Penthouse: War in Life

Time to review another Korean show. This review is of a makjang drama called Penthouse: War in Life (you may have to look around a bit to find it, I watched it on Rakuten Viki). It ran for 3 seasons. I'll try to avoid spoilers, but some will creep into this review. 

A makjang is a show where the plot and situations are deliberately excessive. A makjang will feature crazy plot twists, birth secrets out the wazoo, revenge plots, adultery, scheming, fighting, murder and more. Penthouse delivers all of that in spades. It has great cinematography, a booming orchestral soundtrack, and lavish sets with over-the-top acting to match its ridiculous and overblown plot. This all combines together to make a wonderfully entertaining show.

The above video is the very first scene in it. The elegant woman in the elevator, the party with people dressed like members of Louey XIV's court waltzing around and the girl who gets tossed off the 47th floor balcony are all mysteries to set the hook. We then move back two months to find out what this is all about.

The building they're in is called Hera Palace. It is the choicest piece of real estate in Seoul. The richest of the rich live there and they all jostle for social status. Our characters are the very upper crust of the place. We discover that they are all very competitive, enormously greedy, suffer from an advanced stage of moral turpitude and are willing to walk all over each other to get to the very top of the pecking order -- the penthouse.

Our opera students engage in one of their frequent brawls

The mystery over who the girl was that got chucked off the balcony, and why she was murdered, is covered in the first several episodes. It turns out that the daughters of the rich folks are all opera students at an elite high school. Yes, you read that right -- opera students. Along with the amusement factor of watching tiny Korean ingenues belting out arias, we are given our first hint that logic and reality are not to be expected in this show.

The murdered girl is Min Seol Ah. She is an orphan girl who lives in Jewelry Village. When she first appears, she is a voice tutor for the rich opera students. However, when the school year starts, she turns out to be enrolled in their high school. Since she is poor all of the other students are aghast to have her as classmate. Throughout the show almost all of the rich people treat any poor person as subhuman scum that is barely tolerated.  

So, all of the kids hate and bully her. The parents also despise her as well, thinking that her mere presence besmirches the honor of their school. This is made worse when Min Seol Ah bests their darling daughters and wins an important singing competition. In addition, she finds out that two of their parents are having an affair and holds that over their heads.

The end result is that she ends up tied up in an equipment room and virtually all of the characters wander in from time to time to slap her around. They all have the motive, and sketchy enough morals, to be the one who pushed Min Seol Ah off the balcony.

In one of their many marital spats
Dan Tae tries to strangle Soo Ryan

It gets more complicated. Shim Soo Ryun, the elegant woman we saw on the elevator, is married to Joo Dan Tae. She's the stepmother to his twins, while her own child has been in the hospital for 16 years in a coma. However, all is not as it seems. Dan Tae, who is a cheerfully Eeeevil fellow and the story's main villain, had for some unfathomable reason switched Soo Ryun's daughter at birth with another kid who he then drugged for 16 years to keep it in a coma. Well, aside from not making any sense (why not just drug her real kid?), that's not very nice.

Anyway, Dan Tae's minion was supposed to toss Soo Ryun's baby into a lake. However, being greedy like everybody else in this show, instead the minion sold the baby to an orphanage. The orphanage head, being greedy as well, eventually sold the orphan to a rich American family who needed a bone marrow donor for their sick son. Once the marrow was donated, the adoptive parents then framed the orphan for theft which got her unadopted, arrested and deported back to Korea.

Of course, Min Seol Ah was that baby and Soo Ryun eventually figures this all out. Needless to say, when she discovers that Min Seol Ah was her birth daughter, she gets monumentally pissed off and swears to find the murderer and get revenge on everyone involved.   

In this case, everyone involved is pretty much the entire rest of the cast. Aside from the 'tied up in an equipment room' business, the Hera Palace people had been planning a fancy party when Min Seol Ah had the audacity to ruin their plans by flopping into the arms of their beloved statue and splattering the place with blood. Not wanting the party to be ruined, they clean up the mess and move Min Seol Ah's body to her dingy apartment in Jewelry Village and make it look like a suicide. They are all implicated in the crime.

Seo Jin, aka The Mother of the Year, counsels her daughter Eun Byul
to lie through her teeth until the day that she dies

Meanwhile, in another plot thread Cheon Seo Jin, a famous opera singer, wife of Dr. Ha Yoon Chul and head mistress of the elite opera teaching high school, gets annoyed by a pecan pie (don't ask) so she throws herself at Soo Ryun's husband Dan Tae and starts an affair with him. 

Seo Jin is also the mother of Ha Eun Byul, another aspiring student opera singer. Under Seo Jin's expert mothering, Eun Byul gets nuttier and nuttier as the show goes on until Seo Jin has to feed her an experimental amnesia drug so Eun Byol can forget about bonking another student over the head, and apparently killing her, with a trophy they were competing over. 

Seo Jin starts as a haughty, arrogant and corrupt woman who gets increasingly demented as the show proceeds. It can be argued that by the end of the show she even surpasses Dan Tae as the main villain. Considering what a psychopath Dan Tae is, that's no easy feat. With her endless scheming and multiple murders, she's a hurricane of chaos that sweeps through the story.  

Seo Jin was my favorite character on the show. She tried to put up a facade of indifferent elegance like Soo Ryun naturally possessed, but underneath it Seo Jin was a seething cauldron of ambition and anger. Her frequent outbursts and tantrums were hugely entertaining.   

Kim So-yeon, the actress who played Seo Jin did a fantastic job with the role. Her over-the-top acting, which suited this drama well, approached the edge but was always under control. She created a memorable character in the scheming, power hungry and wicked Seo Jin.   

Yoon Hee defends her daughter Ro Na who has once again
been framed for a nefarious deed by her classmatess

The third female lead is Oh Yoon Hee. When we meet her, she is an ex-opera singer/real estate agent who is struggling to make ends meet. She has a daughter, Bae Ro Na, who -- no surprise here -- wants to be an opera singer. 

We soon learn that Yoon Hee and Seo Jin have a history and they hate each other with a passion. They had been opera singing students in the same high school back in the day. Seo Jin, using the father's influence, had cheated Yoon Hee out of the top prize in a competition. They got in a fight in the dressing room and after battering each other with pillows and smashing much furniture Seo Jin ended it by clobbering Yoon Hee with the trophy. This damaged her vocal cords and ended her hopes of a career in opera.

Yoon Hee doesn't want Ro Na to pursue a singing career, but Ro Na is persistent and eventually she gets accepted to the opera singer high school. This brings Yoon Hee and Seo Jin into direct contact with each other, with both vowing to destroy the life of the other. Also, since Ro Na is poor, naturally all the other students hate and bully her and even Seo Jin isn't above messing with her.

The two women's conflict starts out with verbal sparring and quickly moves into screaming and regular hair pulling fights. As the show goes on their schemes against each other get ever more deadly and convoluted, with both swearing to kill the other. 

Dan Tae getting ready to murder somebody

The show's main villain, at least until Seo Jin goes completely off the rails at the end, is Dan Tae. He's a rich businessman and the owner of the penthouse. Seemingly cool-headed, he is in fact a psychopath. So he could marry her for her money he killed Soo Ryun's first husband (and keeps the fellow's chopped off finger with the wedding ring still on it in a drawer in his office), he beats his kids, abuses his staff and most of all endlessly plots to swindle or kill those around him. 

And he does all that with a smile. Altogether, he is an extremely cheerful villain. Nothing seems to lift his spirits quite as much as coming up with a ridiculously elaborate plan to ruin, cheat or kill somebody.

Of course, his ludicrous schemes never exactly work, but he does leave a trail of mayhem and bodies in his wake, and aside from frequently beating his faithful but inept minion to a bloody pulp because he botched things, he never gets too frustrated by their failure. 

