Showing posts with label ZehnKatzen. Show all posts
Showing posts with label ZehnKatzen. Show all posts

06 June 2016

[art] When You're Not Successful And People Still Help Themselves To Your Content

3327.
My friend, Jeff Fisher, has been a successful graphic designer for a very long time and I much admire him. He's published two very good books and put himself out there in the world in what still seems to be a courageous way: He stands up for himself in the matter of holding people accountable for simply helping himself to his work, which he has gotten justly paid for, but is just as likely to see his work used across the world by small businesses who don't understand that graphic work has value as well as by desperate designers in 'crowdsourcing' online logo factories.

A personal blog he maintains is http://jefffisherlogomotives.blogspot.com/, and it's got good reading there.

It's kind of a funny thing to acknowledge but I, too, have been similarly done. It's a funny thing that obscurity and lack of success does not bring immunity from this. In a recent posting I mentioned that a few people have, in the past, helped themselves to my own online stuff, specifically, the PDX downtown skyline picture I snapped in 2004. It's even being used in unauthorized places today, as this Google Images search will show.

The commonality I mentioned in that post that the three authorized users have is that, at first, they found the image on the web and simply appropriated it, without asking. At the moment I discovered that, I was a little wounded; after all, all three were fairly savvy online users, all had good ideas, and all were good people. I say this because I want to pointedly add that once I contacted them they apologized and since I liked them and what they did, I agreed to license use of the picture because of that personal reason.

But I think it goes to show that no matter how obscure or unsuccessful you are, you put something up on the web, out it goes and, Berne convention or no, people will use it. Now, I still, after all these years, have profited pretty much not at all because of another thing; I had, and still have, no real strategy for holding such kyping accountable. I'm not the DMCA sort, but simply helping yourself to what I do online without so much as checking in with me isn't cool either.

So this is a work in progress, still, even 12 years after the original was taken.

And, yes, I might have imagined that this would happen ... but I might have also imagined people could send me an email on it. And I've evolved in more ways than that; I'm much, much less inclined to use something off the 'net without making sure it's available for such (I'm thankful to Wikimeda commons for this … most people there put stuff in expecting it to be shared and used), or simply creating my own (I've the skill to do so).

I guess what I'd say to anyone putting stuff on the web right now is, have some sort of plan in place for dealing with when people help themselves to your stuff.

Be ready to contact them. Because, for some reason, they won't contact you.

And so it goes.

14 December 2015

[pdx] The ZehnKatzen Portland 2016 Calendar On Sale Now

3247.So, last year I created a calendar with all-original images created by me. It didn't sell too well … perhaps because I waited until the latter part of January to get going to it.

I've learnt my lesson. Here, for everyone's delectation, edification, and, hopefully, interior decoration, is the 2016 version, available before the year in question actually starts! This is an innovation in calendar technology that took up to 8 to 10 seconds to work out. The results, of course, are stellar.

Seriously, though, here's my beloved home town through my own eyes and the eye of my camera. It's a labor of love … Portland's going through a lot of changes, but she's still the beautiful woman I remember from all those years back. I'll love her 'till the day I kick it.

It's $11.99, and available through Lulu.com via this link:

http://www.lulu.com/content/legacy-lulustudio-calendar/zehnkatzens-portland-2016-calendar/18068232

Or you can click on this button:

Support independent publishing: Buy this calendar on Lulu.

And, here's a preview:


24 March 2015

[SJK] By The Way, I've Made A 2015 Portland Photo Calendar … And You Can Still Buy One

3165.
… and, in my best tradition of being late to the party …

Well, actually, it's been up for over a month now. Since I was on an effective blog hiatus, I didn't post it here, though I have been promoting it on my Facebook stream. I, still, after all this time, am something of a schlimihl (in a Benny Profane way) when it's come to my self-promotion over the years.

No matter. Despite my schlimihl-hood, my amateur photography is definitely of a much higher grade. Reviewing the calendar itself will tell anyone this, and to my tens of readers who've followed this blog over the time I've posted pictures to it know that there're some pretty personal and special views of my beloved town.

Here's a preview of the Portland-y goodness it contains:



This is all available now at a 15% discount. This is a good deal because about 15-20 percent of the year's gone, but you still get 100% of 2015 in it, and 100% of the photos.

It's available at Lulu, and I'd be thrilled to see a few more copies. If you're good on the calendar tip, I understand … how about sharing this if you are?

