Typing this into phone as no other way. Am trapped and no other means to leave message before it gets me. Have to warn people. Only one problem. If you’re reading this, it’s already too late.
Author and Scriptwriter
'Among the most important writers of contemporary British horror.' -Ramsey Campbell
Showing posts with label free story. Show all posts
Showing posts with label free story. Show all posts
Monday, 7 December 2020
Friday, 28 October 2016
Free Story for Halloween: Love Knot
If you want to read the rest of the collection, you can buy it here.
LOVE KNOT
by
Simon Bestwick
I didn’t want to believe it, but it was true. I sat in my car and
looked through the window of the cafe. It was him all right. Jack
Fairchild. He was talking to a girl, a pretty, waif‑like girl
in a tie‑dyed top and flared corduroys. Silver rings with
semi‑precious stones studded her fingers and she had about half
a dozen rings in each ear, plus a stud in her nose. It made me wince
just looking. Not that I’ve got a problem with other people doing
it, you understand, but I’m squeamish, and I’ve never understood
the attractions of body‑piercing.
After a couple of minutes, they got up and came out of the café. I
dropped low and pretended to be looking for something on the floor of
the car. A moment later, Jack’s car pulled out and I started
driving after him, trying to hide in the traffic, and still trying to
digest what I’d seen. Because Jack Fairchild was dead; he’d
killed himself six months before, and I knew it beyond all shadow of
a doubt. Because I was the one who’d found the body.
*
Sheila
Harris knew him, and she knew me. She’d gone out with Jack for
nearly two years, finishing with him a year or two before his
suicide, and next to me she’d known him better than anyone. If
anyone else had told me that they’d seen Jack walking around in
another city, I’d have dismissed it and said they’d seen someone
who looked like him. But this was Sheila.
She’d rung me up as soon as she’d got back from Preston, and
asked if she could come round to my flat. I’d always enjoyed her
company and it wasn’t particularly late – and in any case I’m a
night‑owl – so I said yes.
I’d never seen her look so shaken. She was white as milk and
chain‑smoked cigarettes all the way through. Sheila was another
of the hippy‑chicks that Jack was so fond of (and who were
pretty fond of him too in their way) – all flared trousers, silver
jewellery and assorted New Age knickknacks, and in Sheila’s case, a
scent of sandalwood – and cigarettes were something she usually
only used to roll joints with. To see her demolishing the best part
of a packet of twenty Embassy No.1s was enough to alert me.
I made her a cup of
coffee and added a dash of Navy Rum – I keep a bottle handy for
emergencies like this. So far she’d told me nothing, other than
that she had to see me right now, and from her manner I was pretty
sure it wasn’t because she wanted to propose marriage.
“Okay,” I said once I’d set up a saucer as a make‑do
ashtray, and watched Sheila stub out her second cigarette since
entering before starting on her third without even a pause for
breath. “What is it?”
“Okay,” she said, “It’s Jack.”
“Jack?” Even as I said the name, I felt a wave of giddiness
pulse through me. Thinking of him made me think of what I’d found.
A lot of things brought back bad memories, had done ever since; the
woods in autumn, the smell of wet leaves and damp earth, the creak
of tree branches, even the feel of a light rain on my face, all
brought the pictures back. And so, of course, did his name. “What
about Jack?”
“Okay,” Sheila said again, obviously psyching herself up.
“You’ve got to believe this, Ian. I wasn’t tripping, okay?
Hadn’t even smoked a spliff. God knows I could do with one. You
haven’t –?”
I did, but I wanted to get some sense out of her first. Sheila
stoned tended to lose the plot totally and gibber out whatever went
through her head, usually free‑associating from one topic to
the next every five seconds. If she took so much as a single drag on
a joint she’d start telling me about whatever Jack‑related
thing it was, move on to the time we all went camping together and
within two or three minutes she’d be telling me about the Middle
East or the Balkans. That was usually pretty entertaining, and God
knows I’ve done stupider things myself under the influence, but
tonight wasn’t the time, not yet. “Maybe later,” I told her.
“What did you see?”
She sucked on her cigarette, hard, and gulped more rum‑laced
coffee. “You know I was on the coach back from Blackpool tonight?”
I nodded; Sheila’s current boyfriend, a muscle‑bound
boy‑racer called Andy, had relocated there a month ago. I was
hoping the long‑distance relationship didn’t pay off, partly
because I’d always carried a torch for Sheila, but more
importantly because Andy was an ignorant bully who’d done nothing
but wear her down since they met. It beat me what she saw in him.
Still, it was her choice.
“The coach stops in Preston on the way back, and I was nearly
there when I remembered it’s my dad’s birthday tomorrow and I
hadn’t got him anything. Not even a card. By the time I’d got
back to Manchester it would’ve been too late to get anything, so I
got off in Preston – thought I’d get the next one.”
I nodded understanding. Nothing weird or Jack‑connected there.
“I went and found a shop – got him a big bar of dark chocolate
and a card. You know how he loves dark chocolate. Anyway. There was
time before I went to get the coach, so I went for a coffee. There’s
a little caff in Preston, really nice – I’ve told you about it
before.”
I remembered now. “Louie’s?” Sheila nodded. Louie, she’d
told me, was a transplanted American who’d never quite realised
that the ‘sixties were over, and set up his own shrine to the
decade in the cafe named after him. I’d been in once or twice; he
still dressed the way he had back then – possibly in the same
clothes – and bound up his long, greying hair with a red
white‑spotted bandanna. The café served mostly vegetarian
food, but the coffee was great, apparently. And there are worse
soundtracks than America, the Byrds and the Rolling Stones back when
they were good to listen to while you eat.
But I digress.
“So I went in there, and I had a coffee and a bit of carrot cake,
and then I was just setting off when I saw him. I’d got across the
street, when I saw his car pull in, in front of Louie’s – you
remember how Jack used to park?”
Didn’t I just. Like he was going to ram‑raid the premises
and changed his mind at the last moment.
“That was what made me look. And then I saw him getting out of the
car. He didn’t see me. It was him, Ian! It was Jack Fairchild, I
swear to God.”
“Jack’s dead, Sheila. You were at the funeral, remember?”
She snapped furiously, slamming down her mug so coffee spilled on
the table. “Don’t fucking patronise me, Ian.”
“I’m not. But he’s dead, Sheila, I should bloody know.”
Sheila stubbed out her cigarette and her fingers played with one
another, knotting and unknotting for a whole five seconds before she
lit up another smoke. “Shit, I’m sorry, Ian. But it was him, you
know? I didn’t know him as long as you did, but it was a long
time, and Jack was always pretty... distinctive, you know?”
