2021 CWA Dagger Longlists announced

 The 2021 longlists for the prestigious CWA Dagger awards, which honour the very best in the crime writing genre, have been announced.

The world-famous Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre, and have been synonymous with quality crime writing for over half a century.

Past winners of the prestigious Gold Dagger, which is awarded for the crime novel of the year, include Ian Rankin, John le Carré, Reginald Hill and Ruth Rendell. This year sees 2019’s winner of the Gold Dagger, M W Craven, return with The Curator. The former probation officer credited the CWA Debut Dagger competition in 2013 for opening the door to his career as an author.

Amer Anwar, who won the Debut Dagger competition in 2008, makes the list with Stone Cold Trouble. Anwar is up against the mighty JK Rowling writing as Robert Galbraith, alongside multi-award-winning authors including Nicci French, Elly Griffiths and Antonia Hodgson.

The Ian Fleming Steel Dagger is famed for showcasing blockbuster thrillers – past winners include Gillian Flynn and Robert Harris. Robert Galbraith is once more in the running, along with Ian Rankin, Stuart Turton, Catherine Ryan Howard, Ruth Ware and Michael Robotham, last year’s Gold winner.

Holly Watt, who won the Fleming Dagger in 2019, also returns to the longlist with The Dead Line. Another to watch on the Fleming longlist is Chris Whitaker; his book Tall Oaks won the CWA John Creasey (New Blood) Dagger in 2017. Whitaker is long-listed for his latest novel We Begin At The End, which was a Waterstones Thriller of the Month and has sold in 17 territories, with screen rights snapped up by Disney. 

Linda Stratmann, Chair of the Crime Writers’ Association, said: “The CWA Dagger awards are unparalleled for their reputation and longevity. The longlists showcase authors – established and new – at the top of their game. It’s not surprising that sales of crime fiction have been so strong during Covid-19. Both fiction and non-fiction have proven to be a great escape for many as we have been stuck at home. As our longlists show, these stories and insights take readers all over the world and through time, from Bombay of the 1950s to ancient Athens to modern-day California and many points between." 

“Crime books can be thrilling mysteries, but they can also provide social commentary, insights into true crime, or explore big questions in life. The vast and diverse talent in these longlists show why it’s the UK’s most popular and enduring genre. We are proud to provide a platform for debut, emerging and established authors, and to honour the very best in crime writing.”

The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels. Among the rising stars of 2021 is Susan Allot with her Australian-set debut, The Silence, praised by the Wall Street Journal as ‘emotionally wrenching’. 

New writing duo Chris Rickaby and Barney Thompson, writing under the pseudonym Ben Creed, also feature with their debut, City of Ghosts, a tense historical novel set in 1951 Russia. The global theme continues with Stephanie Scott’s accomplished debut, What’s Left of Me Is Yours, set in modern day Japan, exploring romantic and familial love, duty and murder.

Booker prize winner John Banville is a heavyweight contender on the Sapere Books Historical Dagger longlist. The prizewinning novelist and literary polymath, considered Ireland’s greatest living novelist, is in the running for Snow, his first murder mystery published under his real name rather than his nom de plume, Benjamin Black.

This Sapere Books Historical Dagger longlist also includes Nicola Upson, who was shortlisted for the award in 2018, and S J Parris, whose Giordano Bruno books, Heresy, Sacrilege and Treachery have all been previously shortlisted. Vaseem Khan also features on the list as he swaps his contemporary light-hearted Baby Ganesh Agency series with his historical crime novel Midnight at Malabar House, set in 1950s Bombay.

The Crime Fiction in Translation Dagger sees the bestselling Jo Nesbo on the list with his stand-alone thriller, The Kingdom, translated by Robert Ferguson. Joining the Norwegian is Swedish writer Mikael Niemi with his sumptuous blend of historical fact with fictional intrigue, To Cook a Bear, centred around the Laestadian revivalist movement of the 1850s, translated by Sarah Death.

From one of Israel’s most beloved writers is Three by D A Mishani, translated by Jessica Cohen, and from South Korea, Yun Ko-eun’s original and inventive thriller The Disaster Tourist makes the longlist, with translator Lizzie Buehler.

The CWA Daggers are one of the few high-profile awards that honour the short story. Christopher Fowler, the award-winning author of the Bryant & May mystery novels, has written over 50 novels and short story collections. Fowler, who won the CWA Dagger in the Library in 2015, is longlisted for his short story, Head Count. The list also features acclaimed authors Clare Mackintosh and Stuart Turton. Founding member of the North East Noir crime writers’ group, Robert Scragg, also dominates the category as an editor and writer of short stories. 

The ALCS Gold Dagger for Non-Fiction features the 2020 CWA Diamond Dagger winner, Martin Edwards, with Howdunit. A renowned editor, prolific novelist, and leading authority on crime fiction, Howdunit offers a masterclass in crime writing by leading exponents of the genre.

Dan Smith also features with The Peer and the Gangster which tells the incredible story of one of the largest-scale political cover-ups in British history – the 1964 scandal of an alleged homosexual affair between Lord Boothby, a well-known member of the House of Lords, and London’s most notorious mobster Ronnie Kray.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year sees firm favourites from the genre including Nicci French, Lisa Jewell, Margaret Murphy, Erin Kelly, Peter May and Denise Mina on the longlist.

The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, pits big publishing houses Harper Fiction and Faber & Faber against independent publishers such as No Exit Press. 

The CWA Dagger shortlist will be announced in May with the awards ceremony taking place at the start of July. The 2021 Diamond Dagger for lifetime achievement, the highest honour in British crime writing, has already been announced, awarded to Martina Cole.

