Organic wrap bracelet (Jewelry Making Mojo Challenge)

Beacause of the time of year, I've not been good at keeping up with the Jewelry Making Mojo Challenge every week. I still have a WIP from the colour palette week, never got far with the redo assignment and the ancient inspiration week never got beyond a few sketches and a favourite civilization. But this week, I felt it was about time to actually start doing something, regardless of potato work. I ended up with a very simple piece, but on the other hand I like simple jewellery -- and it felt like the right style for the brand I chose.

The assignment of the week was to "Create a piece of jewelry inspired by your favorite clothing catalog or online store". Well, I'm not sure I have a favourite. What little money I have, I spend on beads and not clothes. The clothes I shop are mostly affordable basics like tops and cardies. But even if my interest in fashion is lukewarm to say the least, I do have taste preferences and ever since encounting mori kei, I've got a bit of interest in clothes back. Fashion is boring, personal style is fun. So it's finding interesting styles and gets me interested in clothes. Something that's easy to see if looking at my Hair & clothes pinboard (yeah... hair's another thing I'm not much into, mostly because I suck at making nice updos and don't like to spend time curling, straightening, drying etc).

Anyway, for this assignment, I went to my pinboard and started looking through it. What to choose? One of the lagenlook/romantic country inspired brands (Östebro, Aurea Vita, Ewa i Walla, Rundholz, Ivey Abitz etc) as they're so earthy and poetic? Artka for colourful, "ethnic" (yeah, don't like that word but as it's useful...) inspiration? No, in the end I went with a brand that makes nice, simple clothes for every day: Braintree, a brand of organic, ethical clothing.

I wanted to do something that matches summer outfits like this -- and of cause something that'd follow the same ethics as the brand. It had to be organic. Now, I'm embarrassed to say I don't have that much organic stringing materials (not to mention organic floss: do you know how hard it is to find organic or fairtrade cotton embroidery thread??), but I did find a ball of cotton yarn from Marks & Kattens (M&K Eco) which I felt was a good fit for the clothes.

It would've been pretty to finish the simple wrap bracelet off with a shiny metal charm, but I wanted to stick with the theme and go for something more green. Much metal is recycled today, but it wasn't enough for this design. So I went with an old wooden lentil bead. Wood is of cause only green if the forestry is responsible. Still, green enough for this design.

After making the first bracelet, I also made a second using a laser cut birch wood pendant I've had lying around for ages. Thought the motif suited the ideas behind the design.

The design can perhaps be a tad dull, but I'm seeing them as stackable bracelets to be combines with others -- and I had to make due with what I had at home. You take what you have.

Because the bracelets wrap three times around the wrist, they're also a suitable size for a necklace if one wishes to use it that way instead. Perhaps adding charms or pendants according to whatever fits the outfit of the day. One could of cause do that when wearing them like bracelets too if it feels too plain like this.

Captured wishes

The potato season has begun so I'm not blogging much right now, but as I'm prepping some posts for my other blog I might as well show you some recent photos. I keep getting back to romantic/poetic jewellery using dried plant materials and this time it was the "make a wish pendants/necklaces" using dandelion seeds that captured my interest.

I thought it'd be cute to take a photo of the pendants in the grass or, as I ended up choosing, the moss to, but it turned out to be a less that ideal spot for taking photos of glass... Stupid glare...

Well, at least the moss is pretty as always. Had the pendants been filled with anthing more substantial or colourful than dandelion seeds it would also had been less of an issue. (And, yes, I'm going to pretend no one can see the Tack-It I used to keep the brass lid on the glass globe. Didn't want to glue it in place as I will take out the dandelion seeds and replace it with something else, but had to do something to keep the lid from popping of while taking the photos.)

Playing with a monochrome and neutral palette (jewelry making mojo challenge)

I'm really getting into making long headlines... Anyway, this is some of what I've done this weekend inspired by the Jewelry Making Mojo Challenge assignment of the week, which was working in monochrome.

Now, if someone tells you to work in monochrome would you end up with something as boring as beige as your chosen colour? Surely, neutrals are best when used to enhance a colour, like when combining light grey beads with a turquoise blue focal? It wasn't my plan -- I thought about using blue to challenge myself, then I wanted saturated purples to really temt the eye and then I ended up with beige-brown just because I had to go through my flower-and-leaf-beads box and happened to pick up the zip-lock bag with button flowers... The button flowers just happened to sit so nice between the maple leaf beads in the same colour (as you can see below) and as it fitted the challenge...