I knew. It was one of the more restrained things the local vicar had
said about him the time he’d left something extremely unpleasant
on the altar at the parish church.
“So what was he doing?”
“Nothing much. He went in, had a coffee, that was it. I had to go
anyway – had a coach to catch, and to be honest I was afraid he’d
see me.” She stubbed out yet another cigarette. “So there you
are. I don’t suppose there’s any chance of you rolling a joint
now?”
“I think that could be arranged,” I said, and reached for the
tobacco tin I kept under the sofa. Either she’d seen him or she
hadn’t. But equally I’d seen him, and in a condition which would
make going into a café six months later for a drink pretty
unlikely. Even in Preston.
So ultimately there was only one thing left to do.
*
And
that was how come I’d driven up to Preston. Jack and his
girlfriend were heading across the city, into a residential suburb
just outside town. They stopped outside a rambling Victorian house
on a road called Laburnum Close, and went inside. After a couple of
minutes, I got out of the car and strolled along the road towards
the door.
It was early evening, and the setting sun glinted in bits through
the branches of the sycamore trees along the roadside. I reached the
bottom of the house’s narrow drive. A rambling, overgrown front
garden sprawled out on either side of it. The porch, recessed into
an arch of greyish‑red brick, had a white door with four
frosted glass panels, flanked by two curtained windows. It put me in
mind of a mouth open to snarl, howl or bite, flanked by bulbous eyes
like those of a predatory fish.
Beside the door were five bell‑pushes – the house had been
converted into flats. I looked at the names: Mr. A. Akinbode, Mr. N.
Singh, Mr. M. Ortega, Mme Larousse, Mr F. Jackson.
F. Jackson. Always assuming that this was where Jack and not the
girl lived – and she hadn’t looked like a Madame – this was
presumably him. F. Jackson instead of Jack Fairchild. There was a
certain humour in that.
Something moved out of the corner of my eye – I thought I caught a
glimpse of a pale face pressed against the glass of the window to my
right, but it was gone as I looked, and the tightly‑drawn
curtains didn’t even so much as twitch, as shiver.
I’d had a good long look at him, and there was no doubt that it
was Jack Fairchild. It couldn’t possibly be anyone else. But...
I got back in the car and drove back to Manchester as fast as I
could, but however fast I drove I couldn’t seem to outpace the
memories.
I’ve got a different approach to Sheila when it comes to things
that frighten me, shake up my sense of what’s possible in this
world or generally just plain freak me out. Sheila had come to me as
a friend to talk to, unburden herself. Me, I paid a visit to the
bottle of Lamb’s Navy Rum under the sink and put as much away of
it as I could between reefers. I passed out sometime around one
o’clock in the morning and woke up again around seven o’clock
with a scream and a splitting headache. I’d slept badly, dreamed
badly. My scream had been the carry‑over from the last dream
I’d had – sitting up on my sofa half‑awake to see Jack
Fairchild in the armchair opposite, grinning at me with a pale face,
lips bloated and purplish‑black, his eyes full of blood. At
least, I hoped to God it had been a dream.
*
I went
to see Sheila about it the next day. She brewed a soothing cup of
camomile tea and offered to massage my neck and shoulders. I
accepted and thought impure thoughts as she unknotted the muscles
that had cramped up sleeping on the sofa.
“You were right,” I admitted finally. “It was him.”
“Told you,” she said, with a shrug. “Question is, what do we
do about it?”
“I don’t know. The police checked the body I found pretty
thoroughly. He had a record with them, remember; only minor trouble
but enough for them to have his prints. They checked those and his
dental records. One hundred percent proof positive. That was Jack’s
body I found – even if I hadn’t recognised him that would clinch
it. But...”
“But he’s alive and well and living in Preston.”
“Occam’s Razor,” I said simply. “The simplest explanation is
usually the right one.”
“And what’s that?”
“A look‑alike. A doppelgänger. Hell, maybe even an
identical twin.”
“Do you believe that?”
“Don’t you?”
But we both knew it. The man we’d seen didn’t just look like
Jack; it dressed like him, it even had the same little mannerisms.
What were the odds against that?
“So what do we do?”
*
I drove
back up to Preston the next day, went back to the house on Laburnum
Close and rang the bell for Mr F. Jackson’s flat. No answer. I
thought for a few minutes, then rang another of the bells.
Mr A Akinbode answered the door, a tall Nigerian with a lilting
accent and half‑moon glasses that made him look ten years
older than he was, an exchange student at the local college. Yes, he
knew Mr Jackson. Yes, the description I gave matched him. No, Mr
Jackson wasn’t in. Mr Jackson had left that morning. No, he didn’t
know where. No‑one did. There one day, gone the next, leaving
his keys and his unpaid rent in an envelope pushed under the
landlady’s door.
Gone. No forwarding address. “Probably ran off with one of his
girls,” said Ade Akinbode. The ‘A’ stood for something long
and complicated I kept getting in trouble with, but he’d laughed
and just told me to call him Ade (`A‑day’) like everyone
else.
“Girls?”
Ade laughed again; it was a loud laugh, booming, and a couple of
pigeons clattered from their perches in the sycamore just outside
the drive. “Oh yes, girls, my friend. A different one almost every
night.”
“That sounds like him,” I smiled. Shortly after, I made my
excuses and left.
*
And it
might have ended there. Whatever the mystery, the Jack Fairchild
look‑alike had departed for parts unknown. As time went by, it
was easier and easier for both Sheila and I to convince ourselves
that we’d only seen someone who bore a resemblance to Jack. It
hadn’t been that long since his death after all.
And even if it somehow was Jack, he’d made no effort to get in
touch with his old friends, had he? If somehow, for some reason we
couldn’t understand, he’d faked his death, he obviously wanted
to make a break from the people he’d known, if not the lifestyle.
It hurt to think that, so we preferred the first explanation. And so
the memory of the incident faded from our minds, till now and again
we only occasionally joked about it.
Sheila gave Andy the Arsehole the push. A couple of weeks later, she
came round for a dinner I’d cooked, but nothing came of it.
Another week or two went by, and she started seeing someone else.
Not for the first time, I kicked myself soundly and told myself to
get a life.
I went out with a couple of girls – a nice but vacuous
receptionist for a computer firm, and a girl I’d met at a
rock‑and‑metal club in Manchester who claimed to be a
witch. The second one lasted a while, but then her old boyfriend –
a Hell’s Angel – finished his stretch in Strangeways for GBH
with intent, and they got it back together. And that was the end of
that, as I had no wish to have a man known to his friends as Mad Dog
for a love rival.
