"Destruction in Comic Book Movies"

"DESTRUCTION IN COMIC BOOK MOVIES"

Two things happened to me recently.  One, I just finished a re-watch of the 2012 movie, “THE AVENGERS”.  And two, I came across this ARTICLE praising the MCU’s portrayal of the destruction of Midtown Manhattan in the film’s final action sequence and in many other films from the franchise.  

Now . . . not only did that article praised the Battle of Manhattan sequence in the 2012 movie, I had stumbled across another article even claimed that “THE AVENGERS: AGE OF ULTRON” handled massive destruction better than the 2013 movie, “MAN OF STEEL”. It also claimed that "THE AVENGERS" managed to achieve this, as well.  And if I must be honest, the article featured mainly photographs and shallow reasons that in my eyes, had failed to hold up.  

I have come to the conclusion that the media and many moviegoers were and still are incredibly hypocritical when it came to the MCU and the DCEU franchises.  They did not pitch a fit over the destruction featured in movies like “THE AVENGERS” and “AGE OF ULTRON”.  And when the MCU had finally decided to address the issue in the 2016 movie, “CAPTAIN AMERICA: CIVIL WAR”, it was more or less shoved aside for the Bucky Barnes manhunt and used as a motive in Helmut Zemo’s convoluted revenge plot against the Avengers.   Come to think of it, no one had raised a fuss over the destruction in Greenwich, England in 2013's “THOR: THE DARK WORLD”, aside from one comment used as a joke in Season One of “AGENTS OF S.H.I.E.L.D.”.

But when the Kryptonians under General Zod nearly destroyed downtown Metropolis with their World Machine in "MAN OF STEEL”, both the media and many moviegoers went into a SNIT FIT over the destruction.  They accused Zack Snyder and screenwriter David S. Goyer of going too far with the film’s sequence known as the “Black Zero Event”.  Many of them are still bitching about it to this day.  

Many articles and moviegoers had complained that Superman helped cause Metropolis’ destruction by not bothering to re-direct his fight against General Zod to a safer location.  In the 2013 movie, Superman had made two attempts to direct his fight against Zod away from Metropolis.  Unfortunately for him, Zod kept returning to Metropolis in his determination to kill Humans.  Many had also failed to notice that the Kryptonians’ World Machine was responsible for most of the destruction that was inflicted upon downtown Metropolis, while Superman was trying to destroy the damn thing.

In the end, the two Avengers movies received praise for its portrayal of the destruction of midtown Manhattan and Sokovia.  At the same time, many fans and critics have continued to criticize “MAN OF STEEL” for its destruction of Metropolis.  It is bad enough that some of those criticisms have been proven to be erroneous.  But many have failed to point out that the consequences of the movie’s “Black Zero Event” had a main role in the narrative for 2016′s “BATMAN V. SUPERMAN: DAWN OF JUSTICE”.   I am not only amazed at this hypocrisy, but also disgusted.

"MISSION: IMPOSSIBLE - FALLOUT" (2018) Review

"MISSION: IMPOSSIBLE - FALLOUT" (2018) Review

Ever since I was a kid, I have always been a fan of the "MISSION: IMPOSSIBLE" franchise . . . with one exception. I was a fan of the 1966-1973 television series, which I had viewed faithfully as a kid. I saw one episode of the 1989-1990 television sequel, but I failed to become a fan. But my enjoyment of the franchise kick started once more with the release of the 1996 film of the same title and I have never looked back. 

As many know, the 1996 film, which starred Tom Cruise as IMF Agent Ethan Hunt led to five more films. The latest, "MISSION: IMPOSSIBLE - FALLOUT", was released in theaters during the summer of 2018. Written and directed by Christopher McQuarrie, this sixth entry in the movie franchise focused on Ethan and his team's hunt for stolen plutonium. The material had been stolen by a group of terrorists called the Apostles, the remnants from terrorist Solomon Lane's organization called the Syndicate, from "MISSION: IMPOSSIBLE - ROGUE NATION". When Ethan and his team - Luther Stickell and Benji Dunn - failed to get their hands on plutonium early in the film, CIA Director Erica Sloane instructs Special Activities Division operative August Walker to shadow and observe Hunt and the others as they attempt to retrieve the plutonium. Thanks to a nuclear weapons expert they had captured named Nils Delbruuk, the team learns that an extremist named John Lark might be behind the Apostles. And in order to get to Lark and the plutonium, Ethan's team might have to kidnap an imprisoned Solomon Lane and deliver him to London without MI-6 agent Ilsa Faust interfering with their plans.

Many film critics raved over "MISSION: IMPOSSIBLE - FALLOUT" after it first hit the theaters. In fact, some are regarding it as the best installment in the franchise and one of the greatest action films of all time. Do I agree? I honestly do not know. The movie had a few flaws that makes me hesitate to regard it in this manner. One, it featured the return of Solomon Lane. Seeing him in this film, led me to believe there was one too many villains in this film. I honestly wish that Ethan Hunt had scragged Lane at the end of "MISSION: IMPOSSIBLE - FALLOUT". And to make matters worse, he was still alive by the end of the film. I also had a problem with Vanessa Kirby's character, an arms dealer named Alanna Mitsopolis aka the White Witch. Apparently, Lark wanted to purchase from her the cores for the plutonium. When Ethan impersonated Lark, she was the one who had demanded that Lane be snatched from a French intelligence convoy that was conveying him to another prison. After this scenario played out, Ms. Mitsopolis had disappeared from the narrative, until it was revealed in the end that she had made a deal with MI-6 to arrange for them to get their hands on Lane. And you know what? This whole scenario involving both Ms. Mitsopolis and Lane seemed a bit convoluted and unnecessary. In fact, I could have done without the presence of either of them. And how on earth did Lane end up in France, when he was arrested in London? Surely as a former MI-6But who knows? Perhaps a re-watch of the film will lead me to change my mind.

