Showing posts with label Female Director. Show all posts
Showing posts with label Female Director. Show all posts

Review: Being Mary Jane Seasons 1-3

Monday, February 29, 2016
For Black History Month this February and with Women’s Month in March, why don’t we merge both celebrations in one three-part TV series? So here’s Being Mary Jane, the Season 1-3 review!


The truth is rarely pure and never simple.” – Oscar Wilde on an MJ note

The Rundown
Behind the name: Original title—Single Black Female—to spotlight what it means to be a single black female in the USA
Country: USA, 2015
Genre: Drama, Romance
Network: BET
Director: Salim Akil (most episodes)
Cast: Gabrielle Union (as Mary Jane Paul/Pauletta Patterson), Lisa Vidal (as Kara Lynch), Margaret Avery (as Helen Patterson), Latarsha Rose (as Dr. Lisa Hudson), Aaron D. Spears (as Mark Bradley), Richard Brooks (as Patrick Patterson), B. J. Britt (as Paul Patterson, Jr.), Raven Goodwin (as Niecy Patterson), Richard Roundtree (as Paul Patterson, Sr.), Stephen Bishop (as David Paulk)
                  Compare to: Can’t think of anything right now or the more serious, older version of The Mindy Project
                  Hate it or Love it?  Love it

Synopsis in a Sentence: Mary-Jane, a television news anchor navigates social issues in America as she works to balance family, career racial, and social issues as a fabulous, endearing, and relatable Single Black Female—but she’s just being Mary-Jane.
           

On Writing: The Plot
The plot is interesting; it’s deep and hard-hitting, it touches on subjects from singlehood to marriage, to female and racial issues and even more. The writing is well done and very well executed. Since this review covers 3 seasons, here’s a very, very quick run-down of the general plot of each season:
Season 1: The Single Lady Story – Season one was all about the story of the single girl, our introduction to Mary Jane and here persistent balancing act between her single life—which can be both a blessing and a curse—her family drama, and her professional challenges.
Season 2: The Black Story – Although an ever-present theme in this series, season two delved deeper into the issues of being black in America, with of course, Mary-Jane’s singlehood and search for a baby, professional growth, and of course, all the juicy family drama.
Season 3: The Selfish Story – In the latest season, we see a more layered and compley plot, but overall a self-interested MJ. The plot focuses on her as an individual, and delves into LGBT issues, racial and inter-racial issues, and spotlights on various US, such as the “Black Lives Matter” movement, and even a small focus on international issues. But more generally we see a more selfish MJ. She’s mad at everyone, she seemingly doesn’t take time to mourn a best friend nor does she take any sliver of responsibility she may have played in her decision to commit suicide. Still, at the same time, Mary Jane is more centred and focused. We find a character who is determined to get what she wants and we can’t completely blame her for that!
This is a black show—more accurately—it is an African American show, which is fabulous, because there aren’t many shows at all that go this genuinely deep into Afro-American issues, especially from a female perspective. Very importantly, it highlights a good section of African-American experience that arguably has not been effectively covered in modern television. At the same time, from some perspectives, it seemingly unwittingly has done so at the expense of putting down another section of the black community—the African community—in America. More than once, and over more than one season, BMJ has, in reference, put down Africa not in an overt way, of course, but in a condescending way that is handed down so inadvertently it is simply insulting! And that is alienating. It’s great to celebrate brown people on television and in media, but that should not come at the expense of another set of brown people.
For a show that seeks to highlight issues faced by a minority in society, it’s slightly putting down another minority on the world stage. But this is a Single African-American’s story to tell. Africans will tell their own story, and Africans are rooting for you, Mary Jane Paul!
(4/5)

On Acting: The Cast
Gabrielle Union
Gabrielle Union is Mary Jane Paul and there’s almost nothing more to say about that! Can you imagine if, one day, Production pulled a “Days of Our Lives” and switched the actress for Mary Jane with another actress? Would you care to watch? Union relays her characters assertive confidence and complexity with ease and intrigue!
Love watching Lisa Vidal as Kara Lynch in Being Mary
Lisa Vidal
Jane! Her drive and passion and expertise in her work is great! And Vidal does well to relay all of that!
Stephen Bishop is the on-again off-again
boyfriend so we have to keep him as a male rep on here. He plays his character so well I’m almost exasperated writing about it right now!
Our other male rep. is BJ Britt, MJ’s lil brother, and the smart young man. As the actor skilfully portrays, book smart, but I wouldn’t say life smart as I am sure his not-so smart decisions will come back to bite him. Just wait for season 4!

