Showing posts with label Antti Tuomainen. Show all posts
Showing posts with label Antti Tuomainen. Show all posts

Thursday, 3 November 2022

Petrona Award Longlist announced

 

OUTSTANDING CRIME FICTION FROM DENMARK, FINLAND, ICELAND, NORWAY AND SWEDEN LONGLISTED FOR THE 2022 PETRONA AWARD

Twelve outstanding crime novels from Denmark, Finland, Iceland, Norway and Sweden have made the longlist for the 2022 Petrona Award for the Best Scandinavian Crime Novel of the Year.


They are:

Fatal Isles by Maria Adolfsson tr. Agnes Broomé (Sweden, Zaffre)

The Assistant by Kjell Ola Dahl tr. Don Bartlett (Norway, Orenda Books)

The Butterfly House by Katrine Engberg tr. Tara Chace (Denmark, Hodder & Stoughton)

The Therapist by Helene Flood tr. Alison McCullough (Norway, MacLehose Press)

The Commandments by Óskar Guðmundsson tr. Quentin Bates (Iceland, Corylus Books Ltd)

Smoke Screen by Jørn Lier Horst & Thomas Enger tr. Megan Turney (Norway, Orenda Books)

Everything Is Mine by Ruth Lillegraven tr. Diane Oatley (Norway, AmazonCrossing)

Silenced by Sólveig Pálsdóttir tr. Quentin Bates (Iceland, Corylus Books Ltd)

Knock Knock by Anders Roslund tr. Elizabeth Clark Wessel (Sweden, Harvill Secker)

Cold as Hell by Lilja Sigurðardóttir tr. Quentin Bates (Iceland, Orenda Books)

Geiger by Gustaf Skördeman tr. Ian Giles (Sweden, Zaffre)

The Rabbit Factor by Antti Tuomainen tr. David Hackston (Finland, Orenda Books)


The quality of the entries for the Petrona Award, now in its tenth year, remains consistently high, so much so that for the first time, the judges have decided to release a longlist. These twelve titles will be whittled down to a shortlist, to be announced on 16 November 2022.

The longlist contains a number of new faces as well as Petrona Award-winning authors, Jørn Lier Horst and Antti Tuomanen and the previously shortlisted Kjell Ola Dahl and Thomas Enger. 

Both large and small publishers are represented on the longlist, with Orenda Books leading with four entries, and the breakdown by country is Norway (4), Iceland (3), Sweden (3), Denmark (1) and Finland (1) with translator Quentin Bates being longlisted for all three Icelandic titles.

The Petrona Award 2022 judging panel comprises Jackie Farrant, the creator of RAVEN CRIME READS and a bookseller/Area Commercial Support for a major book chain in the UK; Miriam Owen, founder of the NORDIC NOIR blog and creator of content for communities, and Ewa Sherman, translator and writer, and blogger at NORDIC LIGHTHOUSE. The Award administrator is Karen Meek, owner of the EURO CRIME blog and website.


Friday, 13 May 2022

CWA Dagger Award Shortlists Announced


The 2022 shortlists for the prestigious Crime Writers’ Association (CWA) Dagger awards, which honour the very best in the crime-writing genre, have been announced.

Created in 1955, the world-famous CWA Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

The Gold Dagger, which recognises the crime novel of the year, sees debut author Jacqueline Bublitz on the shortlist of six. Before You Knew My Name was called “extraordinary” by the CWA judges. Also in contention are Abir Mukherjee, a previous winner of the CWA Historical Dagger for The Shadows of Men praised for its “intricate plotting”, and the bestselling ‘Southern noir’ crime writer, SA Cosby, for Razorblade Tears.

Razorblade Tears, a dynamic revenge thriller that “pulls at the heartstrings” also makes it onto the Ian Fleming Steel Dagger shortlist. Sponsored by Ian Fleming Publications Ltd, the Fleming family-owned company that looks after the James Bond literary brand, this award celebrates the thriller of the year. Cosby is up against past CWA Gold Dagger winner, MW Craven, who is in contention with Dead Ground, alongside established names including Laura Lippman and Linwood Barclay.

The anticipated John Creasey (New Blood) Dagger is awarded to the best debut novel of the year. Among the rising stars is Janice Hallett, shortlisted with her debut The Appeal, which was a Sunday Times Crime Book of the Year, praised as a “dazzlingly clever cosy crime novel”. Also on the shortlist is How to Kidnap the Rich by Rahul Raina, described by The Times as a “joyous love/hate letter to contemporary Delhi.”

Booker Prize winner John Banville is a heavyweight contender on the Historical Dagger shortlist. The prizewinning novelist and literary polymath is in the running for April in Spain. Banville is up against Ray Celestin whose novel set in 1960s Los Angeles, Sunset Swing, is also up for the Gold Dagger.