The Longlists in Full:

GOLD DAGGER

Amer Anwar: Stone Cold Trouble (Dialogue Books, Little, Brown Book Group)

S A Cosby: Blacktop Wasteland (Headline, Headline Publishing Group)

M W Craven: The Curator (Constable, Little, Brown Book Group)

Ben Creed: City of Ghosts (Welbeck Fiction, Welbeck Publishing Group)

Garry Disher: Peace (Viper, Profile Books)

Mick Finlay: Arrowood and the Thames Corpses (HQ, HarperCollins)

Nicci French: House of Correction (Simon & Schuster)

Robert Galbraith: Troubled Blood (Sphere, Little, Brown Book Group)

Elly Griffiths: The Postscript Murders (Quercus)

Antonia Hodgson: The Silver Collar (Hodder & Stoughton)

S G Maclean: The House of Lamentations (Quercus Fiction, Quercus)

C D Major: The Other Girl (Thomas & Mercer)

Thomas Mullen: Midnight Atlanta (Little, Brown, Little, Brown Book Group)

S J Parris: Execution (Harper Fiction, HarperCollins)

Tade Thompson: Making Wolf (Constable, Little, Brown Book Group)

Nicola Upson: The Dead of Winter (Faber)

Chris Whitaker: We Begin at the End (Zaffre, Bonnier)

Rebecca Whitney: The Hidden Girls (Mantle, Pan Macmillan)

IAN FLEMING STEEL DAGGER

Charles Cumming: Box 88 (HarperFiction, HarperCollins)

Robert Galbraith: Troubled Blood (Sphere, Little, Brown Book Group)

Ryan Gattis: The System (Picador, Pan Macmillan)

Ian Rankin: Song for the Dark Times (Orion Fiction, The Orion Publishing Group)

Rod Reynolds: Blood Red City (Orenda Books)

Craig Robertson: Watch Him Die (Simon & Schuster)

Michael Robotham: When She Was Good (Sphere, Little, Brown Book Group)

Catherine Ryan Howard: The Nothing Man (Atlantic Books)

Stuart Turton: The Devil and the Dark Water (Raven Books, Bloomsbury Publishing)

Ruth Ware: One by One (Harvill Secker, Vintage)

Holly Watt: The Dead Line (Raven Books, Bloomsbury Publishing)

Chris Whitaker: We Begin at the End (Zaffre, Bonnier Books UK)

JOHN CREASEY (NEW BLOOD) DAGGER

Eva Björg Ægisdóttir: The Creak on the Stairs (Orenda)

Susan Allott: The Silence (Borough, HarperCollins)

Emma Christie: The Silent Daughter (Welbeck Publishing)

Catherine Cooper: The Chalet (Harper Fiction, HarperCollins)

Ben Creed: City of Ghosts (Welbeck Publishing)

Judi Daykin: Under Violent Skies (Joffe Books)

Egan Hughes: The One That Got Away (Little Brown, Sphere)

S W Kane: The Bone Jar (Thomas & Mercer)

Rob McInroy: Cuddies Strip (Ringwood Press)

Stephanie Scott: What's Left of Me Is Yours (Orion, Weidenfeld)

Stephen Spotswood: Fortune Favours the Dead (Headline, Wildfire)

John Vercher: Three Fifths (Pushkin Press)

S R White: Hermit (Headline)

SAPERE BOOKS HISTORICAL DAGGER

J M Alvey: Justice for Athena (Canelo Digital Publishing Limited)

John Banville: Snow (Faber)

Vaseem Khan: Midnight at Malabar House (Hodder & Stoughton)

Laurie King: Riviera Gold (Allison & Busby)

Chris Lloyd: The Unwanted Dead (Orion Fiction, The Orion Publishing Group)

S J Parris: Execution (HarperFiction, HarperCollins)

Ben Pastor: The Night of Shooting Stars (Bitter Lemon Press)

Michael Russell: The City Under Siege (Constable, Little, Brown Book Group)

David S. Stafford: Skelton’s Guide to Domestic Poisons (Allison & Busby)

A D Swanston: Chaos (Bantam Press, Transworld)

Nicola Upson: The Dead of Winter (Faber)

Ovidia Yu: The Mimosa Tree Mystery (Constable, Little, Brown Book Group)

CRIME FICTION IN TRANSLATION DAGGER

Fredrik Backman: Anxious People, translated by Neil Smith (Michael Joseph, Penguin)

Roxanne Bouchard: The Coral Bride, translated by David Warriner (Orenda Books)

Marc Elsberg: Greed, translated by Simon Pare (Black Swan, Penguin)

Yun Ko-eun: The Disaster Tourist, translated by Lizzie Buehler (Serpent's Tail)

Volker Kutscher: The March Fallen, translated by Niall Sellar (Sandstone Press)

D A Mishani: Three, translated by Jessica Cohen (Riverrun, Hachette Book Group)

Jo Nesbo: The Kingdom, translated by Robert Ferguson (Harvill Secker, Penguin)

Håkan Nesser: The Secret Life of Mr Roos, translated by Sarah Death (Mantle, Pan Macmillan)

Mikael Niemi: To Cook a Bear, translated by Deborah Bragan-Turner (Maclehose Press, Quercus)

Agnes Ravatn: The Seven Doors, translated by Rosie Hedger (Orenda Books)

Maike Wetzel: Elly, translated by Lyn Marven (Scribe UK)

SHORT STORY DAGGER

Robert Scragg: ‘A Dog is for Life, Not Just for Christmas’ in Afraid of the Christmas Lights, edited by Robert Scragg (Robert Scragg)

Elle Croft: ‘Deathbed’ in Afraid of the Light, edited by Robert Scragg (Robert Scragg)

Dominic Nolan: ‘Daddy Dearest’ in Afraid of the Light, edited by Robert Scragg (Robert Scragg)

Adam Southward: ‘Especially at Christmas’ in Afraid of the Christmas Lights, edited by Robert Scragg (Robert Scragg)

Christopher Fowler: ‘Head Count’ in First Edition: Celebrating 21 Years of Goldsboro Books (The Dome Press)

Victoria Selman: ‘Hunted’ in Afraid of the Christmas Lights, edited by Robert Scragg (Robert Scragg)

Clare Mackintosh: ‘Monsters’ in First Edition: Celebrating 21 Years of Goldsboro Books (The Dome Press)

