Showing posts with label skateboarding. Show all posts
Showing posts with label skateboarding. Show all posts

July 17, 2014

Tribe rejects Redskins OAF "bribe"

Quechan Skate Park Project Turns Down 'Bribe Money' From RedskinsThe Washington Redskins Original Americans Foundation (OAF) paid a visit to the Fort Yuma Quechan Tribe in Winterhaven, CA, and the reports relayed to ICTMN describe a meeting that was both bizarre and insulting.

The Quechan have been planning a skate park for some time; designs are posted to Facebook and some fund-raising activities have been held. An OAF delegation, led by Executive Director Gary Edwards, had come to town to offer funding to complete the project.

"We respectfully listened to their presentation," said Kenrick Escalanti, President of Kwatsan Media Inc. "But when Gary Edwards referred to himself as a 'redskin' in front of our Nation’s officials, I knew that their visit had ulterior motives."

The OAF crew presented renderings of the park using a color scheme of burgundy and gold--the Washington Redskins' team colors.

The OAF essentially offered the Quechan a blank check, proposing to fully fund the skate park. Additionally, the organization would give every Quechan child an iPad for the purpose of learning their Native language. Edwards told those present that accepting the money and gifts would not be portrayed as an endorsement of the name. "You don't even need to say we gave you anything," he said. The OAF added that it has 147 projects in the works, with cooperation of over 40 tribes.

The Quechan didn't like the sound of any of it.

"We say no," Escalanti says. "There are no questions about this. We will not align ourselves with an organization to simply become a statistic in their fight for name acceptance in Native communities. We’re stronger than that and we know bribe money when we see it."
American Indians Refuse Original Americans Foundation Money for Skate ParkIn the meeting, OAF representatives OAF Executive Director Gary Edwards and OAF Director Karl Schreiber claimed they have 147 projects lined up across the country and 40+ in partnership with tribes. He listed amongst OAF supporters the Navajo Nation President Ben Shelly and claimed they had a number of projects being funded there. This despite of a Navajo Nation Council bill adopted on April 10, 2014 opposing the use of the name Redsk*ns. They also referenced the tractor they helped purchase that was mocked on the TV show The Colbert Report by host Stephen Colbert.

They denied that any of these tribes were required to support the name, a dictionary-defined slur that newspapers like The Oregonian (since 1992) and most recently, The Seattle Times refuse to print instead using the descriptor the “Washington DC team.” Also, on June 14, 2014 the United Churches of Christ, Central Atlantic Conference passed a resolution calling for a boycott of the Washington Redsk*ns by their 40,000 members.

Mr. Edwards, who claims Cherokee heritage repeatedly referred to himself proudly as a Redsk*n and claimed that, “The opposition is creating the old assimilation policy now being enacted today.” Escalanti said that Edwards appeared to believe that opposition to the slur is purely from White Liberals, despite the persistent opposition of organizations like the National Congress of American Indians which represents the majority of tribal members in the United States and first issued a resolution opposing the name in 1969. And the Native plaintiffs that filed the successful Trademark including lead plaintiff Amanda Blackhorse (Navajo). This trademark case was organized by Suzan Shown Harjo (Muskogee Creek) long-time advocate for changing the name who filed the first trademark case in 1992.

Edwards final thoughts at the meeting on the threat of white people to the Redsk*ns moniker, “we [Native Americans] need to get stronger because if we don’t THEY will annihilate us! That is my sincere heartfelt belief.” He appears to feel that only by being a mascot for a $1.8 billion team can Native Americans continue to exist in this country.


Indian tribe rejects Snyder's offer to fund a skate park

By Erik BradyKenrick Escalanti's description of the two meetings, which together lasted nearly an hour, open a window on the nonprofit announced by Snyder in March to help Native American causes. Foundation reps told the tribe that they have 147 projects lined up involving about 40 tribes across the country. Escalanti said the reps added that about 100 tribes, including his, have participated in a survey concerning their needs.