(L-R) Go Sang Ah, Lee Gyu Jin, Ha Yoon Chul, Kang Ma Ri

There are a number of supporting characters that get a lot of screen time. Among them are Sang Ah, the bubble-headed former TV presenter who is the wife of Gyu Jin, a money-grubbing, mamma's-boy lawyer that delights in the misfortunes of others. The hapless Dr. Yoon Chul is Seo Jin's cuckolded husband. Ma Ri claims her husband is in Dubai, but he's actually in prison taking the fall for one of Dan Tae's earlier murders. She puts on airs of being wealthy but is actually a masseuse at a spa.

In addition, and not pictured, is the mysterious Logan Lee who shows up halfway through the first season and has an important role in all this foolishness. There are also a number of teachers, students, minions, staff, family members and others who act as foils, companions and accomplices to our main characters.

Even as a high school student Seo Jin was an insufferable snob

Most of the above is only from the first few episodes. Penthouse hits the ground running and never eases up, with virtually no filler or down spots. It has at least one, and generally more, plot twists per episode so one is never sure where it is going next.

A makjang is deliberately over-the-top. With its ludicrous situations and characters all it is aiming for is entertainment. Penthouse succeeds in delivering that entertainment. There is also a lot of humor sprinkled in and many memorable characters: our vengeance-minded heroine Soo Ryun, the Eeeevil Dan Tae, Seo Jin and her nutty daughter Eun Byul. The supporting characters are all fleshed out and interesting as well.

The production values are top-notch. The directing is crisp, and the cinematography and sets are gorgeous. Much of the dialog crackles, and the orchestral soundtrack is outstanding. As absurd as much of its plot is, it is really a well written, produced and acted show. Two thumbs up from me.

Finally, after the jump I've included a few more clips from the show (be sure to turn the captions on). They are spoilerish, but don't really give away much.

Oh My Ghostess

Shin Soon-ae, the horny virgin ghost that gets the ball rolling
Click any image to enlarge

When I did my lockdown recap of the Thai TV show O-Negative I mentioned that I had actually intended to do either a Chinese or Korean show, but got sidetracked. Well, I've finally gotten around to a Korean show, the 2015 romcom Oh My Ghostess (that link is to Viki where I watched it, you can also see it on Netflix where they call it Oh My Ghost). There are minor spoilers in this review.

Korean dramas are similar to novellas in that they have a defined beginning and end and a fixed number of episodes. This allows them to get very creative in their premises, and boy-howdy this show has a bizarre set-up and plot. 

The show starts with a fellow being loaded into an ambulance. We learn from a couple of cops that there has been a string of men falling prey to a mysterious illness. The only commonality to the cases is the men were always with a beautiful woman, although each a different woman and none who remembered what happened.

For the viewer the mystery is solved when a ghost, Shin Soon-ae, pops out of the beautiful woman she had possessed. It turns out that, if a ghost has a grudge they need to resolve, they can wander the Earth for three years trying to solve it. Soon-ae thinks her grudge is she died a virgin so she is trying to devirginate herself so's she can move on to Nirvana. Unfortunately for the men, and I suppose the horny virgin ghost as well, attempts at ghostly seduction have only made them sick.

Wait.... possessing a random woman so she can get bonked and solve her virginity problem? Uh... is it just me, or does that sound like some mighty sketchy ethics?

Soon-ae then heads to a temple where the ghosts gather to eat the offerings people leave for their deceased loved ones. We learn that she has an unusual case of amnesia where she can't remember the events of her death. Gee, I wonder if that will figure in the story later?

The Shaman in Seobinggo-dong captures the horny virgin ghost

As the ghosts talk over their food one of them starts giving Soon-ae a hard time for being a bit of a skank. Hard to disagree with that sentiment and thank God there are some ghosts with stronger moral fiber than our horny virgin ghost. As their conversation is escalating towards a fight a rather odd looking woman, the Shaman in Seobinggo-dong, enters the temple. When the ghosts see her they all scatter in terror.   

She's a ghost hunter and she's after Soon-ae. She chases our horny virgin ghost and eventually catches her. The bystanders, not being able to see ghosts, just see the Shaman as a lunatic running around yelling gibberish at nothing.

The shaman takes the horny virgin ghost back to her apartment and locks her in it with the aid of a magic necklace. The shaman isn't really a bad person, she has the best interests of Soon-ae at heart. We find out that Soon-ae is nearing the end of her three year stay on earth and once her time runs out she either has to move on to the afterlife or be doomed to wander the Earth for eternity as an Eeevil spirit. Well, that doesn't sound good at all.

Celebrity chef Kang Sun-woo,
who is soon to be the target of our horny ghost's lust

While that's been going on we meet Kang Sun-woo, the hero of our tale. He is a celebrity chef who runs a successful, upscale restaurant. He's also very demanding of his staff, quick to anger if they make mistakes.

The rich, competent and arrogant male lead is a staple of Korean dramas. For example, in the classic Kdrama Boys over Flowers when we first meet our hero he's entering his school to the squeals of delight of all the girls. One of the young ladies, in a token of her admiration for him, approaches the male lead with a cake she baked for him. His response, by way of rejecting her, is to take the cake and smash it in her face. Yeeesh, this douche-bag is the guy we're supposed to be rooting for?  

Anyway, Sun-woo is nowhere near as bad as that, but he does spend a lot of time snapping at his staff for the slightest mistake. They have to tread lightly around him.

We also discover that his ex-girl friend, who is a TV producer, is both flirting with him and trying to talk him into being on a reality cooking competition show she is launching. However, his status as a celebrity chef is starting to bother him. He thinks the celebrity part is beginning to overwhelm the chef part and he doesn't like that. He wants to run a good restaurant more than anything so he puts her off for the time being.

No Bong-sun apologizing after getting yelled at
for about the billionth time

This leads us to our female lead No Bong-sun who is the dishwasher at the restaurant. She is extremely timid and withdrawn. She tends to make a lot of mistakes and is also very lethargic and frequently falls asleep on the job. As a result the kitchen staff and Chef Sun-woo are continually annoyed with her, further aggravated by the fact that virtually every time she is spoken to she bows her head and, in a voice so soft she can barely be heard, mumbles her apologies.

When we go to her home, which is a single room in a flop-house, we discover her problem. It turns out that Bong-sun is the grand daughter of a shaman, so she can see ghosts and Eeevil spirits. She has her small room plastered with crucifixes, strands of garlic and other mystical items to ward off the ghosts and spirits, but they endlessly pester her anyway, hence her insomnia.

We also learn that she aspires to move up from being a dishwasher to being a cook. She practices recipes in the communal kitchen which gets her yelled at for making too much noise (she gets yelled at a lot), and then posts the resulting dishes to her food blog. All I can say is I hope she gets more traffic to her blog than I get to Flares, not that that's a high bar to hurdle.

Finally we discover that she has a scrapbook full of newspaper clippings featuring Chef Sun-woo. Around all the pictures of him she's drawn little hearts. Whelp, I guess she's crushing on him big time. What could possibly go wrong with that in a Korean romcom?

The horny virgin ghost's Dad and a cop
who's one of his few remaining customers

We're also shown a brief interlude that features the horny virgin ghost's Dad. He runs a little neighborhood restaurant. It had been popular, but since his daughter's death he's taken to drinking and things are sliding downhill for him. Most of his customers are gone, the quality of his food has declined, and the place is falling into disrepair.

This scene is to set up a future major plot line. Eventually, while possessing the timid dishwasher, Soon-ae will encounter her Father. It is bitter sweet, because while she can interact with her Dad, she can't do it as his daughter. He will also reveal some information to her that makes her reevaluate her grudge and wonder if it isn't something different altogether.

