"The McAdo" by The Gilbert and Sullivan Very Light Opera Company at the Conn Theater

If you can't wait for new episodes of Outlander to begin on November 22, maybe you should go see The Gilbert and Sullivan Very Light Opera Company's Scottish take on The Mikado. Granted, there aren't a whole lot of similarities between G&S and our favorite time-traveling romance, but there are plenty of kilts and questionable Scottish accents! There is also a bit of romance and danger and fighting, although in a much less dramatic way. Using an adaptation form Gilbert & Sullivan Austin, this McAdo (which is an actual Scottish name) very cleverly changes the setting from Japan to Scotland, with some modern references as well (additional "tinkering" by stage director Joe Andrews). And as always with GSVLOC, the huge cast and orchestra sound amazing bringing to life another G&S classic in a fun and fresh way. The McAdo continues through November 24 at The Conn Theater in Plymouth Congregational Church in South Minneapolis.

"Pirates of Penzance" by Gilbert and Sullivan Very Light Opera Company at Howard Conn Fine Arts Center

In their first fall production, Gilbert and Sullivan Very Light Opera Company, the only local company dedicated to the silly, witty, and delightful creations of late 19th Century British librettist and composer W.S. Gilbert and Arthur Sullivan, respectively, bring us my personal favorite, The Pirates of Penzance! GSVLOC have typically just been doing one show a year, in the spring, but as their dedicated audience would agree, once is just not enough. Directed by Gary Briggle (who played the Major General in the Ordway's 2015 production), the huge cast and off-stage orchestra bring out all of the delicious silliness and gorgeous musicality of the piece. If you're looking for a traditional production of this G&S masterpiece (with an interesting note in the program about the history of the piece - the first to premiere in the U.S.), this is it. See it at the Howard Conn Fine Arts Center in Plymouth Congregational Church in South Minneapolis through November 20.

"The Mikado" by The Gilbert and Sullivan Very Light Opera Company at the Howard Conn Fine Arts Center

This long winter is beginning to transition into a very wet spring, which means it must be time for The Gilbert and Sullivan Very Light Opera Company's annual production of a Gilbert and Sullivan classic comic opera. GSVLOC has been around for 40 years, but this is just my 5th year attending their spring show. I love G&S's fast, witty, joyful operas, and GSVLOC does them well with a huge cast and orchestra. This year they've partnered with Rick Shiomi, directing his adaptation of The Mikado which removes the Japanese stereotypes and modernizes some of the songs. G&S were famous for their biting social commentary, so I'm all for updating their shows to include more relevant social commentary, remove the offensive bits that no longer play to today's audience, but keep the things we love about the original (see also Park Square Theatre's Pirates of Penzance). This Mikado welcomes in the spring "with laughing song and merry dance."

"Princess Ida" by Gilbert and Sullivan Very Light Opera Company at Howard Conn Fine Arts Center

This is the fourth year in a row I've attended Gilbert and Sullivan Very Light Opera Company's spring production of, you guessed it, a Gilbert and Sullivan operetta. Before becoming familiar with this company (that's been around for more than 30 years), I had no idea G&S wrote so many shows! I was only familiar with the more popular ones (e.g., Pirates of Penzance and H.M.S. Pinafore, both of which I love), and it's been fun to discover the lesser known and performed works of this unique composing team. This year they're performing Princess Ida in a steampunk style (which just makes everything more fun). And similar to Park Square Theatre's ingenious adaptation of Pirates of Penzance (now playing through March 24), GSVLOC has made some minor adjustments that make this 130 year old play a little more palatable to modern ears. The result is quite a feminist story of a university by and for women, who live without men. It's Gilbert and Sullivan, so of course it ends with a happy ending to a love story, but at least these female characters are a little more smart and independent than the usual. And as always, it's such a treat to the ears to hear an operetta performed with cast and orchestra too large to count (but north of 30). Traditional, yet modern, this Princess Ida strikes just the right tone.