Escalanti said no dollar amount was mentioned, but he said the budget for the planned Quechan Memorial Skatepark is $250,000 and "they offered to build it, like a blank check." Kwatsan Media Inc., a nonprofit that runs a radio station, is accepting donations for the skate park, which will be dedicated to suicide prevention in Native youth.

"When we told them the skate park would be dedicated to fallen Native youth, you could see their eyes open up big, like they could smell good PR," Kenrick Escalanti said. "And that really irritated me."

The first meeting with tribal leaders, including three council members, lasted about 20 minutes and the second with Kwatsan Media about 30 minutes, according to Escalanti, who attended both.

One council member asked foundation reps why the team cares about Native American causes now, Escalanti said. "Edwards said they always cared and this is not an issue of the (team) name," Escalanti said. "He said the reason it comes up now is the team and the NFL have a diversity policy and they are trying to live by that."
Arizona Native American Tribe Rejects Dan Snyder's Offer to Build Skate Park

Comment:  They've always cared, but they've never done anything about it until now? Okay, sure. Can you say "hypocritical"?

Just say no

Adrienne Keene gives us some background on and analysis of the story:

Kwatsan Tribe refuses Dan Snyder’s “Blood Money”In the Wednesday meeting, the Executive Director of OAF, Cherokee (WHY do they ALWAYS gotta be my tribe?!?!) Gary Edwards basically offered Kwatsan Media Inc. (Kenrick’s organization) a blank check, saying that they could fund the park, and had partnerships with developers who could build it as well. They brought in one such developer, who showed Kenrick digital renderings of parks, all done up in signature burgundy and gold. While they insisted that they didn’t want anything in return from the community, that OAF didn’t even have to be affiliated, they constantly brought up the fact that they have “147 projects” occurring in “over 40 tribes” throughout Indian Country, and mentioned, again, that damn backhoe that they helped buy for Omaha. Clearly, they do want the recognition.

Additionally, Mr. Edwards is super confused about who is “the opposition” to the name. He seems to think it’s only white people, and that “we” as Natives are all like him, “proud” to be a “Reds***” (which he called himself repeatedly). He told Kenrick, “The opposition is creating the old assimilation policy now being enacted today,” and even made a reference to The Lone Ranger (definitely the epitome of Native knowledge, right?), “In trying to annihilate our image its like that new Lone Ranger movie with the White Man point a gun at the Indian saying It won’t be long until its forgotten your kind ever existed on this continent.”

Right, dude, “the opposition” is trying to “annihilate our image”? What about the hundreds of Native peoples passing resolutions against the name? or the fact that Suzan Harjo (a Native woman) has been fighting your trademark since 1969? Or the fact that I have a running list of over 4000 Native peoples against the name? “Our image” if you’re speaking for the white, outsider-created image of American Indians. That is what we’re seeking to destroy.

But let’s go back to the money, and let’s think about the choice here–a choice that Native peoples in this country have had to make over, and over, and over throughout our history. We have deep and pressing needs in our communities. We have tribal members freezing to death, we have students unable to learn because their schools are falling apart at the seams, we have suicide rates 3.5 times higher than national averages. Because of centuries of colonialism, our communities have limited options. We are bridled by geographic location, federal red tape and bureaucracy, poverty, and any other number of factors. Then, outsiders come in. They offer us cash, in exchange for natural resources, for land, for mining rights, for oil–and our leaders and communities are faced with a lesser-of-two-evils choice.

Do we take the money even if it is tied to politics and choices that may negatively affect our people further down the road? Of course we would like to think “no”–but it’s not that easy. And it’s a choice we shouldn’t have to make.

In Kwatsan’s case, this skate park isn’t just about having a place for kids to skateboard. It’s tied into suicide prevention and awareness, creating a space for the community to reflect and talk about the issue as well. So here’s a billionaire (Edwards mentioned in the meeting that Snyder is a “billionaire over again”) offering to build the park now, creating that space immediately, saying they don’t need their named tied to it or even to be mentioned.