Bong-sun getting her hopes and dreams crushed

This has all been in the first episode. As it nears its end there is a scene where a bratty kid knocks a bowl of hot noodles out of  Bong-sun's hands which scalds our timid dishwasher. The kid's mother, ignoring Bong-sun's scalded hand, lays into her blaming her for endangering her little monster tyke. Naturally Bong-sun begins to profusely mumble out apologies. To his credit Chef Sun-woo is having none of it and he ends up tossing the mother and her kid out of the restaurant. 

However, back in the store room he completely blows a gasket over Bong-sun's endless groveling. He tells her that he can't stand her, that her non-stop apologizing is driving him and the staff nuts and that, frankly speaking, she isn't cut out for the restaurant business and that she should look for work elsewhere. 

Oh, the poor girl. Talk about having your heart ripped out and stomped flat.

She goes home to her room, gets screamed at by her landlord for always burning incense, mournfully looks at her scrapbook and writes her resignation letter. She takes it to the restaurant at night to leave it and runs across the Chef who is dropping off supplies. She helps him, but doesn't tell him about her resignation.

The next morning the chef finds the resignation letter and feels pretty bad about being so harsh to her. He also discovers his keys to the store room are missing, and figures that Bong-sun accidently kept them the night before. He and his staff rush out to try to find her and get the keys.

The Chef gets put in his place

Meanwhile, at the shaman's apartment, while Seobinggo-dong is distracted by a delivery boy our horney virgin ghost makes a break for it and escapes. The shaman chases her and Soon-ae, desperate for a body she can possess to hide in spots Bong-sun at a bus stop, She hops into her body and at that moment one of the kitchen staff arrives on his motor scooter and pulls the now possessed dishwasher onto it and heads back with her and the keys.

He takes her to the restaurant where she is completely confused over what is going on. As she is trying to get her bearings they are all yelling at her about keys. The chef reaches to start frisking her, but she, not being a timid dishwasher, isn't about to put up with that so she grabs his arm and effortlessly flips him onto the floor. To put it mildly, everybody is astonished by that turn of events.

The show then moves onto its main story lines. The first being the horny virgin ghost's attempt to bed the chef or one of the kitchen staff stud muffins. It's all very silly, with the crew trying to figure out her crazy behavior (made worse when she pops in and out of possessing the dishwasher) and eventually moves into wackadoodle territory where the chef, the timid dishwasher and the horny ghost possessing the dishwasher end up in a completely bonkers love triangle. Even odder, the two girls become friends rather than rivals in all this foolishness (remember, the dishwasher can see ghosts).

The second main storyline involves the horny ghost's interaction with her dad and brother while she is possessing the dishwasher. This eventually leads to information that makes her wonder just how and why she died, which leads to the final storyline -- the search for answers to the mystery of her death.  Along with these there are some entertaining side-arcs: the ex-girlfriend and her cooking show, the inter-kitchen politics of the staff, and the Seobinggo-dong's reluctant friendship with the Chef's Mom. 

Do I recommend this show? Absolutely. It is a comedy and it milks the absurdity of the situation for a number of laughs. Also, except for the cop, all of the characters are well drawn and acted. In particular, Park Bo-young, the actress who plays the dual role of the timid dishwasher and the ghost possessed dishwasher did a fantastic job. She must have worked closely with Kim Seul-gi, the actress who plays the ghost, because she completely nails her mannerisms, body English and expressions. You always know which character the dishwasher is just by watching her. 

On the down side, Korean dramas mix genres, so when, near the end of the show, it switches its focus from a comedy to a sort of mystery/thriller, it loses some of its pacing. Still, the entire series is worth watching.

On a final note, below is a short clip of the dishwasher early in her possession by the horny virgin ghost.

Korean Cops TV

This video is a bit longer than I usually post, but it is entertaining. It is a sort of Koran version of Cops, but with out all the trailer parks. However, since it is set in the Itaewon nightclub there are a lot of drunks (behold the wonders of our shared humanity). Be sure to turn on the captions to get English subtitles.

It follows a trainee and her mentor as they patrol the district on a Friday. The first incident they encounter is a fight between two groups of foreigners. In trying to sort out what happened we hear the one group saying the fight was over a stolen phone and chain. The mentor can't really figure out what happened -- he either doesn't speak English well or doesn't really care -- so he writes it off as being caused by bumping into each other while dancing, an excuse he seems to have used more than once in the past.

As the night wears on most of what they deal with, both on the street and in their station, involves drunks. The police come across as being very patient with the drunks. It struck me that some of the more obnoxious ones deserved getting the bejeebles tazed out of them, but that didn't happen -- maybe it was just for the show. 

There's one segment where an alarm at the nearby U.S. base sounds which throws everybody into a panic until they realize that North Korean artillery shells and missiles aren't raining down on them, so they relax and go back to their clubbing. Altogether it is an interesting watch.

    

O-Negative (time to wrap things up)

Prim, Foon, Art, Peun, and Chompoo in happier times

Edit to add: I've noticed a lot of people are coming to this page via Google. It is actually the last episode in the show. If you're interested in the full set of recaps it starts with the first episode O-Negative (love can't be designed). At the end of each recap is a link to the next episode.

Episode 26 of the Thai TV show O-Negative (Episode 25) is the final episode and thus the end of my self-inflicted recapping chore. As I mentioned earlier, Asian TV shows, rather than being designed to go on for as many seasons as possible like U.S. shows, have a set number of episodes with a defined beginning and end. The climax of a show is frequently in the second to last episode, with the finale episode used to wrap things up.

We start with Peun in the waiting room after Foon tossed him out of her hospital room in the previous episode. You may recall that Peun had just seen a husband pushing his wife and newborn baby past in a wheelchair which had thrown him into a frenzy of emoting.

He is still misty-eyed when Foon's parents come out of her room. They say that she cried herself to sleep. He starts apologizing for creating this whole mess. Again, I've got to say, not to take anything away from Peun's sketchy behavior, but Foon's mind-bendingly awful driving skills are the main cause of this latest mess. At any rate, Foon's parents are surprisingly understanding. They tell him nobody wanted it to happen.

We next see Peun in the hospital cafeteria. He is sitting at a table with a pack of Dentyne Spearmint Ice Gum on the table in front of him. He's no doubt chewing it because, as Brittney I from Scottdale Pennsylvania assures us, it has a "great long lasting mint flavor for great taste and fresh breath! The price is reasonable and it is sold many places!"

Well, enough with the product placement. Chompoo soon arrives at Peun's table with two trays of food. She tells Peun not to give up, that Foon will forgive him eventually. Chompoo, I thought you were Foon's friend, but now you're encouraging that bounder Peun to keep chasing her? Shame, shame, shame! To her credit she does tell Peun to go home and leave Foon alone for a while. Chompoo tells him that she'll watch Foon and call him if anything changes.

Foon goes berserk and ends up on the floor

Later we see Chompoo relieving Foon's parents from their bedside vigil, saying she'll watch Foon. When they're gone Foon wants to sit up. She asks Chompoo about Prim, because she still wants to apologize to Prim for slapping her. Chompoo tells her Prim was at the hospital earlier, but left when she heard Foon was OK. She adds that Prim has disappeared; that she quit her job, put her house up for rent and won't answer her phone.

When Foon hears that she starts getting agitated, sobbing that she wants to find Prim to apologize. She starts tearing our her intravenous tubes and what-not and, having gotten completely hysterical, tries to get out of bed. Foon ends up sprawled on the floor. Poor Chompoo, from the start of the abortion talk to now, she's been stuck trying to keep Foon from twirling out of control.