Originally I wanted to make a daintier bracelet, just using one flower and a leaf on each side, but then I thought "why not see what it'd look like if I used all the five flowers in the bag?" and that's the point where I got the camera out -- in between baking; if the photos look sloppy it's because I took them while I had cookies in the oven.

This is a WIP. I haven't finished it because I'm trying to find a slightly darker cord (and hopefully a matching clasp, might be a button -- or one of the flower beads if I just had more of them). Then I'll probably knot between the trios of beads instead of using seeds like I've done here.

Just to give you a better idea of what the bead combination would look like with more colour, here are two other variations of it:

(If I'd had purple/lilac maple leaf beads this challenge would of cause have featured the flower below instead of the beige-brown beads. Believe it or not, despite my love of purple, I only own two purple leaf beads -- and they're not the right shape for this.)

I think I'll play around some more with this bead combo, see what I can make from it and perhaps see if it works with other leaf beads too, though of the ones I have I do believe maple leaves are the best option. I'll also do a few dangles with just one leaf below the flower.

Colours of darkness (Jewelry Making Mojo Challenge)

Wow, it get's late too fast when you're working on the computer! I should soon get ready for bed, but I have to blog about this first of I'll forget. You see, I've participated in the Jewelry Making Mojo Challenge this week again.

The challenge of the week was to be inspired poem, quote or song. I chose the latter and more specifically a song by Laleh called, simply, Colors. Now, you might ask why I chose it, but I don't have a good answer. I'm a fan of Laleh so it's not a random choice, not something picked just off the radio, but it isn't my favourite song by her. It's one heard on the radio almost as often as Stars Align right now and usually I like to be inspired by something I haven't heard that often and that recently. Anyway, regardless of why, I picked it.

As the focus felt like it was on words it's nothing like e.g. this challenge where I was inspired by the sound of the instruments and the melody. Here, focus was more on the lyrics -- and my very literal inspiration. First it was the age old idea of light-dark that I wanted to do something with, but in the end it was the chorus that stuck: "just because it's black in the darkdoesn't mean there's no color". And I made two, as I said very literal, creations based on that.

First literal interpretation focused on darkness and colours -- dark colours. In certain lights the beads look almost black even though they do have colour: dark bronze and montana burgundy luster respectively. For the bracelet, I was also inspired by the many delicate, simple bead bracelets I've been fond of for some time. This could be more delicate, but I still like it. The idea is to use it as part of a bunch of stackable bracelets, but it can also be used on its own.

Now, for the second piece I focused more on darkness AND colour. In a way, there's also light as you need light for the colours in the darkness of the stone to flash. Initially I wanted use just labradorite, but my light grey labradorite beads doesn't really convey darkness at all. So I picked up a larvikite bead -- it, too, has a schiller effect, but sadly it isn't very visible in my bead so it had to be paired with one of the labradorite beads. (First I added a second lab. bead over the larvikite bead, but it didn't look right so I took it off.) It's strung on three rows of medium braided silk cord hand-dyed in shades of grey and black.

The photo above gives a good idea of the colours of the stone, but not the lovely labradorescence. So I took the pendant out in the sun for this shot:

Colours very much hidden in the darkness (well, light grey can feel dark if it's, say, the grey of a sunless november day), but which needs just a little flash of light to reveal itself in all its glory.


These are two simple pieces, but I still hope you enjoyed seeing them.

Three leather bracelets

Today I've got three new bracelets to show. I got three different flat leather cords from Endless Leather and challenged myself with trying something new with them. The first piece was also a colour challenge as I opted for colours matching Pantone's Color of the Year, Radiant Orchid.

Let's start with the Radiant Orchid bracelet. For this one I used a soft, stitched nappa cord in the colour Candy and czech 11/0 seeds in the colour Opaque Berry Pearl Matte. The idea was to use one of my favourite stitches, whipping, to attach beads to the leather cord, utilizing the existing seams on each side of the flat cord. By using the seam, you don't need to make any holes in the cord so it's great for those who don't have hole punches, awls or similar tools for making holes in leather.

Below, you can see the cord partially beaded, showing the double seams it had from the beginning. You can also see a pic of the unbeaded cord at Endless Leather's website if you need a better idea of what it looked like before beading it (never thought of doing "before" photos).

I did try a few variations, as you can see above, but settled for a simple whipped stitch for this first bracelet. And while it's simple, I am quite pleased with it as my idea panned out really well. While waiting for the cord to arrive, I worried that the seam might be too tight or the nappa too hard, making it impossible to push the needle and thread under the stitches -- but this cord turned out to be perfect for this technique! If I hadn't run out of cord, I would probably have many many more bracelets just because they're so fun and easy to make.