But Kenrick said no. They escorted the OAF team off the reservation quickly, not letting them hang around, not welcoming them, not letting them feel they were doing something “good” for the Indians. That act is one that needs to be applauded.

April 20, 2014

A decade of Douglas Miles

Another article by me:

An Unquiet Indian: 10 Years of Decks, Guns and Geronimo With Douglas Miles

By Rob SchmidtDouglas Miles, the founder of Apache Skateboards from the San Carlos reservation in Arizona, didn’t set out to be a professional artist. In fact, he started in social work.

“I’ve been making art ever since I can remember,” he says—around 25 years. But professionally, he spent his first 10 or 15 years in the social field.
About his Apache X retrospective:The reactions have been positive, says Miles. The people who supported Apache Skateboards at the beginning continue to support it. Only one criticism has been a constant. “I like the art, they’ll say, but I don’t like the gun imagery. It kind of throws people off.”

He doesn’t apologize for that, and people aren’t saying it as much anymore. They got used to it, he explains, or they see “it’s part of the story.” That is, the story of Apache Skateboards, American history, and the history of the Apache people. “It’s not something that I’m trying to sugar-coat or whitewash.”
Comment:  For more on the subject, see The Artist Who Plays Lozen and Apacheria: The Art of Douglas Miles.

August 31, 2013

Trickster skateboards and playing cards

Ravens on Decks: The Art of Trickster Skateboards

By Cristina OldsA couple of innovative young artists are melding the ancient tradition of formline drawing with the hip canvas of skateboard decks. "The demand for Native art skateboards was made very clear by the popularity of my early hand-painted decks," Rico Lanáat’ Worl (Tlingit/Athabascan) of Trickster Company said in a recent interview.

Worl painted decks for himself and his family first, but soon saw the need for an affordable line of manufactured boards sporting his digitized designs. He also paints custom artboards, and says his clientele are split fairly evenly between skaters who actually ride the boards and collectors who hang them on their walls.

"I started painting on decks just for fun, just for myself," Worl said. "It continues to be my canvas of choice while I study the old masters and the new masters of formline design, in the rich history of Tlingit and Athabascan art." Flowing two dimensional formline designs featuring northwestern coastal sea creatures and other symbols have adorned totem poles and house posts for thousands of years.


Formline Playing Cards from Ace Artist Rico Worl

By Sara ShahriariArtist Rico Lanáat’ Worl, Tlingit/Athabascan, designs skateboards and snowboards, but often branches out to other products. His newest design is playing cards that rethink the classic figures through formline, the graphic indigenous art style native to the Pacific Northwest. The only problem was that Worl needed an order of 2500 cards to get printing underway. In search of money to fund that order he turned to Kickstarter, the online fundraiser. "I made these cards to represent our living art of the Northwest coast: its adaptability, resilience, and quality," Worl, who is based in Juneau, Alaska, wrote on his Kickstarter page.

Adding a touch of Native artistry to an everyday item like a deck of cards is a natural step for Worl. "Growing up in a family that is close to the culture ensured the arts would be close by," he says.


Comment:  For more on the subject, see Tlingit Artists Designs Skateboards.

October 07, 2012

Tlingit artist designs skateboards

Skateboards are canvases for Tlingit artist

By Amy FletcherThe juxtaposition of tradition and innovation is fairly common in contemporary Tlingit art; less so is the blend of seriousness and exuberance found in Rico Worl's skateboard designs. The designs Worl creates for his boards are graphic, modern, and--backed with colorful paint splatters--even playful; and yet his execution of formline design and other Tlingit elements is carefully considered, the product of in-depth study of traditional rules and cultural protocol.

Raised amidst the influence of many highly respected Tlingit artists and culture bearers--including his grandmother Rosita Worl, his aunt Celeste Worl, and clan member Nathan Jackson--Worl's cultural education began early, and included an appreciation of art as an integral element of his life.

"I actually never decided to make it into a profession--I just always did it," Worl said.

He painted his first board when he was 23, a long-board with a sockeye design he still rides, and quickly began picking up requests for boards from family members and friends.

