early July. And if you like music, comedy, and creativity - you definitely should.

"Three Decembers" by Skylark Opera Theatre at Jungle Theater

Skylark Opera Theatre is definitely my kind of opera. No offense to traditional opera with large casts in large venues sung in foreign languages. But the kind of opera that Skylark does - always sung in English, usually with smaller casts in smaller or non-traditional venues - is easier for me to connect with. For six performances only they're presenting the new (i.e., written this century) opera Three Decembers, with music by Jake Heggie and libretto by Gene Scheer based on a play by Terrence McNally. Just three performers accompanied by two pianos tell the intimate (and Mother's Day Weekend appropriate) story of a mother and her two adult children. She may not be the best mother, but she loves her children, she just may love the theater more (can you blame her?). I had an almost front row center seat for this gorgeous performance, feeling really connected to the story that's told so beautifully through words and music in the entirely sung-through show. The characters are singing their dialogue instead of speaking it, which only heightens the emotions of love, grief, frustration, disappointment, and betrayal. If you're someone who feels intimidated by opera, or isn't quite sure it's something you'd like, I encourage you to start with the accessible, intimate, English kind of opera that Skylark does (click here for info and tickets).

"A Servant's Christmas" at History Theatre

For longtime History Theatre Artistic Director Ron Peluso's final show, he chose an old favorite - A Servant's Christmas. It premiered in 1980 and ran for over a dozen years. Early in his 27-year reign Ron had the idea to turn this stalwart play into a musical, and hired composer/ lyricist Drew Jansen to work with playwright John Fenn to add music to this story of servants in a grand house on Summit Avenue around the turn of the last century. The result is a lovely musical about a found family and the atypical way they celebrate the holiday* season, which can include many different traditions. The cast is chock full of fantastic singers, who also bring out all of the emotions of this story of love and longing. See A Servant's Christmas at the History Theatre in downtown St. Paul through December 18.

"Beyond the Rainbow: Garland at Carnegie Hall" at History Theatre

I hope HERstory never ends! After a successful spring of three new works by women about women, HERstory Theatre has continued this fall with the powerful and moving more-than-just-a-play Gloria: A Life (a regional premiere), and now a remount of the History Theatre's original play-with-music Beyond the Rainbow: Garland at Carnegie Hall. This commissioned piece (as many of their work is) premiered in 2005, and has since been produced at regional theaters around the country, including a few return engagements at the History Theatre, most recently in 2011 when I first saw it. Some of the original cast returns, including the incomparable Jody Briskey as Judy, in this story of one of Minnesota's favorite daughters. Everybody loves Judy, especially here in the land of her birth, and this play is a beautiful homage to the human behind the legend, while still celebrating her incredible legacy of music and film.

"Nature" by TigerLion Arts at Lebanon Hills Regional Park

I went for a walk today. But not just any walk, although any walk through Nature is special. It was a walk with my favorite theater experience - TigerLion Arts' outdoor walking play Nature. Seeing it for the fifth time was as moving as seeing it for the first. There are many reasons why Nature is my favorite: it's outdoors in a beautiful natural setting; you get to walk around instead of sitting in an uncomfortable theater seat; it's about as site-specific as theater can get; it combines history, philosophy, spirituality, and ecology; it has elements of physical theater and music; and it's totally immersive in the best way. One of the most wonderful and the most challenging things about theater is that you really have to stay present in the moment. Who hasn't felt their mind wander in the theater? Our lives are so busy and jam-packed that it's difficult to put all of that aside for any length of time. But when you feel the sun warm on your back, or frozen raindrops pelt your face, it very effectively brings you right back to the present and to the experience that we're all having together, right here, right now. Such is Nature, which more than just theater, is an invitation to contemplate one's own relationship with Nature by taking a journey (literally) with Ralph Waldo Emerson and Henry David Thoreau as they contemplate their relationships to Nature and each other.