Art and Prim in his small loft apartment

We jump to Art's loft in Paris the morning after Prim had discovered the old love letter Art had written to her but never sent. He's taking pictures of the roof tops visible from the windows. Now knowing Art's feelings towards her, when Prim comes out of the bathroom she is subdued and awkward, not sure how to act around him. When Art takes her picture she is so nervous she can barely manage a smile. She answers his questions with only a single word.

After they get the key to her room they go to eat and do more sight seeing. Prim is relaxing a little, but she intensely watches Art. You can see the wheels turning in her head as she tries to figure out, in light of that the old love letter, what Art is thinking now.

On the subway he gives Prim a guidebook. Inside it, being used as a bookmark, is a laminated Bangkok/Kanchanaburi train ticket. She realizes that Art keeping the ticket must mean that he is holding onto the memory of their school break trip. With that realization things get awkward between them again.

Amidst the tourists at the Eiffel Tower

They do more sight seeing and eventually end up at the Eiffel Tower. Prim is a bit more relaxed by then. She asks Art to take a picture of the two of them with the tower in the background. He sets up his tripod and, in a crowd of fellow tourists doing the same, he takes a picture of the two of them. Prim manages a nice smile.

We return to Bangkok for a brief interlude where we see Peun sitting in the backyard with his parents. Peun is telling them that he doesn't know how to get Foon to forgive him. Oh, quit whining Peun, I'm sure it's not a big deal, all you did was knock her up and then dump her to go chasing after Prim. Why would she ever hold a grudge over that?

His dad asks him if he loves her and Peun says he does. This prompts his mom to give Peun an engagement ring they bought for him. She tells him to give it to Foon to show his commitment. I figured the parents would intervene with these two nitwitted love-birds. I wonder if Foon's parents are in on it as well?

We jump back to Art and Prim who are taking pictures on the Pont Alexandre III bridge. Prim is smiling again and Art asks her if she's feeling better. She asks him what he means and he points out that she's been acting oddly. He tells her he often comes to the bridge when he feels down. That seeing the people and decorations cheer him up, but that he thinks it is still best to get to the bottom of a problem when you're bothered.

Prim considers that for a bit, and then directly asks Art if he likes her. Again, in Asian dramas saying you like somebody is tantamount to saying you have feelings for them. It is Art's turn to be taken aback. He asks her why she suddenly asked him that and she confesses to reading the postcard in which he said he loved her. She says that after she read it she didn't know how to act around him.

She had came to Paris to see him, but the postcard was from a long time ago and he may feel differently now. She directly asks him again how he feels about her. He tries to deflect by asking her how she feels about him, but she  pulls the 'I asked you first' gambit.

Art then delivers the longest monologue of the show. He says he has had feelings for her since their freshman year. He kept those feelings to himself because Peun liked her as well and he didn't feel it was his place to interfere as Peun and she grew closer. He says, "all I could do was hope that as time passes, my feelings toward you would fade." However, his feelings remained the same and eventually, no matter how he rationalized it, in the end he couldn't bear it and that's why he moved to France.

Art continues by saying that if he could turn back time he would have never attended that university so that they would have never met. All he could do in the end was try to be the best friend he could be to each of his friends. Prim had listened intently as he told her his feelings, but she said nothing, Finally, he asks her what she thinks. She says, "I just wish I knew better. You are one of my most precious friends. Please give me some time, Art. I still haven't made up my mind."

Foon's parents agree to unload her onto Peun

We cut to Peun at Foon's house talking to her parents. He must have gone to them to ask their permission to marry Foon because the scene starts with Foon's mom saying they have no objection, but the final decision is up to Foon. Her father glares at Peun and adds, "don't you dare hurt her again." I don't know, considering the amount of times Foon's dad ignored Foon as she was hysterically blubbering away in her room it is a little hard to take his concern seriously by this point. However, Peun does take him seriously and he promises to do his best to win Foon back.

We follow with a montage of Foon convalescing. Peun tries to give her water to drink, but she turns her head away and Chompoo needs to take over. Peun helps her get up and she glares at him. Her parents are in the hospital room visiting and her mom feeds her. Chompoo helps her return from the bathroom. Days pass and soon enough Foon is strong enough to wash her face with some Garnier Pure Active Matcha Detox  Pollution & Oil Deep Cleaning Foam. Whew, good to see her back on her feet and healthy enough to do some product placement.

Next Foon is seen sitting on the edge of her hospital bed with her parents and Chompoo in the room as well. Peun enters with a wheel chair. Foon gives him a dirty look and asks her mom to get a nurse to push the wheel chair. Chompoo takes over the wheelchair duties instead and asks Foon why she won't talk to Peun who has been tending to her so faithfully. Foon answers that they've been through this before, that she doesn't want to talk to Peun.

Peun makes a promise he'll never be able to keep

We cut to Foon painting in her home studio. In walks Peun. What? In spite of their daughter clearly saying over and over again that she wants nothing to do with him her parents let him in the house? So much for it's Foon's decision. Anyway, he tells her that he knows she doesn't want to talk to him so he'll just silently stay at her side. Oh this poor girl, with this doofus hanging around 24/7 she's probably wishing for the happier days of Ong-art pestering her.

There are shots of him hovering around her when she's leaving her house and going to a doctor's appointment with her. Then we see him, Foon and Foon's parents all eating dinner together. He puts items of food on her plate which she shoves aside. He also peals a shrimp for her. Good Lord, she can't even eat in peace? On a scale of 1 to 10, Peun pegs the Creepy-Stalker meter at 15.

The four move from the dining room to the living room. Poor Foon is sitting there looking miserable as always. Peun excuses himself to leave. When he says goodbye Foon ignores him. However, as he leaves Foon walks to the door and asks him if he is tired. He says no, he'll keep pestering her to make her love him again (I may have paraphrased that). However, this time, instead of telling him to get lost, she tells him to get home safely. Oh no! After weeks of being held hostage it looks like Foon has succumbed to Stockholm syndrome. Her parents look absolutely delighted. I guess they're glad at the chance to marry their daughter off before she creates another scandal.

Chompoo has important news

When we next see Peun and Foon they are in her home studio. I guess they are back to being on good terms with each other. Chompoo calls and says she wants to get together with them at Go's bar that night. For some reason that isn't clear to me Foon hesitates, but Chompoo talks her into going because she says she has some important news to share.

As an aside I love the décor of the room she calls from. The newspaper wallpaper, hipster furniture, red toy truck and green couch with the matching stuffed doll is a sight to behold. Hard to imagine her parents decorating like that, I wonder if it supposed to be Go's place? But why is she wearing her shoes inside a house? Gah -- if I'm worried about that then I've spent entirely too much time rewatching this show while recapping it.

When they get to the bar that night Go has plates of food out for what turns out to be a farewell party. Go is closing the bar because he he wants to move on and do more important things with his life. At least, that's what he claims. We've seen plenty of scenes of the bar were it is... how shall we say this politely... lacking customers, so I have my own theory as to why he's pulling the plug on the place.

This gets Foon remembering happier times in Go's bar. In particular she remembers the time, at one of her many birthday parties, where Chompoo recited a schmaltzy 'friendship' poem. After Chompoo's poetry reading Prim had said she would like to see the storage room of the place turned into an art gallery with monthly poetry readings. Foon gets inspired and, to the surprise of everybody, tells Go she'll buy his bar when he sells it.

We have a montage of Foon, Peun and Chompoo working on converting the bar to a gallery while Prim is hanging around Paris. Chompoo is messaging Prim about Foon's project. She tells her Foon wants to open it up on her birthday and wishes that Prim and Art could be there, because they are both missed.