The Crime Fiction in Translation Dagger sees the award-winning Finnish author Antti Tuomainen make the shortlist with The Rabbit Factor translated by David Hackston. It follows the quirky story of a statistical mathematician, who finds himself mixed up with shady businessmen. He’s up against the high-profile Bullet Train by Kōtarō Isaka, translated by Sam Malissa, which is set to hit cinemas starring Brad Pitt and Sandra Bullock.

Maxim Jakubowski, Chair of the Crime Writers’ Association, said: “So many good titles and authors appeared on our long lists, but in a year of such overall excellence, to reach the shortlist is a terrific achievement. Congratulations to all the nominees, writers both established and new, publishers large and small; a diversity of quality demonstrating the independence of our judges.

The CWA Daggers are one of the few high-profile awards that honour the short story. This year sees the bestselling Norwegian juggernaut Jo Nesbø on the shortlist with his story “London” from his first book of short stories, The Jealousy Man. Novelists Caroline England and Bryony Pearce are other names on the list.

The ALCS Gold Dagger for Non-Fiction shortlist includes the “absorbing” account of a trafficked New Zealand woman in The Disappearance of Lydia Harvey by Julia Laite. Also, Empire of Pain by Patrick Radden Keefe makes the list with his account of the Sackler family, who exploited America’s pain industry, fuelling the opioid epidemic. Judges praised it as a “tribute to investigative journalism”.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year sees firm favourites from the genre on the shortlist: Cath Staincliffe, Edward Marston, Lin Anderson, Mark Billingham and Susan Hill.

The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, sees publishing goliath HarperCollins on the list with its imprint Harper Fiction, as well as independent publisher Titan Books, part of the Titan Entertainment Group, which began life in the Forbidden Planet store in London.

The Daggers also celebrate unpublished authors with its annual competition for aspiring crime novelists. The competition to find the best new voices in the genre has been going for over 20 years. The winner will receive £500 as well as the attention of leading agents and top editors; over two dozen past winners and shortlisted Debut Dagger authors have been signed to date.


The CWA Diamond Dagger, awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring each year and in 2022 it was awarded to CJ Sansom.

The CWA Dagger shortlists were announced on 13 May at a reception hosted at CrimeFest.

The Dagger awards ceremony will be held at he Leonardo City hotel in London on 29 June, coinciding with National Crime Reading Month, which takes place throughout June. Tickets are available now from the CWA.

The Shortlists in Full:

GOLD DAGGER

Before You Knew My Name by Jacqueline Bublitz (Little, Brown; Sphere)

Sunset Swing by Ray Celestin (Pan Macmillan; Mantle)

Razorblade Tears by SA Cosby (Headline Publishing Group; Headline)

The Unwilling by John Hart (Bonnier Books UK Ltd; Zaffre)

The Shadows of Men by Abir Mukherjee (Penguin Random House; Harvill Secker)

The Trawlerman by William Shaw (Quercus; Riverrun)


IAN FLEMING STEEL DAGGER

Find You First by Linwood Barclay (HarperCollins; HQ)

The Pact by Sharon Bolton (Orion)

The Devil’s Advocate by Steve Cavanagh (Orion)

Razorblade Tears by SA Cosby (Headline Publishing Group)

Dead Ground by MW Craven (Little, Brown; Constable)

Dream Girl by Laura Lippman (Faber)

JOHN CREASEY (NEW BLOOD) DAGGER

Welcome to Cooper by Tariq Ashkanani (Thomas & Mercer)

Repentance by Eloísa Díaz (Orion Publishing Group; Weidenfeld & Nicolson)

The Mash House by Alan Gillespie (Unbound; Unbound Digital)

The Appeal by Janice Hallett (Profile Books; Viper Books)

Where Ravens Roost by Karin Nordin (HarperCollins; HQ)

How to Kidnap the Rich by Rahul Raina (Little, Brown)

Waking the Tiger by Mark Wightman (Hobeck Books)


HISTORICAL DAGGER

April in Spain by John Banville (Faber)

Sunset Swing  by Ray Celestin (Pan Macmillan; Mantle)

Crow Court by Andy Charman (Unbound)

Not One of Us by Alis Hawkins (Canelo)

Edge of the Grave by Robbie Morrison (Pan Macmillan; Macmillan)

A Corruption of Blood by Ambrose Parry (Canongate Books)

CRIME FICTION IN TRANSLATION DAGGER

Hotel Cartagena by Simone Buchholz translated by Rachel Ward (Orenda Books)

Bullet Train by Kōtarō Isaka translated by Sam Malissa (Penguin Random House; Harvill Secker)

Oxygen by Sacha Naspini translated by Clarissa Botsford (Europa Editions UK Ltd; Europa Editions)

People Like Them by Samira Sedira translated by Lara Vergnaud (Bloomsbury Publishing; Raven Books)

The Rabbit Factor by Antti Tuomainen translated by David Hackston (Orenda Books)

SHORT STORY DAGGER

Blindsided’ by Caroline England in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)

