Showing posts with label USA. Show all posts
Showing posts with label USA. Show all posts

Review: Being Mary Jane Seasons 1-3

Monday, February 29, 2016
For Black History Month this February and with Women’s Month in March, why don’t we merge both celebrations in one three-part TV series? So here’s Being Mary Jane, the Season 1-3 review!


The truth is rarely pure and never simple.” – Oscar Wilde on an MJ note

The Rundown
Behind the name: Original title—Single Black Female—to spotlight what it means to be a single black female in the USA
Country: USA, 2015
Genre: Drama, Romance
Network: BET
Director: Salim Akil (most episodes)
Cast: Gabrielle Union (as Mary Jane Paul/Pauletta Patterson), Lisa Vidal (as Kara Lynch), Margaret Avery (as Helen Patterson), Latarsha Rose (as Dr. Lisa Hudson), Aaron D. Spears (as Mark Bradley), Richard Brooks (as Patrick Patterson), B. J. Britt (as Paul Patterson, Jr.), Raven Goodwin (as Niecy Patterson), Richard Roundtree (as Paul Patterson, Sr.), Stephen Bishop (as David Paulk)
                  Compare to: Can’t think of anything right now or the more serious, older version of The Mindy Project
                  Hate it or Love it?  Love it

Synopsis in a Sentence: Mary-Jane, a television news anchor navigates social issues in America as she works to balance family, career racial, and social issues as a fabulous, endearing, and relatable Single Black Female—but she’s just being Mary-Jane.
           

On Writing: The Plot
The plot is interesting; it’s deep and hard-hitting, it touches on subjects from singlehood to marriage, to female and racial issues and even more. The writing is well done and very well executed. Since this review covers 3 seasons, here’s a very, very quick run-down of the general plot of each season:
Season 1: The Single Lady Story – Season one was all about the story of the single girl, our introduction to Mary Jane and here persistent balancing act between her single life—which can be both a blessing and a curse—her family drama, and her professional challenges.
Season 2: The Black Story – Although an ever-present theme in this series, season two delved deeper into the issues of being black in America, with of course, Mary-Jane’s singlehood and search for a baby, professional growth, and of course, all the juicy family drama.
Season 3: The Selfish Story – In the latest season, we see a more layered and compley plot, but overall a self-interested MJ. The plot focuses on her as an individual, and delves into LGBT issues, racial and inter-racial issues, and spotlights on various US, such as the “Black Lives Matter” movement, and even a small focus on international issues. But more generally we see a more selfish MJ. She’s mad at everyone, she seemingly doesn’t take time to mourn a best friend nor does she take any sliver of responsibility she may have played in her decision to commit suicide. Still, at the same time, Mary Jane is more centred and focused. We find a character who is determined to get what she wants and we can’t completely blame her for that!
This is a black show—more accurately—it is an African American show, which is fabulous, because there aren’t many shows at all that go this genuinely deep into Afro-American issues, especially from a female perspective. Very importantly, it highlights a good section of African-American experience that arguably has not been effectively covered in modern television. At the same time, from some perspectives, it seemingly unwittingly has done so at the expense of putting down another section of the black community—the African community—in America. More than once, and over more than one season, BMJ has, in reference, put down Africa not in an overt way, of course, but in a condescending way that is handed down so inadvertently it is simply insulting! And that is alienating. It’s great to celebrate brown people on television and in media, but that should not come at the expense of another set of brown people.
For a show that seeks to highlight issues faced by a minority in society, it’s slightly putting down another minority on the world stage. But this is a Single African-American’s story to tell. Africans will tell their own story, and Africans are rooting for you, Mary Jane Paul!
(4/5)

On Acting: The Cast
Gabrielle Union
Gabrielle Union is Mary Jane Paul and there’s almost nothing more to say about that! Can you imagine if, one day, Production pulled a “Days of Our Lives” and switched the actress for Mary Jane with another actress? Would you care to watch? Union relays her characters assertive confidence and complexity with ease and intrigue!
Love watching Lisa Vidal as Kara Lynch in Being Mary
Lisa Vidal
Jane! Her drive and passion and expertise in her work is great! And Vidal does well to relay all of that!
Stephen Bishop is the on-again off-again
boyfriend so we have to keep him as a male rep on here. He plays his character so well I’m almost exasperated writing about it right now!
Our other male rep. is BJ Britt, MJ’s lil brother, and the smart young man. As the actor skilfully portrays, book smart, but I wouldn’t say life smart as I am sure his not-so smart decisions will come back to bite him. Just wait for season 4!

 (4/5)




On Production: The Creativity
Oh production is almost everything! The music is lit! The set design—MJ’s house is one fantasies are made of! #LifeGoals #ProductionKillsIt
(4.5/5)                                             


On Resolution: The Conclusion
Each season ends well, hinging on an incomplete story willing you to come back for more. Season three takes its newly found greater focus on social issues to the next level, daring you to come back for season four. Ratings show Being Mary Jane steadily dropping despite its previously earned accolades. Are shows like Empire proving more competition, or is Mary Jane as a personality becoming just too grating and overbearing? Will you watch to see more or will you, of whatever reason, ditch Being Mary Jane?
(3/5)

The Verdict: An interesting look into social issues in America, and an entertaining watch too.