But Lorry – short for Lorelei, or so she
claimed – left a few legacies, like a Motorhead CD I rather
enjoyed playing now and again, and a copy of the Big
Issue. I was flicking through the
magazine one day, not long after Lorelei was clasped once more in
the arms of Mad Dog, trying to find something I hadn’t read. The
features range from entertaining to the disturbing, and among other
things there’s a regular column on Missing Persons. Have
You Seen..? it asks, and then below
are the pictures of the disappeared and a little information. I used
to share a flat with a drama student when I was at college, and what
a flake he was. I kept expecting to see him in that section of the
mag.
I didn’t see him, but I still nearly dropped the magazine as my
stomach gave a horrible lurch. There were three missing persons, but
I didn’t notice the one on the left or the one in the middle. It
was the one on the right who caught my attention.
She smiled up at me in flat, grainy black and white. It wasn’t a
great picture, but I recognised the face, the smile. And I
recognised the half‑dozen rings you could just about make out
in each ear, and the stud in her nose.
*
I met
Jack Fairchild when we were at primary school together. The ripe old
age of five.
We grew up together. We were different even then;
he was sporty, forever tearing round the asphalt playground in a
game of football, while I was the bookish type, forever buried to
the nose in The Lion, The Witch and the
Wardrobe, The Hobbit or, better yet, a
Dr Who
book. But he liked Dr Who
as well, and that was the beginning.
So we became friends. We invited one another to our birthdays, we
went out on our bikes together in the summer holidays and at
half‑terms. Went camping together, rang doorbells and ran away
together, dared each other to venture across the local golf course
and dare the slicing balls of power‑crazed golfers.
We tried alcohol for the first time together, tobacco, cannabis. Got
drunk together – and threw up – smoked together – and threw
up; got stoned together and lay sprawled out on the floor with zoned
smiles spread across our faces, talking about how, like, one tiny
atom in our thumbnails could be, like, one little tiny universe…
We went out in search of willing girls as well, headbanging away in
the hard‑rock and metal clubs on Friday and Saturday nights,
although Jack was always a damn sight better at it than me.
Jack changed. From being a clean‑cut sporty type he got into
thrash metal and took to wearing black leather studded and chained
with silver, with hair almost down to his waist. His bedroom walls
reverberated to the strains of AC/DC, Iron Maiden, Motorhead,
Deicide and Slayer. I always thought he was taking the Satanist
stuff in the last two groups’ songs a sight too seriously, but
never realised how seriously. Then again, I didn't see as much of
him in those days; he took to hanging with a different crowd. Not
till the night he broke into the church and – well, left some
pretty revolting things on the altar and equally charmless
statements on the walls.
He was damn lucky not to get worse than the community service they
gave him, and after that he mellowed out. His musical tastes changed
to Led Zeppelin, Pink Floyd, the Doors, the Stones. I got to know
him all over again, and it was kind of like old times, but with more
dope and psychedelic music. Things seemed different.
Jack was a lot better. He got a flat in Old Trafford and entertained
a seemingly endless string of girls. He was happy. He played guitar,
occasionally got together with some friends where they acted vaguely
as if they were members of a band, and supported himself in ways I
wasn't always sure about and decided to remain blissfully ignorant
of.
Then Jack's parents, and his younger brother Adrian, died.
*
A year passed since the article in the Big
Issue. Sheila got back with Andy the
Arsehole, then gave him the push again. She went out with a couple
of others, but never with me. A couple of meals, but that was it.
Regretfully, I began to accept that to her I was, an always would
be, a friend and nothing more. Lorry came back for a couple of weeks
while Mad Dog was away – running smack or executing someone with a
hacksaw for looking at him the wrong way, I forgot which. Kind of
thing that really added a peaceful atmosphere to the romantic
interludes. He came back and Lorry rejoined him. I was never sure
what she saw in him. Or maybe it was what she saw in me.
Then again, I didn't have much time for a
relationship. Jack had begun to be an obsession. The spare room in
my flat was piled high with Big Issues,
and a map studded with red drawing pins. I'd kept looking. There
wasn't much I could do in terms of tracking Jack down; I had no
clues where he'd want to go, except maybe someplace where he wasn't
likely to run into anyone who might say 'hey, aren't you supposed to
be dead?'. I hoped to God my suspicions were wrong, but while I
suspected I couldn't just leave it.
The only thing I could think of was to keep
buying the Big Issue
and checking out the Have You Seen...?
section. It was a long shot, with over a quarter of a million people
missing at any one time across the country, but it was the best that
I could do. And over that year, I'd religiously kept every issue,
looking for a pattern.
I read the papers too. I had the girl's name too
– Kelly Moores – and waited for news of a body being found.
There was none, But in the Issue,
over that year, I'd started to see a pattern.
Several girls turned up in Have
You Seen...? who'd disappeared in the
Preston area in the six months following Jack's death. Girls who
fitted in the same category as Kelly Moores. The same kind of
clothes, the same kind of hippy innocence in their
grainily‑photographed faces. The kind of girls that Jack had
always gone out with, who had always been charmed by him.
I really didn't want to believe the picture I was starting to put
together. Of course, it could have nothing to do with Jack; it could
just be coincidence that he'd spent time with Kelly Moores shortly
before she'd disappeared. But I had to know.
I knew what I was looking for. And I knew that if I saw Jack again
in any place where the pattern re‑emerged, then his guilt was
almost certain. The map in my spare room would, sooner or later,
point me in the right direction.
And sooner or later, it did.
*
Jack
and his family had their ups and downs over the years – he was
never the easiest of kids, God knows – but in the years after the
church incident things had started to settle down, especially when
he got his own place. And then their car went off the motorway on
their way back from a family visit to the Lakes. Boom. Crash. Bang.
All gone. The whole Fairchild family except for Jack.
Jack changed. He became quiet and morose. I saw as much as I could
of him. He was bitter, and angry. Life had lost all meaning. I did
what I could, which was to be there as often as possible, listen to
him when he talked, hug him when he cried, brew black coffee
whenever he'd had to much to drink, and roll his joints when he was
too drunk or stoned to do it for himself. It was a bad time, and the
lowest I'd ever seen him.
But he came out of it. I was there, Sheila was there, a couple of
girlfriends were there, and we steered him out of the woods.
The woods. Maybe an unfortunate choice of phrase.