"Flowers for the Room" at Yellow Tree Theatre

#TCTheater friends, do yourselves a favor and head on up to Osseo to see Yellow Tree Theatre's new original musical Flowers for the Room. Combining the writing skills of Yellow Tree co-founder Jessica Lind Peterson (best known for her quirky and heart-warming Minnesota holiday plays) with the songwriting skills of Duluth-based musician Blake Thomas (one of my favorite local musicians - check out his music on iTunes and listen to his radio show Take It With You), Flowers for the Room is a truly beautiful new musical that gave me all the feels. Jessica and Blake are well-matched; both of their work has that quirky humor, but also tons of heart and a touch of melancholy. All of those elements are on display in this story of a woman who falls into a coma the night of her wedding, and how it affects her (because this is a musical, she still gets to talk and sing, even in a coma) and those around her. The stellar cast and innovative design bring this beautiful piece to life in a way I haven't yet been able to shake.

"Two Degrees" by Prime Productions at Guthrie Theater

In just their second production, new #TCTheater company Prime Productions (whose mission is "to explore, illuminate and support women over fifty and their stories through the creative voice of performance," hooray!) brings us the regional premiere of the new play Two Degrees by Tira Palmquist. If their goal is to provide interesting and complex roles for women of a certain age that aren't that of merely the wife, mother, or best friend, then this play is a resounding success. Norah Long is one of our best actors, period, and it's wonderful to see her tackle the role of a smart, mature, vibrant, messy woman (think Shonda Rhimes heroines, but on stage). The play is a nice balance of stories global (i.e., the dangers of climate change, from whence comes the title) and personal.

"Sister Act" at Chanhassen Dinner Theatres

Amazing things can happen when women stand together and raise their voices, something we've witnessed recently with all of the sexual harassment and assault experiences that have been coming forward. On the musical theater front, when the women standing together are some of the most talented in #TCTheater, and they're raising their voices in the joyous musical adaptation of the movie Sister Act, it's a very amazing thing. Chanhassen Dinner Theatres is bringing back their smash hit from 2015 with mostly the same cast, but while the show might be the same, the world is a much different place than it was two years ago. This beautiful story of sisterhood, friendship, community, and standing up together and raising your voices for joy, love, and faith, may be needed more now than it ever was.

"Nature" by TigerLion Arts at the Minnesota Landscape Arboretum

"This one thing I know for sure, we must all return to Nature." So says Henry David Thoreau in TigerLion Arts' outdoor walking play Nature, and I couldn't agree more. That's one of many reasons why I love this unique theater piece so very much and saw it last weekend for the fourth year in a row. It's truly one of my favorite theater things. Nature checks off all of my theater boxes: it's funny, whimsical, poignant, musical, physical (for performers and audience), immersive (but not interactive), historical, spiritual, inspiring, silly, 90 minutes no intermission, and performed in the best location ever - the great outdoors. It fills my heart with joy and my mind with challenging thoughts about the interaction between civilization and nature. The 2017 tour (which included a trip to Concord MA for the celebration of the 200th anniversary of Thoreau's birth) has concluded, but follow TigerLion Arts on Facebook and/or Twitter for information on future performances and an upcoming documentary. As long as TigerLion Arts keeps performing Nature and there exists Nature in which to perform it, I will follow them on this beautiful journey.

"Sweet Land, the Musical" at History Theatre

Every place has a story
Every person has their time
Every tale has an ending
Don't know yours
Don't know mine
Every end has a beginning
All beginnings have an end
In between come all the hours
We can barely comprehend
And we hope what came before us
Was a story born of love
Trust the earth
Trust the sun
Trust in god above

"Twisted Apples: Stories from Winesburg, Ohio" at Nautilus Music-Theater

I first experienced Nautilus Music-Theater's lovely new piece of music-theater Twisted Apples: Stories from Winesburg, Ohio about five and a half years ago, when they presented one of the three acts at the 2011 Minnesota Fringe Festival. It was actually the first time I saw Nautilus' work, and I was immediately hooked. I saw another piece of the work at the 2012 Fringe Fest, and have been waiting for the full three-act work ever since. The wait is over! Nautilus specializes in developing new works of music-theater (a term that I've stolen because it can be used to describe anything on the spectrum of play with music/musical/opera without forcing it into a box). To that end, they hold classes and workshops for composers and playwrights, and present readings of new works roughly the second Monday and Tuesday of every month in their "Rough Cuts" series (watch their Facebook page for details, usually announced a week or two prior). Every once in a while they mount a full production of one of these new works in their tiny studio space in Lowertown St. Paul, and now, finally, it's Twisted Apples' turn to have its moment. But hopefully not its last; it's a gorgeous piece that I hope will live on and continue to be performed beyond this nine-show small space run that closes this weekend.