This week, he'll take his art to the next level by launching his own business, Trickster Company, featuring his first manufactured designs. The opening, to be held on First Friday at Sequence Boardshop on Franklin Street, will showcase Worl's hand-painted Canadian maple boards as well as his manufactured designs, an eagle and a raven short-board.

The manufactured boards are also currently for sale in Seattle, with the possibility of Anchorage, Sitka and Yakutat stores carrying them in the future.
Comment:  For more on Native skateboards, see Apacheria: The Art of Douglas Miles and Birch Bark and Skateboards in Mni Sota.

Below:  "Tlingit artist Rico Worl displays a series of four longboards based on a traditional pattern board used by Chilkat weavers." (Klas Stople/Juneau Empire)

September 26, 2012

Navajo Skate and BMX Competition

Wheels Up: The Skater and BMX Competition at the 66th Annual Navajo Nation Fair Another Success

By Sunnie ClahchischiligiOn September 8, during the 66th Annual Navajo Nation Fair Skate and BMX Competition held at the Office of Dine Youth/Boys and Girls Club of the Dine Nation skate park in Ft. Defiance, dozens of skateboarders and bikers, including Harvey, competed for a chance to win a skateboard and other prizes.

Harvey, 13, is now a sponsored skater for Lucky Day Skate Co., and no longer has to compete for a board, but that didn’t stop him from entering.

“It has changed for me,” he said. “Now that I’m sponsored, I don’t really need to worry about it, but I just joined to compete and have fun.”

Many aren’t as fortunate as Harvey, which is why Urian Begay, health education technician for Navajo Health Education Program in Ft. Defiance, helps put on such competitions multiple times a year. The Navajo Health Education Program reaches out to students and presents at various schools and communities about subjects such as tobacco, drug use and STDs.
Comment:  For more on Indians and skateboarding, see Red Lake Skate Park Opens and Stronghold Society Sponsors Sk8Jam Competition.

September 22, 2012

Red Lake Skate Park opens

Hundreds Gather for Grand Opening of Red Lake Skate Park

By Michael MeuersOn September 14 with just a week left of summer, hundreds of people gathered for the grand opening of the new Red Lake Skate Park.

The celebration had been postponed from the originally scheduled date of August 29 due to the unexpected death of Shakopee Mdewakanton Sioux Chairman (SMSC) Stanley Crooks. The SMSC played a major role in the development of the skate park, providing funds through their grants programs.
And:The park is so heavily used that kids are seen skating after dusk with nothing but the dim light of a school sign for illumination.

The skatepark groundbreaking took place this past April on the front lawn near Red Lake High School and was finished a bit ahead of schedule. The new park—as well as two new basketball courts—were built during the summer as part of an initiative to engage the community’s youth in activities that promote healthy lifestyles.
Comment:  For more on Indians and skateboarding, see Stronghold Society Sponsors Sk8Jam Competition and Skating the Navajo Rez for Skatepark.

August 09, 2012

Stronghold Society sponsors Sk8Jam competition

Native Sun News: Lakota youth unite for skateboarding contestThe top two goals of Stronghold Society are to create and sustain an art resource studio and skateboarding park on the Pine Ridge Reservation and to provide Native American youth with an outlet for creativity through resources developed by the organization.

Giving young warriors the opportunity to create new avenues of proving their fearlessness and their athletic prowess is merely one of the outcomes of the Colorado-based Stronghold Society, which is headed by Oglala Lakota Walt Pourier. Giving the young men and women on the Pine Ridge Reservation the ability to find a creative outlet through skateboarding is the No. 1 priority for all involved with Stronghold and includes the 10th Annual Toby Eagle Bull Memorial Sk8Jam competition held Aug. 3.

According to Pourier’s comments on the Stronghold website, “The stronghold is a place where a community regroups, a place to stand your ground and together face all of life’s challenges ... to ride out the coming storm.”