London’ in The Jealousy Man and other stories by Jo Nesbⱷ edited by Robert Ferguson (Penguin Random House; Harvill Secker)

With the Others’ by TM Logan in Afraid of the Shadows edited by Miranda Jewess (Criminal Minds)

Flesh of a Fancy Woman’ by Paul Magrs in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)

Changeling’ by Bryony Pearce in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)

‘When I Grow Up’ by Robert Scragg in Afraid of the Shadows edited by Miranda Jewess (Criminal Minds)

ALCS GOLD DAGGER FOR NON-FICTION

The Devil You Know: Stories of Human Cruelty and Compassion by Dr Gwen Adshead & Eileen Horne (Faber)

The Dublin Railway Murder by Thomas Morris (Penguin Random House; Harvill Secker)

The Unusual Suspect by Ben Machell (Canongate Books)

The Disappearance of Lydia Harvey: A true story of sex, crime and the meaning of justice, by Julia Laite (Profile Books)

Empire of Pain by Patrick Radden Keefe (Pan Macmillan; Picador)

The Irish Assassins: Conspiracy, Revenge and the Murders that Stunned an Empire by Julie Kavanagh (Atlantic Books; Grove Press UK)

DAGGER IN THE LIBRARY

Cath Staincliffe

Edward Marston

Lin Anderson

Mark Billingham

Susan Hill

PUBLISHERS’ DAGGER

Faber & Faber

HarperCollins; Harper Fiction

Penguin Random House; Michael Joseph

Pushkin Press; Pushkin Vertigo

Titan Books

Profile Books; Viper

DEBUT DAGGER Sponsored by ProWritingAid

Henry’s Bomb by Kevin Bartlett

Holloway Castle by Laura Ashton Hill

The 10:12 by Anna Maloney

The Dead of Egypt by David Smith

The Dieppe Letters by Liz Rachel Walker


CWA Daggers – The Categories

GOLD DAGGER

This award is for the best crime novel by an author of any nationality. It was originally created in 1955, under the name of the Crossed Red Herrings Award. It was renamed the Gold Dagger in 1960.

IAN FLEMING STEEL DAGGER

Eligible books in this category are thrillers set in any period and include, but are not limited to, spy fiction, psychological thrillers and action/adventure stories.

JOHN CREASEY (NEW BLOOD) DAGGER

This award is for the best crime novel by a first-time author of any nationality.

CRIME FICTION IN TRANSLATION

This award is for a crime novel not originally written in English and which has been translated into English for UK publication.

ALCS GOLD DAGGER FOR NON-FICTION

This award is for any non-fiction work on a crime-related theme by an author of any nationality.

HISTORICAL DAGGER

This award is for the best historical crime novel, set in any period up to 50 years prior to the year in which the award will be made.

CWA SHORT STORY DAGGER

This award is for any crime short story first published in the UK in English in a publication that pays for contributions, or broadcast in the UK in return for payment.

DAGGER IN THE LIBRARY

The Dagger in the Library is a prize for a body of work by an established crime writer who has long been popular with borrowers from libraries, and who has supported libraries and their users.

DEBUT DAGGER sponsored by ProWritingAid

A competition for the opening of a crime novel and synopsis, chosen by judges.

PUBLISHERS’ DAGGER

This prestigious Dagger is awarded annually to the Best Crime and Mystery Publisher of the Year.

DIAMOND DAGGER

Awarded every year to an author whose crime-writing career has been marked by sustained excellence, and who has made a significant contribution to the genre. Votes from CWA members go forward to be deliberated on by an independent panel.









Saturday, 15 May 2021

Books To Look Forward to From Orenda Books

July 2021

When a depressed, alcoholic single mother disappears, everything suggests suicide, but when her body is found, Icelandic Detective Elma and her team are thrust into a perplexing, chilling investigation. Single mother Marianna disappears from her home, leaving an apologetic note on the kitchen table, everyone assumes that she's taken her own life ... until her body is found on the Grabrok lava fields seven months later, clearly the victim of murder. Her neglected fifteen-year-old daughter Hekla has been placed in foster care, but is her perfect new life hiding something sinister? Fifteen years earlier, a desperate new mother lies in a maternity ward, unable to look at her own child, the start of an odd and broken relationship that leads to a shocking tragedy. Police officer Elma and her colleagues take on the case, which becomes increasingly complex, as the number of suspects grows and new light is shed on Marianna's past - and the childhood of a girl who never was like the others.. Girls who Lie is by Eva Björg Ægisdóttir.