"Orphan Train" at History Theatre

The History Theatre excels at telling often unknown Minnesota stories, as they did in 1997 with the original musical Orphan Train. At the time, most people hadn't heard of the so-called orphan trains, in which from 1858 to 1929 some 200,000 children were sent west from the East Coast to new homes across the country. The recent New York Times best-selling book Orphan Train has brought more attention to this fascinating bit of American history. Perhaps that's why the History Theatre is bringing back Orphan Train this season. The musical tells fictional stories of orphan train riders based on real events. While it's a bit cheesy and, well, Disney (for lack of a better word), the stories and music brought a tear to my eye on more than one occasion. The wonderful ensemble of seasoned pros and children alike, the excellent folk/Americana score played by a sparse but lovely orchestra, and the moving stories about immigrant orphan children in search of a home is a very affecting combination.

"Musical Mondays" at Hell's Kitchen, November 2016

I don't know about y'all, but it's been a pretty busy and stressful week for me. So it's taken me a few days to get around to writing this, but I don't want to let the 4th birthday of Musical Mondays at Hell's Kitchen go by unmentioned! This fabulous monthly cabaret series hosted by super talented local actor/singers and real life BFFs Sheena Janson and Max Wojtanowicz began in November of 2012. Four years, 43 shows, over 200 performers, and over 300 musicals (what?! who knew there even were that many musicals!) later and they're still going strong. On the first Monday of every month, from 7 to 9 pm (morning people everywhere rejoice) at Hell's Kitchen in downtown Minneapolis, some of our top local talent can be seen singing songs from musicals beloved and obscure. The goal is to provide performing and networking opportunities, to celebrate musical theater, and to have fun! Their next event is on December 5 when the theme will be a grown-up Christmas wish list. Watch their Facebook page for more details.

"Nature" by TigerLion Arts at Elm Creek Park Reserve

A few weeks ago, I spent four days and three nights in the Boundary Waters Canoe Area Wilderness, just outside of Ely, MN. Even though I've been to New Zealand and Northern Alaska, this was the most in Nature I've ever been. After paddling into the nationally designated wilderness area, the only signs of civilization I and my six companions saw were the campsite fire pits and latrines (if you can call a copper stool with a hole in it standing in the middle of the woods "civilization"). Nothing soothes my fears and relieves my stress like being in Nature. Those four days were like a balm to my soul; the challenge is to carry that feeling with me back into civilization. TigerLion Arts' outdoor walking play about the friendship between Ralph Waldo Emerson and Henry David Thoreau, simply titled Nature, challenges the audience to escape from civilization for an hour or two and feel Nature's balm. After touring around the Midwest, it was at the beautiful Elm Creek Park Reserve, just north of Maple Grove, last weekend. This was my third time seeing it and the third location (after the Minnesota Landscape Arboretum and my alma mater St. John's University), and I will continue to go see it every year they continue to do it. It truly is one of my favorite theater experiences.

"A Night in Olympus" at Illusion Theater

An unpopular high school girl wants to be pretty so she can go to prom with the popular jock. Not exactly a compelling theme for a musical or one I'm particularly interested in seeing. But this tired old story, seen often in fairy tales and '80s movies, is so charmingly told in the infectious new musical A Night in Olympus with a dynamic cast, that it's almost possible to forget that it's about a prom. And the tired story is given a bit of an interesting twist with the injection of Greek mythology. So while I can't really get behind a story written and directed by men in which a girl just wants to be pretty, even if she does learn the obligatory lesson at the end, it's hard not to have a good time at this campy fun musical.