The funerals had come and gone. Jack had the choice; his flat in the
city, or the family home. In the end he chose neither. The house was
too full of memories; he sold it, gave up the flat, and bought a
small house in North Wales, not far from a decent sized town but
surrounded by hills. A pine forest half a mile away. And a wood of
silver birch right behind the house.
The birch. That's where I found him, that autumn.
To be fair to Jack, I don't think he'd meant it that way. I called
in unannounced; I was coming back from a visit to someone else in
the area, and decided to drop in on him. It had been a week or two
since we’d last spoken.
I pulled in at the cottage. His car was parked outside. When I
knocked on the front door, it swung wide, inwards.
He wasn't anywhere in the house. I wondered where the hell he'd
gone. I decided to try the birch woods, and walked into the field of
greyish‑white trunks.
It was a grey day, the sky's belly heavy, pregnant with rain. Soon
it began to fall. I smelt damp earth, wet leaves. The rain was
light, cool and fine on my face. Trees creaked in the wind.
The rain picked up. I looked grimly around and decided to double
back to the house. Maybe Jack had walked down to the village. Then I
remembered I had a mobile phone and so did he. As I started walking
back, I took it out of my pocket and rang his number.
Nearby, I heard a mobile phone ring.
And ring. And ring.
Till the answering service took over.
"Jack?" I called. Suddenly I felt a sense of foreboding. I
began walking back through the woods. Which way had the sound come
from? I dialled again. I followed the rings till the answerphone
picked up once more.
I thought, then, that he might have had a fall. That was the worst I
suspect, that Jack had slipped and fallen, tripped on a root,
knocked himself on a stone.
It took me a moment, when I saw the long, dark, bundle swinging from
one of the trees in the mizzling misty rain, to recognise it for
what it was. I scrambled through the woods and looked up at it. Even
though the flares and the Slipknot t‑shirt, and the long dark
hair that hung down in strings were distinctive, I had to look up
into the face, pallid and bloated from hanging in the rain for, the
police determined later, two days, before I realised that it was
indeed Jack Fairchild. His face, or what was left of it, looked like
a wadded ball of grimy, sodden newspaper.
The tree creaked softly as he swung on the coarse rope he'd looped
around his neck. As my mind reeled, my eyes wandered, till they
finally found something they could fasten on which wasn't as bad.
It was a knot. Tied in the rope that had killed Jack, yes, but a
knot nonetheless. Something to look at, something...
...something strange about it. I couldn't say what. It was an odd,
complicated knot, like nothing I'd seen before.
*
"I'm
worried about you," said Sheila.
"Why?" I said, passing her a joint.
She stared at me. "Why?"
Then she grabbed my arm and hauled me across the flat and into the
spare room, jabbing a finger at the map. "Well, how about that
for a start?"
The map in my spare room; I was telling you about it before.
Whenever I heard about a disappearance that matched the description
of Jack's kind of girl, I put a pin in it, looking for a pattern.
And in the end one came out.
The five most recently-added pins were all tightly clustered around
the city of Birmingham. All girls who'd vanished within the last
couple of months.
"It's become an obsession with you," Sheila said. "I
mean, is this healthy? Is this normal?"
"Well, what's normal?" I shrugged. "Normal's a
meaningless term."
"You sound like Jack."
I laughed. "He used to say that all the time, I know. I told
him that after the church thing. I was trying to show him he could
be whatever he wanted, not get bogged down in what he'd done."
"Don't try and take responsibility for whatever you think he's
doing now, Ian. Jack's been a big boy for years."
"So you think I'm right?"
"I didn't say that!" she snapped. "God's sake, you
read enough missing persons reports you can find a pattern
anywhere."
"And I just did," I said. I gestured to the other pins.
"How many others are down to him on that map? How many who
never made the papers? Obsessed? I was nowhere near obsessed enough,
Sheila. I should have been out there every time I saw a
disappearance who fitted the profile, I –"
"Yeah, and maybe you could have if you were an international
playboy or something, but you're not. You've got a job and a limited
income, remember? You know, your bank account? Or did you think your
bank manager was sending you love‑notes or something?"
Sheila sighed. "God almighty, Ian, if you thought something was
going on you should have gone to the police."
"I did!" I snapped. "Again and again and again.
They've got me down as a nutcase, Sheila." I stared at her for
a long moment and she stared back. "And so have you."
I stopped myself saying anything else, like she was the one who'd
told me that Jack was still alive, or around, or whatever he was.
Because at the end of the day, I was the one who'd drawn – or
jumped to – conclusions. The responsibility was mine.
I reached out and touched the five pins buried in Birmingham.
"Here."
"Ian –"
I leaned over and kissed her cheek before she could protest. "I'm
going, Sheila. But thanks for the concern."
*
I rang
in sick the next morning and set off for Birmingham. It was another
of those dull, overcast days, with the sky spitting rain, so tightly
crowded with dark clouds it was like a lid jammed down on top of the
world. I drove through cities of grey concrete and steel, dulled by
the rain; through suburbs of boxlike houses and through bleak
countryside of wind‑ruffled grass, of rainswept stone. The
storm seemed to grow as it followed me down.
I arrived in Birmingham in the early afternoon, found a cheap B &
B and booked myself into it. Then I went out and started searching.
I found the cafes, the bars, the clubs; all the different places
where Jack might come in search of his prey. I bought coffee, a
Thermos flask, and Pro‑Plus tablets to keep me awake. I staked
the places out, sustaining myself on caffeine and junk food. The
pubs in Moseley where the local hippies gathered to buy or deal weed
by day, and the clubs where the rock-chicks gathered –
Costermongers and Edwards No.8 – by night. The next day I rang in
sick again. So many hunting grounds, and no proof the hunter hadn't
already moved on. All I had were faith and patience.
But in the end they paid off.
*
I found
Jack Fairchild for the third and final time on the fourth day of my
hunt. As I watched him come out of The Fighting Cocks with another
pretty flower‑child on his arm, it took me a few seconds to
realise it was finally him.
I ducked down low in my car once more, watching him pass. He was
smiling, his long thin angular face framed by the long chest‑length
hair and spiked by the little goatee beard. When the lights of a
passing car caught his face, he'd never looked more devilish.
His car drove off. I followed it, remembering the last time I'd
followed his car, with Kelly Moores in his passenger seat. I'd
chickened out of going into his house then. Not this time. Not ever
again, I promised. I already bore the responsibility for Kelly
Moores and God knew how many others. I had no idea what I would do
when I found him, how the hell you were supposed to stop a man who
was already dead. But I had to try.
*
The
road he pulled his car to a halt in might have been Laburnum Close
all over again; the two were virtually identical. Identical too the
house, the same kind of big Victorian place partitioned into flats.