To purchase it, follow this link (There's also a purchase link in the preview above):

http://www.lulu.com/shop/my-calendar/calendar/product-22031318.html

03 June 2014

[liff] Our Certified Piece of Portland

3105.
Now, as I've often (and smugly) boasted, I'm a native Oregonian. A downright Oregon chauvinist, I'll admit it. Not only is Oregon pretty much the best place ever, anything Oregonian is the best thing ever; our successes are mighty as our failures spectacular.

But one thing I cannot claim to have been is to have been born in Portland. I have lived in Portland more than half my life now, but I was born in Silverton (which, these days, Silverton being what it has become, is also a point of pride now … but still). If there was one thing I'd change about my life, that'd be it.

That, and I hate my nose. Place of birth, nose … just about covers it.

Anyways, back about 1992 or 1993, the people running Pioneer Courthouse Square opened the Square up again for those who wanted bricks. In 1984 I lived between Salem and Corvallis, and was a broke-ass young guy, so no brick for me! But now, me and The Wife™ had our chance. I can't remember now how much it cost to get one; you can still get one now, and it'll cost you a C-note, and I'm pretty sure it wasn't that expensive at that time.

But we got the money we needed at the time, and we got us that brick. So, there we are.

The only problem we have with it is finding it, or at least, usually so. It's about
3/4ths of the way up SW Yamhill from 6th Avenue, along the part of the block designated the Pioneer Square South MAX platform. We always go there and have a heck of a time finding it; I always start too far toward the middle of the block, based on a memory, and my memory has never been any great shakes. This travail is compounded by the fact that despite an extensive online database, The Square has never indexed the bricks along the Morrison and Yamhill sides (we've e-mailed The Square about it. Nice lady named Lindsay Clute said she'd look into this. More on this as it becomes necessary).

But, as I've intimated, we've found it. Again. And, as much as a experiential thing to write about as a public bookmark, here's where it is … referring to the photo of the PS South station sign as a guide: there is a brick seam proceeding more or less from the middle of the sign post. Going west parallel to Yamhill Street, count six bricks. Then, from that line, count three out.

And there you are. On the above snap, the yellow coffee mug we scored from KGW's Studio on the Square is right beside it. And close-up, it looks like this:


SAMUEL & BRENDA KLEIN 5 YRS, is how it reads. 

1995 was our 5th year together as a couple. We invested in a piece of our beloved town; we are yours, Portland, just like you are ours. 

30 May 2014

[art] Step One: Dream Big

3102.
Our text is The Artist's Guide, by Jackie Battenfield. The homily should become apparent, I hope.

Dreaming big has always been somethingI've done really well. But effectively? Nope. I always go into something, like my two stints at Community College, thinking that if I just do my lessons with enough diligence and sheer sincerity, the rest will take care of itself. In as much the last course, at PCC, despite me graduating in graphic design, has gotten me exactly no closer to my goal of working in the visual arts than I was when I started (never mind how long I've been trying to figure it out), just working hard and earnestly, apparently, don't cut it.

That's a sad thing. The way I was raised, you worked hard enough and honestly enough, the way opened for you. Wouldn't be the first thing in life that turned out to be a bit of a lie (yeah, that's a harsh word, a sharp judgement, but sometimes you have to call it the way it looks. Life makes little hypocrites of us all, I've become convinced).

So, welcome back to the beginning. I've begun again so many times, I should rename myself Finnegan. Ahhh, Square One … we meet again. But what other alternative do I have than trying to figure it out again? Otherwise, I'm already dead … just waiting to be buried. So, we turn the puzzle on its side … for the however-many-th time it is, and try to figure it out again.

On page of chapter 1 on The Artist's Guide, then, we see this:


I always have done this. But maybe I need to try another time, and vary the angle of attack.

Dream big? Okay. Nothing I feel confident to put down on paper just this moment, but what's the best way to dream?

Today, why … I'll sleep on it.

[art] The Desk, Between Ideas

3101.
Where I try to come up with things. My 'studio' is in the basement, in a finished room that is outfitted as an office. It is made with a perma-desk and a bunch of cabinets and is a very fine place to just exist. Happiest place I've ever been able to call my own.


The two books open before us are, foreground, the everpresent diary, and background, the book The Artist's Guide. I'm going to use it to help guide me toward being a working artist, which is what I should have been going for all along.

I'm going to be sharing bits of this journey in days to come, time to time. Some details in the next missive.