She gets no reply until one day Prim surprises her by messaging, "Chompoo, I'm fine." Chompoo wonders where she is and Prim will only say, "you only need to know that I am fine." She says she is happy about the gallery but she doubts she'll be coming back. Prim is actually with Art when she messages Chompoo. Curiously, while she says she doubts she'll return to Bangkok soon, Art has been on his phone looking at Paris to Bangkok plane tickets.

We jump back to the gallery where Peun enters with a picture he would like Foon to display. Foon says she will if it is good enough. It is entertaining how the show always implies that Peun isn't really a very good artist. At any rate, he shows it to Foon and it is nothing but a college of pictures of her. Foon is deeply touched by this and the waterworks turn on. Seesh, these people are a pack of crybabies. Peun then apologizes, for about the eight billionth time, for being a complete douche nozzle. He then tells her he loves her, she tells him that she loves him. They hug.

Chompoo butts into Peun's proposal

Finally we get to the day of the grand opening of O Gallery. When Peun arrives he tells her he has something to give her. She wonders what it is, since he already gave her the collage as her present. He reaches into his suitcoat pocket and pulls out the box with the engagement ring, that his mother bought, and commences the world's most lackadaisical proposal. Hilariously, before he can even get a word in edgewise Chompoo, upon seeing the ring, starts hopping around celebrating the wedding to be. Once Chompoo calms down Peun puts the ring on Foon's finger. He never actually asks her to marry him, and she never says yes, but they hug so I guess it's a done deal.

As they're hugging Chompoo starts making fake gagging noises and complaining about their public display of affection. When they separate Chompoo gives Foon a box she's been holding as another present. Foon thanks her, but Chompoo say that it isn't from her, it is from Prim. Foon is surprised. Chompoo tells her she has been in contact with Prim for some time, but kept it a secret per Prim's wishes.

Inside the box is a note and a package, The note reads, "Happy birthday, Foon. I'm so happy that you made my gallery dream come true. It's a shame that I can't go back to congratulate you. But I want you to know that I was never angry at you." Needless to say a veritable downpour of Foon tears starts.

Prim's message to Foon

Foon then opens the package. It is a picture of Prim and Art together in Paris with the Eiffel Tower in the background. Chompoo is shocked, neither Prim nor Art had told her that they were together. We cut to a flashback of Prim reading the group message from Chompoo that said Foon needed blood. We see that it was Prim who donated the blood that was used for the transfusion.

When we return to the present Foon is sobbing in joy that Prim isn't angry at her anymore. Chompoo blathers a bunch of pabulum, both on the sound track and directly to Foon, that love keeps O Group's friendship strong. Well yea, when they're guzzling beer at Go's rather than cheating on each other and lying through their teeth about it, I suppose that's true.

We jump back to Paris. Early in the show Art had repeatedly tried to sneak pictures of Prim who he was infatuated with. In this scene Prim has the camera and she tries to sneak a picture of Art. They are both all smiles. Aside from that, Prim and Art's relationship is left ambiguous.

The show ends with Foon and Peun back on the ferry after donating blood. Chompoo calls, and they're all planning to go to the airport to meet Art and Prim who are flying back to Bangkok for a visit. We flash back to the kids on the day when, as freshman, they had donated blood and formed O Group on that same ferry. We see more of their conversation from that day, where they express their hopes and expectations that they will be friends forever.

Closing thoughts

When I first decided to do these posts I had meant to talk about goofy East Asian (Chinese, Taiwanese and/or Korean) dramas as my Shelter in Place recapping chore. I chose a Thai drama pretty much on a lark. I had never watched a Thai show before. When I started the recapping it I didn't even know if the show was a comedy, a soap opera, or something else. I guess now I would call it a sort of slice of life with many triangulated romantic shenanigans tossed in.

The story structure seemed very loose and its progression threw me from time to time. For example, I thought Foon keeping her romance secret in the beginning would be because her rich parents wouldn't approve of middle class Peun, but that was not the case at all. As the story unfolded, I could never figure out if the oddness in its telling was because it was a 90 minute movie stretched over 26 episodes, or if I was just missing Thai story telling conventions, or if it was just some clunky script writing. Probably it was a bit of all three.

Would I recommend it? If you've read the recaps you know most of what happened, but I think it would still be an interesting watch, even if only for a few episodes. My somewhat crappy screen grabs, along with showing the characters and some funny captions ("screw these balloons"), tried to show the show's sets and locations. It was filmed much nicer than my screen grabs show. The houses, rooms, temples, work places, street vendor stands and so forth gave a wonderful feel to the show. It was definitely a peek into a different world.

Anyway, I hope you enjoyed my Shelter in Place recap. I probably will eventually review some Korean/Chinese shows, but they will be just reviews and not such detailed recaps.   

Back to the beginning 

O-Negative (the kids go berserk, each in their own way)

Episode 25 of the Thai TV show O-Negative (Episode 24) starts at the point where Foon tells Peun that she's pregnant. There is a lot of stuff packed into this episode, so this will be a long recap.

I've started this post with a video of แค่เธอรักฉัน (Just You Love Me) which is the main theme song of the show. This version, sung by Tata Young, was used in the movie the show is based on. The clips in it are from the movie, I found it interesting to see the scenes with different actors. From the repeated viewings I've done of the episodes to write these recaps, that song has been seared into my brain, so you may as well have to hear it as well.

Anyway, after Foon tells Peun she's pregnant he stands there shocked, not saying anything as he absorbs the news. She leaves him and returns to her house where her parents are concerned about her because of her earlier tantrum. When she comes home she ignores their questions and goes into her room where she sits on the floor and breaks down crying again. With the amount of blubbering she's been doing I'm starting to get worried she'll dehydrate. Be sure to drink plenty of water Foon.

At least Daddy Peun's advice isn't so stupid this time around

Elsewhere, Peun is sitting in his back yard with his mom and dad. He has told them about Foon's pregnancy and says that he is pathetic and it is all his fault. He'll get no argument from us over that. He adds that he has no idea what to do. His dad tells him that he'll need to marry her because he got her pregnant.

Peun tells him it isn't so simple, that Foon won't agree to marry him. Both his dad and mom tell him it is too soon to know if she'll marry him or not. They tell him that both he and Foon need to calm down before they can really make that decision. Peun's dad also says he can talk to Foon's parents about a marriage. Actually, I think that's the route things would probably go, but Peun tells his father it is too soon for that.

His mother reminds him, "whatever happens between you two your child has done nothing wrong and has all the rights to be born into this world." Abortion is largely illegal in Thailand, a fact which will hang over much of what happens this episode.

We cut to that night, where we have a brief scene of Prim sitting on the back deck of her house and looking at a picture of her mother. She remembers her mom's advice that she should make friends first and then worry about dating.

I guess Art hasn't met a nice French girl

We then cut to an Art sighting. Heh, I almost forgot about him. He's wandering around Paris taking pictures of this and that. His voice over is the text of a postcard he is writing to O Group. He tells them he's doing fine. He won an amateur photography contest and received €3,000 for the victory. His pictures are also hanging in a galley and he's encouraged by his progress. Winters is coming, it is getting colder and he sometimes gets lonely. He hopes they can someday come to visit him.

When he is done writing the postcard he reaches into a box and pulls out an older postcard. It looks like the same type of card the vendor on the Bangkok/Kanchanaburi train sold. It is addressed to Prim, but was never sent.

We next see Prim outside of her house. She is looking at the postcard Art sent to O Group, She stands next to a taxi with a suitcase. She turns and looks wistfully over her shoulder back at her house. With the soundtrack dramatically blaring away, she gets in the cab and it drives off.

Foon asks Chompoo for a favor

We cut to Chompoo in her parent's Chinese pharmacy. She gets a call from Foon. When Chompoo answers it she's upset over last night's fight between Foon and Prim. She's also mad at Foon for not answering her earlier calls. Foon oddly replies, "nothing will happen anymore." Chompoo asks what's wrong and Foon asks for a pill. What pill Chompoo wonders. Foon wants an abortion pill.

