Showing posts with label Jules Verne. Show all posts
Showing posts with label Jules Verne. Show all posts

Wednesday, November 25, 2020

Astound the Age, Verne's Twentieth Century Paris

AstoundtheAge

Michel Dufrénoy's Guide to Our Past Century
By Bob Kirchman

Copyright © 2020, The Kirchman Studio, all rights reserved

In 1863, right after the publication of Five Weeks in a Balloon, Jules Verne presented his publisher Jules Hetzel the manuscript for Paris in the Twentieth Century. Hetzel rejected it. Verne’s great-grandson, Jean Verne discovered the manuscript and published it. The story follows young Michel Dufrénoy through a future world that has forgotten the influence of true art and fallen into a harsh utilitarianism. The story ends with Dufrénoy collapsing in the snow. Here I engage in a bit of ‘fan literature’ as I offer a sequel to Paris in the 20th Century.

So this is what death is like” thought Michel Dufrénoy. His hand turning blue clutching the ruined violets. The demon of electricity no longer tormented his mind. Instead he heard what must have been the voice of an angel. As his life ebbed away the young poet heard a lovely voice… strangely familiar. Something stirred him to a heightened consciousness and the voice grew stronger. Now imperative! “Wake up!” His mind jolted to alertness and Michel thought to himself “this cannot be!” Yet, in the thoroughness of his search, he had stumbled into this precinct most thought deserted… yet there was the voice… again! Begging him to rouse! Dufrénoy struggled to rise and fell unconscious back into the snow.

Consciousness returned and Michel found himself lying on a mat in some sort of subterranean conduit. It was a round tube lined with brick and its walls bore the evidence of seeping water, the stains confirming the young man’s suspicion that he was indeed underground. At this moment, anyway, the tunnel was dry. Michel was wrapped in blankets and surrounded by heated bricks. He was coming back from the dead! A single light dangled from a wire in the tunnel and though it was electric, it was dim – an antiquated device which gave a very limited light to the catacomb in which it shown. As he stirred, an old woman emerged from the darkness to check on him. “How do you feel?” she asked. Michel Dufrénoy could only manage a groan.

So, what had befallen our young protagonist? Though he would not remember it, his new benefactor told him the story as he regained his faculties. Indeed he had fallen in the snow of the cemetery and was almost dead when a member of their group returning to the catacombs found him. This person tried to rouse him but when she could not, convinced some of the community to risk bringing him inside. The tombs of major cities often were places not inhabited – but providing shelter to those outside of the civilization proper. In Rome, the catacombs had provided space for the faithful to worship during the harsh reign of unfriendly emperors. Here in the mausoleum district was a bit of abandoned air and steam tunnel in which lived a community in exile.

The entrance to this place was a well-hidden shaft built for maintenance that was inside the precincts of the cemetery. The falling snow had made it imperative that they refrain from sorties outside the tunnels so as not to leave footprints but one of their members required medicine and so a close relative had volunteered to carefully leave the community and return. She was the one who found Michel. There are many stories, particularly from the great American war a hundred years before, of departed loved ones appearing in dreams to their most cherished as they leave this world and Michel pondered the voice he recalled so clearly in his brief moment of regained consciousness in the snow. Indeed the ruined violets spoke to a love that would sacrifice – a higher love from an abandoned time.

He thought about the modern technocrat’s abandonment of faith in the Divine – and the ‘miracles’ recorded in the past that the moderns derided. Even Michel was no strong believer. The church existed to instill order in society and bury the dead. It was not a good thing to have religious fervor as that was often the stuff of conflict. But the Twentieth Century had experienced great travail as a result of diminishing faith in other ways. True, there were no longer wars over doctrines but the life of family and community had withered as personal satisfaction became the only motivator in society. Michel had never thought much about the Divine, but now he pondered his strange new circumstances and the vision that had preceded them.

Chapter Two

When Michel Dufrénoy regained a bit more consciousness he was delighted to see his old friend Monsieur Richelot! The old professor warmly embraced his pupil and after some amazed pleasantries, told his story. “Indeed I was being evicted for not paying my rent. My tenure as a teacher came to an end with the withdrawal of my last miserable student. One of my old colleagues came to visit me as I was cleaning out my office and let me know of this place. Lucy and I have joined the classics in exile, I fear. You must, however, be extremely grateful that she dared to go out for my much needed medicine, for it was she who found you, almost frozen to death! Be assured she convinced us to go outside at great risk and bring you inside. Thankfully the snow keeps falling and we have other entrances when we need them.”

At that moment Lucy emerged from the darkness, her eyes saying more than any words, even those of a great poet, could ever hope to express. Michel tenderly squeezed her hand, apologizing for not successfully conveying the violets to her. At that she raised her other hand displaying the ruined blossoms. Sweet laughter filled the illuminated space in the tunnel!

What followed was a long and slow period of healing. The three friends discussed their cherished literature and read aloud from volumes Richelot had been able to bring into the catacomb. Meals were bland, assembled from a forgotten cache of survival grains, primarily rice, that had been discovered in a forgotten shelter from times when men still waged war. Mushrooms, grown in the tunnels, provided flavor and some additional nourishment but alas, there was no way to create the richness of flavor that most had enjoyed above ground. Michel asked about Quinsonnas. Was there any news of his old colleague? Richelot knew nothing. Would the pianist emerge to ‘Astound the Age?’ No one knew. Gradually Michel met the other members of the community. There were poets, painters, musicians and dreamers. Misfits all!

As the young man grew stronger, it was time for him to enter into the life of the community. Richelot’s recommendation was all that it required. Now he was party to the deeper discussion of what would become of them. It was already decided that modern France held no place for them, but the plan was to immigrate to French America. How would they pay for passage in steerage of some vessel like Leviathon IV, the young man wondered? Richelot explained, “There are others, who you will not see. They are still in the employ of industry and commerce, but their hearts are with us. We have entered into a pact that will take us all to the wilds of Quebec and the acquisition of some land on which we may farm… and create! Will you come with us?”

Dear Monsieur Richelot! You know my answer.”

And so, young Dufrénoy entered into the life of the community. He often ran the dangerous errands necessary to maintain contact with the working members of the resistance. His skill at stealth made him an important agent of the little group and though there was no wealth to the group as yet, he mustered his courage to pursue talk of a future with Lucy. He could make no promise of established wealth, but he could offer the strength of a pioneer. He would work like a dog to provide for his family and in a new world, Hopes would become reality. Though he had lost the manuscript, Michel recalled the best of his words and began to write anew.

The Winter of the great freeze grudgingly came to an end. For the next year the group continued to work and save. Dufrénoy made his way into the outlying suburbs of Paris and secured employment as a clerk. He was able to rent a bunk in a modest dormitory and so contribute more to the cost of passage. With the blessing of the community he purchased some new clothes as well. His trips to the catacombs were of necessity few, but one day he appeared in his new clothes with a bouquet of local violets and a basket of nice foods and wine. “Monsieur Richelot,” he began, “I have to ask you a very important question.”

So began the engagement of Monsieur Dufrénoy and Lucy. The wedding would take place on the first day the ship was in international waters!

Chapter Three

Dufrénoy returned to his work a man with a mission. His employers thought him ambitious and seeking advancement. He soon rose to the level of the management he despised but kept to his simple lodgings. This required no small feat of stealth in itself, for an upwardly mobile young man was expected to live in the high opulence of self-indulgence he was entitled to. Michel deftly acquired a set of house plans and spent a bit of break-time in marking them up, changing room dimensions and moving walls. Possibly the dwelling so rendered could be built in Quebec. On weekends he sometimes went to look at land. His coworkers, convinced of his energies being expended in pursuit of the perfect dwelling, wondered not at his current economy of living.