"H.M.S. Pinafore" by Mounds View Community Theatre at Irondale High School

Friends, support your local community theater! In the beautifully rich theater community that is #TCTheater, there is a ton of great work being done in high schools, community centers, churches, and other locations around the Twin Cities metro area. Most of which I don't get to see because I'm too busy seeing work by the 70+ professional theater companies. But lucky for me, my local community theater is Mounds View Community Theatre, which does a musical every summer. And lucky for all of us, the director of this year's selection, the delightfully silly Gilbert and Sullivan operetta H.M.S. Pinafore, is one of the Twin Cities' best director/choreographers Joe Chvala. I saw the show on their closing weekend and was absolutely delighted by it from start to finish. Joe Chvala's energetic and dynamic choreography combined with this amazingly talented and hard-working cast of "amateur" performers and designers, not to mention all the behind the scenes volunteers, adds up a whole lotta joy and rapture for this audience member.

"The Gondoliers" by Gilbert and Sullivan Very Light Opera Company at the Howard Conn Fine Arts Center

If you like your opera very light, and very silly, and very enthusiastically and traditionally performed by a large cast and orchestra, Gilbert and Sullivan Very Light Opera Company is for you. I only "discovered" this 30+ year old company a few years ago, but since then I've learned that Gilbert and Sullivan, everyone's favorite 19th Century musical-comedy-operetta composing team, wrote many more shows that just the frequently produced H.M.S. Pinafore and Pirates of Penzance. GSVLOC's annual spring show (is it spring?) this year is The Gondoliers, or The King of Barataria. Director Lesley Hendrickson notes in the playbill that it's "probably the most joyous of the G&S operettas" and that it was "the very first theatrical performance requested by Queen Victoria at Windsor castle after the death of her beloved Prince Albert" (fans of Victoria on Masterpiece, take note). I think the queen would be pleased with this production as well.

"Iolanthe" by Gilbert and Sullivan Very Light Opera Company at Howard Conn Fine Arts Center

Did you know there's a company in town entirely dedicated to the works of music-comedy geniuses Gilbert and Sullivan? Neither did I, until last year about this time, when I "discovered" the 30-year-old Gilbert and Sullivan Very Light Opera Company through their marvelous production of H.M.S. Pinafore. They followed that up last year with the one-act Trial by Jury at the Minnesota Fringe Festival, where it was one of the top-selling shows. While they may be new to me, they obviously have a very loyal audience, and deservedly so. If you're among that audience, you don't need me to tell you what a wonderful job they do. If you're not, and you're a fan of Gilbert and Sullivan's particular brand of witty, clever, rhythmic comic opera, you might want to check out their latest production. This year they're presenting the lesser known (to me anyway) Iolanthe; or, The Peer and the Peri. And it is, once again, a delightful production of a very funny farce/fantasy/ political satire, beautifully performed by a cast of over 40 and a backstage orchestra nearly as large. GSVLOC fills a unique and specific niche in our rich Twin Cities theater community, one that I'm delighted to have "discovered."

"The Pirates of Penzance" at the Ordway

I interrupt this all-Fringe-all-the-time coverage to bring you some theater news that exists outside of the Fringe Festival. Yes it's true, there is non-fringey theater going on in early August, who knew? Last night the Ordway opened their boisterous and gorgeously sung and played production of my favorite Gilbert and Sullivan comedy operetta - The Pirates of Penzance. It's an absolutely delightful evening of music-theater, and don't worry, while Fringe ends this weekend these Pirates continue swashbuckling and singing through August 16. If you're a fan of comedy, fast singing, beautiful music performed by a huge and talented (and mostly local) cast and orchestra, swashbuckling pirates, and math, you don't want to miss this one! And since I've got  a 15-show weekend starting in a few hours, I'm going to get right down to it and tell you all the wonderful things about the show.

