"Adventures in Mating: Holiday Edition" at DalekoArts

I loved reading choose-your-own-adventure books as a kid. It was so exciting to have a bit of a control over where the story was going, to flip back and forth to specified pages based on your own choice. Who knew there was a theatrical version of this particular thrill? #TCTheater artist Joseph Scrimshaw created such a thing for the Minnesota Fringe Festival years ago, called Adventures in Mating. It was so popular he expanded it, and it was produced elsewhere, including at DalekoArts as part of their "Friends of Friends" weekend series. I'd never seen it before making the beautiful winter's drive to DalekoArts in New Prague, where they're premiering an updated holiday* version of Adventures in Mating. It's hilarious and awkward and delightful, and also has that particular choose-your-own-adventure thrill of being in control of where the story is going. They say anything can happen in theater, but this show takes that to a new level, keeping the actors and crew on their toes as we decide their fate. And as expected, the team at DalekoArts does that dance beautifully.

"Legally Blonde" at Lyric Arts

Oh my God! Oh my God, you guys*!! Lyric Arts' production of Legally Blonde is so much fun! I recently wrote that Jefferson Township Sparkling Junior Talent Pageant is the perfect fun summer musical (playing at Park Square Theatre through July 28), but now we have a second perfect fun summer musical. Unlike some other summer musicals, Legally Blonde is fresh, modern, fun, and feminist. I had never seen it before (or the movie from which it was adapted) because I'm a bit of a snob about movie-musical adaptations - I prefer original musicals. But I've been missing out! Elle Woods is a 21st Century heroine and role model who turns the stereotype of the dumb blonde on its head (see also Smart Blonde). Lyric Arts' production of Legally Blonde is sharp, funny, well-cast, and just an all around great time.

"City Council Christmas" at Daleko Arts

This was my fourth visit to the very southern-most #TCTheater, DalekoArts in New Prague (pronounced prayg not prahg, because this is Minnesota). I spent the first 15 years of my life in a rambler on a dead-end gravel road less than 20 miles from where Daleko is now, and my parents still live in Lakeville, so the drive to New Prague is filled with nostalgia for me. Daleko has built up a loyal audience over the last five and a half years, and it seems that their original holiday* comedies are just as popular as the ones at that other theater in the 'burbs on the opposite end of town. I'm not sure I would recommend spending two hours in the car to attend an 80-minute show (although I wouldn't dissuade you if you're so inclined), but if you find yourself in the southern metro, you should definitely check out what's happening at the Prague Theater in charming historic downtown New Prague. Which right now happens to be City Council Christmas, a hilariously quirky and fun comedy about a small town city council, which Daleko calls their "goofy, idiotic, fun, and totally ridiculous love letter to our audiences, and to the good people of New Prague and the surrounding area."

Minnesota Fringe Festival 2018: "Couple Fight: The Musical!"

Day: 10

Show: 32

Title: Couple Fight: The Musical!

Category: Comedy / Dance - Modern / Musical Theater

By: Weggel-Reed Productions

Created by: Anna Weggel-Reed and Tom Reed

Location: Rarig Center Thrust

Summary: The fourth installment in the ingenious series in which real life couples reenact their real life fight, only this time it's a musical!

Highlights: This concept is so brilliant it really should have life outside Fringe. I would love for them to bring it back for a 3-4 week run as a 90-minute show, or maybe a recurring cabaret series. This cast is so full of talent that listening to them fight is sheer joy, and adding music and dance only makes it better, especially when uber talented local composer Keith Hovis writes the songs. Whether the fight is about high expectations around a vacation (soon to be married couple Max Wojtanowicz and Allen Sommerfield), overflowing toilets (newly married couple Lizzie and Bobby Gardner), doing a risky dance lift (long married couple Divya Maiya and Madhu Bangalore - they do the lift!), which 1980s Jim Hensen movie is the best (long married couple Lacey and John Zeiler), a disagreement about a broken glass (roomies Michael Rogers and Alex Van Loh), what to watch on TV (best married couple ever Shanan Custer and Eric Webster), or whether or not someone is mad (girlfiends Allison Witham and Emily Dussault), these fights are so real and relatable but at the same time overly dramatic (as fights can sometimes get) and hilarious. As a bonus we also get three women friends (Colleen Sommerville Leeman, Mandi Verstegen, and Anna Weggel-Reed) vowing to support each other 'til death do them part. Each cast member brings their own unique talent, and the songs and sketches really bring out the best of each of them in a well constructed show that flies by. I love this series and this is my favorite installment yet, and just leaves me wanting more! More Couple Fight!!

