"The Hatmaker's Wife" by Ten Thousand Things at Hennepin Avenue United Methodist Church

The Hatmaker's Wife by Lauren Yee (whose most recent work produced in #TCTheater was the epic Cambodian Rock Band by Theater Mu and Jungle Theater) feels like it was written for Ten Thousand Things (it wasn't - it premiered over ten years ago). It's in the vein of their magical fairy tale stories, that I think is my favorite kind of TTT show (even more than their clear-eyed Shakespeare or stripped down musicals). I can't imagine a "normal" theater company doing this play, meaning on a proscenium stage separated from the audience, with fancy lights, sets, and costumes. It's so well suited to the TTT All the Lights On style, weaving a magical and moving tale simply through the talents of the performers and the power of collective imagination (that makes even the aggressively religious paintings in the room at Hennepin Avenue United Methodist Church fade into the background). It's a story of love, and disconnection, and grief, and hope, a wistful and whimsical story of talking walls, golems, and connections across time. These hats continue to sing at Hennepin Avenue United Methodist Church this weekend (with a huge free parking lot) and then will move on to Open Book for two final weekends.

"Cambodian Rock Band" by Theater Mu and Jungle Theater

Originally planned for summer 2020, the Theater Mu / Jungle Theater co-production of Lauren Yee's play with music Cambodian Rock Band finally hits the stage at the Jungle, and to say it's worth the wait is an understatement. Part rock concert, part history lesson, part family dramedy, Cambodian Rock Band explores the complicated and tragic history of Cambodia in the latter half of the 20th Century through the lens of music, art, and one specific family. It's both an epic and an intimate story, and features fabulously unique music by the Cambodian indie rock band Dengue Fever, with fantastic performances by the mostly local and all Asian American cast. It's playing through the end of July, so you have plenty of time and no excuse not to see this ingenious new, innovative, and important work of music-theater.

"The Song of Summer" at Mixed Blood Theatre

After a pretty intense 2018-2019 season of plays that included Is God Is, the trilogy Prescient Harbingers, Roe, and Autonomy, Mixed Blood Theatre is beginning their 2019-2020 season with something a little lighter. Playwrights' Center Affiliated Writer Lauren Yee (whose work has been seen in #TCTheater most recently in the Guthrie's production of The Great Leap) brings us a sweet and fun play that's almost a rom-com. The Song of Summer is not without substance, dealing with relationships, pop culture, and celebrity, but the story at its heart is one we've seen many times before. But it's told in a unique framework with an appealing cast, so it's a story I'm happy to watch. It's OK for theater to be light and sweet and fun, even at Mixed Blood, especially when this well written, directed, and acted.

"The Great Leap" at the Guthrie Theater

This may come as a shock to you, dear readers, but I am not a fan of the sportsing events. The one exception being my lifelong love of the Minnesota Twins, but other than that, I have no interest in watching any game anywhere anytime. Except on the stage, where for some reason sports provides a good background for drama (see also Colossal and The Wolves, which is being remounted at the Southern beginning next week). In the case of Playwrights' Center affiliated writer Lauren Yee, basketball combined with US-China relations in the 1970s and '80s provides a whole lot of drama. Inspired by her father, a Chinese-American who went to China to play basketball against Chinese teams, she has written a smart, funny, entertaining, educational, and thought-provoking play about basketball that isn't really about basketball at all.

"The Tiger Among Us" by Mu Performing Arts at Mixed Blood Theatre

Sometimes when you go to the theater, a play is just a play. At other times, a play is so much more than just a play, it's a meaningful exploration of ideas or experiences, in which artists speak their truth. Mu Performing Arts' world premiere production of the new play The Tiger Among Us is such a case. Playwright Lauren Yee brings to life one of Minnesota's largest minority cultures, Hmong, through the story of one family. We're introduced to the family through the oldest son, Pao, who sits at the front of the stage and talks directly to the audience. He tells us that Hmong people "have big families and eat a lot." Sounds like just about every culture I've ever heard of!

Family patriarch Thao (Saikong Yang) immigrated to the US from Laos with his wife, eventually ending up in the small central Minnesota town of Perham. Mother May (Sheng Kong, seen in flashbacks and hallucinations) has been gone for years, and Thao is raising his two children by himself on a janitor's salary. Pao (Maxwell Chonk Thao) dropped out of high school to help support the family with a job at the local Panera bread (artistic licence, I'm pretty sure Perham doesn't have a Panera). Lia (Gaosong Vang Heu) is a senior in high school and the star of the volleyball team, being courted by college scouts. She's a typical American teenager, with no more worries than the next big game, until a school project requires her to ask her father about his immigration experience. Thao is out of town on a hunting trip, so Lia does some investigating on her own. As secrets come out, the world she knows slowly begins to fall apart. Meanwhile, Pao is making plans to move to St. Paul where they'll be surrounded by other Hmong people instead of isolated in this small rural community, where they daily face subtle racism (perhaps the worst kind). Thao wants to leave his past behind him and just live his quiet simple life, but he's forced to face his demons. It's a bit of a tragic ending, but yet with hope that the new generation can continue their parents' dream of making a new life for the family.

Maxwell Chonk Thao, Sheng Kong, Saikong Yang,
and Gaosong Vang Heu as the Xiong family

The strong cast includes four Hmong-American actors (who also shared their experiences in the post-show discussion), as well as Claire Bancroft as Lia's cheerful friend and Garry Gieken as several characters, ranging from the friendly neighbor to much more threatening forces. Maxwell is a very appealing actor (see also Into the Woods), and Gaosong is a fresh-faced and exuberant young actor; together they create a believable supportive and bickering sibling relationship. Also good are Saikong as the father struggling to raise his family, and Sheng as a haunting vision in her family's life.

Playing now through February 10, The Tiger Among Us is an interesting, entertaining, and thought-provoking look at the immigrant experience in a typical American family.