Augie Meyers - The West Side Sound

Great feature by veteran music reporter Jim Beal on Augie Meyers, a pioneer of the Westside Sound of San Antonio.

August "Augie" Meyers (b. 31 May 1940 in San Antonio, Texas) is a Texas musician. He is best known as keyboard-player with the Sir Douglas Quintet and the Texas Tornados.

In the early 1960s Meyers was, with Doug Sahm, a founding member of the Sir Douglas Quintet. His Vox organ was a main ingredient in the sound of the quintet, as heard in hits like "She’s About A Mover" (1964), "Mendocino" (1969), "Nuevo Laredo" (1970) and many others. Later Meyers also played on many of Sahms solo albums and released his own solo records, also in Tex-Mex-style.

In the 1990s Meyers was, with Doug Sahm, Flaco Jiménez and Freddy Fender, a member of Tex-Mex-supergroup Texas Tornados. He was also sought after as a studio musician. He worked, amongst others, with Bob Dylan on his albums Time Out of Mind (1997) and Love and Theft (2001).

In 2005 he played on John Hammond's CD covering Tom Waits songs, Wicked Grin, and toured with Hammond.

Meyers lives in Bulverde, Texas. Since the 1970s he runs his own record labels from there, namely The Texas Re-Cord Company, Superbeet Records and White Boy Records.

Local papers are reporting today that a donor has finally been located for Augie's needed kidney tranplant. Best wishes to Augie Meyer's, family, and friends.

More San Antonio Westside Sound:
Sir Douglas Quintet
The Royal Jesters
Randy Garibay
The Krayolas
Esteban "Steve" Jordan

UPDATE: San Antonio Current reports Augie Meyers received a new kidney and is doing well. (4/24/2010)

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Guy Clark - The Guitar

Guy Clark via last.fm

Guy Clark: Master Songwrite:


"Songwriting legend Guy Clark doesn't merely compose songs; he projects images and characters with the kind of hands-on care and respect of a literary master. Clark works slowly and with strict attention to detail, and has produced an impressive collection of timeless gems, leaving very little waste behind. The emotional level of his work, as well as the admiration and esteem of his peers, consistently transcends sales figures and musical genres. Using everyday language to construct extraordinary songs for more than 35 years, Clark continues to be the type of songwriter whom young artists study and seasoned writers, as well discriminating listeners, revere.


Born in Monahans, Texas, on November 6, 1941, Clark grew up in a home where the gift of a pocketknife was a rite of passage and poetry was read aloud. At age 16 he moved to Rockport, on the Texas Gulf Coast. Instructed by his father's law partner, he learned to play on a $12 Mexican guitar and the first songs he learned were mostly in Spanish.


Moving to Houston, Clark began his career during the "folk scare" of the 1960s. Fascinated by Texas bluesTownes Van Zandt and Jerry Jeff Walker. "It was pretty 'Bob Dylan' in the beginning," Clark said. "Nobody was really writing." Eventually, Clark would draw on these roots to firebrand his own fiddle-friendly and bluesy folk music, see it embraced as country and emerge as a songwriting icon for connoisseurs of the art..."
 

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Guy Clark Continues To Hone His Craft (the9513.com)

The Texas Tornados

Texas Tornados via last.fm

Texas Tornados


Texas Tornados was a Tejano band and its music was a fusion of rock, country and various Mexican styles. The initial combination of these musicians happened almost by chance at a concert performance of a mutual acquaintance. After Freddy Fender, Flaco Jiménez, Kevin West, Augie Meyers, Jorge "Pac-MAN" Diaz, and Doug Sahm performed in front of a San Francisco audience, they all knew the genuine bond they felt in their music could probably be taken to another level. After they initially performed as the Tex-Mex Revue, they took the title Texas Tornados, after Sahm's song and album of that name.


Another account of the group's birth says they formed when record company executives looking to cash in on regional music sales approached Sahm and Meyers around 1990, and they brought in longtime friends and collaborators Fender and Jiménez. Sahm had released albums under the name Texas Tornados as early as the 1970s, some featuring Fender or Meyers. Jiménez and Meyers played on Sahm's Atlantic Records debut in 1971. As Fender once said "You've heard of New Kids on the Block?, we're the Old Guys in the Street".


Individually, this quartet has had major success. San Benito-native Freddy Fender was a cross-over success story around the world with hits like "Before the Next Teardrop Falls" and "Wasted Days and Wasted Nights".


Flaco Jiménez has played with acts ranging from the Rolling Stones to Dwight Yoakam. He also is known as the "Father of Conjunto Music" (Flaco plays the Conjunto accordion).


Augie Meyers has shared the stage with the likes of The Allman Brothers Band and Bob Dylan. He's also a member of the Texas Music Hall of Fame. Doug Sahm and Augie Meyers were both members of the 1960s pop-rock band the Sir Douglas Quintet, with hits such as "She's About a Mover" and "Mendocino" to their credit. Sahm, Meyers and Jiménez are from the San Antonio area.


The band's 1990 debut was recorded in both English and Spanish versions. The Texas Tornados were asked to perform all over the world at places like the Presidential Inauguration of Bill Clinton, the Montreaux Jazz Festival, as well as regular appearances at Farm Aid and the Houston Livestock and Rodeo Show.


Among their other albums is Live From The Limo, this was the last album to be recorded that featured the complete lineup, as Sahm died in 1999, the year of its release. Fender, who had health problems in later years, died in 2006. Their 2005 Live from Austin album was a recording of a 1990 performance on the TV series Austin City Limits.


People sometimes refer to their lyrics as Spanglish because of the mixture of English and Spanish in the same song, in addition to pronouncing the Spanish lyrics in an American accent, which is evident in their hit, "(Hey Baby) Que Paso". An example is the lyric: "Don't you know I love you / and my corazón is real?", where the word corazón (Spanish for "heart") is improperly pronounced /ˌkɔrəˈsoʊn/, with an obvious American accent, instead of [koɾaˈson]. The band's self-titled debut album was offered in Spanish and English-language versions.


R.I.P. Doug Sahm and Freddy Fender