Read all of my Fringe mini-reviews here.

"She Loves Me" at DalekoArts

The second of three #TCTheater productions within a year of the delicious and timeless 1963 musical She Loves Me is now playing on the far Southern edge of the seven-county metro area, at DalekoArts in New Prague. Based on a 1937 Hungarian play, the basic story has been told in multiple iterations, including the 1940 Jimmy Stewart movie The Shop Around the Corner, and the 1998 Tom Hanks/Meg Ryan remake You've Got Mail. But She Loves Me tells it in musical form, which IMO is always the better way to go. The current popularity of the show is perhaps due to the successful 2016 Broadway revival (broadcast live via BroadwayHD), but whatever the reason I'm glad of it. I have fallen in love with this sweet and funny show, first through Lyric Arts' production earlier this spring, then through listening to the 2016 cast recording, and now through DalekoArts' charming production. They employ a smaller cast and band on a much smaller stage (I'm not sure there are any tinier stages in #TCTheater than Daleko's), and blissfully no body mics, which only makes the experience more sweet and intimate. She Loves Me plays for one more weekend only; if you're in the Southern Metro you should definitely check out what's going on in New Prague.

"The Rink" at Daleko Arts

This was my weekend for seeing rarely produced musical theater gems. First I saw a charming production of 110 in the Shade at Theatre in the Round in Minneapolis, then I headed down to the very southern edge of the seven-county metro area to see the Kander and Ebb musical The Rink at Daleko Arts in New Prague. I found both of these musicals to be really great and I don't understand why they're not produced more, but I'm grateful for the wonderful Twin Cities (and beyond) theater community for giving me the chance to experience shows like this. On my second visit to Daleko Arts I continue to be impressed with the work that they do in the tiny Prague Theater on charming Main Street in New Prague. Part of Daleko's mission is to "help decentralize professional theatre in Minnesota," a mission that I support in theory but in practice is a bit challenging; I'd like to see all of their shows but the distance can be prohibitive. But if you live in the Southern Metro, or don't mind a road trip through some of the prettiest country in Minnesota (I may be biased because I grew up in the area), Daleko should definitely be on your radar as a destination for quality theater that includes classics, new works, and interesting unexpected choices like The Rink.

Fringe Festival 2016: "Take Talkback"

Day: 7

Show: 33

Title: Take Talkback

Category: Comedy

By: Six Four Six One Productions

Directed by: Brad Erickson

Location: Ritz Theater Proscenium

Summary: The post-show talkback of a community theater's production of an edgy play takes a darkly funny turn.

Highlights: I always stay for a post-show talkback, so I couldn't resist a talkback that IS the show! After a performance of the edgy two-person drama Take at Beulah Community Theatre (abbreviated BCT - is that an intentional or inadvertent reference to the theater now called Artistry?), artistic director Becky (a hilarious Christine Karki) introduces the talkback and tells us about BCT's new season (the whole show is performed with house lights up). She's joined onstage by the director (Ben Thietje), the actors (Bobby Gardner and Anna Weggel-Reed), and the writer (Patrick Kozicky), who traveled from NYC just for this event (or did he?!). The play (written by Adam Hummel) pokes gentle fun at talkbacks and theater in general (the actor sipping tea, the grumpy audience member using the talkback as an opportunity to complain he couldn't hear the dialogue). But then disgruntled actors (Joe Bombard and Angie Martin) bust in and demand to be heard. The tame talkback turns into a mess of a situation as secrets come out. Although making a joke out of people with guns attacking a public gathering is a little uncomfortable in light of recent events, Take Talkback is a darkly funny spoof of all things theater.

Fringe Festival 2015: "Couple Fight"

Day: 9

Show: 43

Title: Couple Fight

Category: Comedy

By: Weggel-Reed Productions

Created by: Anna Weggel-Reed and Tom Reed

Location: Theatre in the Round

Summary: Six funny real-life couples reenact a funny real-life fight.