"Sister Act" at Chanhassen Dinner Theatres

While I was off in NYC seeing a bunch of Broadway musicals last week, Chanhassen Dinner Theatres opened a new show. I missed the Sister Act press night (the best press night in town), but they kindly let me attend last night - on my birthday! (I can now cross the Chan emcee wishing me a happy birthday off my bucket list.) Director Michael Brindisi has once again brought us a polished production, and one that's a lot of fun and also has a beautiful heart, I enjoyed it as much as anything I saw on Broadway last week. This is a relatively short run for the Chan (just four months), so make your plans now so you don't miss this wonderful and heart-warming musical. If you need more reasons to see it, I've got ten - read on.

"Nature" by TigerLion Arts at the St. John's University Arboretum

Nature is truly one of the most special and unique theater experiences I've ever had, and I've had a lot of theater experiences in the last five years of writing this blog, and in the years before. This "outdoor walking play" about the lives, writings, and friendship of Ralph Waldo Emerson and Henry David Thoreau was created in 2010 by TigerLion Arts' Tyson Forbes (a descendant of Emerson) and Markell Kiefer, et al., and has continued to be developed into its current form as the touring production known as Nature for the Nation. With the state of our global and local environment, it's quite obvious this that Nation needs Nature, and this piece is a beautiful way to connect to, explore, and comment on Nature. And beyond that, it's an incredibly inventive and unique piece of theater that is a perfect illustration of the concept "content dictates form." When your content is the very personal and yet infinite idea of Nature herself, there is no better form that getting the audience out in Nature while watching, and participating in, this experience. Nature is everything I love about theater, combining comedy, drama, music, physicality of performance, physicality of the audience in walking through the space, creativity, an inspiring true story, and a stunningly gorgeous natural location.

Nature leads the way through the SJU Arboretum

I first saw Nature last year at the Minnesota Landscape Arboretum in Chanhassen, where it played for several weekends in the late fall. It's definitely one of those shows you can see multiple times; it's such a rich and full experience with so much to take in, and it's different every time due to the main character, ever-changing Nature. This year's tour presents multiple opportunities to see it again. I was invited to the opening in Minneapolis, but I decided I'd rather see it at St. John's University, my alma mater (technically I went to St. Ben's, but they're really the same school). Every fall I visit the SJU campus with my family (most of whom live in the St. Cloud area, many of whom attended or are attending CSB or SJU) to walk through the woods and have a picnic by the lake. This is one of the places where I have felt a connection to Nature over the years, so I wanted to experience Nature there. And to make it even more special, my super-talented 16-going-on-17-year-old cousin and goddaughter Greta was part of the community chorus, and it was a perfectly gorgeous fall day, making it well worth the 150-mile roundtrip.

the cast of Nature at the Arboretum last year

As at the Minnesota Landscape Arboretum last year, the play took place in four locations at the SJU Arboretum, a place I'd never visited in my 20-year history with the campus. The community chorus (gathered from local volunteers at each location who rehearse on their own and briefly with the cast, which in this case happened to also include Mark McGowan, co-founder and former member of my favorite a capella group Tonic Sol-Fa) led us to the first location - a church. It was there that the play began with the introduction of Emerson and Thoreau and their early lives. We followed them to a prairie hill with grasses blowing in the breeze as we watched the friends take a walk, something they loved so dearly. Next we paid a visit to Thoreau's Walden Pond cabin, where we learned more about the complicated friendship between these very different men who shared a love of and respect for Nature, but went about it in different ways. Finally we watched Thoreau working in the fields, while "progress" started to overtake Nature, much to his dismay and disgust. This is where the conflict set in, as we followed the story back through the various locations and ended where we began - at the church. We have traveled with this story through time and space and Nature, and come full circle having experienced something truly beautiful.

Emerson (Tyson Forbes) and Thoreau (John Catron)

Most of the cast from last year returns to the tour this year, forming an absolutely delightful, playful, and endlessly watchable ensemble that includes Kate Guentzel as Emerson's wife Lydian, Kimberly Richardson as his aunt Moody (and choreographer), and too many wonderful people to mention (check the tags at the end of this post for a few). Tyson Forbes and John Catron are Emerson and Thoreau once again, and are the perfect embodiment of these two men and their friendship. For at its heart, this really is a love story - in the friendship of these two men and their love for a third party that drew them together. No, not Lydian, although there was a bit of a soap opera love triangle there. Their most important love was for Nature herself. And I cannot imagine anyone else as Nature than Norah Long. She is Nature personified, with her golden halo of curls blowing in the breeze, a look of absolute serenity and oneness on her face, and a voice like the goddess herself (and my cousin tells me she was also wonderful working with the chorus in their rehearsals and the performances). The music provided by Norah (she also plays by the violin), Andrew Forbes (playing bagpipes, flute, guitar, etc.), the cast, and the chorus is so lovely and transporting and perfectly appropriate to the time period and the setting.