The Beresford is by Will Carver. Everything stays the same for the tenants of The Beresford, a grand old apartment building just outside the city ... until the doorbell rings. Just outside the city - any city, every city - is a grand, spacious but affordable apartment building called The Beresford. There's a routine at The Beresford. For Mrs May, every day's the same: a cup of cold, black coffee in the morning, pruning roses, checking on her tenants, wine, prayer and an afternoon nap. She never leaves the building. Abe Schwartz also lives at The Beresford. His housemate, Sythe, no longer does. Because Abe just killed him. In exactly sixty seconds, Blair Conroy will ring the doorbell to her new home and Abe will answer the door. They will become friends. Perhaps lovers. And, when the time comes for one of them to die, as is always the case at The Beresford, there will be sixty seconds to move the body before the next unknowing soul arrives at the door. Because nothing changes at The Beresford, until the doorbell rings...

August 2021

The discovery of a human foot in an Edinburgh park, the inexplicable circumstances of a dying woman, and the missing daughter of Jenny's violent ex-husband present the Skelf women with their most challenging - and deadly - cases yet. Keeping on top of the family funeral directors' and private-investigation businesses is no easy task for the Skelf women, and when matriarch Dorothy discovers a human foot while walking the dog, a perplexing case presents itself with potentially deadly results. Daughter Jenny and grand-daughter Hannah have their hands full too: The mysterious circumstances of a dying woman lead them into an unexpected family drama, Hannah's new astrophysicist colleague claims he's receiving messages from outer space, and the Skelfs' teenaged lodger has yet another devastating experience. Nothing is clear as the women are immersed ever deeper in their most challenging cases yet. But when the daughter of Jenny's violent and fugitive ex-husband goes missing without trace and a wild animal is spotted roaming Edinburgh's parks, real danger presents itself, and all three Skelfs are in peril. The Great Silence is by Doug Johnstone.

No Honour by Awais Khan. A young woman defies convention in a small Pakistani village, with devastating results for her and her family. A stunning, immense beautiful novel about courage, family and the meaning of love, when everything seems lost. In sixteen-year-old Abida's small Pakistani village, there are age-old rules to live by, and her family's honour to protect. And, yet, her spirit is defiant and she yearns to make a home with the man she loves. When the unthinkable happens, Abida faces the same fate as other young girls who have chosen unacceptable alliances - certain, public death. Fired by a fierce determination to resist everything she knows to be wrong about the society into which she was born, and aided by her devoted father, Jamil, who puts his own life on the line to help her, she escapes to Lahore and then disappears. Jamil goes to Lahore in search of Abida - a city where the prejudices that dominate their village take on a new and horrifying form - and father and daughter are caught in a world from which they may never escape. Moving from the depths of rural Pakistan, riddled with poverty and religious fervour, to the dangerous streets of over-populated Lahore, No Honour is a story of family, of the indomitable spirit of love in its many forms a story of courage and resilience, when all seems lost, and the inextinguishable fire that lights one young woman's battle for change.

September 2021

When a young woman vanishes from an exclusive oceanfront community, Detective Casey Wray's investigation plunges her into a darkness she could never have imagined. When a young woman makes a distressing middle-of-the-night call to 911, apparently running for her life in a quiet, exclusive beachside neighbourhood, miles from her home, everything suggests a domestic incident. Except no one has seen her since, and something doesn't sit right with the officers at Hampstead County PD. With multiple suspects and witnesses throwing up startling inconsistencies, and interference from the top threatening the integrity of the investigation, lead detective Casey Wray is thrust into an increasingly puzzling case that looks like it's going to have only one ending... And then the first body appears... Black Reed Bay is by Rod Reynolds.

October 2021

An insurance mathematician's carefully ordered life is turned on its head when he unexpectedly loses his job and inherits an adventure park with a whole host of problems. What makes life perfect? Insurance mathematician Henri Koskinen knows the answer because he calculates everything down to the very last decimal. And then, for the first time, Henri is faced with the incalculable. After suddenly losing his job, Henri inherits an adventure park from his brother - its peculiar employees and troubling financial problems included. The worst of the financial issues appear to originate from big loans taken from criminal quarters ... and some dangerous men are very keen to get their money back. But what Henri really can't compute is love. In the adventure park, Henri crosses paths with Laura, an artist with a chequered past, and a joie de vivre and erratic lifestyle that bewilders him. As the criminals go to extreme lengths to collect their debts and as Henri's relationship with Laura deepens, he finds himself faced with situations and emotions that simply cannot be pinned down on his spreadsheets.. The Rabbit Factor is by Antti Tuomainen.

Cold as Hell is by Lilja Sigurdardóttir. Arora returns to Iceland when her estranged sister goes missing, and her search leads to places she could never have imagined. Icelandic sisters Arora and Isafold live in different countries and aren't on speaking terms, but when their mother loses contact with Isafold, Arora reluctantly returns to Iceland to find her sister. But she soon realizes that her sister isn't avoiding her ... she has disappeared, without trace. As she confronts Isafold's abusive, drug-dealing boyfriend Bjoern, and begins to probe her sister's reclusive neighbours - who have their own reasons for staying out of sight - Arora is led into an ever-darker web of intrigue and manipulation. Baffled by the conflicting details of her sister's life, and blinded by the shiveringly bright midnight sun of the Icelandic summer, Arora enlists the help of police officer Daniel, as she tries to track her sister's movements, and begins to tail Bjoern - but she isn't the only one watching.