His closest comrade at work was a Monsieur Jean Dumont, a clerk as he was, who had some interest in the arts, though he professed no talent. They occasionally discussed literature together though Dumont’s tastes disturbingly favored such works as ‘Song of the Turbines.’ Still, he was eclectic enough in his tastes that he possessed some of the old volumes. His reading included the works of the great engineer Claudius Crozet, who had built railroads in America and Isambard Kingdom Brunel. Rather than a crass fascination with industrialism in itself, Dumont admired these engineers of French descent for the poetry of their designs. Brunel’s bridges, though works of infrastructure, were works of art as well. Often his bridges incorporated Egyptian themes and his arches were graceful to behold. His Clifton Suspension Bridge was so beautiful it became the Iconic symbol of an English City.

Dumont and Dufrénoy worked for a large company that specialized in building bridges and highways. They both lamented the utilitarian nature of the projects they built in 1962. They also seemed to share a more frugal outlook in personal matters than their colleagues and often enjoyed a drink together, eschewing the lavish evenings enjoyed by their fellows. Jean had a modest house near the company which he lived in with his wife and children. Eventually he offered Michel a very reasonable rental of his extra bedroom. Since it was not much more than the dormitory and there was no commuting expense, it was a deal quickly sealed. On the occasional weekends when he went to see Lucy, there was nothing at all suspicious about it, save he simply disappeared from view for a few days.

The next year progressed rapidly and soon it would be time to sail. Since he lived ‘above ground,’ there was nothing unusual about Michel’s resignation and announcement that he was off to the Americas. Surely he would find employment with those audacious companies proposing even bigger motorways and a bridge from America to Asia! The future was bright indeed and Monsieur Dufrénoy would be there to take part in it! Passage was secured on a German vessel, the Wilhelm, for the Spring of 1964.

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In 1961, Russian engineer Peter Borisov proposed a dam across the Bering Strait that would carry a superhighway between Siberia and Alaska. The dam was planned as a climate modifying proposal that Borisov believed would warm Siberia. [1.]

Astound

Michel Dufrénoy's Guide to Our Past Century
By Bob Kirchman

Copyright © 2020, The Kirchman Studio, all rights reserved

Chapter Four

After the Wilhelm left the Paris Canal, it sailed briskly for six days to reach New York. Lucy and Michel were married by the captain and enjoyed their ‘homeymoon cruise’ to the new world. The Wilhelm was a smaller vessel than Leviathan IV and carried freight and passengers. The staterooms could be had for a bargain so the group traveled in style compared to steerage in the larger ships. Each cabin had an ample porthole and since there was no class distinction on a freighter, the group enjoyed full access to the deck for daytime recreation. The German working man demands good victuals, so the food was better too. After life in the catacombs it was refreshing to soak in light and sea air for even a few days. The crewmen were friendly and personable.

Richelot was happily surprised at the captain’s ample supply of Rhine wines. He had expected only beer. Here he discovered another irony. The captain had a very fine collection of music discs and played Motzart and other fine composers. Captain Zimmerman remarked to the old scholar: “Funny, but the fine things of the past have been spurned by the intelligentsia but we working stiffs have now embraced them as our own. In government schools they are taught to embrace discordant harmony but you will find that in places such as this, we educate our own children. They often find a taste for the good things quite on their own.” Indeed the mess room, if you would stoop to calling it that, featured some fine Romantic paintings from the likes of Frederic Church and the other Hudson River School painters. Between meals it served as a classroom for the crews’ children. If Leviathan IV was a ‘floating city,’ Wilhelm was in itself a floating community.

Indeed there was a sense of extended family here as wives and children sailed alongside their seafaring husbands, plying artisan trades that enriched their floating village. There were manufacturers of clothing, brewers, carpenters and leatherworkers. Families taught their own children and organized athletic games for them on deck.

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1964 New York World's Fair Painting. Artist Unknown.

Chapter Five

All too soon they made landfall in New York City’s harbor. Here towered buildings taller even than those in Paris. The Parisians wandered the Manhattan streets in a sense of awe. A train was engaged to carry them to Long Island’s village of Flushing, where they could stay in accommodations built for the 1964 Word Exposition in Flushing Meadow Park. The fair was about to open and the hotels, fearing a lower attendance at first, offered very inexpensive lodging in an effort to cut their expected losses. That is how Michel and Lucy Dufrénoy found themselves at the Fair.

Joining themselves to the first-day crowds, the young couple entered the ‘world of the future’ presented by the fair. It differed from the great World’s Fairs of the turn of the Century in several ways. First of all, the buildings were no longer in the form of a white classical city, they were generally more utilitarian. Among them was a giant ferris wheel in the form of an automobile tyre that towered above the fairgoers. There was a giant umbrella, representing an insurance company. An enormous egg towering above a forest of metal trees housed an exhibit about modern calculating machines.

There were giant boxes on stilts. Elevated trains ran on a single rail suspended above the fairgrounds. Flying machines landed and took off from the top of a large ‘T’ shaped structure. In the center of it all towered a gigantic model of the earth made from steel panels and struts. The continents were solid and the oceans described only by the meridians, which formed the structure for the massive globe. For three days the French immigrants wandered about the fairgrounds, taking in the wonders of the world. They awaited their journey by train to Montréal in French America. From there they would set out for parts unknown.

NYWF0001
1964 New York World's Fair Painting. Artist Unknown.

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1964 New York World's Fair Painting. H. L. Klein.

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1964 New York World's Fair Painting. Artist Unknown.



Chapter Six

The train made its way to Albany along the much painted Hudson River and the evening light on the water evoked those romantic images anew. From Albany, the next train made its way North to the customs house in Rouse’s Point near Lake Champlain. Then it was but a short journey further into Montréal. The travelers were disheartened to find that Vieux-Montréal, the old French center of the city, had been swallowed up in a sprawling modern metropolis much the same as modern Paris. In some regards it differed from New York only in that the language was different. There was no abundance of lodging here, however and the little group experienced their first tenement housing as they prepared to acquire land for their new settlement.

It seemed now that fortune had turned against the weary band as there was little property to be had in the rich farming lands. What remained was Northern muskeg and permafrost – land that did not promise any kind of existence past subsistence farming. Michel was charged with taking the search further out and found to his chagrin that the cost of anything that would support the colonists far outpaced their limited resources. Montréal offered little in the way of employment opportunities and the group squeaked by doing odd labor jobs as they came up.

Michel had kept correspondence with Jean Dumont, who informed him that he was headed to British Columbia to take a position with a highway builder. He would be presently traveling by airship to Montréal and then heading West by railway. “Would you like to come along, Michel, and seek opportunity for yourself where the world is expanding?”

Chapter Seven

Jean Dumont stepped off the airship in Montréal and greeted Michel Dufrénoy warmly. “I’ve just a few hours before I must catch my train Westward,” he said, “but I am so glad we could at least spend an evening together for old time’s sake.” Dumont’s wife and children would come later after he had established himself in his new position. “The Northwest Corridor Corporation will eventually connect America to Asia,” Jean continued. “You would do well to come with me to that place where opportunity is in such abundance. I could get you on as a clerk in our Calgory office. The great road to Alaska is already in place but we are widening it to a primary route with multiple travel paths just like our autoroutes in Paris. Astounding things are being done and you and your Lucy can have all the success you desire!”

Dufrénoy quizzed his former colleague relentlessly over dinner about the works in Western Canada. Dumont provided an extremely detailed description, adding: “There are untouched regions out there. It’s a chance to literally build a whole new world!” Dufrénoy pondered that statement gravely: “You mean, one would be able to create the culture from the ground up?” “Exactly,” said Jean, “There will be no relics of the past to impede the progress of mankind to that ‘great big beautiful tomorrow!’ Think of it, Michel, a clean slate on which to chart the future into the 21st Century! Antiquated notions no longer will restrain us. It will be a brave new world!”

