Women in prison, treated unfairly, not given adequate legal representation, having to pay prison staff for favors, immigrant women not provided with a translator, society's glamorizing of crime but disregard for and mistreatment of criminals. No, I'm not talking about the Netflix hit series Orange is the New Black, which just concluded its brilliant seven-season run. I'm talking about the Kander/Ebb/Fosse/Verdon*/Reinking creation, the 1975 musical Chicago whose 1996 revival was even more successful and is still playing on Broadway. This ahead-of-its time musical, about crime, celebrity, and the justice system, only gets more relevant as the years pass, which is perhaps the reason for its long lasting success. Typically a show that is still running on Broadway and touring (it most recently came to Minneapolis last year) is not available for regional productions. But somehow Theater Latte Da snagged the rights and has created their own unique take on this classic. The cast is absolute perfection, the Ritz Theater (which opened in the same era in which the show is set) has never looked more gorgeous and detailed, and this Peter Rothstein directed production brings out all of the glitz, humor, and biting social commentary of the piece, while putting the audience right in the middle of the action. It's absolutely thrilling.
Showing posts with label Alice Fredrickson. Show all posts
Showing posts with label Alice Fredrickson. Show all posts
Sunday, September 22, 2019
Sunday, March 31, 2019
"Hedwig and the Angry Inch" by Theater Latte Da at the Ritz Theater
I've been excited to see Theater Latte Da's production of Hedwig and the Angry Inch, starring multi-talented #TCTheater artist Tyler Michaels King, since they announced their season last spring. I've loved Hedwig since seeing the movie in the early aughts, and even more so since seeing her Broadway debut five years ago in the person of Neil Patrick Harris. Even though punk rock isn't usually my scene, I really connect with this queen of the misfits and losers who encourages us all to be ourselves, and reminds us that we are worthy and whole exactly as we are. Latte Da's production captures all that and more - part fantastically fun rock concert, part transformational journey to the self. The piece is co-directed by Artistic Director Peter Rothstein and Annie Enneking, #TCTheater's preeminent fight choreographer and headliner of the rock band Annie and the Bang Bang. Through this perfect combination of Peter's clear vision for music-theater storytelling and Annie's rock star sensibilites, they have created a piece that's epic and intimate, loud and in your face, yet beautiful and touching.
Sunday, February 21, 2016
"Gypsy" by Theater Latte Da at the Pantages Theatre
2016 is the fourth year of Broadway Reimagined, the partnership that combines the resources of Hennepin Theatre Trust with the innovation of Theater Latte Da to create a new interpretation of a familiar Broadway musical. This year's selection is a beloved classic of the American musical theater canon, the 1959 Jule Styne/Stephen Sondheim/Arthur Laurents creation Gypsy, based on the memoir of burlesque entertainer Gypsy Rose Lee. Theater Latte Da did this musical almost ten years ago in their old home The Loring Playhouse (only my second Latte Da show, I've seen nearly everything they've done since). Even though two actors reprise their roles, as do the director, music director, and choreographer, this is a different show in a bigger venue. And I'm convinced there is no better venue for this show in the Twin Cities than the beautifully restored Vaudeville theater that is the Pantages, where the historical characters in the play very likely performed nearly 100 years ago. There's a sense of history in this show which, along with Theater Latte Da's usual attention to detail in every aspect of the production, creates a beautiful, realistic, moving look into the world of show business and the quintessential stage mother/daughter relationship. As the song says, let Theater Latte Da entertain you, you will have a real good time, yes sir!
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