Concerned, Chompoo goes over to Foon's house to talk to her. She doesn't bring an abortion pill, so Foon says she'll buy it elsewhere. Chompoo says nobody will sell her the pill. When Chompoo asks how long Foon has been pregnant she says three months.

Three months! The interlude on the beach was three months ago? So all this drama with Foon, Prim and Peun has been going on that long? The time-line in this stretch of the story is pretty wonky. Some of it may just be Thai story telling conventions, but I suspect part of it is because the producers of the show had to stretch a 104 minute long movie into 26 hour long episodes, and things that worked when they were compressed stood out a little more in the longer treatment.

Anyway, back to Chompoo and Foon. Chompoo continues to argue against Foon getting an abortion saying, "the baby has done nothing wrong. Why do you want to kill it?" Foon says she doesn't want to trouble her friend. Chompoo points out that Peun is a boyfriend and not just a friend. Foon corrects her, saying it is about a friend, that it is about Prim.

Prim? Oh right, Prim and Foon are supposed to be best friends. Chompoo continues to plead with Foon to not get an abortion, but Foon is convinced that, right or wrong, it is the only way to solve the problem.

Prim plots to hit the road

We then jump to a scene of Prim giving Ms. Duang the keys to her house and telling her to rent it. So, Prim is actually leaving Bangkok altogether. Ms. Duang asks Prim why she is doing this. Prim says it is for her friends. Ms. Duang guesses it is so Prim can visit her friends, but Prim replies, "for the sake of her friends."

About this point it begins to dawn on me that this sequence -- running all the way back to the arguments of the previous episode -- is about Prim and Foon's friendship falling apart more than anything. That's why Peun has avoided any real condemnation for his dirtball antics. Starting with the hazing in Episode 1, this show has repeatedly stressed the importance of group friendship above all else. Art, Peun, Foon and Prim orbiting each other romantically has caused O Group to fall apart.

That said, part of the problem with the show is it has never quite sold the notion that these kids are really such great friends. Aside from the time they came together to help Prim when she went crazy and started tending to her ghost mom, they mainly interacted by either sneaking around flirting with each other, telling lies, or occasionally all getting together to knock back beers at Go's bar. They seem more like acquaintances than close friends.

We cut to Foon's home studio where Peun is sitting and waiting for her. I wonder why he is so sweaty when I realize all the moisture is actually from tears streaming down his face. Seesh Peun, pull yourself together. He tries to call Foon and gets no answer. Feh, such heart string pulling isn't going to work on me. If he knew Prim was in a taxi headed to the airport he'd be after her so fast he'd create a sonic boom.

Chompoo frantically tries to stop Foon

We cut to Foon's car pulling up to a clinic. Inside Chompoo is absolutely frantic as she tries to talk Foon out of getting an abortion. She pleads, "please don't do this. You're committing a sin. The baby is innocent." Still, Foon is adamant. When Foon gets out of the car Chompoo continues to beg, she reminds Foon that what she is doing is illegal. In the end none of Chompoo's appeals work. Foon enters the clinic.

Chompoo is near hysterical. All she can think of is to call Peun to see if he can help and intervene with Foon. I've got to say that Goy Arachaporn Pokinpakorn, the actress who plays Chompoo, did a fine job of showing Chompoo sinking ever deeper into panic and desperation in these scenes. Then again, in spite of being largely the comic relief in the show, I think she's arguably been the best actor of the ensemble.

Foon faces her decision

In the clinic Foon is told to change into some other clothes for the operation. As she sits down in the chair the soundtrack switches to an a capella version of the theme song. We have a montage where we see Peun racing trying to make it to the clinic in time, Chompoo is distraught outside of the clinic, and Prim in the backseat of the taxi. As the doctor injects Foon with a local sedative she flashes back to happier times in earlier episodes. Then, as the doctor picks up the scalpel and forceps, we fade to black.

When we return Foon comes out of the clinic and hugs the tearful Chompoo. Foon says to Chompoo, "I'm sorry. I couldn't do it. I'm sorry." Upon hearing that, Chompoo goes from being upset to being ecstatic. She tells Foon that she did good, and promises to help raise the baby.

Foon then tells Chompoo she wants to apologize to Prim. Peun just misses them at the clinic as they leave to find Prim. In the car Foon tries to call Prim but gets no answer. At the same time Peun calls Chompoo. She doesn't answer and when Foon asks who it was calling Chompoo lies and says it was an unknown number.

However, Peun calls again and Foon sees his picture as the caller ID on the phone. Foon gets mad when she sees who is calling. Chompoo tells her she called Peun because she didn't know what else to do to try to stop Foon. Chompoo then tries to get Foon to talk to Foon, but that infuriates Foon even more who grabs the phone to turn it off. The two struggle over the phone. Uh... you might want to watch the road Foon.  

Remember kids - don't text and drive

As the girls fight over the phone a truck enters from a side road. Tires squeal. The girls scream. There is a crash.

When Chompoo comes to Foon is draped over the driver's wheel. After a brief shot of Prim in the taxi looking at her plane ticket to Paris, we join Chompoo who is riding in an ambulance with the badly injured Foon who is unconscious, in a neck brace, and covered with blood.

Foon gets rushed to the Samrong General Hospital. Peun arrives as they take Foon out of the ambulance and wheel her into the emergency room. The doctors and nurses do all matter of emergency medical things, sticking tubes in her and what-not, as Chompoo and Peun watch in tears.

We jump to the airport where Prim is standing in front of the arrivals/departures board. She gets a group message from Chompoo saying that there is an urgent need for O-negative blood donors. She claims the blood type is rare. Wait a second - rare? When, all the way back in Episode 2, they formed the O Group because they all had that blood type Art mocked the idea because it was such a common blood type. He even joked that everybody else on the ferry probably also had it.

However, in looking it up O-negative blood is rather rare at about 7% of the population. I guess the error was in the earlier scene. Anyway, in her message Chompoo goes on to say it is for Foon, who is in the ICU.

Foon's hat trick: no driver's license, texting while driving and no seatbelt

We cut to the waiting room at the hospital. Chompoo, Peun and Foon's parents are there. As they nervously wait a nurse walks by with the blood supply that Foon needs. Shortly after Prim arrives. After checking on Foon's condition, Prim is concerned about Chompoo's injuries. Chompoo has a bandage on her forehead. I notice it is in the same place as the bandage she got in Episode 3 after Art clobbered her. She tells Prim that she's OK, but that Foon wasn't wearing a seatbelt which is why she got injured more seriously.

Later we see Prim take out her airplane ticket and throw it in the garbage. She missed her flight coming back to see how Foon and Chompoo were.

Even later they are all in the waiting room again. Peun walks over and sits down next to Prim. He starts going on about how it is all his fault and that he caused it all. I hate to defend Peun, but Foon's astoundingly crappy driving had something to do with it as well. He then asks Prim what he should do, because he messed up everything. Prim responds, "you have to make everything right then." Sadly, she doesn't follow that up with a couple of knuckle sandwiches.

At that point the doctor comes out and says Foon has made it safely through whatever medical procedures they did. Foon's parents, Chompoo and Peun all rush into Foon's room. Prim stays back at the door. Foon's rich parents must be paying top dollar for her care, because I notice the nurses took the extra effort to apply makeup to Foon. It is important that one look their best while cutely convalescing.

Peun blabbers to barely conscious Foon that it is all his fault and that he now loves her. Prim, with a single tear rolling down her cheek, quietly says to herself, "I'm leaving, Foon." She turns and walks away.