There is NOTHING in those lands?” Dufrénoy asked, somewhat amazed. “Oh, there are some small farming communities, the local indigenous people and some old Russian Orthodox communities, but they are small and isolated. I imagine when our great corridor is laid out they will remain small and isolated. When the United States built the first gravel track along the route to Alaska, the local natives had never even seen a white man – Europeans were so completely unknown to them. The United States sent a group of Southern soldiers to build the road in the remotest part of that territory. They were the descendants of Africans who had been sold into slavery in that part of the world a Century ago – now free, but still lacking stature in that society. Their 97th Construction Battalion gave them purpose, and eventually stature as they built that most difficult section of the road.” [1.]

Dumont went on to say that the natives had heard reports that the white men were coming building the road. When one of the advance men for the 97th came into that region, a stunned native announced; “The first white man I saw was BLACK!” Jean went on: “The road was built in the days when Russia and America were still strong adversaries. In our day it is seen more as a way to connect those two peoples.”

Chapter Eight

Dufrénoy pondered the possibilities of true frontier and thought long and hard about the opportunity to fund the community’s relocation into someplace like the Yukon Territory where culture would actually be quite content to leave them alone. The men of the 97th had happily returned to warmer climes when the road was opened. One of them was Nehemiah Atkinson, who returned to New Orleans in Louisiana and became a tennis instructor to young people. [2.] Michel came across a small biography of this man. Indeed it seemed that this Northwestern country offered great opportunity for achievement and recognition, but most who came here wanted simply to do the job and go home.

Thousands of miles of vast wasteland, yet those few who lived there would not be moved. Amish folk were able to farm there, making the most of the short growing season. These were people from a simpler time it seemed, content to live a simpler way of life. If asked, they would cite their religious beliefs or their tie to a particular place. Some of their children did indeed go off to the big cities – but it was to be noted that many of them later returned. Such was the draw of warm pre-industrial society and extended family.

The more he thought about it, the more it became clear to Michel that this great road would always remain a conduit, but would not allow modern culture to spread out much past the required service areas. The Orthodox villages seemed especially appealing, as the very term ‘Orthodox’ seemed to imply that some foundation of the old culture would always be present. “What better place,” thought Dufrénoy, “to preserve and encourage the arts until they are strong enough to inform the culture again?”

And when the arts have rejuvenated themselves,” his mind continued, “the modern highways will be there to carry the renaissance to the ends of the earth!”

Chapter Nine

So it was that Michel Dufrénoy found himself traveling to Calgory along with several of the men of the community to take up work in the Northwest Corridor. The men would work and establish the means to bring the rest of their fellows and families West to a place they would find to settle in. The country they rode through seemed so vast and beautiful that it filled young Dufrénoy with its promise! He thought of the New York Fair and shuddered. It was amazing in its own way but in retrospect it seemed like when children place household items out on the floor in play to create a village. It is interesting but is heavy on large forms and lacks in subtle detailing. It is astounding to behold, but over time it does not evoke a higher appreciation.

Here in the American West, there arose a landscape that never ceased to inspire wonder. It seemed so vast as to resist the forces that had homogenized the great cultures of the world. In it the locomotive seemed small, the track but a line, and man was once more aware that there was more! It was that sense of more, Dufrénoy reasoned, that had informed culture in the past to seek the essence of truth and beauty. In modern thought, materialism and pragmatic utilitarianism ruled, but here in the limitless West, those things were not enough. The march of shadows in setting sun drowned out the songs of pistons and turbines. Here was a world too vast to comprehend coming into being.

The ancients had their cosmology firmly rooted in EX NIHILO Creation – the belief that the Divine had created everything from nothing! That implied that the stuff of creation, the laws of physics, and the creation itself were the product of some beautiful Divine Design. The moderns had in the end of the Nineteenth Century decided that they would only believe in what they could see. “Matter,” they said, “always must have existed and just formed itself through random processes.” Though science described the processes, the scientist no longer saw the sublime nature of the process. Another concept thrown to the wind was the concept of IMAGO DEI, that is the belief that mankind is created in the image of the Divine.

Thus it was that Michel Dufrénoy found himself fleeing a world where man was reduced to a cog – to a world where man was indeed heir to something better. His letters to Lucy were full of such thoughts and she cherished the seed that they planted. Together they would give their children everything that had been thought lost.
THE END

PontifusBANNER

Tuesday, November 24, 2020

Special Thanksgiving Issue, Verne's Lost Novel

THYMEthanks
Volume XIX, Issue XVII: Thanksgiving, Jules Verne

A Repeat of One of Our Favorite Issues

Thanksgiving is Good for You

Enter his gates with thanksgiving and his courts with praise; give thanks to him and praise his name. For the LORD is good and his love endures forever; his faithfulness continues through all generations.” -- Psalm 100:4-5 NIV

The 'other' Weekly News Magazine [click to read] once featured the story: "Why ANXIETY is Good for You." We at THYME see this one a bit differently. In the Bible, Philippians 4:6 exhorts us NOT to be anxious. Rather we are to view our needs in light of our relationship to a loving G-d. Indeed, our requests are presented in light of the gratitude we feel as we consider the goodness and provision to be found in the Divine.

Not be anxious? In today's world? That is precisely the direction given the believer. We live in a stress-filled world and we are not commanded to shut ourselves away but rather to interact with it... becoming a conduit for G-d's Love to reach it. Indeed History shows us people of Faith fighting plagues, caring for the helpless and generally DOING things, often navigating the best course we can in unclear situations. We are NOT helpless, though we often seem to labor in insufficient light.

Fitting thoughts as we celebrate the feast of Thanksgiving. These are indeed anxious times, and it is easy to become overwhelmed by the general angst of the period we live in. History tells us of Divine promise and fulfillment. The Patriarchs piled up stones to remind them of G-d's faithfulness in the past and to keep them faithful as they waited to see His faithfulness in their present lives.

And it shall be on the day when ye shall pass over Jordan unto the land which the LORD thy God giveth thee, that thou shalt set thee up great stones, and plaister them with plaister: And thou shalt write upon them all the words of this law, when thou art passed over, that thou mayest go in unto the land which the LORD thy God giveth thee, a land that floweth with milk and honey; as the LORD God of thy fathers hath promised thee." -- Deuteronomy 27:2-3

Indeed, one must recount the stories of how G-d met needs in times past. One must also tell of the promises of G-d. Faith needs fuel, and Gratitude is the substance that makes our faith burn bright, even in the darkest of times.

Standing on the Promises [1.]

Standing on the promises of Christ my King,
through eternal ages let his praises ring;
glory in the highest, I will shout and sing,
standing on the promises of G-d.
Refrain:
Standing, standing,
standing on the promises of Christ my Savior;
standing, standing,
I'm standing on the promises of G-d.

Standing on the promises that cannot fail,
when the howling storms of doubt and fear assail,
by the living Word of G-d I shall prevail,
standing on the promises of G-d.
(Refrain)

3. Standing on the promises of Christ the Lord,
bound to him eternally by love's strong cord,
overcoming daily with the Spirit's sword,
standing on the promises of G-d.
(Refrain)

4. Standing on the promises I cannot fall,
listening every moment to the Spirit's call,
resting in my Savior as my all in all,
standing on the promises of G-d.
(Refrain)


The staff of THYME wish you a most blessed Thanksgiving!