1. Pirates is one of Gilbert and Sullivan's most popular shows, last seen locally (to my knowledge) at the Guthrie in 2004, which lives in my memory as my favorite Guthrie show ever. The story of a young man accidentally apprenticed to a band of pirates who now wants to leave and fight them is really just an excuse for a bunch of shenanigans, clever rhyming lyrics, and gorgeous music.
2. The 19-piece orchestra conducted by Steve Tyler may be the best I've heard at the Ordway, or else I'm just still basking in the glow of their gorgeous sound. They're in a traditional pit at the front of the stage, but two walkways span the pit and connect to a walkway in the front of the stage, which cleverly allows for the traditional pit sound but without the distance between the cast and the audience. Which brings me to...
3. James Rocco directs the show with much energy and continued movement, and makes great use of the aforementioned stage set-up, with the cast so frequently and fluidly passing around the pit that I feared someone would fall in! James also choreographed the show, and it's so clever and spirited and fun, including much swashbuckling that involves everyone from the conductor to the ladies (fight choreography by Aaron Preusse).
4. It's hard to say who the hero of Pirates is, but I've always been partial to the Pirate King (see also the brilliant Kevin Kline). Broadway actor Brandon O'Neill perfectly embodies the dastardly charm of the leader of this merry band of pirates, with great comedic and vocal chops.

   

   the Pirate King (Brandon O'Neill) getting a lift from the boys
   (photo by Molly Shields)

5. As the young lovers at the center of the story, Hunter Ryan Herdlicka and Anne Eisendrath both sing beautifully and share a sweet chemistry. Hunter's glorious rendition of "Oh, Is There Not One Maiden Breast?" made me swoon (as always), and Anne impeccably accomplishes Mabel's vocal tricks.
6. There are plenty of local faves in the cast too, including Gary Briggle, a delight as the fast-singing pompous Major-General; Kersten Rodau, a perfect choice for dear Ruth; Dieter Bierbrauer, very funny as the cowardly Sergeant; and a bevy of lovely ladies, highlighted by the sprightly Caroline Innerbichler. The entire ensemble is magnificent.

   

   a lesson from the Major-General (Gary Briggle)
   (photo by Molly Shields)

7. As much as I rave about the orchestra, there are a couple of a capella moments in which the voices of the cast just soar and give you chills.
8. Tom Struge's scenic design is playful, colorful, and almost cartoonish. The audience cheered as the pirate ship emerged teeming with pirates. Lynda L. Salsbury's costume design is just as colorful and playful, from the ladies' pastel flowy dresses and nightgowns, to the crisp police uniforms, to the pirates, who look just as you imagine pirates do.
9. Did I mention math? Any show that sings about the hypotenuse is a winner in my math-loving heart! (I was a math nerd before I was a theater nerd.)

This is the Ordway's second original production this summer, after Damn Yankees, and I couldn't be happier about this trend. Next season includes local productions of The Sound of Music and A Chorus Line. It's fantastic to see our fabulous local talent up on the big stage, and The Pirates of Penzance is a great example of the gorgeousness that can be accomplished with this model of combining local talent with national talent and the highest production values. Long story short - go see it! Now if you'll excuse me, I'm off to Fringe!

Fringe Festival 2015: "Trial by Jury"

Day: 3

Show: 11

Title: Trial by Jury

Category: Musical Theater

By: The Gilbert & Sullivan Very Light Opera Company

Directed by: Lesley Hendrickson

Location: U of M Rarig Center Proscenium

Summary: Comedy operetta geniuses Gilbert and Sullivan's one-act operetta about a farce of a jury trial, performed by a company that specializes in G&S.

Highlights: A huge singing cast and 10+ piece orchestra on stage doing opera at the Fringe? Yes, please! Trial by Jury may be short (about 40 minutes), but it's a tasty treat. If you're a fan of G&S (see also the Ordway's upcoming production of Pirates of Penzance), you'll love this little ditty about a man on trial for "breach of contract," i.e., leaving his fiance for other women. A jury of eight men, a crowd of people watching and commenting, the defendants and lawyers, and a drunken judge all come together to sing songs that are very G&S - fast, clever, tongue twisting lyrics with repeated phrases. The fantastic cast includes the hilarious Steve Hendrickson as the judge in the overly powdered wig (so happy to see him on stage again after missing him in Sherlock Holmes), Felix Aguilar Tomlinson as the defendant, Grace Lowe as his would-be bride, and Jim Ahrens as her lawyer. It's a joyous celebration!