As I moved across the road, I thought I could hear voices
whispering. I kept thinking I could see faces, pale faces pressed up
against the windows, out of the corners of my eyes as I approached,
but they vanished whenever I tried to look straight at them. I
remembered the face at the window at the house on Laburnum Close,
and I knew I'd come to the right place.
Six tenants this time, and there was no way to pick from the names
which was Jack.
I took a deep breath and fetched the crowbar from my car, then
forced the door open. I crept into the house.
Where was he?
I heard noises. Gasps. Pants. Jack. Despite the circumstances, I
felt myself smile. Even dead, he didn't seem to have changed.
I followed the noises up the stairs. On the top floor, as I crept
out onto the landing, I heard the gasps getting louder, and saw
shadows dancing in the light that seeped out from under one of the
doors. I tiptoed to the door and listened. Now what was I supposed
to do? Kick the door in and leap through, brandishing the crowbar?
And what if it didn't even turn out to be Jack's room? What if –?
I stopped dead. The gasps weren't gasps of passion of pleasure, as
I'd thought at first. They were something else, something far worse.
My doubts disappeared, and in one of the few courageous actions I've
ever performed I jumped at the door with both feet and smashed it
wide open. I almost went sprawling as I staggered into the hall, but
regained my balance and reeled on.
The gasps came from the bedroom. I kicked it wide open and froze
solid.
The girl who Jack had brought out of the bar had been about
nineteen, pretty, her hair plaited into yellow‑dyed
dreadlocks. She still had the dreadlocks, but without them she would
have been unrecognisable. She hung from the ceiling, on the end of a
noose of rope. She was naked, her feet dangling at least a foot off
the ground. Already her body seemed impossibly shrunken and
shrivelled, like that of a very old woman perhaps, or a mummy. But
most horribly, she was still alive, and her twig‑like fingers
fumbled helplessly at the noose. Her black, rolling, desperate eyes
found mine and begged for help. I wasn't sure what I could give, but
I stepped forward to try.
But the noose wouldn't unknot. It was, I saw with sickening clarity,
the same knot that Jack had tied around his neck that day. The best
I could do was lift her up, take up the slack.
But it couldn't help her. Her body continued to shrink and shrivel
in my arms, and then I saw what looked like a thick white smoke
escaping her mouth, her nose, her body, her skin. It was drawn up
into the rope, swirled into it and disappeared. There was hardly
anything left of her now. I didn't have a knife. If I only had
perhaps I could cut her free, though I suspect it was already too
late.
Then her gasps became a thin, bleating scream, and the smoke
swallowed her up. Her thin cry faded away to nothing, and the last
of the smoke swirled up into the rope and was absorbed. Nothing
remained. The noose seemed to slacken, widen out. It was big enough
to fit my head through now, but I had no interest in trying.
I stumbled back from what I had seen, and a hand fell on my
shoulder.
"Hey, man," said Jack Fairchild. "Good to see you."
*
He
ushered me through into the kitchen. I looked at him; he was paler
than I remembered him, his skin was as cold as ice and his eyes were
black as coal. He carried the rope in his hands, widening the noose
to knot it around his waist.
"Brew, man?" He asked. His voice was dull, lacking in the
emotions it sought to put across. I shook my head. "Suit
yourself."
"I saw you dead."
"I'm sorry about that."
I shook my head to clear it. "You got those old books of yours
out again, didn't you?"
He grinned mirthlessly. "That old black magic, eh Ian? Well..."
he spread his arms. "...it bloody worked, didn't it?"
"How many have you killed?"
"Don't know if they're dead exactly," he said. "You
saw what the rope did. It uses them to keep me... the way I am.
Forever, Ian. Think about it, man, you could live forever. We
could."
I stared at him in disbelief. "We?"
"Yeah, sure, man. Why not? I was hoping you'd show up one day."
I swallowed hard. "What makes you think I'd be interested?"
"You're a fool if you don't," he shrugged, and I knew he
didn't just mean I'd miss out on a good offer.
Beside the cooker there was a wooden block stuck full of knives. It
was my only chance; I went for it and yanked out the biggest weapon
I could find.
Jack reached out for me and I lunged at him, catching him in the
stomach. He laughed out loud; I pulled out the knife despairingly
and stabbed again.
This time the blade took him in the waist and, by pure luck, cut
through the rope. Jack shouted in rage.
Two things happened at once. I grabbed the rope and he hit me. I
flew across the kitchen and hit the far wall. The rope writhed in my
hands like a snake. The two snapped, frayed ends of it touched and
knitted together once more.
Jack wasn't smiling once more. He lunged for me. I jumped clear,
scrambled down the hall – but Jack was suddenly there at the door,
grinning fiercely.
"No escape, man," he said. "I'm faster. Advantage of
being dead. Now," he held out a hand, "give me that and I
promise I'll just kill you. I won't take you into the rope and‑"
I pulled my battered lighter from my pocket and flicked open the
cowling, striking the wheel. Jack's mouth yawned open – everything
seemed to have gone into slow motion – and he lunged forward. A
flame danced up from the lighter, and I touched it to the rope,
raking it along it.
The dry fibres caught instantly. Jack screamed, a high, hysterical
note, the flame lighting up his face. The rope thrashed in my hands,
like a snake once more. A snake of snapping, crackling fire. I threw
it at him and ran.
He screamed again as I reached the door, and something made me turn
around.
Jack stood rooted to the spot in the hall, terror on his face. The
burning rope had fallen at his feet, and formed a ring of fire about
him. The whitish smoke poured up and billowed away, and with it came
the whispers I'd heard as I approached the house. And then, from the
shadows in the flat, I saw movement. Pale figures stepped forward,
towards Jack, uncaring of the flames that raced across the carpet and
up the walls, even though they were naked. They were pallid and
gaunt, and their dark eyes burned with something dull and reptilian.
"Man!" Jack screamed to me. "Don't leave me like this!
Man!"
But there was nothing I could do. He'd made his bed, made his deal.
Even if I wanted to I couldn't have interfered.
Their pale hands were all reaching out. Jack's knees buckled and he
sank down. His face grew more gaunt, his hands were thin bundles of
sticks. He was losing all that he had taken.
I tore myself away from the sight and ran out through the front door,
slamming it behind me. Jack screamed again. I didn't stop running
till I was out of the house and in my car, and driving. I wept all
the way home.
The next day I learned the house had burned to the ground. Everyone
inside had got out, except for one man, a tenant on the top floor
called John Edwards. They found what was left of him among the ashes.