“The Lakotas have a word, ‘skan,’ interpreted as something that moves. Spiritual vitality, the force of life itself, is something each of us and all of life possess within,” Pourier said.
Comment:  For more on Indians and skateboarding, see Skating the Navajo Rez for Skatepark and Apacheria: The Art of Douglas Miles.

Below:  "Derek Hill, Pine Ridge, shows his best for the judges at the Toby Eagle Bull Memorial Sk8Jam Competition."

July 07, 2012

Skating the Navajo rez for skatepark

Skaters, BMX riders ride across reservation for skate park

By Jenny KaneFor the past 13 years, the Shiprock community has been promised a skate park.

Since then, a skate park committee formed and raised some money, but it's not clear how much.

What stalled the relatively inexpensive venture funded by the Navajo Shiprock Chapter House, and who is in charge of it now, also is not clear.

The only evidence of progress so far is a sign in a barren lot reading, "Future Site... Shiprock Skate Park." The sign is handwritten and posted on a telephone pole, just slightly larger than the one above reading, "high voltage."

Early Friday, those locals who still are holding the chapter house to its promise gathered under the sign in Shiprock near U.S. Highway 64 just before embarking on an unprecedented trip across the reservation.

They will bike, skate and drive segments of the mission, with help from several youth advocate organizations from around the state.

The Four Corners Monument, Tuba City, Canyon de Chelly, and Lukachukai are among their stops. They will end up back in Shiprock on Wednesday.
Comment:  For more on Native skateboarding, see Skateparks in Native Oklahoma and Skateboard Replaces Pony on the Rez?

March 20, 2012

Apacheria: The Art of Douglas Miles

Apacheria: The Art of Douglas Miles" Opens Tonight at Por Vida Gallery

By Benjamin LeathermanWhen most folks pass through the San Carlos Apache Indian Reservation they likely see nothing but its blight, squalor, and the harsh living conditions of the desolate landscape. Artist Douglas Miles, however, sees nothing but inspiration for his work.

That includes all of his most recent ink on paper drawings and stencil work creations, all of which is included in his exhibition "Apacheria," which opens tonight at Por Vida Gallery on 16th Street.

Miles has spent most of his life on the vastly rural San Carlos reservation, which is located 100 miles northeast of Phoenix near the mining town of Globe. And he's spent the last 25 years creating a vast body of work that reflects and the hardships of "rez life" while celebrating its culture. The 48-year-old's oeuvre crosses into multiple mediums, ranging from his cartoon-like ink sketches on paper and canvas to the decorated decks of Apache Skateboards, the company he helped launch in 2002.

"What I've been doing with my work is to make a definite reflection of the hardness of what its like to live in a rural Native American community in the 21st century," Miles says. "There's so many stereotypes when it comes to cliché Native American imagery and I've been creating something that challenges and changes those perceptions. There are very beautiful things about our culture, but there's also a very harsh side that some people don't see because of the rose-colored glasses of any romantic notions they might have about Indians."
Comment:  For more on the subject, see Women Skateboarders in Apache Chronicle and All About Apache Skateboards.

Below:  "Douglas Miles with his work at Por Vida Gallery."

March 08, 2012

Women skateboarders in Apache Chronicle

Young, Gifted, Native and Female: The Warrior Women of Apache Chronicle

By Jessica R. MetcalfeWhen documentary filmmaker Nanna Dalunde contacted Douglas Miles (San Carlos Apache/Akimel O’odham) of Apache Skateboards, he was skeptical. Dalunde wanted to make a film about the female skateboarders associated with Miles’s skate crew—to investigate why they skate and why they create. The problem? Dalunde is from Sweden. Like many Natives who’ve seen skewed visions of their people on screen, Miles was wary of yet another non-Native filmmaker (even a well-intentioned one) who might depict American Indians from an outsider’s perspective. He wanted to ensure that the skaters would retain rights to how they were represented, and that they would hold partial rights to the documentary as well.

The solution was both unconventional and simple: Miles stepped up to assist and facilitate the project as a co-director.