Stuart Turton: ‘Murder Most Vial’ in First Edition: Celebrating 21 Years of Goldsboro Books (The Dome Press)

Livia Llewelyn: ‘One of These Nights’ in Cutting Edge: Noir Stories by Women, edited by Joyce Carol Oates (Pushkin Press, Pushkin Vertigo)

James Delargy: ‘Planting Nan’ in Afraid of the Light, edited by Robert Scragg (Robert Scragg)

Simpson Grears: ‘The Foot of the Walk Murders’ in The Foot of the Walk Murders, edited by Simpson Grears (Rymour Books)

ALCS GOLD DAGGER FOR NON-FICTION

Sue Black: Written in Bone (Doubleday, Penguin)

Amanda Brown: The Prison Doctor; Women Inside (HQ, HarperCollins)

Becky Cooper: We Keep the Dead Close (William Heinemann, Penguin)

Martin Edwards: Howdunit (Collins Crime Club, HarperCollins)

Andrew Harding: These Are Not Gentle People (MacLehose, Quercus)

Debora Harding: Dancing with the Octopus (Profile Books Limited)

Nick Hayes: The Book of Trespass (Bloomsbury Circus, Bloomsbury Publishing)

Ben MacIntyre: Agent Sonya (Viking, Penguin)

Jax Miller: Hell in the Heartland (HarperCollins)

Daniel Smith: The Peer and the Gangster (The History Press)

Ravi Somaiya: Operation Morthor (Viking, Penguin)

Kate Summerscale:The Haunting of Alma Fielding (Bloomsbury Circus, Bloomsbury Publishing)

Mark Townsend: No Return (Guardian, Faber & Faber)

DAGGER IN THE LIBRARY

Lin Anderson

Nicci French

Lisa Jewell

Erin Kelly

Peter May

Denise Mina

Margaret Murphy

James Oswald

L J Ross

C L Taylor

PUBLISHERS’ DAGGER

Bitter Lemon Press

Faber & Faber

Harper Fiction

Head of Zeus

Michael Joseph

No Exit Press

Orenda Books

Pushkin Vertigo

Raven

Sphere

Viper

Books to Look Forward to From Orion Publishing

July 2019

What happens when a private investigator ends up being the one uncovered?  Having lost everything after a failed marriage, Beverley Saunders now lodges in the basement flat of a house owned by her best friend Sophie and her husband, Tim. With Bev's former glittering marketing career in the gutter, she begins to do investigative work for other wronged women, gathering dirt on philanderers, bosses and exes.  But when Beverley takes on the case of Sophie's friend Angela, who is seeking to uncover grounds for divorce from her controlling husband, Jerry, the shadow Science Minister, she soon discovers that she isn't the only one doing the investigating... Beverley has a secret history she doesn't want coming out - but will she manage to stay hidden long enough to give Angela the freedom she deserves?  Tight Rope is by Marnie Riches.

Never Look Back is by A L Gaylin. She was the most brutal killer of our time. And she may have been my mother...  When website columnist Robin Diamond is contacted by true crime podcast producer Quentin Garrison, she assumes it's a business matter. It's not. Quentin's podcast, Closure, focuses on a series of murders in the 1970s, committed by teen couple April Cooper and Gabriel LeRoy. It seems that Quentin has reason to believe Robin's own mother may be intimately connected with the killings.  Robin thinks Quentin's claim is absurd. But is it? The more she researches the Cooper/LeRoy murders herself, the more disturbed she becomes by what she finds. Living just a few blocks from her, Robin's beloved parents are the one absolute she's always been able to rely upon, especially now amid rising doubts about her husband and frequent threats from internet trolls. Robin knows her mother better than anyone. But then her parents are brutally attacked, and Robin realises she doesn't know the truth at all...

Victim, survivor, abductor, criminal.  You will each become one. Your phone rings.  A stranger has kidnapped your child.  To free them you must abduct someone else’s child.  Your child will be released when your victim’s parents kidnap another child.  If any of these don’t happen your chid will be killed.  You are now part of the chain. The Chain is by Adrian McKinty.

August 2019

Four unsolved murders. In 1959, The Walker family murders shook Florida. At one time, 587 people were considered suspects - but 60 years later the investigation remains unsolved.   An FBI Agents final job. Former FBI agent Brigid Quinn is trying to enjoy life after work. But when the intriguingly complex Walker case comes up, she's only too happy to postpone retirement for a little longer.  A long forgotten killer.  At first, Quinn is reluctant to draw comparisons with another high-profile investigation of the time: the Clutter family murders, made infamous in Capote's In Cold Blood. But the similarities are impossible to ignore, and she is convinced that Perry Smith and Dick Hickok, executed at the time, weren't acting alone - in both cases . . .  We Were Killers Once is by Becky Masterman.

Welcome to the escape room. Your goal is simple. Get out alive.  In the lucrative world of Wall Street finance, Vincent, Jules, Sylvie and Sam are the ultimate high-flyers. Ruthlessly ambitious, they make billion-dollar deals and live lives of outrageous luxury. Getting rich is all that matters, and they'll do anything to get ahead.  When the four of them become trapped in an elevator escape room, things start to go horribly wrong. They have to put aside their fierce office rivalries and work together to solve the clues that will release them. But in the confines of the elevator the dark secrets of their team are laid bare. They are made to answer for profiting from a workplace where deception, intimidation and sexual harassment thrive.  Tempers fray and the escape room's clues turn more and more ominous, leaving the four of them dangling on the precipice of disaster.  If they want to survive, they'll have to solve one more final puzzle: which one of them is a killer? The Escape Room is by Megan Goldin.

Sanctuary is by V V James.  Sanctuary. It's the perfect town. . . to hide a secret.  To Detective Maggie Knight, the death of Sanctuary's star quarterback seems to be a tragic accident. Only, everyone knows his ex-girlfriend is the daughter of a witch - and she was there when he died.  Then the rumours start. Bereaved mother Abigail will stop at nothing until she has justice for her dead son. Her best friend Sarah will do everything in her power to protect her accused daughter. And both women share a secret that could shatter their lives.  It falls to Maggie to prevent her investigation - and Sanctuary itself - from spiralling out of control.