November 2021.

The Quiet People by Paul Cleave. Cameron and Lisa Murdoch are successful crime-writers. They have been on the promotional circuit, joking that no one knows how to get away with crime like they do. After all, they write about it for a living. So when their 7 year old son Zach goes missing, naturally the police and the public wonder if they have finally decided to prove what they have been saying all this time – are they trying to show how they can commit the perfect crime?

Psychopaths Annoymous is by Will Carver. When AA meetings make her want to drink more, alcoholic murderess Maeve Beauman sets up a group for psychopaths.

December 2021

Quicksand of Memory is by Michael J Malone. Scarred by past events, Jenna and Luke fall in love, and their future looks rosy. But someone has been watching, with chilling plans for revenge.

January 2022

Demon is by Matt Wesolowski.  Scott King’s Six Stories podcast investigates the 1995 case of a demon possession in a rural Yorkshire village, where a 12-year-old boy was murdered in cold blood by two children.

Bitter Flowers is by Gunnar Staalesen.  Fresh from rehab, Varg Veum faces his most complex investigation yet, when a man is found drowned, a young woman disappears, and the case of a missing child is revived.



Thursday, 3 December 2020

Winner of 2020 Petrona Award announced – a first for Finnish crime

The winner of the 2020 Petrona Award for the Best Scandinavian Crime Novel of the Year is:

LITTLE SIBERIA by Antti Tuomainen, translated from the Finnish by David Hackston and published by Orenda Books.

As well as a trophy, Antti Tuomainen receives a pass to and a guaranteed panel at CrimeFest 2022. Antti Tuomainen and David Hackston will also receive a cash prize.

The judges’ statement on LITTLE SIBERIA:

Antti Tuomainen’s LITTLE SIBERIA stood out on the shortlist for all of the judges. From its arresting opening, in which a meteorite unexpectedly lands on a speeding car, to its very human depiction of a pastor grappling with private and theological crises, this is a pitch-perfect comic crime novel with considerable depth and heart

The first Finnish crime novel to receive the Petrona Award, LITTLE SIBERIA is a particularly fitting winner for 2020 – a year in which life was turned upside down. A celebration of resilience, fortitude and simply muddling through, it is a novel for our times.

David Hackston’s fine translation captures LITTLE SIBERIA’S depictions of an icy northern Finland and its darkly comic tone, skilfully showcasing the writing of one of Scandinavia’s most versatile and original crime authors. LITTLE SIBERIA is published by Orenda Books, one of the UK’s foremost independent publishers, which consistently champions international and translated crime fiction.

Comments from the winning author, translator and publisher:

Antti Tuomainen (author):

To make a long story short, I have to make it long first. A few years ago, after publishing five very dark and very noir books, I felt there was an element within me I had to bring into my writing: humour. Before my first darkly funny book The Man Who Died was published I was very nervous. Was I making a big mistake? One of those career choices you read about in artists' biographies under the chapter title 'The Fall'? Not that anyone would write about me, as I would be forgotten, found much later in a basement room, alone, perished in the middle of a last 'humorous' sentence … Happily, I was wrong, and not for the first time. Which seems to bring us to Little Siberia. It is my eighth book and now the recipient of the prestigious Petrona Award. When I set out to write a darkly comical crime novel with a priest as main character, I knew I was taking a leap – again. Alas, here we are. I want to thank David Hackston and Karen Sullivan, both incomparable and indispensable, as without them all the jury would have had was a book in Finnish with no idea who sent it. I send my warmest thank you to the ladies and gentlemen of the jury. Oh, and that shorter story: after fifteen years of writing and nine books, it seems I'm finally an overnight success.

David Hackston (translator):

I'm extremely honoured to receive the Petrona Award 2020, not least because of the illustrious, formidable company on the shortlist. Many congratulations to all the authors and especially to my fellow translators – my co-conspirators in bringing Nordic writing to English-speaking readers. My thanks to the panel and a huge, heartfelt thank you to Orenda Books, without whom none of this would be possible. Of course, behind every good translation is an excellent original text, and in this respect Antti Tuomainen is the gift that keeps on giving. Kiitos, Antti; thanks for the laughs thus far. Long may it continue

Karen Sullivan (Orenda Books)

We are honoured and absolutely thrilled by the news that Little Siberia has won this prestigious award – quite possibly the only designated award for Scandinavian crime fiction in English – and it feels fitting that in such a difficult year, Antti's beautifully written, funny, philosophical and exquisitely plotted thriller has been chosen. Antti has pushed the crime genre in so many exciting directions, and I applaud the judges for making such a bold and perfect choice. It can be no easy feat to translate Finnish and yet David Hackston has once again produced an elegant, pitch-perfect translation, and we are so delighted that his work has been rewarded in this way.