The result is Apache Chronicle, a 41-minute look at the lives and artwork of five young Native American female artists and skateboarders. It’s a remarkable perspective that we rarely see in documentary film: the young Native female perspective.
Comment:  For more on Native skateboarding, see Skateparks in Native Oklahoma and Birch Bark and Skateboards in Mni Sota.

Below:  "From Apache Chronicle, Lynnette Haozous as Lozen, the famed Chircahua Apache woman warrior who rode and fought with Geronimo's band of renegades."

December 08, 2011

Skateparks in Native Oklahoma

Nashoba Youth Foundation Open Skateparks for a Healthy Indian Country

By Jacelle Ramon-SauberanMitchell Moya spends most of his time skateboarding at home on his front porch because there are no legal places for him to skateboard in his hometown of Heavener, Oklahoma. But the Nashoba Youth Foundation is going to change that.

The Nashoba Youth Foundation is bringing skate parks to youth in rural southeast Native Oklahoma. The Foundation has built one skate park in Poteau, Oklahoma, called Skatepark off Broadway, which is about 13 miles from Heavener. And Heavener will be expecting a skate park as well called Nashoba Skatepark that will be built early next year.

“I remember countless times I was told I couldn’t skateboard somewhere because it was against the law,” said Moya, 18, who is Choctaw, Cherokee and Apache. “It is nice to now have a place to go where I can skateboard.”
Comment:  For more on the subject, see From Skatepark to Museum Exhibit and Hopi/Navajo Skatepark.

November 12, 2011

Birch bark and skateboards in Mni Sota

Birch bark & skateboards in 'Mni Sota'

American Indian traditions are updated in a new show at All My Relations Gallery

By Mary AbbeAmerican Indian skateboards?

Why not. Time didn't end when the buffalo stopped roaming and the treaty ink dried. The first people of Minnesota live on, holding to traditional ways but adapting to modern urban life.

So there hangs Bobby Wilson's skateboard sculpture in the midst of "Mni Sota: Reflections of Time and Place," a handsome show of contemporary American Indian art on view through Dec. 16 at All My Relations Gallery in south Minneapolis. The show features about 50 pieces of bead and quill work, birch-bark wall sculpture and artifacts, paintings, bandolier bags, shawls and other art. While well grounded in native heritage, the objects are executed with contemporary flair and sophistication.

All 17 artists are enrolled tribal members rooted in or residents of Minnesota, a name derived from the Dakota words "mni sota," which loosely translates as "clouds reflecting in water." That link to place is an important foundation for the show, the first to be conceived and organized by the 10-month-old gallery, which aims to be the leading showplace for native arts in the Upper Midwest.
Comment:  For more on skateboards and art, see Unreserved Trailer and Apache Skateboards' "Assassin Art."

July 20, 2011

ONE Gathering Skate for Life

Skateboarding Helping American Indians

By Carol BerryFrom youthful despair to a life of helping others, a former professional skateboarder is encouraging young Natives to find hope in the same way he did years ago.

“I was from a poor, broken family,” said Jim Murphy, 45, of Lenni Lenape ancestry. “But skating gave me something to be happy about, and I knew any kid with a skateboard had a fighting chance.”

Murphy talked with young skaters July 9 at the ONE Gathering Skate for Life, described as “A Live Life Call to Action Campaign” of the nonprofit Stronghold Society, leaders of which are Walt Pourier, Oglala Lakota, a Denver graphic artist, and Murphy, owner of Wounded Knee Skateboards.
Skate for Life Competition Aims to Connect Youth Through SkateboardingThe Stronghold Society’s ONE Gathering Skate For Life event takes place on July 9 at the Downtown Denver Skatepark, on 19th and Little Raven. This skateboarding competition was created to bring American Indian youths from the Denver community together with their peers from the rest of Colorado and surrounding states. The event will serve as an outreach program to help educate American Indian communities to the myriad social and health challenges their children face today. The Stronghold Society states their mission on their website; to inspire confidence, creativity, hope and ambition for the youth of native and non-native communities. They are a non-profit.