The Darker Arts is by Oscar de Muriel. Madame Katerina, Detective 'Nine Nails' McGray's most trusted clairvoyant, hosts a seance for three of Edinburgh's wealthiest families.  The following morning everyone is found dead, with Madame Katerina being the only survivor. When questioned she alleges a tormented spirit killed the families for revenge.  McGray, even though he believes her, must find a rational explanation that holds up in court, else Katerina will be sentenced to death.  Inspector Ian Frey is summoned to help, which turns out to be difficult as he is still dealing with the loss of his uncle, and has developed a form of post-traumatic stress (not yet identified in the 19th century).  This seems an impossible puzzle. Either something truly supernatural has occurred - or a fiendishly clever plot is covering a killer's tracks...

'Who am I? Why am I here? Why did my mother give me away?'  On the surface, Luke and his girlfriend Hannah seem to have a perfect life. He's an A&R man, she's an arts correspondent and they are devoted to their new-born son Samuel. But beneath the gloss Luke has always felt like an outsider. So when he finds his birth mother Alice, the instant connection with her is a little like falling in love.  When Hannah goes back to work, Luke asks Alice to look after their son. But Alice - fuelled with grief from when her baby was taken from her 27 years ago - starts to fall in love with Samuel. And Luke won't settle for his mother pushing him aside once again...  Mine is by Clare Empson.

September 2019

A locked room. A dead body. A secret that went to the grave.  When retired police officer Finlay Shaw is found dead in a locked room, everyone thinks it's suicide. But disgraced detective William 'Wolf' Fawkes isn't so sure. Together with his former partner Detective Emily Baxter and private detective Edmunds, Wolf's team begin to dig into Shaw's early days on the beat. Was Shaw as innocent as he seemed? Or is there more to his past than he'd ever let on?  But not everyone wants Wolf back - and as his investigation draws him ever deeper into police corruption, it will not only be his career on the line - but the lives of those he holds closest as well...  Endgame is by Daniel Cole.

Set in a remote valley town in the heart of Norway's ancient fjords, Lake Child is by Isabel Ashdown and centres on the mystery of 16-year-old Eva Olsen, as she wakes after an accident and finds herself confined to the attic room of her family's forest home.  When a young Norwegian woman wakes from an accident robbed of her most recent memories, she trusts her parents' advice that she must stay confined to her attic bedroom while she recuperates. But when Eva decides the time has come to break free of their caring incarceration, she discovers a world of secrets and lies, and a journey to discover her true identity begins.

Degrees of Guilt is by H S Candler.  Maria is on trial for attempted murder. 

She has confessed to the crime and wanted her husband dead.   Lottie is on the jury, trying to decide her fate.  She embarks on an illicit affair with a stranger, and her husband can never find out.   You will think you know who is guilty and who is innocent. You will be wrong. 

Philocles and his troupe of actors have taken their play, The Builders, on the road to Corinth. But when their local contact dies of a suspicious poison only hours after they arrive in the city, Philocles needs to start asking questions.  But in one of the busiest trading cities in the ancient world, with rival gangs roaming the streets and a seemingly ruthless poisoner on the loose.  Scorpions in Corinth is by J M Alvey.

The Postmaster looked over my shoulder. As I turned to look I saw a flicker of movement from across the street. I felt unseen eyes peer at me. He walked away without another word. I watched as he climbed onto his bicycle and sped away down the street. I turned back and looked over my shoulder. Someone had been watching us. 1904. Thomas Bexley, one of the first forensic photographers, is called to the sleepy and remote Welsh village of Dinas Powys, several miles down the coast from the thriving port of Cardiff. A young girl by the name of Betsan Tilny has been found murdered in the woodland - her body bound and horribly burnt. But the crime scene appears to have been staged, and worse still: the locals are reluctant to help.  As the strange case unfolds, Thomas senses a growing presence watching him, and try as he may, the villagers seem intent on keeping their secret. Then one night, in the grip of a fever, he develops the photographic plates from the crime scene in a makeshift darkroom in the cellar of his lodgings. There, he finds a face dimly visible in the photographs; a face hovering around the body of the dead girl - the face of Betsan Tilny.  A Shadow of the Lens is by Sam Hurcom.

October 2019

Under Occupation is by Alan Furst.  Occupied Paris in 1942, a dark, treacherous city now ruled by the German security services, where French resistance networks are working secretly to defeat Hitler. Just before he dies, a man being chased by the Gestapo hands off to Paul Ricard a strange looking drawing. It looks like a part for a military weapon; Ricard realizes it must be an important document smuggled out of Germany to aid the resistance. As Ricard is drawn deeper and deeper into the French resistance network, his increasingly dangerous assignments lead him to travel to Germany, along the underground safe houses of the resistance - all the way to the mysterious and beautiful Leila, a professional spy.

A tragic death. A dark family secret. A past you can't escape. How well do you really know those closest to you?  Sarah's world has descended into a nightmare. Her only hope of moving on is to find out the truth of what happened, and make sure the guilty are brought to justice. She is haunted by her dad's death, consumed by her grief and the memories of a cruel day that changed her life forever... she doesn't even know who she is anymore. But the future holds some hope for Sarah, as she tries to move forward. Nicola's future is not looking so hopeful. Since her husband died, the secret she's been keeping from her family - especially her daughter, Sarah - is eating away at her. The past is catching up with her, and the consequences will be devastating.  Bad Seed is by Jessica Eames.

When Gabriella is found unconscious on the banks of the canal, the first person DS Kate Munro wants to talk to is Gabi’s identical twin, Thea. There’s no evidence, but this attack seems personal.   The twins met for the first time in over a decade just last week. So what brought them back together so suddenly? With the attacker on the loose, no leads, and the victim still in a coma, DS Munro is determined to find out.  Ask Me No Questions is by Louisa de Lange.