There are so many wonderful things about Nature that I can't even begin to tell you about all of them (the whimsical sound effects, the exaggerated apple-eating, the charming letter delivery). It truly is something you need to experience yourself. Return to Nature, take a walk, watch the sky through the trees, be embraced by the earth, and let this talented group of artists take you on a journey that you'll never forget. There are two more stops on the 2015 Nature for the Nation tour, south of the Twin Cities at Gustavus and Carleton Colleges (more info here). But Nature never ends, and hopefully neither will Nature. They're hoping to take it on a National tour, eventually arriving in Concord in 2017 for the 200th anniversary of Thoreau's birth.This beautiful and important story, so well and appropriately told, needs to be heard and is an absolute joy to experience.

"By the Way, Meet Vera Stark" at Penumbra Theatre

In By the Way, Meet Vera Stark, now playing at Penumbra Theatre as part of their "Womansong" season, the title character is a black actress in 1930s Hollywood who gets her big break playing a loyal slave in an antebellum Southern melodrama (think Mammy in Gone with the Wind, for which Hattie McDaniel became the first African American to be nominated for and win an Academy Award). She imbues the stereotypical role with as much humanity and depth as possible, and so begins a long and successful career, until she mysteriously disappears from the spotlight. Much like Hattie, who famously said she'd rather play a maid than be one, Vera is a controversial figure because on the one hand her characters perpetuate the stereotypes seen in movies, but on the other hand she makes her characters as real as possible and has built a successful career for herself and opened doors for black actors in Hollywood. The play examines these issues in a funny, entertaining, innovative way, jumping across time and using video of Vera's first movie.

The first act of the play takes place in 1933, where we meet Hollywood starlet Gloria Mitchell and her former Vaudeville partner Vera, who works as her maid while trying to break into pictures (doesn't everyone who lives in Hollywood want to be in pictures?). Gloria is up for a role in The Belle of New Orleans, and Vera is desperate to be cast in it as well. Gloria is too preoccupied with her own life to help her friend, so Vera takes matters into her own hands when the studio head and director come to Gloria's apartment, playing into their stereotypes and getting cast. The second act jumps forward in time 70 years to a seminar about the legacy of Vera Stark in which the panel discusses her life and work while watching clips from the movie (pre-recorded video) and a 1973 talk show appearance (live reenactment) that reunites Gloria and Vera.

Norah Long as Gloria as Marie and Crystal Fox as Vera
as Tilly, in the classic "tightening the corset" scene in
The Belle of New Orleans (photo by Allen Weeks)

The play verges on camp at times as it spoofs old Hollywood and TV talk shows, which is great fun, but still manages to make the characters, especially Vera and her friend Lottie, real and grounded people. This cast is divine, they all play their role(s) to the hilt under the direction of Lou Bellamy. Crystal Fox's Vera is smart and determined, someone it's easy to root for as she goes after her dreams, and then becomes a larger than life version of herself after 40 years in movies. Norah Long is perfection as she plays several different sides of Gloria - the image of a Hollywood starlet that the studio wants her to be, the real person who swears and drinks, the selfish and thoughtless friend, and Gloria's dying Southern belle character in the movie. Greta Oglesby steals every scene she's in as Vera's friend Lottie, especially when she sings her mournful slave song to win a part. Jamila Anderson is fun as Anna Mae, who's trying to pass as Brazilian to win a man and a part, and the modern day tough-talking poet on the panel. This play really is about these four women, but the men are great too - Kevin D. West as Leroy, who befriends Vera and helps her in her quest, Peter Moore as the studio head and the Donahue-like talk show host, and Paul De Cordova as the eccentric director and a trippy '70s British rocker.

