Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Wednesday, February 19, 2014

Swipe Spot #14

or: Frazetta helps himself to a handful of Bridgman

Frank Frazetta Billie Movie Poster
Unused Illustration, Original Art (MGM, 1965)

George B. Bridgman Hands
cut and pasted from Bridgman books

Frank Frazetta Billie with Bridgman Hands overlay

sample page from The Book of a Hundred Hands by George B. Bridgman

Wednesday, March 7, 2012

Robert Fawcett • Scribner's '37/'39

or: Local Girls in the U.S.

4 illustrations for Local Girl Makes Good by Sally Benson (screenwriter and author of Meet Me in St. Louis), and 3 illustrations for a series of 'Life in the U.S.' articles.







Thursday, October 20, 2011

From the "Pyrite Age of Illustration"

The Decline of Illustration, by Thomas Craven, from American Mercury Magazine September to December 1927



"For fifteen years illustration enjoyed unprecedented popularity and the income of the artist in many cases exceeded that of the author."

"in an excess of phrenetic greed, soon departed from the decent standards of  the old school, and so debased drawing into the cheapest form of mechanical ingenuity—slippery, sentimental stuff designed for an audience which was, a few years hence, to feed its imagination upon the movies and the radio."




"The prices for heads in water-color, oil and pastel mounted to incredible figures.  …all of them stupidly drawn an offensive to readers of any taste."

"American publishers have been known to encourage authors and to nurse them to fame through several failures, but under no circumstances will they foster anything but the lowest pictorial talent."




"today the bottom has dropped out of the market. The leading American magazines have discarded illustration; most novels are published without pictures; most political cartoons resemble comic strips"

"In the first place, photography. The camera has debauched the appreciation of drawing and provided a swift and inexpensive means of pandering to the growing demand for literal scenes, portraits and naked surfaces."



"With photography I would, of course, include the moving picture and its attendant insanities—the mania for pictorial fodder of all sorts, but always in an unimaginative form—, and the tabloid newspapers, with their displays of domestic crimes and lubricities. The tabloid germ has spread to the baser magazines, some of which are illustrated with old "stills" purchased from the moving picture companies."


file under: Same as it ever was


Thursday, April 14, 2011

Tableau vivant? Pictorialism? Cosplay? …?

You decide!

The desire to re-create paintings and drawings in the flesh can be found everywhere;

J.C. Leyendecker, 1918 Weapons for Liberty

at a photographers studio,

Washington, D.C., circa 1918. "Robert Hall, group"


The Raft of the Medusa, 1818-19,  Théodore Géricault

and another photographers studio,



El Jaleo, 1882 John Singer Sargent 1856-1925

at the cinema,

The Alamo, 1960 - John Wayne


Le Déjeuner sur l'herbe, 1863 - Manet

crate diving

Le Déjeuner sur l'herbe - The New Jazz Orchestra

at a K-1 event

Yuichiro "Jienotsu" Nagashima

Sunday, July 18, 2010

Swipe Spot #9

This post is dedicated to commenter EnV, who said "Escuse me?", with regards to the following line from a previous swipe spot post: "I was disgusted to see a bit of plagiarism, usually, worthy only of an Italian."


The 1975 film "JAWS" needs no introduction, for it is one of the most universally seen movies. What needs even less fanfare is the iconic poster created by American illustrator Roger Kastel.


artist Roger Kastel

"JAWS" comp


Which somehow brings us to the Bruno Mattei film "Fauci Crudeli", aka "Cruel Jaws", aka "Jaws 5: Cruel Jaws".


Some insightful imdb.com "Cruel Jaws" trivia: Lifts footage from Steven Spielberg's Jaws (1975), Jeannot Szwarc's Jaws 2 (1978), Joe D'Amato's _Deep Blood (1989)_, and mostly from Enzo G. Castellari's The Great White (_Ultimo squalo, L' (1980)_).

Marketed as "Jaws 5: Cruel Jaws", even (though) the movie has no connection with Jaws (1975).



An imdb.com user review perhaps says it best, "And for sheer brass neck how dare they credit Peter Benchley! Obviously his lawyers haven't seen it."


So yes EnV, you are escused (sic)!!!

Tuesday, March 30, 2010

Spooks, Jocks, & Queers

The illustration art of Fred Fixler (1923-2010) artist, and influential teacher whose circle included Glen Orbik, Morgan Weistling, Shawn Zents, Nathan Fowkes, Greg Pro, Jeffrey Watts, Steve Rude, Robh Ruppel, Jeremy Lipking, Sean Cheetham, Aaron Westerberg.


















Wednesday, December 23, 2009

Jennifer Jones 1919-2009

Portrait of Jennie, 1948



Beauty is truth, truth beauty,
that is all ye know on earth,
and all ye need to know.
Keats



Robert Brackman was chosen by producer David O. Selznick to paint the portrait which in the film can be seen to grow under the brush of Joseph Cotten. The canvas was painted in Brackman's studio in Noank, Connecticut, near New London, where Jennifer Jones resided during the period required for the fifteen sittings needed to complete the picture. Brackman also made a pastel study of Jennie as a young girl, which appears in the film in the early phase of the romance.
American Artist, December 1948



Joseph Cotton in the film starting the portrait.


Publicity photo, Cotton looks on as Robert Brackman paints Jennifer Jones' portrait.



Monday, November 23, 2009

Swipe Spot #5


Making the scene at the local grindhouse on Saturday night, I was disgusted to see a bit of plagiarism, usually, worthy only of an Italian. Dancing upon the wall with its sirens call was the one-sheet for The Witch Who Came From the Sea. The image of the scythe wielding witch seems to bear more than coincidental similarity with the cover to Vampirella #11.


Shocked that such could happen here in 1976, I trudged along to see the vixen of the sea in action. My nausea from that outrage in the lobby was not to be abated. Upon viewing the film, it came to me the realization that I had misread the billing. I mistook Rick Jason as "Billy Batt" for special guest star "Billy Barty". Here's to a better '77.




Art in film, Birth of Venus by Botticelli, do you get it? from the sea!

Tuesday, October 6, 2009

Beer with Dolores & Brick

Nothing sells beer like film stars. Smooth and cool. Long tall and handsome. Who wouldn't want to drink what they drink? While some stars take a shine (and the money) to these ads, others shy away (or are to big to lure). Would Doris Day and Rock Hudson in their day and at their prime shill for Schlitz? Or in this case Burgie. No! What to do then? Why, hire an illustrator and through artful manipulation subtly imply the stars. Like the best propaganda, you'll never know why you want the product so much!

This throwaway production art, a billboard maquette (the proper term eludes), displays more effortless skill than you'll find on most museum walls.


Unidentified west coast illustrator (if you can identify the artist, please do).







Golf and beer with Bob Hope and his lovely wife. I'm there!


Billy Dee Williams, the man still has "it". Smooth.