The judges would also like to highly commend THE SILVER ROAD by Stina Jackson, translated from the Swedish by Susan Beard and published by Corvus (Atlantic Books).

The Petrona team would like to thank our sponsor, David Hicks, for his generous and continued support of the 2020 Petrona Award.




 

Tuesday, 24 November 2020

Outstanding crime fiction from Finland, Iceland, Norway and Sweden shortlisted for the 2020 Petrona Award

 

Six outstanding crime novels from Finland, Iceland, Norway and Sweden have been shortlisted for the 2020 Petrona Award for the Best Scandinavian Crime Novel of the Year. The shortlist is announced today, Tuesday 24 November.


THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)

 INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway)

 THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)

 THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden)

 THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland)

 LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland)

 The winning title, usually announced at the international crime fiction convention CrimeFest, will now be announced on Thursday 3 December 2020. The winning author and the translator of the winning title will both receive a cash prize, and the winning author will receive a full pass to and a guaranteed panel at CrimeFest 2022

 The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year

The Petrona team would like to thank our sponsor, David Hicks, for his continued generous support of the Petrona Award. We would also like to thank Sarah Ward, who has now stood down from the judging panel, for her valuable contributions over many years. We wish her every success with her new Gothic thriller, The Quickening, published under the name Rhiannon Ward. We are delighted to have Jake Kerridge, The Daily Telegraph’s crime fiction critic, join the Petrona team as a guest judge for this year’s Award.

The judges’ comments on the shortlist: There were 37 entries for the 2020 Petrona Award from six countries (Denmark, Finland, France, Iceland, Norway, Sweden). The novels were translated by 24 translators and submitted by 21 publishers/imprints.

There were 13 female and 24 male authors. This year’s Petrona Award shortlist sees Norway strongly represented with three novels; Finland, Iceland and Sweden each have one. The crime genres represented include the police procedural, historical crime, literary crime, comedy crime and thriller.

The Petrona Award judges selected the shortlist from a rich field. The six novels stand out for their writing, characterisation, plotting, and overall quality. They are original and inventive, often pushing the boundaries of genre conventions, and tackle highly complex subjects such as legacies of the past, mental health issues and the effects of grief. Three of the shortlisted titles explore the subject of criminality from an adolescent perspective. We are extremely grateful to the six translators whose expertise and skill have allowed readers to access these gems of Scandinavian crime fiction, and to the publishers who continue to champion and support translated fiction.

The judges’ comments on each of the shortlisted titles:

THE COURIER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)

 Kjell Ola Dahl made his debut in 1993, and has since published seventeen novels, most notably those in the ‘Gunnarstranda and Frølich’ police procedural series. In 2000, he won the Riverton Prize for The Last Fix, and the prestigious Brage and Riverton Prizes for The Courier in 2015. In much the same way as Icelandic author Arnaldur Indriðason, Dahl explores the experience of the Second World War by moving away from the linear murder mystery to something far more searching and emotionally driven. The Courier is an intelligent and absorbing standalone that offers a perceptive and highly moving exploration of Scandinavian history. It traverses changing times and cultural norms, and traces the growing self-awareness of a truly memorable female protagonist.

INBORN by Thomas Enger, tr. Kari Dickson (Orenda Books; Norway)

Thomas Enger worked for many years for Norway’s first online newspaper, Nettavisen, and as an author is best-known for his five novels featuring the journalist-sleuth Henning Juul, one of which – Pierced – was shortlisted for the Petrona Award in 2013. He has also won prizes for his thrillers for young adults. Inborn, his first standalone novel to be translated into English, tells the story of a murder trial from the perspective of the seventeen-year-old defendant, and combines a gripping courtroom drama with a tender and intriguing portrait of Norwegian small-town life, and the secrets bubbling away beneath its surface. 

THE CABIN by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway) Having previously worked as a police officer, Jørn Lier Horst has established himself as one of the most successful Scandinavian authors of the last twenty years. Horst’s previous ‘William Wisting’ novel, The Katharina Code, won the 2019 Petrona Award for Best Scandinavian Crime Novel, as well as the Nordic Noir Thriller of the Year in 2018. The Cabin sees Chief Inspector Wisting juggling the demands of two testing cases, leading him into the path of an old adversary and plunging him into the criminal underworld. Horst has once again produced an impeccably crafted police procedural with a deft control of pace and tension. 

THE SILVER ROAD by Stina Jackson, tr. Susan Beard (Corvus; Sweden)

The Silver Road is Stina Jackson’s highly accomplished debut. It has achieved remarkable success, winning the 2018 Award for Best Swedish Crime Novel, the 2019 Glass Key Award, and the 2019 Swedish Book of the Year Award. Set in northern Sweden, where Jackson herself grew up, the novel explores the aftermath of teenager Lina’s disappearance, and her father Lelle’s quest to find her by driving the length of the Silver Road under the midnight sun. Three years on, young Meja arrives in town: her navigation of adolescence and first-time love will lead her and Lelle’s paths to cross. The Silver Road is a haunting depiction of grief, longing and obsession, with lots of heart and a tremendous sense of place. 