(If you like the technique, stay tuned: I'll be doing a post showing more in detail how the embroidery is made.)

For my second bracelet, using a flat metallic leather cord, I wanted to use another one of my favourite stitches (in both "thread embroidery" and bead embroidery): the stem stitch.

First I tried it with 11/0s in one colour, but it felt too chunky so instead I went with size 15/0 black seeds and 13/0 copper charlottes. The change of sizes is the reason for the long stitches: the holes in the leather were spaced for the bigger seeds. It's also the reason why I don't have double rows of stem stitch, an idea I thought about for a bracelet I wanted to embroider with vaxed linen cord. On the other hand, making two (mirrored) rows, would've obscured the pretty metallic colour of the cord too much. So I'll save that idea for another bracelet.

Be sure to notice that big magnetic heart clasp. Normally I prefer smaller clasps, but this chubby copper heart was hard to resist.

That leads us to the third and last bracelet, which unlike the others doesn't feature seed beads. For a while the idea was just to use seed beads, but I wasn't happy with the ideas I came up with. So as a last minute resort, I picked up an antiqued silver-plate tea rose, put a matching lavender bead in the centre of it and wrapped it onto the bracelet. (You can see some of the cord on the rose here, but after taking the photos I pushed it down between the petals to make it more invisible.)

I might redo this one -- feel like making a feather stitch bracelet and this could be a good base... With or without the rose, come to think of it: the feather stitch could be used to make leaves each side of the tea rose. Or maybe make beaded daisy stitch leaves? Hrmm... I need to think this over for a while...


Anytway, that's it, my latest three bracelets. Hope you liked them!

We're All Ears march challenge

So... when I saw the pic Erin chose as the inspiration for this month's challenge, I felt like joining in even though I rarely make earrings. Very rarely. The deadline was yesterday and I had nothing to show. Why? "Det bidde en tummetott", as we say here (at least if you remember the old classics). Of grand ideas came a meager result. I wasn't happy with my embroidery designs, that's way. First time trying to make embroidered earrings and all and I'm simply more used to adapting stitches and motifs to bracelets, not tiny earrings.

But I didn't really give up. No, instead I decided to let the ideas mature a bit and instead make just a fun little design. Or "design", it's more of just putting a piece of tape on an earring. As you can see below.

But let me explain some more. That's a piece of printed textile tape that I pierced with a headpin on the middle and then folded together. After that it was just a matter of creating a wrapped loop and slide it onto the clip-on earrings. Unfortunately, I only had bright silver plated and gold plated ones and this earring dangle is crying out for something a tad more antiqued (tricky to oxidize plate).

Those rectangular tape pieces reminds me of the "wind catchers" on a fūrin. Guess they'll blow in the find just like them too considering how light they are.

As for making the loop you have two options: either make a small loop big enough to fit the ring, but not slide over the balled ends, or make a slightly larger loop that slides over the ball ends so you can make the earrings interchangeable. Personally I prefer the latter, though you have to be aware that it's easier to loose either the dangle or the ring when they aren't permanently attached to each other. (This is what happened with these earrings yesterday...)

That's the back of the earrings in case you wondered why I needed four photos of a simple pair of earrings.

So to conclude, not the earrings I wanted to show you today/yesterday, but still a fun little experiment I'm not too embarrassed to show people.


To see everybody else's challenge entries, please visit the Earrings Everyday reveal post!

Star stitch bracelet (Jewelry Making Mojo Challenge)

The potato season began this week (meaning I'm pretty tired today after three days of work as the first days are the toughest what with getting up early and doing a lot of lifting and carrying). Knowing that it was coming up I knew it'd be impossible to tag along with e.g. the daily FusionBeads challenges, but I do want to have some creative challenges right now so I was hoping to be able to do the 12 weeks of Heather Powers' Jewelry Making Mojo Challenge. And today I planned to sit down with this week's challenge, Back to school. Not only planned, but managed to both start and learn a new technique -- even as both bed and books beckoned me and the other blog called for attention I made it my first priority today.

This week's challenge was, as the name Back to school implies, to sit down, find a project and make something inspired by it. Soon, I knew what I wanted to do. It was the perfect "excuse" or push to try a crochet stitch called star stich. I love those kind of decorative stitches or patterns, both crocheted and knitted. As I don't knit and don't really feel like learning it (no, I only learned how to crochet in school for some reason) the knitting stitches are more eye candy. Many crochet patterns are too, but this one was so interesting I wanted to give it a try even though it's many years since I did anything other than chain stitches.