The production elements on this play are as divine as the cast. Mathew LeFebvre's gorgeous costumes span the range from glamorous '30s Hollywood, to real working women in that era, to the fabulously colorful '70s, and modern day specific types. C. Lance Brockman's versatile set easily transforms from Gloria's luscious apartment to Vera's working class apartment to a studio back lot with just a change of furniture and the flipping of panels in the walls. A really fun feature of this play is that we actually get to see the movie that's talked about so much. A quite lengthy clip of The Belle of New Orleans is played on a big screen in which the four women play roles in this deliciously melodramatic movie.

By the Way, Meet Vera Stark is a really fun, entertaining, funny, beautiful to look at play on the surface, but on a deeper level says some important, thought-provoking, and relevant things about black actors in Hollywood, then and now. And it's quite timely, coming a few weeks after the announcement of this year's Oscar nominations, which included not only the snub of the film Selma, but the first all-white group of nominated actors since 1998. Hollywood, and we its audience, still have much to learn from Vera Stark (playing through March 1).


This article also appears on Broadway World Minneapolis.

"Nature" by TigerLion Arts at the Minnesota Landscape Arboretum

I went for a walk today. The sky through the trees caught my eye. The sound of music floated in and out between the calling of the birds, and the smell of the late summer prairie was all around me. I followed Ralph Waldo Emerson and Henry David Thoreau through their lives, studies, and friendship. I thought about nature not as something to be visited occasionally, but as something we live in the midst of daily, whether we're aware of it or not. Sometimes her voice is obscured by the busyness of modern life, but she's always there if we take the time and listen hard enough.

TigerLion Arts' outdoor walking play, Nature, is more than just theater, it's an experience. The story of the life of writers, philosophers, scholars, and friends Emerson and Thoreau would make for an interesting piece of theater if presented in a traditional indoor setting, but it would not be nearly as effective without the most important character in the play - nature. The beautiful grounds of the Minnesota Landscape Arboretum in Chanhassen is the perfect setting for this site-specific work of theater, music, and storytelling.

The experience takes place at four sites on the vast grounds of the Arboretum, far away from the busy main buildings. We follow our characters from a church, to the cabin on Walden Pond, to a grassy hill, to the fields, and back again. We learn about Waldo and Henry's early lives, their meeting, and their deep but tumultuous friendship. This is one of those plays that will inspire you to do further reading, so I won't begin to try to describe these two great men's work, but suffice it to say that they found common ground in their reverence for nature. This work of theater beautiful expresses that reverence.

friends Waldo and Henry on a walk
(Tyson Forbes and John Catron)

The eleven-person cast and community chorus lead us through the experience, dressed in authentic looking period clothing (costumes by Christine A. Richardson). Waldo and Henry are perfectly personified by Tyson Forbes (who also created and co-wrote the piece) as the tall, elegant, well-dressed minister and lecturer, and John Catron as the bearded and unruly-haired nature-lover who eschews the trappings of modern society. They're like yin and yang, two different expressions of the same idea. Norah Long beautifully embodies Nature herself, golden flowers in her shining curls, a glowing expression on her face as she lovingly looks upon her boys, her pure clear voice singing the songs of nature ringing out across the prairie. The rest of the ensemble portrays all of the other characters as well as inanimate objects in a very physical style of theater. Perhaps the most charming moment is when the audience watches Waldo and Henry far across a grassy hill as they exaggeratedly pantomime their actions and words while the ensemble provides their voices and sound effects.

It may be a bit of a hike to get to the west side of town, but it's well worth the trip. Pick one of these beautiful Minnesota fall days, bring your family, and spend the day at the Arboretum. Walk the grounds, take a deep breath, visit the exhibits and gift shop, have a bite to eat at the cafe, and let these wonderful actors lead you on an experience with nature. And then continue that experience on your own, either at the Arboretum, or in the mountains of New Zealand, or in your own backyard. For the song of nature is everywhere if we take the time and listen hard enough.

the cast of Nature in the open air cabin where several of the scenes take place

This article also appears on Broadway World Minneapolis.