No one was able to explain the forty other sets of fragmentary human
remains that were found there too.
*
Sheila
emigrated a few months later, to Australia with a new boyfriend. By
then she wasn't worried about me any more; Lorry had come back and
the two of us were pretty happy. Apparently Mad Dog was serving a
life sentence for murder now, and had found Jesus; he'd written to
her saying he could no longer wished to see her, unless she wanted to
repent and be Saved as well. She’d decided to pass on the offer.
It's been two years since then. Lorry and I are still together. We're
even talking about trying for a kid. I suppose stranger things have
happened.
Yes, life is good. I'm happy.
But now and again I remember Jack. I try to remember the good times,
and while I'm not religious, now and again I sneak into church and
light a candle and hope for the best. But I don't think it'll do much
good.
Even if I'd wanted to interfere, I couldn't have. But even so...
Had I wanted to?
Yes, of course I had.
He was my friend.
(c) copyright Simon Bestwick 2003
(c) copyright Simon Bestwick 2003
***
The
characters in A
Hazy Shade Of Winter find themselves in landscapes—both
physical and mental—that are
immediately and recognizably modern, but which contain terrors which
are universal and timeless. In Bestwick's world, an innocent walk in
unfamiliar surroundings becomes a journey into a nightmare; a
stranded tourist faces a bizarre challenge; a harassed employee takes
a desperate revenge on her employer; and a secondhand book of ghost
stories becomes the instrument of a malevolent, restless spirit.
Nothing is quite what it seems; and the line which separates us from
something much worse often vanishes altogether.
Tuesday, 5 January 2016
For 2016
A few things are going to be different around here. Hopefully not in a bad way.
1) First off, The Lowdown will be, for now, once a week instead of twice weekly. Largely this is because I'm in danger of running out of writers otherwise! Also, though, it's because I want to clear a bit of space for a new feature (see below.)
2) As of Friday, I'll be putting a free story on the site every week. I've got a pretty extensive backlog of published stories. Some of them are in anthologies or collections that are still out there. Others haven't seen daylight in many years. So I'm going to start sharing that backlist. If it means a few more books get sold, I can live with that.
3) Another thing I'm going to try and do is write more short fiction this year. I've been massively focused on novel-writing - and I still will be in the year ahead - but I want to fit more short fiction in. They're often where other, bigger things get started, and a place to road-test and play with new ideas.
4) In tandem with that, I'm going to start valuing my work a bit more. Guys, I hate to seem mercenary, but over the last few years waaay too many of my stories have first seen print in anthologies which have paid nothing beyond a contributor's copy.
There are two problems here.
First, the market for reprints is nowhere near as big as the one for original fiction, and rarely pays as well.
Secondly, writing a story takes a day, if I'm lucky. Often longer, especially with rewrites. A day when I could be working on a novel, or on a story for a paying market. That is basically what you're asking a writer to do when you ask them to write a story 'for exposure.' So, with one or two exceptions, I won't be sending you an original story unless you're willing to pay me for it. A reprint, maybe, but even then I'd prefer something a bit more substantial than 'exposure' to put in my bank account.
5) One BIG thing I want to do this year is cut down on my social media use. 2015 was a very productive year, but that was in spite of the amount of time I spent dicking away on Facebook in particular.
Of course, social media still has its uses - I've got a number of good things out of it, and just before Christmas I actually saw it save someone's life - but it can also be addictive, especially to anyone who's needy, constantly seeking ways to procrastinate and work-avoid, and with a touch of the obsessive and compulsive in their make-up. Like, you know, a writer.
I've got another blog post to share later today, but after that you'll only find me on Facebook from Friday evenings (to publicise the free story) to Monday mornings (to publicise The Lowdown.) (In between, during the weekends, I'll be dicking around as before.)
In the interim, if you need me you can email at sbestwick2002NOSPAM AT yahoo DOT co DOT uk (deleting the NOSPAM, etc, of course.)
[The picture above was taken near Barmouth in Wales, one of my favourite places - just after I'd come down from Dinas Oleu onto the road that ran along the Mawddach Estuary... several miles from the town. It was a fairly long journey back - but a very pretty one!]
1) First off, The Lowdown will be, for now, once a week instead of twice weekly. Largely this is because I'm in danger of running out of writers otherwise! Also, though, it's because I want to clear a bit of space for a new feature (see below.)
2) As of Friday, I'll be putting a free story on the site every week. I've got a pretty extensive backlog of published stories. Some of them are in anthologies or collections that are still out there. Others haven't seen daylight in many years. So I'm going to start sharing that backlist. If it means a few more books get sold, I can live with that.
3) Another thing I'm going to try and do is write more short fiction this year. I've been massively focused on novel-writing - and I still will be in the year ahead - but I want to fit more short fiction in. They're often where other, bigger things get started, and a place to road-test and play with new ideas.
4) In tandem with that, I'm going to start valuing my work a bit more. Guys, I hate to seem mercenary, but over the last few years waaay too many of my stories have first seen print in anthologies which have paid nothing beyond a contributor's copy.
There are two problems here.
First, the market for reprints is nowhere near as big as the one for original fiction, and rarely pays as well.
Secondly, writing a story takes a day, if I'm lucky. Often longer, especially with rewrites. A day when I could be working on a novel, or on a story for a paying market. That is basically what you're asking a writer to do when you ask them to write a story 'for exposure.' So, with one or two exceptions, I won't be sending you an original story unless you're willing to pay me for it. A reprint, maybe, but even then I'd prefer something a bit more substantial than 'exposure' to put in my bank account.
5) One BIG thing I want to do this year is cut down on my social media use. 2015 was a very productive year, but that was in spite of the amount of time I spent dicking away on Facebook in particular.
Of course, social media still has its uses - I've got a number of good things out of it, and just before Christmas I actually saw it save someone's life - but it can also be addictive, especially to anyone who's needy, constantly seeking ways to procrastinate and work-avoid, and with a touch of the obsessive and compulsive in their make-up. Like, you know, a writer.
I've got another blog post to share later today, but after that you'll only find me on Facebook from Friday evenings (to publicise the free story) to Monday mornings (to publicise The Lowdown.) (In between, during the weekends, I'll be dicking around as before.)
In the interim, if you need me you can email at sbestwick2002NOSPAM AT yahoo DOT co DOT uk (deleting the NOSPAM, etc, of course.)
[The picture above was taken near Barmouth in Wales, one of my favourite places - just after I'd come down from Dinas Oleu onto the road that ran along the Mawddach Estuary... several miles from the town. It was a fairly long journey back - but a very pretty one!]