We're going to try to get serious. Not just arting around any more.

27 April 2014

[liff] @SJKPDX, Now With Extra Added Facebook

3072.
I was finally allowed to shift my Twitter profile to the new Facebook-esque style. I did this because I love not being able to tell if I'm on one or the other, apparently.


Twitter me at @SJKPDX

02 January 2014

[art] Scenes From A Wanna-Be Artist And Designer's Studio

2998.
When we moved into this house, oh, so many years ago, I was finishing on the training for living the dream of being a graphic designer.

Like so many dreams a person will have (and, I fancy, me in particular) that dream has been evolved by false starts and failures and time and perspective. But I still think of it as the studio, the place where I'm forever trying to find my creative spark.

I have a computer tuned to Facebook there, so maybe my method needs a little less madness. I am trying for discipline, which is one reason why I'm blog posting more. FB tends to get passive; this is active. But that's for another program.

This room is still a studio, and if our assumptions about its provenance are correct, the room I store stuff in is where Al Monner probably developed the photos that gave the space under the Saint Johns end of the Saint Johns Bridge the name Cathedral Park. The space I call my studio is the space, an office-sized room, which stands between the storage room and the rest of the basement.

It's still my studio, but it's also my happy place. We all deserve one, and in a life full of false-starts, artistically, it's nice that at least I have achieved this. I do try to count my blessings.

I found myself looking it its various corners, stuff stuck to the walls, my beloved how-to-art-book collection lining the place, and figured that I could do much worse than documenting my surroundings. They make me feel good, they inspire.

Herewith, some of my happy. Thanks for stepping in.

A magnet, actually. John is my middle name, so I'm not actually a Red Lectroid. I do have a Yoyodyne Propulsion Systems cloisonné pin, which I wear betimes to make people wonder just what side I'm on. And I'm now reading The Crying of Lot 49 after finishing Pynchon's iconic V, so, who knew that Buckaroo Banzai could be the gateway drug to literature? Not me.

The center starburst is my own personal glyph, as has been seen whenever one digs into my artistic endeavors. It's my brand. I did this some time ago, when I was deep into the Society for Creative Anachronism and doing the arts and  crafts and drawings and FLAVENS.

Now this one is a very dear one. Back in the 80s, when I was first getting with the young lady who would become The Wife™, my pastime was creating make-believe city maps. City maps always have and always will entrance me. This is a city on a mythical island in the Pacific off Oregon, which sits astride the western boundary of the Juan de Fuca Plate, as Iceland does across its mid-Atlantic Ridge, and the city itself is called Port Oregon. Jerry Gretzinger's Ukrania has me looking at this in a whole different way now, and I'm thinking of expanding this. How old is this piece of paper? Follow me to the next photo.

The date on this? January 1st, 1988. At the time, I was working as an answering service operator at a place called Superior Answering Service, which used to be down in Sellwood (it's gone, obsoleted by technology and torn down in  favor of a rather charming retail storefront strip. You will, I hope, notice that this is the New Year's Day 1988 schedule for KATU Channel 2. At the time, back when anyone could phone in a comment to the station and its 'public comment file' was on paper, when the office was closed on the weekend, SAS had KATU as an account, and we took the public comments. Let me tell you this … you pre-empted This Week with David Brinkley and it would be senior citizen calls all day long! Discarded paper made excellent note-taking (and map-drawing) paper. And the idea of Port Oregon is 25 years old as of two days ago.

A unique greeting. Jess Warren, of Borked Planet fame, drew me this as a birthday greeting a couple of years back. It's not the original, but a print, but it is the thought that counts. I'll always be fond of this, in as much as it's from a real artist. Those are always the best.

If I didn't have my diploma to remind me, this would; three years of kicking my own ass to get a graphic design degree at PCC. If I had learnt how to find work as diligently as I learnt how to graphic design, I'd probably have my own agency now. Going to school with a stressful full-time-job, though … well, I did the best I could. I still have the knowledge and appreciation in my head, though, so there's that.

One of my corners. In the bottom there is part of my beloved collection of how-to-art books, also revealing that I had also hoped to self-learn the bass guitar - another dream that has thusfar kinda sorta foundered on the rocks of distraction and having to do something else all the time. The three designs right are three logos I did in PCC Graphic Design school, and I"m very proud of these. From the top: AdAstra, a theme resort for SF geeks; my entry in the Cascade Festival of African Films competition, and 'SunDial', a logo for a notional art supply, map, and bookstore. The clock is very dear, also; I've always wanted a 24-hour dial watch, but I do have the wall-clock, and it's just as good. And the NCC-1701D, because Enterprise. 