The Night Fire is by Michael Connelly.  LAPD Detective Renee Ballard and Harry Bosch come together again on the murder case that obsessed Bosch's mentor - but was this flame kept alive, or a secret that was meant to be snuffed out?  Back when Harry Bosch was just a rookie homicide detective, he had an inspiring mentor who taught him to take the work personally and light the fire of relentlessness for every case. Now that mentor, J.J. Thompson, is dead, but after his funeral his widow hands Bosch a murder book that Thompson took with him when he left the LAPD 20 years before - the unsolved killing of a troubled young man in an alley used for drug deals.  Bosch brings the murder book to Renee Ballard and asks her to help him find what about the case lit Thompson's fire all those years ago. That will be their starting point.  The bond between Bosch and Ballard tightens as they become a formidable investigation team. And they soon arrive at a worrying question: Did Thompson steal the murder book to work the case in retirement, or to make sure it never got solved?

November 2019

Not saying Goodbye is the final novel in the internationally bestselling Erast Fandorin series by Bois Akunin..  Spring 1918. The young Soviet state is in a fever after the Revolution. For more than three years, Erast Fandorin has lain in a coma, faithfully cared for by his Japanese servant Masa. Now they are returning from the latest treatment with Dr Chang, a Chinese healer. Five months of séances have had a positive effect, but doctors remain cautious in their predictions – even if the state councillor does wake up, no one can say how his once prodigious mind might have been affected... 

False Value is by Ben Aaronovitch. Peter Grant is facing fatherhood, and an uncertain future, with equal amounts of panic and enthusiasm. Rather than sit around, he takes a job with emigre Silicon Valley tech genius Terrence Skinner's brand new London start up - the Serious Cybernetics Company. Drawn into the orbit of Old Street's famous 'silicon roundabout', Peter must learn how to blend in with people who are both civilians and geekier than he is. Compared to his last job, Peter thinks it should be a doddle. But magic is not finished with Mama Grant's favourite son.  Because Terrence Skinner has a secret hidden in the bowels of the SCC. A technology that stretches back to Ada Lovelace and Charles Babbage, and forward to the future of artificial intelligence. A secret that is just as magical as it technological - and just as dangerous.

Remember Me is by Amy McLellan.  Last night my sister was murdered. The police think I killed her. I was there. I watched the knife go in. I saw the man who did it.  And heard him laugh when he said he'd never be caught.  Because he knows I have prosopagnosia - I can't recognise faces. And if I don't find the man who killed my sister, I'll be found guilty of murder.

December 2019

For the Dead is by Lena Bengtsdotter.  She must find the truth about Francesca.   Before the past catches up with her...  DI Charlie Lager returns to investigate a long-buried disappearance.  A tragic past. Thirty years ago, the body of a teenage boy was found in Gullspang's lake, and his best friend vanished from her home. Paul Bergman's death was ruled a suicide; Francesca was never found.  An unsolved case.  Drawn back to Gullspang, Detective Inspector Charlie Lager is haunted by the strange house she knew as a child, and by the missing girl who once lived there. Convinced that the original investigation was flawed, Charlie is determined to uncover what really happened all those decades ago.  A crime that won’t stay buried.  But her interest in Francesca's disappearance begins to stir up long-hidden resentments, and half-forgotten memories. And if the truth is revealed, what will it mean for the living - and for the dead?

January 2020

Poison Ink is by Alison Belsham.  After old remains resurface in a heatwave, a young woman is attacked and left fighting for her life in hospital. Twenty-four hours later she dies and a deadly tattoo is discovered on her body. When another young woman disappears, Detective Francis Sullivan and his team fear a serial killer walks the streets of Brighton.   His team identify a suspect, Alex Mullins, son of his lover, Marni. Can Francis forget their shared past and save the next victim before it is too late? 

Can you ever really know your neighbours?  When human remains are found in a ground floor flat, the residents of Nelson Heights are shocked to learn that there was a dead body in their building for over three years. Sarah lives at the flat above and after the remains are found, she feels threatened by a stranger hanging around the building.  Laura has lived in the building for as long as she can remember, caring for her elderly father, though there is more to her story than she is letting on.  As the investigation starts to heat up, and the two women become more involved, it's clear that someone isn't telling the truth about what went on all those years ago... The Woman Downstairs is by Elisabeth Carpenter.

If all roads lead to Rome, what took me to Athens?

The first historical mystery I read was Rosemary Sutcliffe’s The Eagle of the Ninth. I’d say it qualifies, as Marcus Flavius Aquila tries to discover his father’s lost legion’s fate. Along with Sutcliffe’s other novels, it fired my fascination with history, and ancient history in particular. People’s worlds and lives were so different to our own, and yet people themselves were and are wholly recognisable in things like everyday letters, from cuneiform tablets onwards. We know how it feels to succeed, or to fail, when we see these things on papyrus or parchment. We sympathise with the sting of injustice, and share gratitude for a loyal friend. Other aspects of ancient lives are incomprehensible, such as the unquestioning acceptance of slavery. These tensions intrigue me to this day. 

In my teens, historical mystery fiction taught me to look very carefully at whose version of the ‘truth’ I was reading, and to consider what might lie behind that. In Josephine Tey’s The Daughter of Time, Alan Grant’s bed-ridden investigation into the deaths of the Princes in the Tower is transformed by his realisation that the sainted Sir Thomas More was a child at the time of events he’s supposedly recalling. More’s whole testimony is hearsay and, Grant concludes, it’s driven by a particular agenda. I applied what Alan Grant taught me to my history lessons, and to reading crime fiction, thereafter. 

When I discovered Peter Lovesey’s Sergeant Cribb novels, I found facets of Victorian life that we never came across at school. This started me reading social history, alongside the details of politics, battles and dates that I needed to revise for exams. The other fascination of this series was realising how integral the particular time, place and social attitudes were to each book. These specific circumstances created these crimes and it’s as a man convincingly of that era, that Cribb uncovers the truth. This has coloured my choices in historical mysteries ever since, and is one reason why I’m currently enjoying Andrew Taylor’s Marwood and Lovett books so much, where the crimes, the settings and the resolutions are inextricably interlinked. 