Highlights: What happens when two funny people get married, and then they fight? Judging by Couple Fight, it's hilarious, at least it is to those of us watching, and probably also to the couple once they move beyond the moment. Such is the simple premise of this show that features five married couples and one pair of BFFs. John and Lacey Zeiler fight about him faking a stroke in Vegas to help him win at poker, and not telling her about it beforehand so she could play along. On one of their first dates, Maggie and Marissa Sotos argue about whether a book is a hamburger or a hot dog (first of all, it's a book, second of all, it's obviously a hot dog). Emily Schmidt and Maureen Tubbs' disagreement about the rules of Pictionary turn a fun girls' night into a dramatic scene (I'm with Maureen on this one, you gotta have rules). Laura Zabel and Levi Weinhagen fight about whether Laura's suggestion for a sketch is funny (for the record - it is!). Lizzie Gardner gets mad at Bobby when he farts in the middle of a deep conversation. And finally, Anna Weggel-Reed gets upset that husband Tom (played convincingly by Adam Hummel because Tom was too busy directing) doesn't properly celebrate her on her birthday. The rest of us non-comedians only wish we could fight this funny!

"The Last Five Years" by Flip Theatre Company at the Minneapolis Theatre Garage

The Last Five Years is a two-person musical by acclaimed composer Jason Robert Brown* that had it's off-Broadway debut in 2002. It's come to the forefront again this year with an off-Broadway revival and an impending movie. It also happens to be one of the favorite musicals of my blogger friend Bartley, aka The Playbill Collector, so I was eager to see the local production of the show by one of the newest theater companies in town, Flip Theatre Company, founded by actor Ben Bakken and director John Lynn (who directs this piece). I went into it knowing next to nothing about the show and never having heard the music, which is often a great way to experience a musical. I really enjoyed it - it's a beautiful score, with a sad love story (my favorite kind), two great performers, and a very well done production.

The Last Five Years tells the story of a relationship in a unique way. Cathy beings at the ending of this intense five-year relationship, when the two have decided to go their separate ways, and song by song works back to the beginning. Jamie starts at the beginning, when their love is fresh and new, and works his way through the hard times to the end. They meet in the middle at their engagement/wedding, and for one brief moment we see couple on the same page, together and happy. Otherwise it's a one-sided story, with the other person either off-stage or sitting quietly in the shadows, simply a prop but not reacting. It's an interesting and innovative way to tell a story. But because the two never really interact, I had a hard time really feeling their connection or understanding why and how it was broken.

Britta Ollmann (Cathy) and Bobby Gardner (Jamie)
(photo by Heidi Bohnenkamp)

I'm thrilled to see the return of Britta Ollmann to the Twin Cities stage. She was in one of my favorite shows of 2010, Violet, and when she sang I was taken right back there to that show.  Britta is so appealing with a strong, gorgeous, clear voice. She sings with emotion that cuts right to the heart, whether sad or happy or trying to convince herself that she's happy, so I easily sided with Cathy in the break-up. Bobby Gardner also sounds great as Jamie but I found his character less sympathetic (a newly married man complaining about all the beautiful women hitting on him is not going to garner sympathy from female audience members), but he almost won me over with the heartbreaking "Nobody Needs to Know." I've never heard any of these songs before but they're great - emotional or funny, hopeful or despairing. I think I need to listen to the score a few more times to truly appreciate them.

The music sounds great with the fabulous five-piece band directed with energy and precision by Jason Hansen, as always. But I wish the actors weren't miked. Maybe there are technical reasons involving the band that require them to be miked, but in the small space of the Garage with an intimate show like this, the story might be better served with no amplification. It's so rare that a musical is unmiked, but I find there's a much greater emotional impact when there's no amplification to come between the story and the audience (see Ordinary Days by Nautilus Music-Theater, which admittedly is a smaller space with just a piano accompaniment).

They've made great use of the space at the Theatre Garage, which has become one of my favorite places to see theater. The on-stage band is separated from the action by a bunch of empty frames hanging in mid-air. Two city stoops with doors are converted into a pier or a mantel, and various other set pieces are brought in for certain scenes. There are a lot of moving pieces but it's done relatively smoothly, keeping the momentum going through the scenes. The fast and frequent wardrobe changes (costumes by Suzanna Schneider) help to convey the progression of time.

This is a promising debut by Flip Theatre, and I look forward to their next venture. I hope they continue to do small, intimate, lesser-known musicals with a high-quality production, like The Last Five Years. This is a short run - just two weekends - so get there fast if you're interested (discount tickets available on Goldstar).


*This summer, the Guthrie commissioned musical theater composer Jason Robert Brown to write a song for their 50th anniversary. "Hamlet 3.2" was performed at the Gala Performance by Brian D'Arcy James and an ensemble of local talent, and it was fantastic.