Prim finds Art in Paris

We move to Paris where Art has just finished drawing a portrait for a tourist. Another customer arrives. When he looks up he is surprised to see it is Prim. He wonders how she found him. She says she remembered him saying he liked to draw at that spot, so she came to it to search for him. Yea, that sounds plausible.

He wonders who she came with and she tells him she came alone. He asks if she is on a vacation and she says no. He asks her what she's planning to do and she confesses she doesn't know. He closes his stand to take Prim sightseeing. First they go to his studio to drop off her luggage. It is a small loft he shares with the Thai photographer he works with. He again asks her what her plans are and she says she doesn't know, that she just wants to forget. He doesn't press her for an explanation.

He takes her to the Place Vendôme. He asks her if the others know she came to visit him. She tells him no, that she only told Ms. Duang about her trip. Art guesses that something happened. She only will tell him, "yes, sort of." He presses her to tell him what happened. Prim replies that she doesn't know where to start. He says, "what if you start with the climax? The climax that would absolutely shock me." She tells him Foon had a miscarriage. Art is shocked by that news. He wonders who the father is, guessing it was Ong-art. Prim tells him no, it was Peun.

It's raining by the time Art walks Prim to the room she's staying at. When they get there Art starts to leave, but sees that she's just standing at the door. He ask her why and she says she didn't get in touch with the landlord in time to get the key, so she'll just wait for somebody to go in or come out so she can get in. Art tells her that Paris isn't like Bangkok. That it's a security door and nobody will leave her in without a key. They decide she'll have to spend the night in Art's loft.

Maybe Mamma Foon will be the one that clocks Peun to shut him up

Back at the hospital Foon wakes up. Peun notices and immediately rushes over to her and starts bombarding her with apologies and asks her for forgiveness. She simply says, "no." He then goes off on how, during his time at her side in the hospital, he has gone through self-reflection and realized that he loves her and wants to be with her. She screams, "I don't want to hear it!" You and me both sister.

He keeps groveling and she keeps saying "get out." Finally, she musters enough strength to pull her hand free from his grasp and take a swing at him. Her parents step between them and tell Peun to leave as she cries, "Get him out. Get him out." He finally takes the none too subtle hint and leaves.

Peun is sitting in the hall of the hospital when the director of the show really lathers on the schmaltz. As Peun is sitting there a fellow rolls out his wife in a wheelchair. She's a new mom holding a baby. Peun emotes up a storm.

Meanwhile, back in the hospital room Foon's mom is telling her, "the baby is not with you anymore." This is the first Foon has heard of the miscarriage and all she can say is, "Nobody wants to be with me, mom" as she slowly disintegrates.

In Paris Prim and Art are walking back to his studio. Prim, not used to the Paris weather, is cold. He takes off his coat and puts it around her shoulders. Underneath it he's wearing the t-shirt she had bought him. When they get back to his studio she comments that she never saw him wear it before. He says he wears it all the time, just not when she's around.

Later he's fallen asleep and she's still awake. Let's see... Prim had a twelve hour flight from Bangkok, wandered around Paris looking for Art, went sightseeing with him, got locked out of her room and returned to his loft late at night. Does this girl ever sleep?

Anyway, she looks at his pictures and his books. She finds a box with postcards in it. Most of them are to postcards that were sent to Art. She smiles because he kept them. Then she finds the postcard which she recognizes is from the Bangkok/Kanchanaburi train.

She turns it over and sees that it is addressed to her. In the card he tells her that, aside from Peun, she was only the second person he ever brought to his house. He doesn't have many friends.
He apologizes for bossing her around, saying he didn't really know how to act, and that he didn't want her to get bored. He says he hopes she'll visit again.

He goes on to say, "Actually, I want you to move in and stay here with me. I just want to see your smile when I wake up." He talks about what happy moments these were and ends by saying, "these are the moments that I get to learn what it is like to love someone more than just a friend."  Prim is taken aback, realizing she is reading a love letter to her that Art wrote to himself, never really meaning to send.

[Episode 26]

The scales fall from Prim's oblivious eyes

O-Negative (the love triangle turns pear shaped)

Caught red handed

Episode 24 of the Thai TV show O-Negative (Episode 23) is a tear jerker so be sure to have a box of Kleenex handy. In fact, so many tears were squirting out of my eyes as I wrote this recap that I ended up shorting out three keyboards, but that's another story.

We pick up where we left off the previous episode. Giggling, Foon and Peun enter the house holding hands to find Prim sitting at the table. She saw them in flagrante delicto, but they're not sure what she saw. Peun, as you might expect, is in a bit of a panic over what Prim may know. They have a conversation where all three dance around the subject.

They start drinking and Prim asks Foon and Peun if they are already drunk. They say no. When Foon goes to get them more beer Prim directly again asks Peun if he is drunk. When he says no she says, "That's great. Otherwise you might not be able to control your actions." I imagine Peun kicked himself once he realized the corner he had painted himself into.

Foon doesn't share Peun's worries about Prim

The next morning Foon gets up and is cleaning when Peun wakes up. They sit down to talk and Peun is worried that Prim saw the two of them playing hide the salami the night before. Foon doesn't care if she did, but Peun keeps going on about how it would be bad if Prim saw them. Well, it would crimp his two-timing, that's for sure.

Foon asks him, "Who would it be bad for? You or Prim?" Peun, enormous weasel that he is, tries to claim he's just worried that Foon's reputation will be hurt in Prim's eyes. Foon says she doesn't care, pointing out that they are a couple after all, and couples do have sex with each other. Finally, Foon starts getting angry over his waffling and concern over what Prim thinks. Peun ends up apologizing, hugging and kissing her as he reiterates that they are indeed a couple.

We see Prim waking up, She's fighting back tears when Foon enters. Prim says she's hungover and Foon adds that she's never seen Prim get so drunk. Foon gets Prim some hangover medicine. Prim doesn't want to stay another night, she says she wants to get back home and rest for work Monday.

Foon leaves and washes her face. I only mention that because I must not skip advertisers' product placement efforts. They paid good money for them after all. Anyway, this time, as she has done several times earlier in the show, Prim uses some Garnier Skin Naturals Pure Active Neem Face Wash to clean her face. If you don't know, its soap-free formula, enriched with Neem Leaf Extract and tea-tree oil, helps prevent pimples through 3 purifying actions fights bacteria, fights pollution and removes oil so your skin feels clean, fresh and looks clearer. I now return you to your regularly scheduled recap.

Next, the three are loading up their car to return to Bangkok. Needless to say, the trip back is awkward. Prim is in the back and Peun is sleeping in the passenger seat. Foon starts caressing Peun's leg and saying he is probably exhausted from last night. Now that Peun said he was her boyfriend, she is marking her territory with a vengeance. Prim looks like she would rather be anywhere else.

After they drop Prim off Peun wants Foon to just drop him off at her house. She wonders if he is still thinking about Prim, and we all know that he is. She insists on taking him to his house.

My guess -- because you're the village idiot of this show

As soon as she drives away after dropping him off at his place he pulls out his phone and tries to call Prim. She doesn't answer. He continues to call and message her, telling her his by now familiar lines --  that he just needs to talk to her, that he maybe made a mistake, and the rest of his usual whining. He even goes to her house at one point. He gets no reply from her at all.

The next morning Foon hops onto group chat and invites them all to Go's because she has an announcement she wants to make. Chompoo is all for that, Prim defers to the rest of the group and Peun, covered in flop sweat, tries to ignore the message. However, Foon calls him to get an answer. He spews some BS about having a late class. Class? I thought he graduated. He adds that maybe Chompoo and Prim won't even come. Foon ignores his evasions and says she'll meet him that afternoon after class and they can go together.