I continued to read crime fiction through university, though I confess I was reluctant when an enthusiastic friend, and fellow Classics graduate, first tried to lend me The Silver Pigs by Lindsey Davis. I’d pretty much stopped reading any historical fiction set in the Ancient World. After four years of study, these books either bored me rigid with pages of detail that I already knew, on Rome’s cursus honorem for instance, or infuriated me by presenting as uncontested fact something that was highly debatable. The chances were I’d spent a week reading contradictory accounts and interpretations on that very topic, before trying to beat my essay notes into submission with only Alan Grant to guide me. This doesn’t mean these were bad books, but however good they might be, they weren’t for me. 

I’m glad my friend persevered. I’ve been reading the Falco books ever since, and wait impatiently for each Flavia Alba story. Davis does her research and equally crucially, she understands that what goes onto the page is only what’s needed for the story, to illuminate character, means, motive and opportunity. As a result, her light touch brings ancient Rome to vivid and convincing life in a way that seemingly endless pages of detailed description can paradoxically fail to do. That was a touchstone for me as I considered writing my own historical crime novels. 

Though I was never tempted to write stories set in Rome. As well as history, I studied Classical literature at school and university. That taught me how human nature fascinated the Greeks of 5th Century Athens. Tragedies from The Oresteia to Oedipus Rex explore what drives men and women to kill, as well as testing the eternal tension between justice and revenge. Euripides’ Trojan Women looks at war from the victims’ perspective. Aristophanes’ comedies use humour to examine how far people will go in pursuit of love, lust and money. Herodotus and Thucydides consider the nature of political power, and democracy’s vulnerability to demagogues and oligarchs. With so many of these ideas underpinning contemporary crime fiction, I decided this time and place was an ideal fit for a history mystery. When any successful detective must be an astute observer of human nature, who better than a playwright to shed light on a murder in the shadows of Athens? I began writing...

Shadows of Athens by J M Alvey (Orion Publishing Company) £8.99

443 BC, and, after decades of war with Persia, peace has finally come to Athens. The city is being rebuilt, and commerce and culture are flourishing.  Aspiring playwright Philocles has come home to find a man with his throat cut slumped against his front gate. Is it just a robbery gone wrong? But, if so, why didn't the thieves take the dead man's valuables? With the play that could make his name just days away, he must find out who this man is, why he has been murdered - and why the corpse was left in his doorway.  But Philocles soon realises he has been caught up in something far bigger, and there are those who don't want him looking any further . . .

More information about J M Alvey can be found on her website.  You can also follow her on Twitter @AlveyAuthor and also on Facebook.

Books I am looking forward to the first half of 2019.

Shadows of Athens (Orion) is by J M Alvey.  The Persian War is over and an unaccustomed decade of peace has come to ancient Athens. Philocles, an aspiring comic playwright, is making his living as a writer for hire; but this year is the highlight of his career - he has a play in the drama competition at the prestigious Dionysia Festival. The last thing he wants to find on his doorstep the day before is a body with its throat cut.  Just who is this dead man? Is it just a robbery gone wrong? With the play that could make his name on the horizon, Philocles must find out who this man is, why he has been murdered - and why the corpse was in his door way. He soon realises that he has been caught up in something far bigger than he could have imagined, and there are players in this game who don't want him looking any further...

After a hectic morning involving two rather irritating cases of mistaken identity, Inspector Montalbano finally arrives in his office ready find out what's troubling Vigata this week. What he discovers is unnerving. A woman on her way home from work has been held up at gunpoint, chloroformed and kidnapped, but then released just hours later - unharmed and with all her possessions - into the open countryside.  Later that day, Montalbano hears from Enzo, the owner of his favourite restaurant, that his niece has recently been the victim of the exact same crime. Before long, a third instance of this baffling overnight kidnapping has been reported.  As far as Montalbano can tell, there is no link between the attacker and the victims. So what exactly is this mystery assailant gaining from these fleeting kidnappings? And what can he do to stop them? Montalbano must use all his logic and intuition if he is to answer these pressing questions before the kidnapper finds his next victim . .The Overnight Kidnapper (Pan Macmillan) is by Andrea Camilleri.

This Body’s not Big Enough for Both of Us (Titan Books) is by Edgar Cantero. In a dingy office in Fisherman’s Wharf, the glass panel in the door bears the names of A. Kimrean and Z. Kimrean, Private Eyes. Behind the door there is only one desk, one chair, one scrawny androgynous P.I. in a tank top and skimpy waistcoat. A.Z., as they are collectively known, are twin brother and sister. He’s pure misanthropic logic, she’s wild hedonistic creativity. The Kimreans have been locked in mortal battle since they were in utero, which is tricky because they, very literally, share one single body. That’s right. One body, two pilots. The mystery and absurdity of how Kimrean functions, and how they subvert every plotline, twist, explosion, and gunshot – and confuse every cop, neckless thug, cartel boss, ninja, and femme fatale – in the book is pure Cantero magic.  Someone is murdering the sons of the ruthless drug cartel boss known as the Lyon in the biggest baddest town in California: San Carnal. The notorious A.Z. Kimrean must go to the sin-soaked, palm-tree-lined streets of San Carnal, infiltrate the Lyon’s inner circle, and find out who is targeting his heirs, and while they are at it, rescue an undercover cop in too deep, deal with a plucky young stowaway, and stop a major gang war from engulfing California. They’ll face every plot device and break every rule Elmore Leonard wrote before they can crack the case, if they don’t kill each other (themselves) first.  This Body’s Not Big Enough for Both of Us is a brilliantly subversive and comic thriller celebrating noir detectives, Die Hard, Fast & Furious, and the worst case of sibling rivalry, that can only come from the mind of Edgar Cantero.