"H.M.S. Pinafore" by Gilbert and Sullivan Very Light Opera Company at Plymouth Congregational Church

Such is the breadth and depth of the Twin Cities theater community that a company such as Gilbert and Sullivan Very Light Opera Company has existed for over 30 years and I, an avid theater-goer who prides herself on knowing just about every company in town, have never heard of it. True, it skews a little more towards the opera end of the music-theater spectrum than I usually venture, but that's no excuse. I've seen several G&S operas and am enamored of their fast, witty, tongue-tying, clever lyrics and intricate rhythms. I attended my first production by this company yesterday, and while it might have helped that this year they're doing H.M.S. Pinafore, a show I'm familiar with from the Guthrie's boisterous production a few summers ago, I found it to be absolutely marvelous! A cast of over 30 and orchestra of over 30 performing a classic piece of music-theater in a straight-forward and energetic manner? Oh joy, oh rapture!

H.M.S. Pinafore, or, The Lass That Loved A Sailor, takes place on ship somewhere off the coast of England. While the piece was written in the late 19th Century, the costumes and the presence of a radio places it in the 1940s. A Captain reigns over a crew of sailors, one of whom, the bright and earnest Ralph, has fallen in love with the Captain's daughter Josephine. She has also fallen in love with him, but is betrothed to Sir Joseph, "the ruler of the Queen's navy." Ralph and Josephine decide to marry despite the difference in their stations and her father's disapproval, when a long-held secret is revealed that turns the situation on its head. It's a whole lot of silliness that allows for many great songs with Gilbert and Sullivan's trademark repetitive pitter-patter lyrics. As director Lesley Hendrickson notes in the playbill, "Don't ask how old Little Buttercup is supposed to be. Don't even think it." Just go with it and enjoy the fun and frivolity.

the young lovers Josephine and Ralph
(Victoria Valencour and Kai Brewster)

Many of the cast members seem to have been members of the company for many years, which is obvious in how well they sing and play together. One such long-time member is Waldyn Benbenek who beautifully sings the role of the Captain. He's joined by Tom Berg as the stuffy and very funny Sir Joseph. Kai Brewster and Victoria Valencour sound lovely and are very convincing as the young star-crossed lovers. Ryan Johnson is quite funny and a bit scary as the villain Dick Deadeye, remarkably his first acting role as an adult. Caitlin Wilkey is the charming Little Buttercup, she of the mysterious age and holder of the secret. Stephen Zehr and Amanada Weis ably lead the wonderful chorus of sailors and sisters/cousins/aunts, respectively. The entire cast is really impressive in singing these songs with precision. When 30+ voices are joined together in harmony, it's really quite thrilling.

Also thrilling is this huge orchestra, perhaps the largest orchestra I've ever had the pleasure of listening to at a music-theater production. Way too big for a pit, they're crammed backstage out of sight, but I knew were there because Music Director and Conductor Randal A. Buikema was introduced before the show and shook hands with the first violin, like a real orchestra. As a former member of the pit orchestra, I'm quite happy to see the orchestra so prominently featured and sound so wonderful.

If you like your opera very light and beautifully sung and played by cast and orchestra, this company should definitely be on your radar, as they are now on mine. They typically only perform one full opera per year, in the spring, but they also present a summer concert at the Lake Harriet Bandshell (a wonderful place to listen to music in the great outdoors) and this year are planning to participate in the Fringe Festival.

While it's my first time seeing this company, they obviously have a loyal audience as performances frequently sell out. Order your tickets now if you're interested in seeing this wonderfully performed and entertaining classic.