We see Peun in front of a class teaching. Wait, they leave some schmuck with only a BA degree teach a college class? Ms. Pat, the attractive painting teacher is in back watching him, so I guess he's student teaching. Still, he seems a bit under qualified to be teaching at the college. At any rate, when his class ends he whips out his phone and starts bombarding Prim with messages that she ignores.

Later Foon arrives on campus to meet Peun and comes across Ms. Pat who tells her he left some time ago. Irked, Foon tries to call him with no luck. Meanwhile, he's outside of Prim's workplace. When Prim doesn't answer his calls he calls Chompoo and pesters her to pester Prim for him. Chompoo starts to dial in to the fact that something strange is going on with her friends. As that's happening we cut to Peun's house where Foon is sitting with his mother waiting for Peun to come home.

So, Prim is dodging Peun while Peun is dodging Foon and Foon is wondering why her boyfriend is avoiding her. Peun eventually comes home and Foon confronts him. He lies that he didn't hear his phone ringing and apologizes. She tells him to knock it off with the insincere apologies and tell her what is going on. He tells her that he is confused. Yea Peun, we know that, in other news the sun rises in the east.

Foon guesses that he went to see Prim and starts physically pummeling him with little, girly punches. He restrains her and tells her that yes, he's an asshole. Tell us something we don't know Peun. Foon hauls off and slaps Peun hard enough to give him as nose bleed. Much better Foon, Art would be proud. She then calls herself a fool for believing him and storms out.

We jump to Chompoo's house. Prim is hiding there. Chompoo knows something is up with her, Peun and Foon, but she doesn't know what. Just as Prim is about to tell her Foon calls and wants to meet with Prim. As Prim and Chompoo drive to the meeting Prims tells Chompoo what happened. She says she doesn't even want to talk to Peun anymore.

These two might want to be yelling at Peun instead

When they got to her house Foon is sloppy drunk. Prim asks Foon what she wants to say to her. Foon asks Prim if she knows that Peun is trying to get in touch with her. Prim says she does, but that she doesn't want to talk to Peun. Foon gets in her face and asks, "Why? Are you afraid you can't control yourself?" Call me crazy if you must, but I think that's a question Foon would be better off asking Peun.

Understandably, Prim gets angry and asks Foon why she's saying things like that. Foon starts ranting that she knows Peun loves Prim and that Prim loves Peun. Chompoo is having to hold Foon's elbow to restrain her from closing in even more on Prim. Prim says it is not like that at all, that she is ignoring Peun to try to get him to give up and go away.

Foon, who is so drunk that she is visibly staggering, then announces that she and Peun are a couple now. Prim, trying to extract herself from Foon's raving, congratulates her. However, Foon gets even more wound up and decides she'll rub Prim's face in it even more. She tells Prim she knows that Prim already knew, because she knows Prim saw her getting noodled by Peun on the beach.

Prim snaps back at her, "Why in the hell did you bring that up?" Foon is completely off the rails by this point and she starts yelling that she's always loved Peun, and that she was still with Peun when he was seeing Prim. She gets more accusatory. Prim, who's quite upset because of Foon's onslaught, counters by saying she didn't know any of this was going on between Foon and Peun, and that she would have never gotten involved with Peun had she known.

Finally Foon starts running out of gas. As she does she begins to realize that she's been way out of line with Prim. She apologizes, and says that she is drunk. Prim has had enough of it and says she is leaving. In a nice touch, showing how pathetic and miserable Foon is at this point, she asks Prim as she leaves, "If he calls you, tell him to call me back."

I think that ship sailed already

We move to Chompoo's house, where Prim is still hiding. Oddly, the two girls aren't discussing various means of surgically enhancing Peun's chances of getting a job as a harem guard. Instead, Prim is wondering if she is a horrible person and if she's lost Foon as a friend. Seems to me like there would be a little more anger directed Peun's way, but he isn't mentioned at all.

Speaking of Peun, he's at his house drinking beer when his parents come into the room. They're wondering what was up with Foon's earlier visit. His dad asks Peun if something is on his mind and Peun responds, after a long pause and a swig of beer, that he slept with one of his friends. His mom, who's looked a little disgusted the entire time, asks him if it was Foon. He says yes and she asks him, "don't you like Prim more?"  He says yes and wonders how she knew. Well Peun, not everybody is as oblivious as that group of knuckleheads you hang around with.

Peun admits this mess is all his fault and asks his dad what he should do. His dad then gives Peun what seems to me to be some pretty crappy advice. He says that Peun needs to choose, not necessarily between the two girls, but rather that Peun should chose what is important to him and follow his heart. Uh... no offense Daddy Peun, but Peun being a self-centered twit and only following his heart is the main cause of this mess.

We then have a rather long montage that cuts between Prim, Foon and Peun sitting in their rooms and blubbering their eyes out. It gets a bit silly because the shots keep getting more and more dramatic until they are all sprawled out in abject misery.

Several days pass and we end up in Foon's house, where she is sitting in the midst of birthday decorations, balloons and trays full of snacks. What's missing is any guests to her party. Foon has a tear rolling down her cheek as she remembers the happier birthday parties from previous episodes.

Foon gets really, really mad at some balloons

By the time her trip down memory lane is complete she is sobbing uncontrollably. Her parents come in and ask, "are your friends not here yet, Foon?" Well, that might explain the mystery of your daughter bawling her eyes out in an empty room. Their question launches Foon into a tantrum. She starts running around and knocking the trays of snacks over while yelling that nobody loves her and her friends all hate her. She then storms out of the room.

We jump to the campus where Foon and Chompoo are helping students decorate a stage. They had intended to go to Foon's birthday party together and realize it is late. Prim says Chompoo should go and Prim will finish up and follow. Man, Chompoo is going to be pissed when she gets to the party and finds out Foon whacked all the cookies onto the floor.

While Prim is cleaning up Peun pulls up on his scooter. She's picking up some paint cans when he runs over to help her. Prim asks him what he is doing there instead of going to Foon's house for her birthday. Peun says he wants to talk to her first. She turns and walks away from him, he follows her and grabs her hands. He tells her he loves her. She tells him, "You can't do this anymore."

She asks him if he even knows what he's doing. He says he doesn't know. He's just, as per his father's stupid advice, following his heart without a thought in his head. She tells him he is making things worse and pulls away from him. Could things get any worse?

Well, of course they could. Foon pulls up in her car. Meanwhile Peun is demonstrating an absolutely Ong-art level of not being able to take a hint by chasing after Prim as she walks away again. He grabs her and starts kissing her. After a bit she pulls away and he again tells her he loves her. She replies, "You can't love me anymore. This is what you must do. You must love Foon." Whelp Peun, I would say you've been friend-zoned with a vengeance.

 Although Foon couldn't hear what they said, she has been watching all of this. She finally snaps and starts flashing her headlights and beeping her car horn. She gets out of her car and runs up to the two and she really lays into Prim, accusing her of forgetting her birthday to make-out with Peun. Prim tries to tell her it isn't like that, but she doesn't get too far before Foon slaps her.

Foon keeps screaming at Prim for forgetting her birthday when Prim, her face covered in tears, says, "How can I forget your birthday? Your birthday is on the same day that my mom died. How could I ever forget that?" Game. Set. Match.

Prim storms off and Peun calls after her. Foon then lays into Peun, telling him to chase after Prim because he loves her so much. He asks her what's wrong with her and she asks him why he said he would be her boyfriend if he was just going to keep chasing Prim. Fair question, and the first time either girl called Peun on his actions. He says nothing and she starts banging on him asking him to answer her question.

Finally he launches into one of his long-winded weaselly apologies. She cuts him off and simply says, "I'm pregnant."

[Episode 25]

If its a girl Peun will probably want to name her Prim