The 'Common Course and Condition' 
America's First Experiment with Socialism

When the Pilgrims first set up their economic system in Plymouth they opted for a system where all the results of their labor were held in common. All of the colonists then drew from the common store what they lived on. The Common Course and Condition, as this system was called, resulted in some bad feelings on the part of those who produced effectively and some lack of initiative on the part of those who were happy to have the food without the work.

The system produced constant shortages and a man who rose early and worked diligently came quite naturally to resent his neighbor who slept in and contributed less effort. Friction was high among the colonists and in 1623 Governor William Bradford declared the common course a failure.

The colonists were next assigned plots by families. Larger families were given larger plots. Everyone was responsible for the production of his own land and growing food for his own family. The results were notable. Far more crops were planted and tended. There was plenty instead of shortage and all in response to this new sense of ownership.

Church Found where 
Pocahontas was Married

pocohantis_3
Her eyes meet yours as you enter the Virginia Executive Mansion. A young girl from days long ago, yet her presence in the foyer immediately captured my attention. There are two portraits of Pocahontas in the room, one in English clothing (below) and the more familiar rendering seen above.

pocohantis
Pocahontas's formal names were Matoaka (or Matoika) and Amonute. Pocahontas is a childhood name that perhaps referred to her playful nature. After her marriage to John Rolfe, she was known as Rebecca Rolfe.

Archeologists say that they have Discovered the Church [click to read] where Pocahontas married Jamestown planter John Rolfe.

Harvest Hymn Written 
in 1844 by Henry Alford

hymn2
“Come, Ye Thankful People, Come” is a harvest hymn written in 1844 by Henry Alford. It is often sung to the tune “St. George's Windsor” by George Job Elvey. So I created this in light of Thanksgiving to remind us of what we should really be thankful for. Two of my photos are overlayed with the text of the hymn added." -- Kristina Elaine Greer Photo Graphic by Kristina Elaine Greer

View Larger Image [click to view]

The First Thanksgiving... in VIRGINIA!

It wasn't a grand feast, but rather a time of giving thanks! on December 4, 1619, almost 2 years before the pilgrims held the feast with their Native American benefactors, Captain John Woodlief came ashore near the present site of the Berkeley Plantation. He had sailed from Bristol, England in the Good Ship Margaret with 35 men. They had survived a harrowing storm on November 29th and felt great gratitude for their deliverance. Here is Their Story [click to read].


Lessons from Squanto for Today

The Man Who Taught the Pilgrims Offers Wisdom

Squanto teaching
In this 1911 illustration, Tisquantum teaches the settlers how to plant maize.

Here is an interesting ebook: Squanto's Garden [click to read] from Off the Grid News. Most of us know some snippets of Squanto's story... how he taught the settlers how to successfully cultivate the soil of their new home, but Bill Heid actually shares some practical gardening tips and garden layouts that Squanto might have shared with the Pilgrims. He also fills out Tisquantum's story, giving us insight into a man who's unusual life uniquely equipped him to teach others.

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The Sun burns through a morning mist on Thanksgiving Eve.

A Native American's Amazing Story

" ... a special instrument sent by God for their good beyond their expectations ..." -- William Bradford

Today millions of Americans will dine on turkey and celebrate Thanksgiving. Most people will realize that it has some connection to the Pilgrims in Massachussetts, but the story of G-d's provision and the reason for the celebration seem to have faded in our collective memories.

The Pilgrims came to the New World for their kids. They were a Christian group who sought to live for G-d rather than be seduced by the culture around them. They lived in Holland for a while but they saw their children falling away from the faith.

So they moved. They sought passage on a ship bound for Virginia. The ship went off course and they landed in Massachussetts instead. They had a rough time of it their first winter and almost half of them died. Still, when offered the chance to return to Europe, they declined. Then one of the indigenous people walked into camp and spoke to them in English!

The man's name was Samoset, and he introduced the Pilgrims to Squanto, who taught the Pilgrims many things to help them survive in the new world. Squanto spoke even better English than Samoset. His story is amazing.

Squanto had first met Europeans around 1605 when Captain John Smith made his famous voyage. He travelled to England with him but when he returned to America he was captured into slavery and returned to Europe. Spanish monks bought his freedom and sent him to England where he found passage back to America. Sadly, his village was now gone, the people wiped out by disease. He found people nearby to live with but one day heard that a new group of people were living where his old village had stood. What's more, they spoke that funny new language that he had learned.

Samoset made the introduction and the rest, you might say, is history. Thanks to Squanto the Pilgrims survived and began to do quite well in the new world. Their relations with the Native people were quite good and their Thanksgiving was for the amazing provision they found in Squanto, of whom it was said:

" ... He desired honor, which he loved as his life and preferred before his peace ..."

Jules Verne’s ‘Lost’ Novel
Imagine a World without Art

By Bob Kirchman

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Jean Verne is the great-grandson of the famous author and futurist Jules Verne. In 1989 Jean was getting ready to sell a family home and made an amazing discovery. There was a huge bronze safe that the keys to had long since been lost. Although it was believed to be empty, the young Verne opened it with a blowtorch anyway. There in the safe was a manuscript. It was a novel called ‘Paris in the Twentieth Century,’ which Verne had submitted to his publisher Jules Hetzel right after the success of his first novel: Five Weeks in a Balloon.’ Hetzel had rejected it in 1863 saying “It’s a hundred feet below ‘Five Weeks in a Balloon.’ Hetzel went on to say “No one today will believe your prophecy!”

Verne’s vision of a modern Paris in 1960 indeed predicts skyscrapers and technology that came to be, but it is even more amazing to note that Verne’s dystopia predicts a future world where the great art, literature and music – the rich fruits of centuries of Western culture – have been all but forgotten! Instead, the culture of the day celebrates technology and commerce. ‘Old’ things have nothing to say to us anymore! The hero of the story, young Michel Dufrénoy, goes into a modern bookstore and asks if they have anything by Victor Hugo. The clerk responds by asking “what did he write?”

Jules Verne predicts most damningly our society’s modern intoxication with ugliness. Go to any modern art school or venue and you find more of a cold mechanical sort of art aimed more at ‘expression.’ Roger Scruton has written on this phenomenon and how the great works of the past have been pushed aside. [2.] Scruton opines: “The current habit of desecrating beauty suggests that people are as aware as they ever were of the presence of sacred things. Desecration is a kind of defense against the sacred, an attempt to destroy its claims. In the presence of sacred things, our lives are judged, and to escape that judgment, we destroy the thing that seems to accuse us.”

Thus Michel and his friends, artists of the ‘old’ school, are faced with the challenge of preserving the old and instructive culture in the face of a modern world that distains it. Verne’s work finds itself specifically troubling in its prediction of modern society’s distaste for a past that would inform it! And so, much like Dufrénoy’s friend and colleague Quinsonnas, we find ourselves as artists frustrated by the modern culture. We long, as he did to somehow ‘astound the age!’

Early industrialization did not of itself produce bad art. The Brooklyn Bridge, the Eiffel Tower and classicized ironfront buildings all carried forward a certain sense of beauty and proportion. The revolt against the traditions of the past was more intentional as in 1917 when Marcel Duchamp sought to parody traditional art’s over-concern with technique. He signed a plumbing fixture ‘R. Mutt’ and entered it in an exhibition. What he meant as a paradoxical statement, however, the art intelligentsia took for a serious movement. Ever since Duchamp’s urinal the world of art has itself destroyed the place of beauty.

For its part, industrialization has had a mixed effect. The 1962 Seattle World’s Fair’s ‘Hall of Science’ is as beautiful as the Eiffel Tower. It is in its own right quite a contrast to Frank Gehry’s ‘Experience Music Project.’ The 1964 New York World’s Fair was the ‘great cathedral’ of modern progress. In fact, it featured a ‘Carousel of Progress’ which had its own hymn: “Great Big Beautiful Tomorrow.” Men were headed to the moon. Technology was indeed going to end want and darkness.