Labels:
free story,
life in general,
The Lowdown,
Writing
Thursday, 24 December 2015
A Ghost Story For Christmas: The Psalm
As it's Christmas, here's a free story. (I'll be publishing occasional free stories here from time to time, because why not?) This one first appeared in Estronomicon in October 2011.
If you're looking for more seasonal spookiness, you can download three chilling tales from Kempforth in Let's Drink To The Dead here. (Thanks to everyone who bought it yesterday!)
If I don't see you before, have a wonderful Christmas and a Happy 2016.
If you're looking for more seasonal spookiness, you can download three chilling tales from Kempforth in Let's Drink To The Dead here. (Thanks to everyone who bought it yesterday!)
If I don't see you before, have a wonderful Christmas and a Happy 2016.
THE PSALM
Grant kept walking as the air grew damp and cold. There didn’t seem much point turning back,
with Sheila gone. The house was bigger,
colder, in her absence; the spaces she’d left in the drawers and wardrobe,
where dresses, underwear, tights and shoes had been, gaped like wounds. It’d’ve been easy to close them, sweep the
stacks of socks, boxer shorts, hanger’d shirts and trousers, to fill the gaps. But he didn’t. It’d be a final concession that her departure
was permanent, one he knew he couldn’t sustain if he made it now.
The moor
stretched ahead, behind, on either side; from his left came the distant
swishing of cars, back and forth along the motorway. He veered right, under the humming wires of a
pylon; he wanted civilisation left far behind.
The damp
air burned his lungs like petrol fumes.
His cagoule flapped around him; his boots, sturdy and sensible,
squelched in the mud. Moist wind stung
his face.
It should
just have been another Sunday. They’d go
hiking, like they always did. Except
he’d gone to B&Q yesterday and come home to find Sheila gone. He’d been buying shelving, to put up at her
suggestion (it was gathering dust or damp in the garage now). That hurt most of all; she’d planned it, been
waiting, suggested the shelving just to get him out of the house. When had she packed?
Not that it
mattered. Sheila, you bitch. Sheila, my
love.
He’d driven
out across Lancashire, to the moors and avoided the paths they normally
took. Sheila’d never been
adventurous. He’d never thought of
himself as such, either; curious, perhaps.
That was what was drawing him out across the moor.
But it was
November, and gone three; soon it’d be dark.
Grant knew he should turn back while the path was easy to find; that it
was easy to get lost. But he pressed on.
When he’d
walked the anger, the bitterness and the grief out of his system- at least for
now- and focussed again on the world around him, he realised the air was the
dull leaden grey of dusk. He looked at
his watch; twenty to four. Turn back.
Which way? He
turned. Double back, he presumed, but
there were no landmarks. He couldn’t
even hear the traffic. A pylon, then-
the powerlines would cross the motorway or human habitation at some point. He didn’t want to die, lost and alone of
hypothermia. They’d say it was suicide-
he wouldn’t give in so easily.
He looked
around. But he couldn’t see the pylon
anywhere. There must be one, though;
that faint humming sound he could hear, what else could it be?
Grant
turned and started walking. His breath
billowed whitely out ahead of him. But
it wasn’t the only white; to his dismay, he saw long white fingers of mist
extending down either side of him.
Looking back, he made out the white mass of it cresting the rise a
hundred yards to his rear, seeping down.
Don’t panic. Do
not panic. If you panic, out here in
this, you will die.
He started
walking, faster, back the way he’d come.
But was it the way he’d
come? The ground was slippery and
uneven. Could he have negotiated this,
without being aware of it, on autopilot?
It didn’t seem possible.
Uncertainty
made him falter; he stopped, turned around, trying to get his bearings in the
shrinking landscape. He listened,
through the blanketing mist, trying to hear something- the pylon’s hum, distant
traffic, anything-
He took a
half-step back, and something slid under him, he was never sure what. With a yelp he pitched backwards, arms
flailing, body curling inward so as not to hit his head. He landed on his side; the earth knocked
breath from his body and a protrusion of rock clipped his hipbone. His cry was only faint because he was winded;
the pain was shocking and excruciating, almost numbing in its intensity.
Grant slid
and rolled, arms and legs scrabbling for balance, trying to slow the
descent. He’d no idea where the slope
ended up, couldn’t see from this angle; for all he knew he’d drop straight into
some deep gully carpeted in bare stone.
Luckily, it
didn’t. He landed in mud and soggy grass
at the bottom of the slope, but slid further.
A sort of ditch led from the foot of the slope; he slid clumsily down,
rolled and came at last to rest on flat ground.
He managed to stand, chest burning, hip throbbing.
Which way?
Which way?
He couldn’t
tell; the mist was everywhere, wrapping him tight, mummifying him in damp
air. Oh
fuck. Oh fuck.
Mist distorts sound as well. The faint humming of the pylon- his one
lifeline to the world- seemed to come from all around.
Must not panic.
Grant tried
to gauge which way the ground sloped. If
he could reach higher ground, he’d have a chance of seeing something. The motorway, or even a farmhouse. Surely he could beg shelter and warmth there?
One thing
was certain; he couldn’t stay put. He
guessed at the direction of the incline and started walking; sure enough, the
ground steepened, and as if in encouragement, the humming grew louder. No sign of the pylon through the mist.
Only, was it a pylon? He couldn’t be sure now. Pylons hummed alright, but you usually had to
be quite close to hear them, certainly within sight. He looked up; beyond the mist, the sky was a
dirty, dishwater grey, sullen and gravid, uncrossed by wires.
So what could he hear? It was louder now, a little clearer even
through the mists. It grew clearer still
as he gained height, and as it did- was it just his imagination that the mists
were thinning?- he made out its shape.
It rose and fell- for a few seconds it was thinner, quieter, then for
the same measure of time it swelled, louder.
It was the only way to describe it.
It sounded strangely familiar, but from where?
The mists
were definitely thinning. Through the
whiteout, the brow of a hill disclosed itself.
The path was much steeper now, but Grant forced himself onwards, towards
the clear spot.
The hum
rose and fell, rose and fell. Something skittered and rustled below him, but
when he looked back the mists were inscrutable.
Probably just an animal of some kind; even so, he turned and walked
faster.
At times it
seemed that the path, ever steeper, would never reach the top, but he kept
going. All he had to measure his
progress with was the hum; it got louder and clearer as he went, and in doing
so it heartened him, pushing him further on.
At last he
reached the top. The landscape was pale
and spectral; hills were hulking shadows in white veils of mist, the sky
blackening, the light stealing quickly away now. But through the mist some of the closer hills
seemed to be getting clearer. He prayed
to the- long forgotten and discarded- God of his childhood the mist might be
receding.