THE ABSOLUTION by Yrsa Sigurðardóttir, tr. Victoria Cribb (Hodder & Stoughton; Iceland) A full-time civil engineer as well as a prolific writer for both adults and children, Yrsa Sigurðardóttir is one of Iceland’s best-selling and most garlanded crime novelists, and the winner of the 2015 Petrona Award for The Silence of the Sea. The Absolution is the third entry in her ‘Children’s House’ series, and features a very modern killer who targets teenagers with an MO involving Snapchat. This artfully plotted and thought-provoking book continues the series’ focus on the long-lasting impact of childhood trauma, with welcome light relief provided by the mismatched investigators, detective Huldar and child psychologist Freyja.

LITTLE SIBERIA by Antti Tuomainen, tr. David Hackston (Orenda Books; Finland) Antti Tuomainen is a versatile crime writer, whose works draw on genres as varied as the dystopian thriller and comedy crime caper. His third novel, The Healer, won the Clue Award for Best Finnish Crime Novel in 2011 and he has been shortlisted for the Glass Key, Petrona and Last Laugh Awards, as well as the CWA Crime Fiction in Translation Dagger. Little Siberia, set in an icy northern Finland, opens with a bang when a meteorite unexpectedly lands on a speeding car. Transferred to the local museum for safe keeping, the valuable object is guarded from thieves by local priest Joel, who is grappling with both a marital crisis and a crisis of faith. Absurdist black humour is expertly combined with a warm, perceptive exploration of what it means to be human.

The judges

Jackie Farrant – Crime fiction expert and creator of RAVEN CRIME READS; bookseller for eighteen years and a Regional Commercial Manager for a major book chain in the UK.

Dr. Kat Hall – Translator and editor; Honorary Research Associate at Swansea University; international crime fiction reviewer at MRS. PEABODY INVESTIGATES.

Jake Kerridge – Journalist and literary critic. He has been the crime fiction reviewer of the Daily Telegraph since 2005 and has judged many crime and thriller prizes.



Thursday, 6 August 2020

2020 CWA Daggers - Shortlists Announced

The 2020 shortlists for the prestigious CWA Dagger awards, which honour the very best in the crime writing genre, have been announced.

The world-famous Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.
Mick Herron’s Joe Country, Claire Askew’s What You Pay For and Lou Berney’s November Road are all in contention for the CWA Gold Dagger, awarded to the best crime novel. November Road is also on the shortlist for the Ian Fleming Steel Dagger for the best thriller, up against One Way Out by AA Dhand, Between Two Evils by Eva Dolan and the Richard and Judy pick The Whisper Man by Alex North.

Linda Stratmann, Chair of the Crime Writers’ Association, said: “As the CWA Daggers are unmatched for their reputation and longevity, these shortlists offer a showcase of the finest writing in crime fiction and non-fiction. They reveal the remarkable variety and huge relevance of the genre, which continues to dominate book sales and to shape our cultural landscape.

The much-anticipated John Creasey (New Blood) Dagger highlights the best debut novels. Among the six shortlisted debuts are Little White Lies by Philippa East, acclaimed as ‘unputdownable’, and Trevor Wood, who served in the Royal Navy for 16 years, makes the list with The Man on the Street, featuring a homeless veteran grappling with PTSD, dubbed by Lee Child as ‘an instant classic’.

Abir Mukherjee’s Death in the East is not only shortlisted for the Gold Dagger but also the Sapere Books Historical Dagger. He contends with Metropolis, completed just before Philip Kerr’s untimely death and SG Maclean, who won the Dagger last year for Destroying Angel; she returns with The Bear Pit.

The Crime Fiction in Translation Dagger shortlist features Finland’s acclaimed and award-winning writer, Antti Tuomainen, with Little Siberia translated by David Hackston. The king of Helsinki noir is up against Marion Brunet, the winner of the prestigious Grand Prix de Littérature policière in 2018, whose novel Summer of Reckoning is translated by Katherine Gregor.

The CWA Daggers are one of the few high-profile awards that honour the short story.
Syd Moore, who was shortlisted in the category in 2019, returns with her short story “Easily Made” in 12 Strange Days of Christmas. Paul Finch, a former cop and journalist turned bestselling crime writer, sees his short story “The New Lad” (published in the anthology Exit Wounds) make the shortlist. They are up against established authors including Christopher Fowler, author of over fifty novels and short-story collections, and the blockbuster American mystery writer Jeffery Deaver, who won the Short Story Dagger in 2004.