"H.M.S. Pinafore" at the Guthrie Theater

My favorite production that I've seen at the Guthrie in the past eight seasons of being a subscriber is the Gilbert and Sullivan musical (or opera) Pirates of Penzance, in the spring of 2004.  It was the final show of my first season as a subscriber, and I loved it so much I immediately bought a ticket to see it again.  It exemplified everything that's good about the Guthrie - a huge cast comprised of local and national talent, beautiful choregraphy and direction, gorgeous sets and costumes, all-around high quality entertainment.  So when I saw another Gilbert and Sullivan show on the schedule for this season, my expectations were high.  I attended the opening night* of the show, and I was not disappointed.  I'm not sure it eclipses my memory of Pirates, but it came close and was reminiscent of that show that I loved so much.

I saw a production of H.M.S. Pinafore about five years ago at Theatre in the Round, so I was somewhat familiar with it, although since that was before my days of blogging I don't remember a whole lot about it.  I know that the music has been changed and "modernized" for this production, but I'm no expert on Gilbert and Sullivan so I can't really speak to that, other than I enjoyed what I heard.  The fantastic orchestra is onstage (Andrew Cooke is the musical director and arranger), which is fun to see because the orchestra is usually not visible in the thrust theater.  The set is the deck of a beautiful ship.  And the costumes, like in Pirates, made me drool.  The women wear gorgeous dresses that are all bright colors and flounces and bustles and ruffles.  And the hats!  Of course costumes mean little when the substance isn't there, but that's not a problem in this case.

The plot of Pinafore is similar to Pirates: star-crossed lovers who come from different classes, singing and dancing seamen (in this case sailors in the Queen's navy), a woman with a secret about our hero's birth, and an appearance by the venerable Barbara Bryne as Queen Victoria.  The earnest lovers Ralph (a lowly sailor) and Josephine (the captain's daughter) are played by Aleks Knezevich and Heather Lindell, both of whom have gorgeous voices that are a pleasure to listen to.  The woman with the secret is called "Little Buttercup," and comes on the boat to sell trinkets to the sailors.  The versatile Christina Baldwin, most recently seen in The Moving Company's original piece Come Hell and High Water, is quite amusing in this role.  Equally amusing is Robert O. Berdahl as the buffoonish captain who's never sick at sea and never swears.  Well, hardly ever.  His crew salutes him while snickering behind his back, for which he abuses them.  Josephine is betrothed to the ruler of the Queen's navy - Sir Joseph (Peter Thomson, also hilarious), who is accompanied by "his sisters and his cousins and his aunts" (the wearers of the aforementioned gorgeous dresses).  There are a dozen sailors on deck who perform many wonderful dances (choreographed by David Bolger).  The most impressive is a show-stopping tap dance in the second act.  I love a good tap dance, especially when performed by dancing sailors!

I had never been to an opening night at the Guthrie before (my season tickets are usually later in the show's run), so I wasn't quite sure what to expect.  At the end of the performance, director Joe Dowling (Artistic Director of the Guthrie) came onstage to talk a little about the show as well as the 5th anniversary of the new Guthrie building.  There was much applause for the show as well as for the Guthrie, and what it means to this community.  After the performance there was a champagne reception in the lobby, although I didn't see too many actors in attendance (it is a little hard to recognize them out of wardrobe).  All in all it was a wonderful evening at the theater, one of many I've had in this beautiful building.  H.M.S. Pinafore is playing all summer, and it's great summer blockbuster entertainment.

*I received two complimentary tickets from the Guthrie to attend the opening night of this show.  Since I have season tickets I would have seen it anyway, but this gave me the opportunity to see it earlier in its run and tell you all about it earlier.  I'm looking forward to seeing it again with my season ticket next month, and seeing how the show has grown (as well as possibly catching some of those one-liners I might have missed).

Update: it was even better the second time around!  Everyone seemed more comfortable in their roles, and therefore they were able to have even more fun with the material.  This is such a fun, high-energy show, I don't think I would ever tire of watching it.