Now, it should be noted that I haven't tried anything beyond chain stitches and slip stitches in over fifteen years. Nor have I even tried making a stitch like this. I used to stick to the basic stitches. A treble crochet stitch (US) or double treble crochet stitch (UK) was probably the most complicated one even tried. I also remembered that I used to have a very tight tension, something that would'nt work with this stitch. All in all, you can see why the result is far from brilliant. It's wonky and uneven, but I don't really care. Just need to practice more -- because I'm so going to learn more crochet stitches now.

As you can see in my pinboard, I've been looking at inspiring pieces, patterns and how-tos for star stitches lately, since before deciding to make it my challenge this week. (If you read my other blog, you just got the reason for why I posted this earlier in the week.) I used the video from Drops to learn the stitch by watching it several times and then printing the written instructions (available in several languages) to have by my side when picking up yarn and crochet needle. My projects to be inspired by was from B.Hooked and Made With Love, but as I wanted a light spring bracelet rather than a warm winter cuff, I decided to only make it two rows wide (= one row of "full stars").

First I did a test pieces in acrylic knitting yarn. Not the best yarn, but I wanted a full yarn, similar to the one used in the Drops video (also, it's one of few yarns I feel ok with "wasting"). Then it was time to choose a yarn for the bracelet. That turned out to be trickier as most of my yarns aren't designed for crocheting, seeing how I haven't really done it since I was a kid. Some novely yarns would also obscure the star pattern, making the stitch a bit unnecessary compared to a plain double crochet (US)/treble (UK).

After going through the stash, I settled for an expensive linen/viscose/cotton yarn in linen, green and purple.
It wasn't until after about four stars that I suddenly realised why it was the wrong yarn... The way the yarn was printed (yes, that's what the label says, not dyed but printed) and the way the stitch is made, the stars wouldn't be in one colour as they're completed first in the second row of crochet. A green star would be mostly green, but with the top in purple and taupe. It's not variegated as the yarn in the bracelet at the Made With Love blog, which makes a charming star stitch bracelet, it's a much bigger space between the different colours -- and it just doesn't work as well. Also, after making the whole length, I realised a star looks better in solid colour or just discreetly variegated colours, not in mottled colours as this yarn has in some sections.

But, then again, this was more of an exercise to boost my creativity and learn something new than about making a brilliant piece of jewellery so I'm not disheartened by the result. In fact, it just makes me want to make more of them! Better ones, both in yarn choice and in quality of technique. And it was sucessful enough for me to want to try other crochet stitches and patterns in the same style (especially puffy flowers/stars).

The bracelet doesn't have a clasp, i.e. button, yet. Not sure if I'm going to keep it, rip it up -- or perhaps make a second row of stars as I'm starting to think it might be a better choice (and it'd be interesting to see the difference). Right now it's just about a finger wide (doesn't have rule or tape measure here to measure it) so even twice as wide it wouldn't be too wide.


So all in all, while the result may be mediocre, it was a great and inspiring exercise that got me a bit hooked on crochet again!

Challenge of Music 2014

A belated welcome to my stop on the Challenge of Music blog hop! After what seemed like an eternity of knotting (126 knots to be precise), I finally have a challenge piece to show. It's green, but not so much in anticipation of spring. The colour is in many ways the central component of this story and challenge creation and it all begins in the year 2000.

My studentmössa, "student cap", from the graduation in June 2000.

The year 2000 started, in a way, rather anticlimactic for many after the much ado about nothing 1999 new year's eve. No world ending, no civilization crushing Y2K computer bug, no epic end-of-a-millenium party. But for me and everyone else my age in this country it was the beginning of a very important time. It was our last semester at gymnasiet, the three years following the mandatory nine years of schools, and it was time to choose our path in life. As the year transcended into the Year of the Dragon, many of us were really to send in our university applications. I was one of them, the first one (and so far the only one) in the family to aim for higher education.

This is the first meaning of the green colour as I, during the last year studying at the social science - business administration programme (samhälle ekonomisk), had gotten fed up with what I thought was my path in life, marketing. The more we studied, the less it felt creative and challenging and the more it felt like just learning about how to manipulate people. Business administration felt hollow, without real meaning and importance even though I still sort of loved the dynamic world of business. And having become more and more interested in environmental issues as well as human rights, contrasting marketing with the important issues in the world, money making felt soulless. The solution came one day when our class teacher handed us a list of business admin and economics programmes at the universities and högskolor in Sweden. After looking through the list, one line stood out. It said the Ecological Economics Programme. Not knowing much about all the existing disciplines, this felt like striking gold: I could combine my interest in economics/business admin with my passion for environmental issues! I knew straight away what I wanted to study after the summer. Now it was just a matter of finishing the last courses, get my grades and my student cap and then pursue my new passion in life.