But this new world, secured by ‘mutually assured destruction,’ created questions of its own. Technology created pollution. The promise faded into disillusionment and forced upon us a new conundrum. We had discarded ‘antiquated’ notions such as EX NIHILO creation – science was still our new god – but now science informed us that technology was a source of evil. Thus the Twentieth Century inherited a new Cosmology and has found it wanting!

The problem is that we have discarded the Wisdom of Centuries, even as we lean unapologetically on ‘modern’ science to inform us. We seek naturalistic answers or philosophical ones. We shun the truly transcendent ones. Indeed, Paris in the Twentieth Century looks at our present time and asks the hard questions.

EMP

Counting on Katherine
How the Brilliant Mathematician Saved Apollo 13

IMG_4662
Helaine Becker's children's book tells more of the Katherine Johnson story. 

The Woman with the ‘Right Stuff’
[click to read]

Katherine Johnson Plotted the Way
By Steven J. Niven

Get the girl to check the numbers.” These words came from astronaut John Glenn in February 1962 as he prepared to become the first American to orbit the Earth. The trajectory of his orbit had been calculated by NASA’s new state-of-the-art computers, but Glenn did not trust the machines. Mercury 7 astronauts had always relied on “computers in skirts,” women who were mathematicians at NASA’s Langley Research Center in Hampton, Va., for such flight data. So before he made his historic voyage into space, Glenn called on Katherine Johnson to recheck the computer’s analysis, knowing that she had provided similar calculations for Alan Shepard, the first American in space. Johnson, one of the few African-American women then working for NASA, calculated and confirmed the data for Glenn’s orbit. The launch went ahead and Glenn became the first American to orbit the Earth, 10 months after the Soviet Union’s Yuri Gagarin was the first human being to make that journey. Johnson’s role was little recognized at the time, but she would go on to play a significant—though, again, largely hidden—role in the first moon landing and in U.S. space exploration in the 1970s and 1980s. She did so by doing what she had always loved: math. (read more)

Truth Behind Moon Landings
Debunking the Conspiracy Theorists


Simple explanations for the most common conspiracy explanations.

Icy Fence in Virginia
Photo by Karen Brookshire

IMG_4730
Ice on barbed wire after the November 15th ice storm in Virginia.

Philippians 4:19
Photo by Bob Kirchman

IMG_4705

But my God shall supply all your need according to his riches in glory by Christ Jesus.” – Philippians 4:19

PontifusBANNER

Monday, April 22, 2019

Notre Dame, Josiah, Unto All Nations, Phantasies

NotreDame
Volume XVI, Issue XVI

Why We Must Rebuild Notre Dame

As fire roared through the 800 year old “Forest,” the oak timbered roof structure of Notre Dame de Paris, many of us were moved to tears. Firefighters fought valiantly but regretfully admitted that they of themselves could not save the venerable cathedral. Helplessly we watched. Helplessly they fought on. Morning revealed that the ancient oak timbers and the lead roof were gone. The spire had collapsed into the intersection of nave and narthex, leaving a gaping hole in the limestone vaulting. Several more holes had been made in the vault by collapsing timbers. It was indeed a sad sight.

The morning also revealed that the great rose windows had survived with minimal damage. The great pipe organ survived, as did the Pieta and Cross at the Altar! We rejoiced. What had we lost? What had miraculously been saved? It was a flood of emotions. What does Notre Dame mean to us?

IMG_8373
Paul Claudel.

French President Emmanuel Macron vowed to rebuild the Cathedral in an ambitious five years. Secular and Spiritual voices unite in the call to rebuild. So, what exactly is the importance of this Cathedral to the human story? Well, historians will point out that it represents a time when Western Culture, guided by Faith, created order out of the chaos following the demise of the great Roman State. The architecture, aspiring toward the transcendent, lifts the spirit! But then there are the personal recollections. In the transept of the great cathedral, just to the right of the nave near the Southern rose window is a plaque commemorating the conversion of French poet, playwright and diplomat Paul Claudel. Claudel’s life spans 1868 to 1955 and his early years were like that of so many young people today. He was a nonbeliever. He was not particularly motivated by spiritual things.

On Christmas Day in 1886, at the age of eighteen, young Paul attended the High Mass at the cathedral. He recalls that he was not particularly moved as the new archbishop celebrated the liturgy. But something prompted Claudel to return to the cathedral for evening vespers. “It was the gloomiest Winter day, and the darkest rainy afternoon over Paris.” As the Magnificat was sung, something happened in the young man’s heart: “In an instant, my heart was touched and I believed with such a strength of adherence, with such an uplifting of my entire being, with such powerful conviction, with such a certainty leaving no room for any kind of doubt, that since then all the books, all thee arguments, all the incidents and accidents of a busy life have been unable to shake my faith, nor indeed to affect it in any way.”

Lustiger
Jean-Marie Lustiger.

Then there is the story of Cardinal Jean-Marie Lustiger. He was born in Paris in 1926. His Polish Jewish parents were merchants who owned a store on the West Bank. During the Shoah, in which his mother died, young Jean Marie was taken in by a Christian family. He discovered a Bible in the home of his piano teacher – reading the familiar Torah, but going further into the New Testament story as well. At age 14, he visited the Cathedral in Orléans on Holy Thursday. Moved by the rich symbolism of the liturgy and the great cathedral, he returned on Good Friday and announced his intent to join the church. He would later study for the priesthood and eventually become Bishop of Paris, officiating over evening Mass in the great cathedral of Notre Dame! As a young seminarian, Bishop Robert Barron of Los Angeles studied in Paris and would often attend the Mass that Cardinal Lustiger officiated at. Lustiger would deliver energetic homilies – twenty minutes was a short one. Barron would often stand at the spot where Paul Claudel was converted, looking up at the North Transept Rose Window, which many consider to be the most beautiful of all the rose windows.

Robert Barron speaks of the powerful testimony of such a beautiful work – formed by now unknown craftsmen in worship to the Divine – that performed in him an “Alchemy of the Soul.”

We don’t build buildings like that today. Many of us worship in metal buildings driven by an economy prescribed by “good stewardship.” Some will argue that we should forgo rebuilding great cathedrals because the money can be better used elsewhere. To them I would simply say that this is not an either/or proposition. We should do both. Even the barest metal building church invests in “Worship” but it is usually just instruments for the worship band. All of us in some sense can identify with that moment in Matthew 26:7 when a woman anointed Jesus’ feet with precious perfume. There is beauty that springs from the proclamation of the Gospel. Notre Dame de Paris is indeed such a beauty. The testimonies of Barron, Lustiger and Claudel bear witness to it.

Faith and Beauty
Images that Lead to Worship and Relationship with God

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North Rose Window, Notre Dame de Paris.

RoseWindow
North Rose Window, Notre Dame de Paris.

Sound Sculpture
Sound Sculpture, Xaver Wilhelmy's design for functional glass organ pipes in a window combines beautiful visual imagery with beautiful music. Rendering by Bob Kirchman.

Catholicism and Beauty
By Bishop Robert Barron


A refreshing perspective on the place of the beautiful in leading to Faith.

JOSIAH002
Volume XVI, Issue XVIa

Josiah
By Bob Kirchman
Copyright © 2019, The Kirchman Studio, all rights reserved

Chapter 2: Unto All Nations

On the campus on Big Diomede, young Josiah Zimmerman, Rupert’s grandson, walked with Jonathan Greene, the president of the college and Josiah’s favorite professor. They were discussing Matthew 24:14: “And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.”