Overall Score = 15.5/20





Golden Door (2006 Film)

Thursday, January 31, 2013

I picked up Golden Door because the information on the back of the movie contained recommendations From Martin Scorsese (actually, I misread it—I thought it was a joint production by Scorsese and Emanuele Crialese) but I wasn’t completely disappointed—Scorsese’s recommendations proved valid.  


“A ride through past times.”

The Rundown
Behind the name: Original Title—Nuovomondo
Country: Italy, 2006
 Genre: Drama
Distributed by: Miramax Films
Director: Emanuele Crialese
Cast: Charlotte Gainsbourg (as Lucy Reed), Vincenzo Amato (as Salvatore Mancuso), Aurora Quattrocchi (as Fortunata Mancuso), Francesco Casisa (as Angelo Mancuso), Filippo Pucillo (as Pietro Mancuso), Federica De Cola (as Rita D'Agostini), Isabella Ragonese            (as Rosa Napolitano), Filippo Luna (as Don Ercole)
Compare to: Fellini Satyricon
Hate it or Love it?  Appreciate it

Synopsis in a Sentence: An Italian family emigrate from Sicily to America, and they meet an English lady who stirs things up.
           

On Writing: The Plot
The story of immigration into America. It takes care to highlight its main characters, taking care not to overshadow its supporting ones. The story is easy to follow, with a few abstract details to the story (cinematic metaphors, if you will) that may or may not be appreciated. Regardless, the story is a solid one, and does not once waver for uncertainty or inconclusion. A good one.
   (3.5/5)
 
On Acting: The Cast
The cast played well. One of those kinds that you may be led to conclude that they are indeed playing themselves in the movie. A good diverse mix of characters complemented by a skilful cast.
(3.5/5)



On Production:
Very well done. Production for the Golden Door should indeed be much appreciated. It’s done with care, like art and advances the story with abstract scenes that ponder on the minds of its viewers. Good work indeed.
 (4/5)                                             

On Resolution: The Conclusion
It’s not quite clear what kind of ending should be expected in such a film, but it is a good one that allows history to tell of the journey of Italian immigrants through America’s golden door. 
(3/5)

The Verdict: A good watch, loaded with like a documentary-esque information, but agreeably enjoyable.

Overall Score = 14/20

 

 




See the The Golden Door 

 [http://www.amazon.com/Golden-Door-Filippo-Pucillo/dp/B000X418UY/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1359676397&sr=1-1&keywords=the+golden+door]

Maria Full of Grace (2004 Film)

Friday, February 24, 2012

I wasn’t quite sure what to expect from this one, but as I’d not seen a Columbian production, I picked it up. And I was surprised beyond my expectations.



María Álvarez: How many times have you done this?
Lucy Díaz: Two.
María Álvarez: How did it go?
Lucy Díaz: Still here.

The Rundown
Behind the name: Original Title—María llena eres de gracia. Title is a triple entendre- Reference to Mary, mother of Jesus, “grace” refers to slang for heroin, and may also be the name of the character’s unborn child.
Country: Columbia, USA, 2004
 Genre: Drama
Distributed by: Fine Line Features
Director: Joshua Marston
                  Cast: Catalina Sandino Moreno (as María Álvarez), Virginia Ariza (as Juana), Yenny Paola Vega (as Blanca), Guilied Lopez (as Lucy Díaz), Patricia Rae (as Carla), Rodrigo Sánchez Borhorquez (as the supervisor), Charles Albert Patiño (as Felipe), Wilson Guerrero (as Juan), John Álex Toro (as Franklin).
                  Compare to: Traffic (2000), Sweet Sixteen (2002), Sangre de Mi Sangre (2007)
Hate it or Love it?  Love it.

Synopsis in a Sentence: A 17 year-old girl gets pregnant and is under pressure from her family and work: she meets a guy who links her up with the drug trade, and she tries her luck by attempting to traffic illegal drugs to the US by swallowing pellets of drugs—how far will her luck go?
           
Winner of numerous well-deserved awards, Maria Full of Grace tells the story of an underage girl who gets involved in the drug-trade to support her family and deal with her pregnancy. The story was so well told, and received, that it grossed over four times its budget in the box office!

On Writing: The Plot
A really, really good plot. Very vivid, very interesting and insightful. The story progresses and gets better with every minute. You feel the characters, progress with the plot, and appreciate the narrative. It’s a really good story very well told. *Can’t go on for risk of gushing out on the whole story. Don’t be lazy. Watch it*
(4.5/5)

On Acting: The Cast 
A great cast. Simple, authentic and genuine.
Moreno
Vega 
Lopez
 Catalina Sandino Moreno plays María Álvarez as close to perfect as possible, and earned herself — one of only 3 Hispanic actresses to achieve one — a well-deserved Oscar® nomination in the process. 
Supporting actresses Yenny Paola Vega (Blanca) and Guilied Lopez (Lucy) also present notable performances. A great cast of characters skillfully played out.

 (4/5)





On Production: The Creativity
A good production: simple and stark. Its shots that relay the state of the movie and its characters quite well.  
(3.5/5)                                             

On Resolution: The Conclusion
The resolution. It is one to remember. It’s a good conclusion, wrapped with intelligence, realism, and meaning. A very good conclusion.
(4.5/5)


The Verdict: A gut-wrenching ride. A great movie. Do see!

Overall Score = 16.5/20