The competition at the Downtown Denver Skatepark has special meaning due to its location near the South Platte River, a historical gathering place for many tribes. ”Our overall goal for the ONE Gathering—Skate For Life is to promote inclusiveness and a positive impact on youth of all races by incorporating artistic achievement, social change, innovation, education, and healthy way of life outlooks,” said Walt Pourier, Executive Director of the Stronghold Society, in a press release.
Comment:  For more on Native skateboarding, see Skateboard Replaces Pony on the Rez? and Skateboarding = Native Culture.

Below:  "Dakota White, 13, Northern Cheyenne/Lakota, who lives on the Lac Courte Oreilles Reservation, Wisconsin, and who has been in skateboard competition several years." (Carol Berry)

May 08, 2011

Navajo skater Len Yazzen

Q&A With Navajo Skater Len YazzenNavajo skateboarder Len Yazzen just got done competing along with hundreds of fellow native skaters from reservations across the country in the All Nations Skate Jam (ANSJ), which took pace from April 30 through May 1, and was hosted at Los Altos Skate Park in Albuquerque, New Mexico for the fifth straight year.

Competing in the world’s largest Native skate festival, which last year attracted more than 6,000 people including 300 skaters from 50 different tribal nations, Len continued on his now five-year journey of skateboarding. The jam itself was created by the skate-centered Native nonprofit organization Nibwaakaawin, dedicated to the education and empowerment of Native youth.
Comment:  For more on the subject, see Innovations at Indian Market and Native Skateboarder in Dew Tour.

April 02, 2011

All Nations Skate Jam

World’s Largest Native Skateboarding Competition Returns to Albuquerque for 5th Straight YearWHAT--The All Nations Skate Jam (ANSJ) is the largest and most prestigious Native American skate competition in the world, attracting thousands of Native and non-Native skaters and spectators from around North America.

WHEN--ANSJ is a two-day event from Saturday, April 30 until Sunday, May 1 2011 during the same weekend as the Gathering of Nations Powwow, North America’s largest powwow. Gathering attracts over 150,000 spectators from around the world many of whom also attend the All Nations Skate Jam.
Comment:  For more on Native skateboarding, see Innovations at Indian Market and Native Skateboarder in Dew Tour.

August 22, 2010

Innovations at Indian Market

Santa Fe Indian Market Evolves

By Jessica DyerWith an organized skateboarding competition and guerrilla fashion show among the events at the 2010 SWAIA Santa Fe Indian Market, the venerable institution is looking a little more modern.

"Frankly, we're 90, and we can't be doing the same stuff," said Gabe Gomez, director of external relations for the Southwestern Association for Indian Arts.

Make no mistake: The 89th annual market is still brimming with the traditional Native American art that tens of thousands of visitors expect when they descend on the City Different every August. With 1,086 artists set up on the Plaza and surrounding streets, pottery and jewelry remain in abundant supply.

But new ideas have been creeping in, like adding the Native Cinema Showcase, now in its 10th year, to the SWAIA fold three years ago. SWAIA works with the Center for Contemporary Arts and the Smithsonian National Museum of the American Indian to present the film and video showcase to Indian Market audiences.

"They're totally opening the door to all kinds of indigenous expression, and that's totally the right thing to do," said Jason Silverman, director of CCA Cinematheque.
Some nontraditional art:

Blending Tradition, New Vision

By Kathaleen RobertsChoctaw bead artist Marcus Amerman incorporates both pop culture iconography and comic book imagery into his meticulous glass mosaics. His faux postcard, "My Santa Fe," includes an image of Georgia O'Keeffe within pseudo-vintage lettering, offering a shot of humor imbued with philosophical truths, Kastner said. A close look at Amerman's "Butterfly Maiden" reveals Brooke Shields sprouting a pair of wings.

Potters Roxanne Swentzell (Santa Clara) and Tony Jojoba (Isleta) have moved from their clay-based mediums to produce glass jars (Jojoba) and bronze masks (Swentzell). The pieces interpret traditional forms using different materials.
Comment:  For more on the subject, see Rhythm and Roots in Santa Fe and Santa Fe Film Festival.