What constitutes a nation in the eyes of the Divine?” Josiah asked.

The dictionary says, ‘a large aggregate of people united by common descent, history, culture, or language, inhabiting a particular country or territory.’ Not too helpful in determining the mind of the Master. The rebirth of freedom in the North has come with a rebirth of fervor to reach the nations, as is evidenced by your presence at this institution. Still, I think we can identify such groups around us with some certainty and we are putting the Bible in their hands. The upcoming World’s Fair in Fairgate, Alaska will no doubt mark a point where we’ve pretty much put the Holy Scriptures in every human language there is. We correspond with believers in every part of the world. I think at this point the burden is on us to identify any particular place of occupation that has NOT been reached. That is where I think our Master’s focus would be.”

That is my frustration, sir. I feel like the work is going to be done before I get there. I read about the Moravians going out into the wilds and reaching the Cherokee and the joy of shining the Gospel where it has never shone before… and I look at the situation today. Even the Middle East is opening up to the message. With the demise of APOLLONIUS, the academy and the media have found new faith quite without our help. They started looking for truth and beauty again. Guess where it led them?”

Is it wrong, Dr. Greene, to be jealous to do a great work for God?”

That is a good one, young friend, and it deserves a thoughtful answer.” The good doctor was silent for a moment, then he continued, “Remember our discussion last week, and how for an artist like Sandro Botticelli the recognition of beauty led to transcendent truth. When he painted ‘The Birth of Venus’ it is evident that his sense of desire has been guided Heavenward. So it shall be with your ambitions to do great works. Think of Ransom in the college maintenance shops. He likes to work with his hands. Building a door gives him great pleasure… but I pray one day he will see who he’s building the door for! He’s an old special forces guy… mind and conscience pretty much seared, but get a planer in his hands and his eyes light up. God does not despise us for our aspirations. He meets us there. But, mind you, He will lead us upward. He has no desire to leave us playing in the mud when he’s planned for us a holiday at the beach! (I’m paraphrasing Lewis here).”

But, why should I feel such a passion to reach the nations if they have already been reached? I mean, should I not be able to find contentment and purpose in a simple task like Brother Lawrence who served most nobly working in the kitchen? Still, if I deny the drive inside me, I feel that I am lying.”

Passion is good, but true knowledge must define it. Remember the 2033 eclipse over Alaska. There was an author who wrote a book about the eclipse signaling the end of the world… nothing new here. The Millerites did it in the 19th Century. They were still waiting after their ‘appointed’ date and refigured it. Then they were still waiting after that. I think the Divine holds his cards close for a reason. We need to serve him like this will be our last day on Earth, but we need to build our works to last for 100 years. Some see contradiction there but it is clear that the tension between the two holds us in place to serve Him. I’m rambling, but I feel like the Lord will inform your passion and make it most profitable. You will indeed hear Him say ‘Well done, good and faithful servant!’ one day. That is enough.”
(to be continued)

Phantasies25
Volume XIII, Issue III

Phantasies
By George Macdonald, Chapter 25

Our life is no dream; but it ought to become one, and perhaps will."
~ Novalis

And on the ground, which is my modres gate,
I knocke with my staf; erlich and late,
And say to hire, Leve mother, let me in."
~ Geoffrey Chaucer, "The Pardoneres Tale".

Sinking from such a state of ideal bliss, into the world of shadows which again closed around and infolded me, my first dread was, not unnaturally, that my own shadow had found me again, and that my torture had commenced anew. It was a sad revulsion of feeling. This, indeed, seemed to correspond to what we think death is, before we die. Yet I felt within me a power of calm endurance to which I had hitherto been a stranger. For, in truth, that I should be able if only to think such things as I had been thinking, was an unspeakable delight. An hour of such peace made the turmoil of a lifetime worth striving through.

I found myself lying in the open air, in the early morning, before sunrise. Over me rose the summer heaven, expectant of the sun. The clouds already saw him, coming from afar; and soon every dewdrop would rejoice in his individual presence within it.

I lay motionless for a few minutes; and then slowly rose and looked about me. I was on the summit of a little hill; a valley lay beneath, and a range of mountains closed up the view upon that side. But, to my horror, across the valley, and up the height of the opposing mountains, stretched, from my very feet, a hugely expanding shade. There it lay, long and large, dark and mighty. I turned away with a sick despair; when lo! I beheld the sun just lifting his head above the eastern hill, and the shadow that fell from me, lay only where his beams fell not. I danced for joy. It was only the natural shadow, that goes with every man who walks in the sun. As he arose, higher and higher, the shadow-head sank down the side of the opposite hill, and crept in across the valley towards my feet.

Now that I was so joyously delivered from this fear, I saw and recognised the country around me. In the valley below, lay my own castle, and the haunts of my childhood were all about me hastened home. My sisters received me with unspeakable joy; but I suppose they observed some change in me, for a kind of respect, with a slight touch of awe in it, mingled with their joy, and made me ashamed. They had been in great distress about me. On the morning of my disappearance, they had found the floor of my room flooded; and, all that day, a wondrous and nearly impervious mist had hung about the castle and grounds. I had been gone, they told me, twenty-one days. To me it seemed twenty-one years. Nor could I yet feel quite secure in my new experiences. When, at night, I lay down once more in my own bed, I did not feel at all sure that when I awoke, I should not find myself in some mysterious region of Fairy Land. My dreams were incessant and perturbed; but when I did awake, I saw clearly that I was in my own home.

My mind soon grew calm; and I began the duties of my new position, somewhat instructed, I hoped, by the adventures that had befallen me in Fairy Land. Could I translate the experience of my travels there, into common life? This was the question. Or must I live it all over again, and learn it all over again, in the other forms that belong to the world of men, whose experience yet runs parallel to that of Fairy Land? These questions I cannot answer yet. But I fear.

Even yet, I find myself looking round sometimes with anxiety, to see whether my shadow falls right away from the sun or no. I have never yet discovered any inclination to either side. And if I am not unfrequently sad, I yet cast no more of a shade on the earth, than most men who have lived in it as long as I. I have a strange feeling sometimes, that I am a ghost, sent into the world to minister to my fellow men, or, rather, to repair the wrongs I have already done.

May the world be brighter for me, at least in those portions of it, where my darkness falls not.

Thus I, who set out to find my Ideal, came back rejoicing that I had lost my Shadow.

When the thought of the blessedness I experienced, after my death in Fairy Land, is too high for me to lay hold upon it and hope in it, I often think of the wise woman in the cottage, and of her solemn assurance that she knew something too good to be told. When I am oppressed by any sorrow or real perplexity, I often feel as if I had only left her cottage for a time, and would soon return out of the vision, into it again. Sometimes, on such occasions, I find myself, unconsciously almost, looking about for the mystic mark of red, with the vague hope of entering her door, and being comforted by her wise tenderness. I then console myself by saying: "I have come through the door of Dismay; and the way back from the world into which that has led me, is through my tomb. Upon that the red sign lies, and I shall find it one day, and be glad."

I will end my story with the relation of an incident which befell me a few days ago. I had been with my reapers, and, when they ceased their work at noon, I had lain down under the shadow of a great, ancient beech-tree, that stood on the edge of the field. As I lay, with my eyes closed, I began to listen to the sound of the leaves overhead. At first, they made sweet inarticulate music alone; but, by-and-by, the sound seemed to begin to take shape, and to be gradually moulding itself into words; till, at last, I seemed able to distinguish these, half-dissolved in a little ocean of circumfluent tones: "A great good is coming--is coming--is coming to thee, Anodos"; and so over and over again. I fancied that the sound reminded me of the voice of the ancient woman, in the cottage that was four-square. I opened my eyes, and, for a moment, almost believed that I saw her face, with its many wrinkles and its young eyes, looking at me from between two hoary branches of the beech overhead. But when I looked more keenly, I saw only twigs and leaves, and the infinite sky, in tiny spots, gazing through between. Yet I know that good is coming to me--that good is always coming; though few have at all times the simplicity and the courage to believe it. What we call evil, is the only and best shape, which, for the person and his condition at the time, could be assumed by the best good. And so, farewell.