When I contemplate the lunacy of the modern political process, I look at this and realize that things are the way they are because maybe crazy sells. I mean, sane sells too … but who's buying?

And, last but not least, one of my most treasured objets d'arte. This is a wooden street 'blade' from the time when there were still pieces of the land between Portland and Gresham that were in Multnomah County. After SE 202nd Avenue fell into the orbit of Gresham (though, ZIPCode-ally, it's Portland) the county retired a lot of these signs, and The Wife™, who knows whereof my mind wanders, got me this for a Christmas gift about five years back. This is a prise posession, and totally-legally-came-by, promise!

… and that's my artistic coccoon, or some of the things that matter the most.

This is the point at which I'd offer you a cup of coffee if you were here.

We'll do that in our minds, shall we?

08 May 2012

[zehnkatzen] The Portland Marquam Bridge Skyline Picture Has Jefferson Smith's Back

2813.When a particularly beloved progeny goes on TV, there's always a moment of swelling pride. Now, some know this photo, and it has gone round the world a couple of times (sadly, not always permitted). Back in January, though, I reached an agreement with the Jefferson Smith for Mayor campaign to license the photo for use.

This, of course, is that photo:



It went on a few posters, which made me rather extremely happy. But in the latest campaign spot for Jefferson, my happiness meter pretty much pegged. Not just because it's a darned fine spot, and Jefferson looks very good in it, but the graphic backing up the titles going in and coming out should look very familiar.



Here they are in freeze frame:


… there was the intro, and here's the outro:


Jefferson Smith is a great candidate, and will make a good Mayor. I did license this photo to the campaign, but when it comes to politics, I don't just license these things out to just anyone.

22 September 2011

[bloggage] Confirmation That I Kick Ass: ZehnKatzen Enters The Alltop Zone

2670.Apparently, as Aretha once sang, we been livin' right:

Alltop, confirmation that I kick ass

As of now, the feed of this blog has been added to the aggregator Alltop, which is the niftiest thing that's happened of late. I'm in the Graphic Design topic, aber naturlich, which can be peeped here:

http://graphic-design.alltop.com/

Now it's time to really up my game. And this is quite an inspiration to do so.

That badge - and the newsfeed from the Alltop aggregator - will henceforth be found in the Connections section of the sidebar, up immediately to the right of the topmost posting.

Thank you, Guy Kawasaki!

19 September 2011

[bloggage] My Dallas/Space:1999 Theme Mashup Gets Kudo

2697.Occasionally someone I've never known before notices something nifty I did and gives me a warm fuzzy about it, and I'm flattered and a bit happy.

This time, it was a TV theme-mashup I did some time ago … The opening to the 80s nighttime soap Dallas as seen through the stylings of the opening to Space:1999. And here it is:


.
It was so honored by the blog at Channel-37.net here: http://channel-37.net/?p=1727. It came in as a tie for fifth place with a dead-clever treatment Star Trek: The Next Generation as a Love Boat (even had Charo!).

In that company, a tie for fifth is nifty indeed! Thanks, Channel 37!

04 September 2011

[pdx] Portland: It's The Unicorns. Specifically, My Unicorn.

2684.As shared on Twittah by a longtime compadré, now known by the deliciously cryptic monicker "-b-" (Twittah: brx0), he of the Cyclotram blog, this now-famous Unicorn Photoshoppery of the erstwhile Made In Oregon sign (now the publicly-owned Portland Oregon sign)  has been shared around tumblr like a … well, like something that gets shared alot around tumblr…


It  originally appeared on this blog after I created it here (http://zehnkatzen.blogspot.com/2010/03/pdx-made-in-oregon-sign-belongs-to-city.html) and it's being shared about on tumblr here (http://fyeahportland.tumblr.com/post/9798949606/powells-fuckyeahportland-kyanpepper-i). Thank you, FYeahPortland. 

Of course the fame, wealth, power, and influence that should attach to such a notice has not yet descended upon me. I shall alert you all when it does and remind those of you who supported me over the years that positions of astoundingly embarrassing wealth and power may well be yours soon - well, as long as you have already purchased one of equal or greater value.

And so it goes.