June 25, 2010

Native skateboarder in Dew Tour

Native Threads’ Skateboarder Bryant Chapo to Compete in the Dew TourThis summer, clothing from Native Threads will be seen flying through the air at the 2010 Dew Tour as Native American skateboarding sensation Bryant Chapo competes for the Dew Cup.

Chapo, one of the most popular up and coming personalities in the Native American community, has been invited to compete in the skate park events during the 6th annual Dew Tour running June through October 2010. As a Native American skateboarder, Chapo will be representing his community and heritage as he competes on the big stage in front of a worldwide audience.
Comment:  For more on the subject, see Chapo Skates to Red Bull Victory and Skateboard Replaces Pony on the Rez?

March 17, 2010

Skateboard replaces pony on the rez?

Connecting to a Culture Using 4 Wheels

By Karen Jonesdemographics. “Ramp It Up: Skateboard Culture in Native America,” an exhibition at the Smithsonian National Museum of the American Indian at One Bowling Green in Manhattan, celebrates the sport from a Native American perspective, said the project manager, Betsy Gordon. “Native skateboarding is a thriving, extremely creative, strongly passionate movement and only getting bigger and better,” she said. She added that tribal leaders were investing in skate parks to provide their youth with a place for healthy physical activity.

The exhibition, which runs through June 27, features a chronology of the sport, photographs, videos of skaters doing their tricks and personally decorated boards from Native American skaters and skateboard companies like Wounded Knee Skateboards, Native Skates and 4wheelwarpony, owned by the filmmaker Dustinn Craig, a White Mountain Apache. A film, also called “4wheelwarpony,” by Mr. Craig about White Mountain Apache skateboarders helped inspire “Ramp It Up,” said Ms. Gordon. “I was struck by the metaphor that the skateboard has replaced the pony on reservation life.”
Comment:  I know the "skateboard replacing pony" thing is supposed to be a metaphor, but it seems a bit off. For one thing, the Plains tribes were the primary ones with a significant horse culture. Most tribes didn't have such a culture. For another, young boys probably wouldn't be riding "war ponies" even in horse cultures. I think that was reserved for older teenagers and adults.

So the metaphor really should be "skateboards replace the ponies boys would ride when they grew up to be men in Plains tribes."

In any case, if skateboarding can draw troubled Native youth into a productive activity, or at least a harmless pastime, it's good. Let's encourage these kids to do whatever excites them, whether it's skateboarding, rapping, filmmaking, pony-riding, or chess-playing. <g>

For more on the subject, see From Skatepark to Museum Exhibit, Ramp It Up Video, and Skateboarders at the NMAI.

February 18, 2010

Unreserved trailer

Unreserved: The Work of Louie Gong“UNRESERVED” is an intimate profile of artist Louie Gong (Nooksack Indian, Squamish, Chinese, French, Scottish) who has long worked as an activist on mixed racial identity. In March 2009, he began merging Coast Salish design with pop culture art to create custom skate shoes that represent his complex cultural identity and the concept of “walking in two worlds.” While many are drawn to his shoes because they represent the confluence of multiple worlds, others simply appreciate the shoes’ freshness and originality.

Comment:  I watched the 0:52, 1:25, and 2:54 versions of this trailer. Sorry, but none of them grabbed me. Maybe it was the cool jazzy music, which doesn't seem the right choice for a video about shoes and skateboarders. Or the extended shots that gave the video a leisurely pace.

I watched the longest video first without knowing if it was the whole thing or just a trailer. When it was done, I thought, "Okay, it's done. I don't need to learn any more about the shoes."

Maybe this is because I've already read a lot about Gong and his shoes. Maybe it's because a few million Indians also have stories about "living in two worlds." If I'm going to listen to another of these stories, it has to be different...compelling...unique.

For more on the subject, see Gong's Shoes in Fashion Showcase and Gong's Shoes Take Off.