 (4/5)




On Production: The Creativity
Oh production is almost everything! The music is lit! The set design—MJ’s house is one fantasies are made of! #LifeGoals #ProductionKillsIt
(4.5/5)                                             


On Resolution: The Conclusion
Each season ends well, hinging on an incomplete story willing you to come back for more. Season three takes its newly found greater focus on social issues to the next level, daring you to come back for season four. Ratings show Being Mary Jane steadily dropping despite its previously earned accolades. Are shows like Empire proving more competition, or is Mary Jane as a personality becoming just too grating and overbearing? Will you watch to see more or will you, of whatever reason, ditch Being Mary Jane?
(3/5)

The Verdict: An interesting look into social issues in America, and an entertaining watch too.

Overall Score = 15.5/20





Flower Girl (2013 Film)

Monday, February 25, 2013

Saw a Nigerian movie for the first time in Cinema, and it wasn’t quite the same experience you’d get in direct-to-video releases.


Supposedly Director, Michelle Bello’s love story to Lagos, Flower Girl is an interesting take on Nigerian romantic comedies.”


The Rundown
Behind the name: The girl is a florist, therefore, she is a Flower Girl
Country: Nigeria, 2013
Genre: Romantic Comedy
Film Industry: Nollywood, 2013
Director: Michelle Bello
Cast: Damilola Adegbite (as Kemi), Chuks Chukwujekwu (as Tunde Kulani), Chris Attoh (as Umar), Eku Edewor (as Sapphire), Bikiya Graham Douglas (as Stella).
Contrast with: Pretty Woman, She’s all That
Hate it or Love it?  Appreciate it.  

Synopsis in a Sentence: A girl gets dumped by her lawyer boyfriend and tries to get him back by getting in a ‘fake’ relationship with one of the hottest actors around.

The plot of the movie was interesting enough, it had a few good actors and the production wasn’t terrible. So why didn’t it quite hit the spot?

On Writing: The Plot
 The plot takes a relatively new angle for a Nigerian movie, but we’ve seen it a million times and more in Hollywood productions. The characters were well written and developed, though one-dimensional, and the overall storyline was good. But that’s just it. It was just good. Perhaps it could have been great if it had that African flair, that Nigerian take on life that makes our movies so original. Quite honestly, the story was less Nigerian and more wannabe American. And we’ve seen way too much of that. Recurring themes like “the love triangle,” “the makeover” and “actor falling for the unlikely girl” has been done way too many times. What this film should have done was to take these themes to the next level, give them a new outlook, or lead us on and then thrown us a curveball just when we think we know what it’s all about. Yet, we missed that in this plot.
 (3/5)

On Acting: The Cast
A good cast, but the delivery of the characters was quite overdone—in almost all fronts. The characters could have perhaps toned down their acting to come across as more natural and true-to-life. Everything was too deliberate. Every character seemed to scream with desperation: “I am funny, so laugh!” And a few of them did make us laugh, but the funniest parts were in the most unassuming renditions of the characters. The cast could have delivered their characters just less, slightly less consciously.
(3/5)
Chris Attoh & Damilola Adegbite


On Production: The Creativity
The production in this one was quite good. Some great shots here and there, good angles and perspectives from the camera. Perhaps too much product placement, but great music… Speaking of music, there were quite a lot of tracks by Wizkid, but the only thing I’d call out was the sound editing. Really shaky and uneven, too much ambient sound in some scenes, improperly edited songs—almost amateurish actually. And that certainly affected the overall production quality.
(3/5)                                             

On Resolution: The Conclusion
The movie was resolved quite well. Ardent movie watchers might find it cliché, but there’s no arguing that it was well done. Some cute moments there, a few sappy moments there, instances of laugh-out-loud overdone comedy, but nothing too terrible, so the resolution wins it for this film!
(4/5)

The Verdict: Recommended to those who want a cutesy romantic comedy, with a twinge of Nigerian flavour.  

Overall Score = 13/20

 



Patrik, Age 1.5 (2008 Film)

Monday, April 30, 2012

I’d never seen a Swedish film before, but with all their talent in music (they’ve got insanely talented producers), I was (reservedly) sure that their film wouldn’t disappoint much—and I was quite right. This was a fun watch!


“Think homophobia, man crushes, and testosterone on emotions...” (Okay, maybe it’s not as dramatic as that, but it comes close.) 