The End

Falling Spring Falls
Thomas Jefferson said of Falling Spring Falls in the Alleghany Highlands of Virginia:“The only remarkable cascade in this country is that of the Falling Spring in Augusta…it falls over a rock 200 feet into the valley below.” -- Thomas Jefferson, ‘Notes on the State of Virginia’ written in 1781. The falls are actually 80 feet high.

Regional Travel Map
A Different Trip Planning Resource

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Regional Travel Map by Bob Kirchman.

Sometimes it is nice to have a good old flat paper map in front of you when you are planning a regional road trip. GPS and electronic maps are great, but they sometimes fail to give you the 'overview' you had with a good old-fashioned map. As you plan your Summer travels, you can download the Journey Regional Map [click to read], print it, and plan a few road trips.

FindLove
Find LOVE at Alleghany County Virginia's 160 year-old Humpback Bridge.[1.]

paintbank_web
Paint Bank, in Craig County, Virginia got its unusual name from the iron ochre and red clay taken from the banks of Potts Creek that was used by Native Americans, notably the Cherokees, as war paint, and to make their pottery with a distinctive red color. Photo by Bob Kirchman

Paint Bank, Virginia
The General Store in Paint Bank, Virginia. The Swinging Bridge Restaurant is located in an extension of this building and features delicious buffalo dishes. Photo by Bob Kirchman

Tingler's Mill
Tingler's Mill in Paint Branch, Virginia. Photo by Bob Kirchman

Why Beauty Matters



Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things." -- Phillipians 4:8

Let thy work appear unto thy servants, and thy glory unto their children. And let the beauty of the Lord our God be upon us: and establish thou the work of our hands upon us; yea, the work of our hands establish thou it." -- Psalm 90:16,17

Around the World in 80 Days
by Jules Verne
[click to read]

Reform_Club._Upper_level_of_the_saloon._From_London_Interiors_(1841)_web
1841 Lithograph of the interior of London's Reform Club. Here Phileas Fogg enters into the wager that begins his attempt to circumnavigate the globe. The Reform Club is a private members club on the south side of Pall Mall in central London. As with all London's original gentlemen’s clubs, it comprised an all-male membership for decades, but was the first to change its rules to include the admission of women on equal terms in 1981. Since its founding, the Reform Club has been the traditional home for those committed to progressive political ideas, with its membership initially consisting of Radicals and Whigs. However, today it is no longer associated with any particular political party, and now serves a purely social function.

In 1832, Parliament passed a law changing the British electoral system. It was known as the Great Reform Act.

This was a response to many years of people criticising the electoral system as unfair. For example, there were constituencies with only a handful of voters that elected two MPs to Parliament. In these rotten boroughs, with few voters and no secret ballot, it was easy for candidates to buy votes. Yet towns like Manchester that had grown during the previous 80 years had no MPs to represent them.

In 1831, the House of Commons passed a Reform Bill, but the House of Lords, dominated by Tories, defeated it. There followed riots and serious disturbances in London, Birmingham, Derby, Nottingham, Leicester, Yeovil, Sherborne, Exeter and Bristol.

The riots in Bristol were some of the worst seen in England in the 19th century. They began when Sir Charles Weatherall, who was opposed to the Reform Bill, came to open the Assize Court. Public buildings and houses were set on fire, there was more than £300,000 of damage and twelve people died. Of 102 people arrested and tried, 31 were sentenced to death. Lieutenant-Colonel Brereton, the commander of the army in Bristol, was court-martialed.

There was a fear in government that unless there was some reform there might be a revolution instead. They looked to the July 1830 revolution in France, which overthrew King Charles X and replaced him with the more moderate King Louis-Philippe who agreed to a constitutional monarchy.

In Britain, King William IV lost popularity for standing in the way of reform. Eventually he agreed to create new Whig peers, and when the House of Lords heard this, they agreed to pass the Reform Act. Rotten boroughs were removed and the new towns given the right to elect MPs, although constituencies were still of uneven size. However, only men who owned property worth at least £10 could vote, which cut out most of the working classes, and only men who could afford to pay to stand for election could be MPs. This reform did not go far enough to silence all protest. -- UK National Archives

Around the World in 80 Days (French: Le tour du monde en quatre-vingts jours) is a classic adventure novel by the French writer Jules Verne, first published in 1873. In the story, Phileas Fogg of London and his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a £20,000 wager set by his friends at the Reform Club. (read more)

cutaway

The Reform Club, Pall Mall, London
The Reform Club was founded in 1836, in Pall Mall, in the centre of what is often called London's Clubland. The founders commissioned a leading architect of the day, Charles Barry, to build an imposing and palatial clubhouse. It is as splendid today as when it opened in 1841. Membership was restricted to those who pledged support for the Great Reform Act of 1832, and the many MPs and Whig peers among the early members developed the Club as the political headquarters of the Liberal Party.

The Vision of Jules Verne

He was born in 1928 in the port city of Nantes, France. His father was a pragmatic lawyer but his mother nurtured his creative inclinations. Though he followed his father’s wishes and trained to be a lawyer, he would go on to meet publisher Pierre-Jules Hetzel who would serialize his stories. These Voyages Extraordinaires would eventually become his famous novels earning him the title: “Father of Science Fiction.” Although Verne died in 1905 his works continued to be published and he would become the second most translated author in the world. Verne saw the technological revolution of the Nineteenth Century as it unfolded and crafted new applications of it as he charted his ‘Voyages.’ It is not surprising that as a youth I was drawn to his work.

PontifusBANNER

Tuesday, December 4, 2018

The Seven Gifts of the Spirit, Astound the Age

GiftsofSpirit  
Volume XV, Issue XXIII

The Gifts of the Spirit 

But a shoot shall sprout from the stump of Jesse, and from his roots a bud shall blossom. The spirit of the LORD shall rest upon him: A spirit of wisdom and of understanding, A spirit of counsel and of strength, A spirit of knowledge and of fear of the LORD (piety), And his delight shall be the fear of the LORD."
-- Isaiah 11:2,3a

A young friend of mine has been unfolding the Catechism behind the 'Twelve Days of Christmas' and it has been both fascinating and instructive. The 'Partridge in a Pear Tree' being Jesus on the cross and so it goes, most of the imagery referring to numeric imagery very familiar to the modern Church.

Coming to yesterday's 'Seven Swans a Swimming,' two images were provided, one being the Seven Sacraments, with which most of us are familiar, but the other being the Seven Gifts of the Spirit. Most of us are familiar with the Fruits of the Spirit: "But the fruit of the Spirit is love, joy, peace, forbearance, kindness, goodness, faithfulness, gentleness and self-control." listed in Galatians 5:22-23. 1 Corinthians 12 lists the Ministry Gifts of the Spirit, but the Seven Gifts of the Holy Spirit are found in Isaiah 11:2 and 3.

They are listed in the Catechism of the Catholic Church: [1.]