His lungs
burned; his legs shook. Sweat trickled
down his back: God, I am unfit. Or just old, perhaps. Getting there, anyway. His hip throbbed dully with what would surely
be a spectacular bruise, soon enough.
The mist
was like a- retreating?- sea, lapping around the peak he was on. He looked out across it, trying to hear the
traffic, make out a pylon, even, but he couldn’t. Christ, how far did I walk?
All he could hear was the humming sound.
It was clearer than ever, now, from where he stood. The humming wasn’t an unbroken note, he
realised. It sounded- like words?
That was where he’d heard it. A television programme, on one of the Outer
Hebrides. The religion was Calvinist;
allowing no music except the human voice.
A precentor sang the psalm’s first line; the congregation sang it
back. This sounded the same. The melody seemed flat, atonal, but perhaps
that was the range and mist. A lone
voice, then a chorus echoing it. A long
way from the Hebrides, but still. A
congregation; people. He could find
them, shelter there.
He looked
around again, and from the slopes below, he saw a shape in the mist. Thin; thinner than he’d seen anyone look
outside footage of concentration camps, but human nonetheless.
Grant
shouted, arms waving; the figure stopped, eerily still, then turned, slowly,
and although he couldn’t see its face, he knew it was staring up at him.
As a long,
cold moment gathered and broke, Grant realised calling its attention to him had
been a mistake.
And as it
began striding purposefully up the hill towards him, other shapes like it stole
out of the mists.
Grant
turned. He could run back down the other
side of the hill- but he was facing an impenetrable wall of white vapour, and
something dark was moving in it.
Something long and thin, reaching out.
Grant
recoiled from it, almost fell- back down towards the other figures. Far from retreating as he’d hoped, the mist
was rising, but he was almost glad of that; it kept the half dozen scarecrows
making their slow but unrelenting ascent mercifully indistinct. With their long, spindly limbs they resembled
spiders. As did the shape he’d recoiled
from, which was moving out of the mist, advancing towards him along the
hillbrow.
He turned
and ran. The mist was rising. At any moment something could step out of it,
in front of him. Grant clenched his
fists and ignored the pain in his hip- oh, for a good stout walking stick to
lash out with, but he’d refused one out of pride. Which
goeth before a fall.
On the
slopes to either side there were shapes in the mist. He refused to look behind him, at what might
be coming. He didn’t want to see how
close it was, or worse, what it looked like.
He didn’t know where his conviction that there would be far less flesh
on its bones than there ever ought to be on a thing that moved came from, but
while he badly wanted to be proved wrong, he didn’t want to risk the
alternative.
The brow of
the hill was thinning. Running along a
razor blade. Shocks of vegetation
erupted in sprouts on either side, getting thicker and thicker. And higher.
Thorn bushes- blackthorn, was it?
Through the hoarse rasping of his breath, and the thumping of his heart,
he heard the psalm grow louder.
It drove
into him from the side; he whirled to face it.
To his right, a narrow winding path was flanked by high thorn bushes
that rose so high each side of it they threatened to meet in a long-extended
arch or cloister. The mist was a thin
veil in the falling dark; the sound welled in it like blood in a wound. Down there, somewhere, Grant saw a gleam of
light.
There was a
rustling sound back along the ridge.
Grant ran down the path, stumbling a couple of times, but his own
momentum carrying him on. He almost
overbalanced, and had to catch at the bushes- pain ripped through his hand and
he yelped again. The psalm didn’t
falter, though; it drew him on.
Grant
stumbled onwards. The light gleamed
through mist at the foot of the path, where the tunnel of blackthorn opened
out. It didn’t matter; between the light
and the psalm, he had his beacon now.
Past the
bushes, there were trees; three or four yews, branches already bare, rose like
outspread, skeletal hands. Pines rose up
behind a small stone chapel; from a post outside it, an old-fashioned oil lamp
swung. It was a small building, looked
almost as if built from drystone, with a low triangular roof and a small
steeple or bell-tower, little more than a shapeless lump at one end. The psalm drifted from its doorway.
The door
itself was warped and almost spongy to the touch, blotched with moss and even a
small cluster of fungus. Rust flaked
from the iron ring serving it for a handle.
Grant pushed it wide, and the psalm ceased.
The doorway
opened out into a small, mean space. In
the thick dusk and the glimmers of light stealing in through the glassless
windows, Grant saw pews, each side of the aisle, little more than benches. At the far end was a raised dais with a bare
table for an altar, no cross silhouetted against the broken window. Threadbare carpet underfoot.
The silence
hurt; like the mist thickening outside the windows, cloaking the dimming light,
it had physical presence and force.
The psalm
had led him here; how or why, he didn’t know.
But here was shelter, here was the chance of rest and getting warm, if-
Outside the
light died, the lantern extinguished, and there were rustling and scraping
sounds, like twigs and something almost as naked dragging over stones. Grant turned towards the door, and then he
heard the psalm again.
It came
from the altar, this time so loud it pushed against his back like hands, and he
physically stumbled. When he turned,
seven figures were standing on the dais, before the altar-bench.
At first he
thought they must be nothing more than shadows and mist; he could see the
altar-bench through them, the last dying light in the sky beyond. But then they were solid and there was no
disputing them. They wore robes frayed
and tattered at the sleeves and hems, worn and patched with mildew, and cowls
that were deep cups of shadow, drowning their faces, for which Grant was
thankful.
The tallest
figure, in the centre, sang, although Grant couldn’t make out the words or even
the language. Its voice was the wind
moaning in the hollow stone throat of a cave.
The second it finished, the others echoed its song with their own.
The sleeves
of their robes all met and overlapped and hid their hands from view, but that
mercy was short-lived as the central figure- the precentor, Grant thought- stepped from the dais into the aisle,
and the others followed. The figure to
the left of it extended a pyx, the box that’d held the Host at Mass when Grant
was a child, and the long scraping twigs of its free hand caught the lid and pulled
it back to show Grant emptiness. The one
to the right proffered a dulled pewter chalice.
The
precentor reached under its robes. The blood and the body, Grant thought as
it drew something out, something long, gleaming and sharp; the blood and the body.
In a moment he might see what was inside their cowls;
that, as much as anything else, made him turn back towards the door. But it was already swinging open. The precentor sang another line, and the
response this time was loudest of all, as the congregation filed in.
(c) copyright Simon Bestwick 2011
Labels:
christmas,
estronomicon,
free story
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