The shortlist for the ALCS Gold Dagger for Non-Fiction includes Casey Cep, a staff writer at the New York Times whose first book Furious Hours: Murder, Fraud and the Last Trial of Harper Lee, has received acclaim on both sides of the Atlantic. Also on the shortlist is Caroline Goode for Honour: Achieving Justice for Banaz Mahmod. It’s the heart-breaking true story of Banaz Mahmod, the young Londoner murdered by her own family for falling in love with the wrong man, adapted for TV starring Keeley Hawes as Detective Chief Inspector Caroline Goode.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year’s shortlisted nominees are Christopher Brookmyre, Jane Casey, Alex Gray and Quintin Jardine.

One of the anticipated highlights of the awards is the Debut Dagger competition, open to unknown and uncontracted writers. Settings for the shortlisted novels are varied and range from modern-day America, rural Australia, an organic farm near Bern, 2011 Cuba, a contemporary offshore oil platform and sixteenth century Orkney.

This year also features the Best Crime and Mystery Publisher of the Year Dagger, launched in 2019, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing.

The winners of the 2020 Daggers will be announced at an awards ceremony, due to take place on 22 October.

The Shortlists in Full:
GOLD DAGGER
What You Pay For by Claire Askew (Hodder & Stoughton)
November Road by Lou Berney(Harper Fiction)
Forced Confessions by John Fairfax (Little, Brown)
Joe Country by Mick Herron (John Murray)
Death in the East by Abir Mukherjee (Harvill Secker)
Good Girl, Bad Girl by Michael Robotham (Sphere)
IAN FLEMING STEEL DAGGER
November Road by Lou Berney (Harper Fiction)
This is Gomorrah by Tom Chatfield (Hodder & Stoughton)
One Way Out by AA Dhand (Bantam Press)
Between Two Evils by Eva Dolan (Raven Books)
Cold Storage by David Koepp(HQ)
The Whisper Man by Alex North:(Michael Joseph)
JOHN CREASEY (NEW BLOOD) DAGGER
Your House Will Pay by Steph Cha (Faber & Faber)
My Lovely Wife by Samantha Downing (Michael Joseph)
Little White Lies by Philippa East (HQ)
The Wreckage by Robin Morgan-Bentley (Trapeze)
The Man on the Street by Trevor Wood(Quercus Fiction)
SAPERE BOOKS HISTORICAL DAGGER
In Two Minds by Alis Hawkins (The Dome Press)
Metropolis by Philip Kerr(Quercus Fiction)
The Bear Pit by SG MacLean (Quercus Fiction)
Death in the East by Abir Mukherjee (Harvill Secker)
The Anarchists’ Club by Alex Reeve (Raven Books)
The Paper Bark Tree Mystery by Ovidia Yu (Constable)
CRIME FICTION IN TRANSLATION DAGGER
Summer of Reckoning by Marion Brunet, translated by Katherine Gregor (Bitter Lemon Press)
The Godmother by Hannelore Cayre, translated by Stephanie Smee (Old Street Publishing)
Like Flies from Afar by K Ferrari, translated by Adrian Nathan West (Canongate Books)
November by Jorge Galán, translated by Jason Wilson (Constable)
The Fragility of Bodies by Sergio Olguín, translated by Miranda France (Bitter Lemon Press)
Little Siberia by Antti Tuomainen, translated by David Hackston (Orenda Books)
SHORT STORY DAGGER
The Bully by Jeffery Deaver in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)
The New Lad by Paul Finch in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)
The Washing by Christopher Fowler in Invisible Blood, edited by Maxim Jakubowski (Titan Books)
#Me Too by Lauren Henderson in Invisible Blood, edited by Maxim Jakubowski (Titan Books)
The Recipe by Louise Jensen in Exit Wounds, edited by Paul B Kane and Marie O’Regan (Titan Books)
Easily Made by Syd Moore in 12 Strange Days of Christmas (Point Blank Press)
ALCS GOLD DAGGER FOR NON-FICTION
Furious Hours by Casey Cep (William Heinemann)
Corrupt Bodies by Peter Everett (Icon Books)
Honour: Achieving Justice for Banaz Mahmod by Caroline Goode (Oneworld Publications)
The Fatal Passion of Alma Rattenbury by Sean O’Connor (Simon & Schuster)
The Professor and the Parson: A Story of Desire, Deceit and Defrocking by Adam Sisman (Profile Books)
The Adventures of Maud West, Lady Detective by Susannah Stapleton (Picador)
DAGGER IN THE LIBRARY
Christopher Brookmyre
Jane Casey
Alex Gray
Quintin Jardine
DEBUT DAGGER
The Spae-Wife by Anna Caig
Whipstick by Leanne Fry
Pesticide by Kim Hays
Emergency Drill by Nicholas Morrish
Revolution Never Lies by Josephine Moulds
Bitter Lake by Michael Munro
PUBLISHERS’ DAGGER
Bitter Lemon Press
Harvill Secker
Head of Zeus
HQ
Michael Joseph
Orenda
Raven Books
Severn House