In the summer I got the papers saying I got in and in late August I moved to a student flat in Västerås, a place I couldn't even pinpoint on a map of Sweden I'm embarrassed to say...

This is where the music part of this challenge comes in. Choosing a year was easy, the year 2000 was so extremely important in my life, but choosing a song wasn't much harder. We only had the basic channels on telly (plus the danish as we're on the verge of the area where you can get their broadcasts), but in my flat I got cable, which meant getting two (then) music channnels, MTV and ZTV. I still remember two songs from that year, one mainly from the telly (Overload with the Sugabages) and one from the telly and the clubs I visited with my new class mates that autumn. This is the second song I remember from that year:

The one thing I remember from the actual music video I saw on my telly was -- yes, you guessed it, the colour green.

But there's even more green associated with the year 2000 for me. Not just the green from the song I remember so well from the dance floors and videos on telly, not just the symbolic green of my choice of studies (apart from Ecological Economics, it included all sorts of green disciplines, from environmental sciences and green technology to eco sociology and environmental history). The one thing I remember best from my first -- and so far, only -- flat was not the inside, but what was outside. A country girl moving to the big city, I still felt close to nature: on the back of the student apartment building there was a lawn and a small exposed cliff with bushes and trees. You could at times see many rabbits and on occasions even a roe or two. At the centre of it all was a big linden tree. Every time I looked out my windows, I saw that beautiful tree, it filled up the window frame.

So that my challenge piece was to be green was the one thing I knew right from the start when signing up. Now it was "just" a matter of design and finding the right components. In the end, I settled for a simple (but somewhat time consuming design) that focused mainly on colour. The colour of the music video and the colour of my memories of the year of the dragon 2000.

In a way it's also a reference to home: the paired dagger beads reminds me of bamboo leaves, like from the bamboo bushes dad planted in the gardens. I spotted that while making the necklaces so it wasn't a symbol I intended originally.

As for more references to the music, it's a song that make you want to move -- dance or just jump up and down -- and I can just imagine the necklace and the beads bouncing and moving with the person wearing it.

The necklaces is made using medium braided silk thread and small dagger beads in a very simple pattern, knotting them two and two with spaces in between. Thought about varying it a bit, knotting some daggers in groups of three or one, but in the end I kept it like this --probably because of them reminding me of our beloved bamboo. At first it was intended as a lariat without clasp, but as it tangles easily I felt it was probably better to add a clasp -- none can be seen in the pics as I want a green one to match the beads -- wear it like a multi-strand rather than wrapping it around the neck.

It's very simple, but I like it. It'd be easy add a removable pendant or little beads on headpins if I ever felt like varying it a bit.

And that's it, my challenge creation and my story of an important year in my life. It's my life -- a fragment of it captured in glass beads and silk cord. For many more stories and creations, please visit our challenge creator and blog hop host Erin's challenge reveal post for her creations and for links to the rest of the participants. Enjoy!

Challenge earrings -- or, seeing an old bead in a new light

I'm still editing my reveal post for the Challenge of Music so I thought I'd take a break from that and show these earrings instead, which is sort of a fusion between yesterday's challenge in FusionBeads' 30 Day Challenge and this week's bead soup challenge in Heather Powers' Jewelry Making Mojo Challenge. It's not much of a bead soup, just four beads, but I'll try to explain why it still sort of is in my mind. But let's start from the beginning.

These four beads come from a bag of mixed leaf beads I've amassed over the years. It contains leftover beads as well as beads I just bought one or two of (often just to see the shape or colour IRL with no project in mind). As there's so few of them, I rarely find a project for them. Especially since I don't actually do earrings (as explain in an earlier post, I don't wear earrings and don't have pierced ears), but lately I was inspired by the blog Earrings Everyday to get my little stash of clip-ons and screwbacks out.

The focal point of this design is the milky red beads. Originally, I bought them for an autumn design with matching flower beads. They're autumnal maple leaves and I never saw them as anything but. Until... Thinking about the bead soup and earring challenges, I picked out the leaf bead bag and started to think. Turning the red leaves around, they do look like some sort of exotic flower or a floral motif from old indian, persian or other asian designs. Suddenly, I had budding flower beads instead of leaf beads in the bead soup ziplock bag!

After that it was only a matter of deciding on the design.

In the end, I when with my first choice as I liked the inverted drop shape.

And that's it, the first pair of earrings I've made in over a year.