Wisdom: It is the capacity to love spiritual things more than material ones;

Understanding: In understanding, we comprehend how we need to live as followers of Christ. A person with understanding is not confused by the conflicting messages in our culture about the right way to live. The gift of understanding perfects a person's speculative reason in the apprehension of truth. It is the gift whereby self-evident principles are known;

Counsel (right judgement): With the gift of counsel/right judgment, we know the difference between right and wrong, and we choose to do what is right. A person with right judgment avoids sin and lives out the values taught by Jesus;

Fortitude (courage): With the gift of fortitude/courage, we overcome our fear and are willing to take risks as a follower of Jesus Christ. A person with courage is willing to stand up for what is right in the sight of G-d, even if it means accepting rejection, verbal abuse, or physical harm. The gift of courage allows people the firmness of mind that is required both in doing good and in enduring evil;

Knowledge: With the gift of knowledge, we understand the meaning of G-d. The gift of knowledge is more than an accumulation of facts, it also helps us to choose the right path through life;

Piety (reverence): With the gift of piety/reverence, we have a deep sense of respect for G-d and the Church. A person with reverence recognizes our total reliance on G-d and comes before G-d with humility, trust, and love. Piety is the gift whereby, at the Holy Spirit's instigation, we pay worship and duty to G-d as our Father, Aquinas writes;

Fear of the Lord (wonder and awe): With the gift of fear of the Lord/wonder and awe, we are aware of the glory and majesty of G-d. A person with wonder and awe knows that G-d is the perfection of all we desire: perfect knowledge, perfect goodness, perfect power, and perfect love. This gift is described by Aquinas as a fear of separating oneself from G-d. He describes the gift as a "filial fear," like a child's fear of offending his father, rather than a "servile fear," that is, a fear of punishment. Fear of the Lord is the beginning of wisdom."

The source of the traditional names of the gifts of the Holy Spirit. The Septuagint and the Vulgate read “piety” for “fear of the Lord” in its first occurrence, thus listing seven gifts.

The Sower Prepares the Way
Detail from 'The Sower Prepares the Way' by Kristina Elaine Greer.

Astound the Age

Astound

Michel Dufrénoy's Guide to Our Past Century
By Bob Kirchman

Copyright © 2018, The Kirchman Studio, all rights reserved

Chapter Four

After the Wilhelm left the Paris Canal, it sailed briskly for six days to reach New York. Lucy and Michel were married by the captain and enjoyed their ‘homeymoon cruise’ to the new world. The Wilhelm was a smaller vessel than Leviathan IV and carried freight and passengers. The staterooms could be had for a bargain so the group traveled in style compared to steerage in the larger ships. Each cabin had an ample porthole and since there was no class distinction on a freighter, the group enjoyed full access to the deck for daytime recreation. The German working man demands good victuals, so the food was better too. After life in the catacombs it was refreshing to soak in light and sea air for even a few days. The crewmen were friendly and personable.

Richelot was happily surprised at the captain’s ample supply of Rhine wines. He had expected only beer. Here he discovered another irony. The captain had a very fine collection of music discs and played Motzart and other fine composers. Captain Zimmerman remarked to the old scholar: “Funny, but the fine things of the past have been spurned by the intelligentsia but we working stiffs have now embraced them as our own. In government schools they are taught to embrace discordant harmony but you will find that in places such as this, we educate our own children. They often find a taste for the good things quite on their own.” Indeed the mess room, if you would stoop to calling it that, featured some fine Romantic paintings from the likes of Frederic Church and the other Hudson River School painters. Between meals it served as a classroom for the crews’ children. If Leviathan IV was a ‘floating city,’ Wilhelm was in itself a floating community.

Indeed there was a sense of extended family here as wives and children sailed alongside their seafaring husbands, plying artisan trades that enriched their floating village. There were manufacturers of clothing, brewers, carpenters and leatherworkers. Families taught their own children and organized athletic games for them on deck.

NYWF0004
1964 New York World's Fair Painting. Artist Unknown.

Chapter Five

All too soon they made landfall in New York City’s harbor. Here towered buildings taller even than those in Paris. The Parisians wandered the Manhattan streets in a sense of awe. A train was engaged to carry them to Long Island’s village of Flushing, where they could stay in accommodations built for the 1964 Word Exposition in Flushing Meadow Park. The fair was about to open and the hotels, fearing a lower attendance at first, offered very inexpensive lodging in an effort to cut their expected losses. That is how Michel and Lucy Dufrénoy found themselves at the Fair.

Joining themselves to the first-day crowds, the young couple entered the ‘world of the future’ presented by the fair. It differed from the great World’s Fairs of the turn of the Century in several ways. First of all, the buildings were no longer in the form of a white classical city, they were generally more utilitarian. Among them was a giant ferris wheel in the form of an automobile tyre that towered above the fairgoers. There was a giant umbrella, representing an insurance company. An enormous egg towering above a forest of metal trees housed an exhibit about modern calculating machines.

There were giant boxes on stilts. Elevated trains ran on a single rail suspended above the fairgrounds. Flying machines landed and took off from the top of a large ‘T’ shaped structure. In the center of it all towered a gigantic model of the earth made from steel panels and struts. The continents were solid and the oceans described only by the meridians, which formed the structure for the massive globe. For three days the French immigrants wandered about the fairgrounds, taking in the wonders of the world. They awaited their journey by train to Montréal in French America. From there they would set out for parts unknown.

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1964 New York World's Fair Painting. Artist Unknown.

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1964 New York World's Fair Painting. H. L. Klein.

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1964 New York World's Fair Painting. Artist Unknown.



Chapter Six

The train made its way to Albany along the much painted Hudson River and the evening light on the water evoked those romantic images anew. From Albany, the next train made its way North to the customs house in Rouse’s Point near Lake Champlain. Then it was but a short journey further into Montréal. The travelers were disheartened to find that Vieux-Montréal, the old French center of the city, had been swallowed up in a sprawling modern metropolis much the same as modern Paris. In some regards it differed from New York only in that the language was different. There was no abundance of lodging here, however and the little group experienced their first tenement housing as they prepared to acquire land for their new settlement.

It seemed now that fortune had turned against the weary band as there was little property to be had in the rich farming lands. What remained was Northern muskeg and permafrost – land that did not promise any kind of existence past subsistence farming. Michel was charged with taking the search further out and found to his chagrin that the cost of anything that would support the colonists far outpaced their limited resources. Montréal offered little in the way of employment opportunities and the group squeaked by doing odd labor jobs as they came up.

Michel had kept correspondence with Jean Dumont, who informed him that he was headed to British Columbia to take a position with a highway builder. He would be presently traveling by airship to Montréal and then heading West by railway. “Would you like to come along, Michel, and seek opportunity for yourself where the world is expanding?”
(to be continued)

Is There More to Life than This?



Resort Presentations
By The Kirchman Studio

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Massanutten Resort Model by the Kirchman Studio. 1" = 500' scale.

PeakCenter_Bosserman
Peak Center (unbuilt) at Massanutten Resort, Massanutten, Virginia. Fred Bosserman, Architect. Painting by Bob Kirchman.

Seasons_GlennGerman
The Seasons Condominiums at Wintergreen Resort, Wintergreen, Virginia. Glenn German, Architect. Painting by Bob Kirchman.

Stratton_Hamilton
Stratton Mountain Lodge, Stratton Mountain, Vermont. Thomas Hamilton, Architect. Painting by Bob Kirchman.

Castello_Timbers
Castello de Casole, Tuscany, Italy. Client: The Timbers Corporation. Painting by Bob Kirchman.

ForestHills_CityofHongoCho
Model of a Wedding Chapel, Forest Hills Resort, Hiroshima, Japan. Client: City of Hongo Cho and Finishing Touches Interiors, Hiroshima Prefecture, Japan. Model constructed by Bob Kirchman.

H0ngoCho_
Model of Forest hills Resort Condominium Building.

Forest_Hongo
Forest Hills Resort Model.

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