The Rundown
Behind the name: A very good summary of the plot
Country: Sweden, 2008
 Genre: Drama, Comedy infused
Director: Ella Lemhagen
Cast: Gustaf Skarsgård (as Göran Skoogh), Torkel Petersson (as Sven Skoogh), Tom Ljungman (as Patrik), Annika Hallin (as Eva), Amanda Davin (as Isabell)
Compare to: Brokeback Mountain (Only because of the common theme), Reinas, The Wedding Banquet
Hate it or Love it?  Love it  

Synopsis in a Sentence: Patrik, age 15, gets adopted by a gay couple (who really thought he’d be 1.5 years old — thanks to a typo on his adoption papers) and as you can guess; the teenager is a homophobic criminal.
           

On Writing: The Plot

It’s quite good. Actually it’s really good. Quite well written, and although it has its cliché moments, it’s not too cliché (Although, if you’re a seasoned film junkie, you can guess how some scenes would play out before the actors act them out). Then again, can you really blame moviemakers and scriptwriters for writing a story that warms the heart?
(4/5)


On Acting: The Cast






Torkel Petersson (as Sven Skoogh)


Good actors. Gosh they do the film justice. They’re natural together, and one hardly overpowers the other. Say hello to the 3-man main cast:

Tom Ljungman (Patrik)

 
Gustaf Skarsgård (as Göran Skoogh)


Probably the first film you’ve seen without a female lead…

(4/5)



On Production: The Creativity

Production is good, lending dramatic construction to the dramatic parts, and infusing comedic stances when necessary. The production didn’t overpower anything else.
 (3.5/5)                                             

On Resolution: The Conclusion
Awwww shcuks!

(4/5)


The Verdict: I really, really liked this film. It was one good foreign film that didn’t (for once) reek of “foreign” production. An all round good one!  


Overall Score = 15.5/20 







Review: Inch'Allah Dimanche (2001 Film)

Saturday, July 9, 2011
This film is strange. 7 wins and one nomination from international film festivals and award organizations. 5 out of the 7 wins go to director, Yamina Benguigu, and one win to lead acress Fejria Deliba. Well deserved, but the film is strange… but well done, for that mater…


                                                Human rights issues in your backyard

The Rundown
Behind the name: Direct Translation: Sunday, God Willing
Country: France/Algeria, 2001
 Genre: Drama
Distributed by: Film Movement
Director: Yamina Benguigu
                       Cast: Fejria Deliba (as Zouina), Rabia Mokeddem (as Aïcha, mother), Amina Annabi (as Malika), Anass Behri (as Ali), Hamza Dubuih (as Rachid), Zinedine Soualem (as Ahmed), France Darry (as Mrs. Donze, neighbor), Roger Dumas (Mr. Donze, neighbor), Marie-France Pisier (as Manant), Mathilde Seigner (as Briat)
                       Compare to: Other films put out by Film Movement
Hate it or Love it?  Appreciate it.

Synopsis in a Sentence: Zouina is forced to live her homeland in Algeria to start a new life in France with her husband…and the mother-in-law from hell…

On Writing: The Plot
It’s on a topic hardly touched. When movies focus on the “mother-in-law from-hell” theme, it’s usually in a humorous way. This one is no joke. It’s simply suppression. The plot does a great job of putting the issue into context, and director, Yamina Benguigu, does a good job of relaying the reality of the situation.
The plot also takes into account 1970s history, socio-political conditions between the French and North Africa, immigration, and human rights issues. A good package. A good plot, but seemed to lack  a clear direction.
(3/5)

On Acting: The Cast


Fejria Deliba, who plays lead character, Zouina, is quite the focus of the film. And she does a good job of drawing you in and keeping you locked in on her character.


Rabia Mokeddem, also known as mother-in-law from hell, also relays an excellent performance of the hellish mother you are sure to disdain. By the end of the film, you’ll even disdain her for playing her character—that’s how good she was. All other characters were good enough, but these two  simply stole the show.
 (4/5)

On Production: The Creativity
Production is stark, almost borderline documentary, but not so. Some great shots, everything seemed real. Good overall.
(3.5/5)                                             

On Resolution: The Conclusion
What to say about the ending? My gosh. I really don’t know what to say… It’s abrupt, slightly surprising, and resolving? Is that enough? Well these are the first words that come to my mind when I think about the ending. It’s a nice twist, but abrupt. It didn’t leave enough room for the plot, but it resolved most issues. You see it and decide…
(3.5/5)

The Verdict: A well-done film. One to remember and mull over.

Overall Score = 14/20






Watch Inch’Allah Dimanche