24 December 2010

[liff] On Fugues And Interregna In Blog Posting on a Not-Terribly-Popular Blog

2551.
First, almost as a self-abnegating reflex, is a dislclaimer. This is not, though it may appear, one of those self-absorbed "sorry I haven't been posting for a while" posts, because there is nothing so amazingly arrogant - to me - than a post apologizing for not posting to a blog that hardly anybody reads.

If this chronicle has become anything, though, it's kind of become a laboratory for my mind. I try to straight-jacket it into the, as it turns out, very fuzzy rubric of graphic design.

I am still trying to find steady work in graphic design, for what that's worth. Anybody who's been impressed by my verbiage, I do layout, can use Quark XPress and InDesign, Photoshop and Illustrator, and Dreamweaver; can write, and edit. Just sayin'. If you know any leads, do a brother a favor, thus-and-such, et-cet-er-AH.

The flat of it is, that I enjoy just the act of writing so very much that I really can't stop, and I guess I find this as performance art that I just can't quit doing. So, 20 days ago, more by accident than design, I stopped posting. And I'm looking at myself looking at what I've done, and letting everyone else see too, because, like I said, it's performance art, even for me.

Sometimes, you don't have a lot to say. I think the world would be a better place, or at least a not-so-worse place, if we didn't feel we had to share everything with everyone all the time. So, for a few days, I turned off the flow.

My refuge became my dead-tree diary, and I would read and record my experiences into my environment. It's hard to explain cogently, and sounds kind of corny, but sometimes I've felt, for the past few weeks, that I've taken everything in and projected it out into the world around me, and now I'm reading the echoes - like some sort of intellectual sonar.

I've gotten some interesting ideas out of it … I found some ideas flipped inside-out, and inverted, but not in that melodramatic way you sometimes hear of. There's no eureka! or ZOMG! moments.

So this gets projected into the aether, and I don't know how it will ping on back, but it will.

This was designed to make no sense ... but only after the fact.

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05 December 2010

[net] A Rising Facebook Meme Lifts All Cartoon Character Blogs

2545.
Any uptick in hits on my blog has been a cause for private celebration. Since I haven't yet figured out how to incite the national love affair with me I so richly deserve, it's been a bit like trying to induce lightning to strike - and happens about as often (there's a corollary to Murphy's Law which I've codified that essentially states that while it is true that if anything can go wrong it will go wrong at the most inopportune moment, it most certainly will not come when you actively attempt to induce it (but you won't keep it away permanently by inviting it)).

So, when it happens, it's a treat ... but the real triumph comes in finding out why.

For the last two or three days, I've been notching around two-three hundred hits a day, a welcome influx. I've deduced why. Apparently there's a Facebook meme in full effect, where everyone is replacing their profile pic with their favorite cartoon character. In as much as I am my own favorite cartoon character, I resisted the bandwagon for a while, then, realizing that I did quite adore Speed Racer (who had to duke it out with Tintin), I changed my Facebook avatar for a little bit to the illustration you see left.

After this I found out that this has something to do with an online awareness campaign about child abuse. Being against child abuse, I didn't really have a problem with that, though one would want to do something a little more material, I'd think.

But the real reason I did it was to marvel at the connectedness of things these days, and that the virtual sphere is just as chaotic in its way as the real. You see, the endless searches for "cartoon character" is pinging this off-the-cuff article like mad.

Traffic is still fun, though. So I'll just enjoy it and hope people stop by to read the rest.

On Facebook I'm http://www.facebook.com/samueljohnklein, and on Twitter I'm http://www.twitter.com/sjkpdx, of course.

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13 April 2010

[design] More Connectivity On My Website

2394.More contact choices for the ZehnKatzen Graphic Arts website:



Now my Twitter and Facebook connections are upfront, and "Contact" has morphed into E-Mail - because "Contact" is kind of vague. Maybe someone's looking for E-Mail.

The implementation, in this Web 2.0 world, is very simple - a high-quality JPG and an image map. That's it. My website expresses an ideal, that it's fine to come up with things that are obviously technically brilliant, but sometimes, Good Enough is just as genius. I like getting a lot of mileage out of technical princples that still are ironclad. JPGs and image maps make for econonmical yet vivid website design.

You can go all-out with Flash design if you want (and so can I), but this is very easy to update, keep current, and maintain. It can go anywhere, even on servers without a lot of space.

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23 March 2010

[pdx] Made In Oregon Sign Belongs To City Now: May We Re-suggest Unicorns?