Ray Celestin heads to New York City, for the third book in his award-winning City Blues quartet, The Mobster's Lament (Pan Macmillan).  Fall, 1947. New York City.  Private Investigator Ida Davis has been called to New York by her old partner, Michael Talbot, to investigate a brutal killing spree in a Harlem flophouse that has left four people dead. But as they delve deeper into the case, Ida and Michael realize the murders are part of a larger conspiracy that stretches further than they ever could have imagined.  Meanwhile, Ida's childhood friend, Louis Armstrong, is at his lowest ebb. His big band is bankrupt, he's playing to empty venues, and he's in danger of becoming a has-been, until a promoter approaches him with a strange offer to reignite his career . . .  And across the city, nightclub manager and mob fixer Gabriel Leveson's plans to flee New York are upset when he's called in for a meeting with the `boss of all bosses', Frank Costello. Tasked with tracking down stolen mob money, Gabriel must embark on a journey through New York's seedy underbelly, forcing him to confront demons from his own past, all while the clock is ticking on his evermore precarious escape plans.

A Book of Bones  (Hodder & Stoughton) is by John Connolly.  He is our best hope.  He is our last hope.  On a lonely moor in the northeast of England, the body of a young woman is discovered near the site of a vanished church. In the south, a girl lies buried beneath a Saxon mound. To the southeast, the ruins of a priory hide a human skull.  Each is a sacrifice, a summons.  And something in the darkness has heard the call.  But another is coming: Parker the hunter, the avenger. From the forests of Maine to the deserts of the Mexican border, from the canals of Amsterdam to the streets of London, he will track those who would cast this world into darkness. Parker fears no evil.  But evil fears him . .

A Dangerous Man  (Simon & Schuster) is by Robert Crais.  Joe Pike didn't expect to rescue a woman that day. When Isabel Roland, the lonely young teller at his bank, steps out of work on her way to lunch, Joe Pike witnesses her attempted abduction. Thanks to his quick thinking, the two men are arrested.   But the men soon make bail... and not long after, they're found murdered. The police suspect Pike and Isabel had a hand in it, especially when Izzy disappears. Convinced that she has been abducted again, Pike realises it is time to call on Elvis Cole to discover the truth.  And then all hell breaks loose. 

A Capital Death (Hodder & Stoughton) is by Lindsey Davis.  A tragic accident . . . or was it? Emperor Domitian has been awarded (or rather, has demanded) yet another Triumph to celebrate two so-called victories. Preparations are going smoothly until one of the men overseeing arrangements for the celebration accidentally falls to his death from a cliff on the symbolic Capitoline Hill.  But Flavia Albia suspects there's more to the incident than meets the eye, as there are plenty of people who would have been delighted to be rid of the overseer. He was an abusive swine who couldn't organise a booze-up in a winery and was caught up in a number of scams, including one surrounding the supply of imperial purple dye and a family of shellfish-boilers.  As Flavia finds herself drawn into a theatrical world of carnival floats, musicians, incense and sacrificial beasts, can she see to the heart of the matter and catch those responsible for the unpopular man's untimely death?

This Storm (Cornerstone) is by James Ellroy.  New Year's Eve 1941, war has been declared and the Japanese internment is in full swing. Los Angeles is gripped by war fever and racial hatred. Sergeant Dudley Smith of the Los Angeles Police Department is now Army Captain Smith and a budding war profiteer. He's shacked up with Claire De Haven in Baja, Mexico, and spends his time sniffing out fifth column elements and hunting down a missing Japanese Naval Attaché. Hideo Ashida is cashing LAPD paychecks and working in the crime lab, but he knows he can't avoid internment forever. Newly arrived Navy Lieutenant Joan Conville winds up in jail accused of vehicular homicide, but Captain William H. Parker squashes the charges and puts her on Ashida's team. Elmer Jackson, who is assigned to the alien squad and to bodyguard Ashida, begins to develop an obsession with Kay Lake, the unconsummated object of Captain Parker's desire. Now, Conville and Ashida become obsessed with finding the identity of a body discovered in a mudslide. It's a murder victim linked to an unsolved gold heist from '31, and they want the gold. And things really heat up when two detectives are found murdered in a notorious dope fiend hangout.

In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am. A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hamstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am. In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn't seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they're drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy...  The Lonely Hour (Transworld) is by Christopher Fowler.

Out of the Dark (Penguin Random House) is by Gregg Hurwitz. As a boy, Evan Smoak was taken from the orphanage he called home and inducted into a top secret Cold War programme. Trained as a lethal weapon, he and his fellow recruits were sent round the world to do the government's dirty work. But the programme was rotten to the core. And now the man responsible needs things to be nice and clean. All evidence must be destroyed. That includes Evan. To survive, Evan's going to have to take the fight to his nemesis. There's just one problem with that. Jonathan Bennett is President of the United States and Evan isn't his only victim. To save himself - and the country - Evan is going to have to figure out how to kill the most well-protected man on the planet...

Plotters are just pawns like us. A request comes in and they draw up the plans. There's someone above them who tells them what to do. And above that person is another plotter telling them what to do. You think that if you go up there with a knife and stab the person at the very top, that'll fix everything. But no-one's there. It's just an empty chair.  Reseng was raised by cantankerous Old Raccoon in the Library of Dogs. To anyone asking, it's just an 

ordinary library. To anyone in the know, it's a hub for Seoul's organised crime, and a place where contract killings are plotted and planned. So it's no surprise that Reseng has grown up to become one of the best hitmen in Seoul. He takes orders from the plotters, carries out his grim duties, and comforts himself afterwards with copious quantities of beer and his two cats, Desk and Lampshade  But after he takes pity on a target and lets her die how she chooses, he finds his every move is being watched. Is he finally about to fall victim to his own game? And why does that new female librarian at the library act so strangely? Is he looking for his enemies in all the wrong places? Could he be at the centre of a plot bigger than anything he's ever known?  The Plotters (Harper Collins) is by Un-su Kim.

