Showing posts with label psych. Show all posts
Showing posts with label psych. Show all posts
Sunday, February 10, 2013
...
Let There Be...Blacklight by Todd Liebenow and Dave Privett, One Way Street, 1999
"One of the biggest trends in the puppet ministry has been the use of special lighting known as blacklight. It is easy to see why...This is the most complete and comprehensive book on blacklight puppetry available."
Labels:
books,
christian graphics,
hand lettering,
psych,
puppets
Friday, July 22, 2011
onion skins of tenderness
Alastair Galbraith Cluster 7inch (Stalemate, Raining here/Pip Proud, Water in my ears) Raffmond, Germany, 1994Water in my ears
There could be no better format for these 4 songs which, once the needle touches the record, end almost before you can step away from the turntable. Just crouch nearby and close your eyes. This record also introduced me to Pip Proud. Thank you and thank you, Mr. Galbraith. (If any of the involved parties would like for me to remove the audio, please let me know.)
New full length on Siltbreeze. featuring this song! Water in My Ears and Raining Here later appeared on the full length Talisman (now reissued)
Labels:
Alastair Galbraith,
eternal listening party,
haiku,
music,
poetry,
psych,
Records,
singles
Monday, February 28, 2011
The Psychedelic Horror of Frank Asch
Tuesday, November 16, 2010
Saturday, October 16, 2010
Wednesday, August 25, 2010
In Praise of Elwood Snock
Armchair Boogie, Raccoon/Warner Brothers, 1971, (LP and homemade cassette) (Cassette lovingly dubbed by Mr. Hurley from a somewhat noisy vinyl copy) LP includes the comic Boone & Jocko in the Barren, Choking Land)
Hi Fi Snock Uptown, Raccoon/Warner Brothers, 1972 (LP and homemade cassette)
Parsnip Snips, Veracity (Germany), 1995, LP (unreleased home-recordings 1965-72)
Labels:
cassettes,
folk,
lp jackets,
michael hurley,
music,
psych,
Records
Wednesday, July 14, 2010
prayers of a one man band
The Enlightening Beam of Axonda, Destiny Records, 1972
Live, Destiny Records, 1978
Prayers of a One Man Band, Destiny Records, 1982
For the past fifteen years, Bobby has stuck with his vision of a "one man show", always creating new instruments and new styles of singing and playing as he went along. Bobby's voice is perhaps his most remarkable instrument. Covering a six octave range (possibly the widest range ever recorded) it is capable of creating almost any texture he desires. But his "one man band" orchestra is not to be overlooked. Originally composed of about fifty instruments it contained 311 strings and took three hours to set up and tune. Instruments varied from a tiny electrified spring to a monstrous fifteen foot electrified drone. Some were of original invention, while others were electrified versions of instruments found around the world. With this set, he recorded his first album THE ENLIGHTENING BEAM OF AXONDA. An extension of his doctoral thesis begun at UCLA, it contains a story about possible new discoveries in physics that could lead to technological advances that would in turn lead to a very unique and very optimistic view of the future. -from Live liner notes
3 records by California's Bobby Brown, released on his own Destiny Records label. Despite the low fidelity, Live is my favourite of the 3. It was recorded in his van ("before a small audience - his dog") after he disliked the results of a recording he made while opening for Fleetwood Mac (?!). The Italian label Akarma reissued The Enlightening Beam of Axonda on CD but I don't know whether it was done with his participation.
Is he still around? I hope his rig still exists somewhere.
Labels:
california,
Collage,
hawaii,
homemade instruments,
lp jackets,
machines and robots,
music,
private press,
psych,
Records
Sunday, June 6, 2010
les enfants sont tous fous
Brigitte Fontaine: Le Goudron/Les Beaux Animaux, Saravah, 1969
Labels:
foreign language,
music,
psych,
Records,
singles
Saturday, June 5, 2010
Daniel Manus Pinkwater
back cover of The Magic Moscow, 1980
The Big Orange Splot, 1977
After finding a copy of Doodle Flute and hearing about The Big Orange Splot (here and here), I started finding his books all over. Among them was Lizard Music, his pre-teen novel from 1976. In one passage, Charlie "The Chicken Man" makes reference to RenƩ Daumal's Mount Analogue in order to describe the properties of Invisible Island, home of Thunderbolt City, to the main character, an 11 year old with a Walter Cronkite obsession. Incredible. What was I reading when I was 12? Always funny and highly recommended.
Dave The Hermit from Blue Moose, 1975
Tooth-Gnasher Superflash, 1981
Aunt Lulu, 1988
Doodle Flute, 1991
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