2359.
As announced on City Commissioner Randy Leonard's site today, Ramsay Signs have donated the famous (and almost U-of-O-oriented) "Made In Oregon" sign, and it will be restyled, with proceeds for conversion and upkeep generated by the pay-to-park lot underneath the Burnside Bridge. Here's an idea of what it will look like, from Commissioner Leonard's page:



Very nice. I like the design; I still think Made In Oregon had a certain resonance to it, and especially since I was also made in Oregon (round about the Silverton area over a period of about 9 months, though I don't particularly recall it). But I think we could have made it really Portland, and have a modest proposal: instead of that, why not:



Portland: built on an ancient unicorn burial ground.

Remember the unicorns.

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03 March 2010

[art] Local Web Publication on NW Native Plants Uses One Of My Photos

2335.
Wallace W. Hansen's NW Native Plants is a Salem nursery in what I've detected to be an emerging trend of marketing flora native to this area to area gardeners. I don't know how profitable it is yet, but it seems to have been carving itself a bit of a niche. Certainly it's a timely thing, and a delightful thing besides (Ivy is a problem, and did you know that they found kudzu in Oregon a while back?)

Last month the webmaster of Wally's site, Jennifer Rehm, contacted me about using one of my photos of our trip to the Mission Mill Museum in Salem to illustrate the NW Native Plant Journal, an issue about plants along streams (both of which you have a surfeit of here in NW Oregon). This one, to be particularly exact:



Particularly appropriate for living along streams. This is a view down Salem's Mill Race, which is a canal which diverts some of the flow from Salem's Mill Creek to a propitious place for the early Oregonian European colonists to start one of Salem's first major commercial enterprises – The Thomas Kay Woolen Mills. The location is now a wonderful museum.

I consented to allow use of the photo in return for credit and linkback, and Jennifer is indeed a lady of her word. It appears on Page 23 of the current NW Native Plants Journal:



Good layout, appropriate type. And my photo. What's not to like here?

If you want to get a closeup looksee of it, go to NW Native Plants and download the NW Native Plants Journal, and turn to page 23. And if you're a Oregonized gardener, consider buying from NW Native Plants, because, speaking as one Oregon native about others, you just can't have too many of us around!

Thanks, Jennifer!


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20 July 2009

The One Hundred Thousandth Vistor Has Arrived

2158.It happened today, at last, at 17:22:43 – a surver from Pittsburgh who, crazily, apparently got a search result on the article immediately before this one:



I feel like an adult now.

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16 June 2009

More Ways To Connect Than You Can Shake A Bit At

2087.So, after catching the Twitter virus, I got in a couple of more socials, and was stunned suddenly by the number of connections I had.

So, in an effort to corral the beast, I went looking for all my important connections, and I've listed my social network access points at the top of the sidebar over there. I have found, amazingly, that I'm connected to no less than six points of access to the noosphere that I consider of some importance. Here they are:

  1. Twitter: I tweet as SJKPDX. My Twitter URL is http://www.twitter.com/SJKPDX.
  2. Blellow: Blellow is like an evolved Twitter for creatives. http://www.bellow.com/zehnkatzen
  3. LinkedIn: Needs no introduction. http://www.linkedin.com/in/zehnkatzen
  4. Facebook: After getting my own fashionable Facebook username, I'm http://www.facebook.com/samueljohnklein
  5. Ning: I maintain a presence there after a bout of NaBloPoMo: http://www.ning.com/samueljohnklein
  6. Plaxo: Almost forgot this one! http://zehnkatzen.myplaxo.com/
  7. And my preferred email address, which seems more charming by the day.
So there they all are.

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03 January 2009

Buy Me Some Peanuts, Cracker Jack, and A Little National Exposure

1892. Something I happened upon in surfing my Sitemeter links ...

This here entry at the blog Providence Daily Dose, which celebrates the ascension of Sam Adams (not the beer one) to the PDX mayoralty, using this bit of photoshoppery:



... as the illustration. I was quite proud when I did it, and was very happy when it garnered this blog over 700 views in two days, which to me is like striking gold (props to Bogdanski for linking to it, though even though I came out with more such cards, everyone lost interest after I did Sho Dozono. I really put in some work on the Kyle Burris card ...)

So, thanks, Providence Daily Dose, for featuring my card as your illustration today. Thrilled and flattered, thrilled and flattered!

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