The New Iberia Blues (Orion) is By James Lee Burke. Detective Dave Robicheaux first met Desmond Cormier on the backstreets of New Orleans. He was a young pretender who dreamt of stardom whilst Robicheaux had his path all figured out. Now, twenty-five years later, their roles have reversed. When Robicheaux knocks on Cormier's door, he sees a successful Hollywood director.  It seems dreams can come true. But so can nightmares.  A young woman has been crucified, wearing only a small chain on her ankle, and all the evidence points to Cormier. Robicheaux wants to believe his old friend wouldn't be capable of such a crime - but Cormier's silence is deafening. And he isn't the only ghost from Robicheaux's past which comes back to haunt him...

The Feral Detective (Atlantic Books & Corvus) is by Jonathan Lethem.  Phoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She's looking for her friend's missing daughter, Arabella, and hires Heist - a laconic loner who keeps his pet opossum in a desk drawer - to help. The unlikely pair navigate the enclaves of desert-dwelling vagabonds and find that Arabella is in serious trouble - caught in the middle of a violent standoff that only Heist, mysteriously, can end. Phoebe's trip to the desert was always going to be strange, but it was never supposed to be dangerous...

The year is 1793, Stockholm. King Gustav of Sweden has been assassinated, years of foreign wars have emptied the treasuries, and the realm is governed by a self-interested elite, leaving its citizens to suffer. On the streets, malcontent and paranoia abound. A body is found in the city's swamp by a watchman, Mickel Cardell, and the case is handed over to investigator Cecil Winge, who is dying of consumption. Together, Winge and Cardell become embroiled in a brutal world of guttersnipes and thieves, mercenaries and madams, and one death will expose a city rotten with corruption beneath its powdered and painted veneer.  The Wolf and the Watchman (Hodder & Stoughton) is by Niklas Natt och Dag.

It's been a year since Leo Stanhope lost the woman he loved, and came closing to losing his own life. Now, more than ever, he is determined to keep his head down and stay safe, without risking those he holds dear. But Leo's hopes for peace and security are shattered when the police unexpectedly arrive at his lodgings: a woman has been found murdered at a club for anarchists, and Leo's address is in her purse. When Leo is taken to the club by the police, he is shocked to discover there a man from his past, a man who knows Leo's birth identity. And if Leo does not provide him with an alibi for the night of the woman's killing, he is going to share this information with the authorities. If Leo's true identity is unmasked, he will be thrown into an asylum, but if he lies... will he be protecting a murderer?  The Anarchists’ Club (Bloomsbury) is by Alex Reeve.

Six confined psychopaths. A killer on the loose.  1935. As Europe prepares itself for a calamitous war, six homicidal lunatics - the so-called 'Devil's Six' - are confined in a remote castle asylum in rural Czechoslovakia. Each patient has their own dark story to tell and Dr Viktor Kosarek, a young psychiatrist using revolutionary techniques, is tasked with unlocking their murderous secrets.  At the same time, a terrifying killer known as 'Leather Apron' is butchering victims across Prague. Successfully eluding capture, it would seem his depraved crimes are committed by the Devil himself.  Maybe they are... and what links him with the insane inmates of the Castle of the Eagles?  Only the Devil knows. And it is up to Viktor to find out.The Devil Aspect (Little, Brown) is by Craig Russell.

Blood & Sugar (Pan Macmillan) is the debut historical crime novel from Laura Shepherd-Robinson.  June, 1781. An unidentified body hangs upon a hook at Deptford Dock - horribly tortured and branded with a slaver's mark.  Some days later, Captain Harry Corsham - a war hero embarking upon a promising parliamentary career - is visited by the sister of an old friend. Her brother, passionate abolitionist Tad Archer, had been about to expose a secret that he believed could cause irreparable damage to the British slaving industry. He'd said people were trying to kill him, and now he is missing . . .  To discover what happened to Tad, Harry is forced to pick up the threads of his friend's investigation, delving into the heart of the conspiracy Tad had unearthed. His investigation will threaten his political prospects, his family's happiness, and force a reckoning with his past, risking the revelation of secrets that have the power to destroy him.  And that is only if he can survive the mortal dangers awaiting him in Deptford .

What is the secret which grips Corvus Hall?  Visiting the Great Exhibition to view the wax anatomical models of the famous but reclusive Dr Merlin Strangeway, Jem Flockhart and Will Quartermain find a severed arm, perfectly dissected and laid out amongst the exhibits. Assuming it to be a prank by medical students, they return it to Dr Strangeway, who works at Corvus Hall, a private anatomy school run by Dr James Crowe - one of  Edinburgh's most revered surgeons and teachers of anatomy. Jem's persistence reveals that a body does indeed lie in the school's mortuary, minus its right arm. But the body has no provenance. More macabre still, its face has been dissected, making identification impossible. Dr Strangeway denies all knowledge, and Dr Crowe seems unwilling to pursue the matter.  At Corvus Hall, Will is employed to illustrate Dr Crowe's new anatomy handbook. Soon, it becomes evident that all is not as it should be. Dr Crowe's daughter, Lilith, visits the mortuary in the dead of night and her twin sisters, Sorrow and Silence - one blind and one deaf - exert a malign influence over the students. Organs, freshly dissected, appear in the anatomy museum. Fear grips lecturers and students, even as something unseen binds them in a bloody pact of silence.  In a mystery that ranges from the wynds of Burke and Hare's Edinburgh to the dissecting tables of London's notorious anatomy schools, Jem and Will find that the stakes have never been higher. Surgeon’s Hall (Little, Brown) is by E S Thomson. 

In a hard-boiled city of crooks, grifts and rackets lurk a pair of toughs: Box and _____. They're the kind of men capable of extracting apologies and reparations, of teaching you a chilling lesson. They seldom think twice, and ask very few questions. Until one night over the poker table, they encounter a pulp writer with wild ideas and an unscrupulous private detective, leading them into what is either a classic mystery, a senseless maze of corpses, or an inextricable fever dream . . . Drunk on cinematic and literary influence, Muscle is a slice of noir fiction in collapse, a ceaselessly imaginative story of violence, boredom and madness.  Muscle (Faber & Faber) is by Alan Trotter