However, the above complaints are not signs that I did not enjoy the film. Trust me, I still managed to enjoy "MISSION: IMPOSSIBLE - FALLOUT". Very much. I agree with many of those critics who praised the film for just about every aspect of it. Yes, I had some squabbles with McQuarrie's plot. But I must admit that I enjoyed other aspects of it. For a minute, I had assumed that once again, Ethan would find himself disavowed by the agency and the C.I.A. Instead, McQuarrie added an interesting element in which the C.I.A. assigned an operative to keep an eye on the activities of Hunt and his team. And the character of August Walker proved to be a breath of fresh air as his arrogant and aggressive persona provided an extra conflict for Hunt to deal with, as they pursue the Syndicate and the missing plutonium. Another addition that spiced up the plot and included a touch of pathos was Ethan's reunion with his ex-wife Julia Meade in Kashmir, where Lane planned to detonate two nuclear weapons and where she and her new husband were representing Doctors Without Borders.

Naturally, I cannot discuss a film like "MISSION: IMPOSSIBLE - FALLOUT" without pointing out the action sequences. Yes, the movie had plenty of action scenes. But there were a few that stood out for me. One of them featured Ethan and Walker's arrival in Paris via a parachute jump. Okay, that kind of entry struck me as unnecessary and rather clichéd. But I also found it rather entertaining and a perfect way to convey Walker's arrogance and Ethan's impatience with the former. Other exciting action sequences that I found particularly memorable were a brutal fight between a thug mistaken as John Lark and Ethan and Walker inside the bathroom of a Parisian nightclub; and a high-speed chase through the streets of Paris. But for me, the best action scene proved to be the last one which found the IMF team (and surprisingly Julia) racing against time to save Benji from Lane and stop Lark's team from setting off two nuclear weapons over the Siachen Glacier. Needless to say, this action sequence involved Luthor and Julia trying to disable one weapon; Ilsa engaged in a brutal fight against Lane, while attempting to save Benji and disable the second weapon; and Ethan engaged in a wild helicopter chase in order to get his hands on the weapons' detonators, which ends near the edge of a cliff. For me, this entire action sequence was the movie's pièce de résistance.

"MISSION: IMPOSSIBLE - FALLOUT" marked the sixth time that Tom Cruise portrayed IMF Agent Ethan Hunt. My first instinct is to wonder when Cruise will stop portraying the character, especially as a man of action. But while watching the film, I had completely forgotten about my doubts and simply enjoyed the film . . . and his performance. Watching Cruise portray Hunt over a period of twenty-two years is like witnessing the aging of fine wine. Thanks to the actor's superb performance, his Ethan Hunt has grown less cocky over the years (to a certain extent), more subtle and definitely more mature. This was especially apparent with Ethan's interactions with the aggressive August Walker.

A fine cast supported Cruise in this film. Like Cruise, Ving Rhames as IMF computer tech/hacker Luther Stickell has been with the franchise since the beginning. And he was marvelous as usual as the pragmatic Luther Sticknell. I especially enjoyed the poignant performance he gave in one scene that featured Luther's own reunion with Julia Meade. Simon Pegg was funny as ever as the slightly skittish Benji Dunn, whose skills as a field agent seemed to grow with each movie. Michelle Monaghan returned to portray Ethan's ex-wife, Julia. I enjoyed her role a lot better in this film. The actress finally had a chance to portray Julia as a breathing individual, instead of some feminine ideal. 

Three actors from "ROGUE NATION" returned to appear in this film. Rebecca Ferguson gave an excellent performance in her second outing as former MI6 agent Ilsa Faust, who is determined to return Solomon Lane back in the hands of her agency. Sean Harris reprised his role as former MI6 agent-turned-terrorist, Solomon Lane. I admit that I wanted the franchise to focus on a new Big Bad, but I cannot deny that Harris' performance was as creepy as it was in the fifth film. I enjoyed Alec Baldwin's portrayal of Alan Hunley, the former CIA Director who later became the new IMF Secretary, in this film than I did in "ROGUE NATION". Once his character ceased to be Ethan's antagonist, Baldwin was able to skillfully portray him as intelligent and practical man, instead of a buffoon. 

And yes . . . "FALLOUT" featured some new kids on the block. Many critics were very impressed by Vanessa Kirby's portrayal of black market arms dealer, Alanna Mitsopolis. I found her performance very entertaining, but I was not that dazzled. Wes Bentley gave a solid performance as Julia's new husband, Erik. I only wish that the screenplay had explored his character a bit more. I was impressed by Angela Bassett's performance as the pragmatic and ruthless Erika Sloane, the C.I.A. Director who had replaced Hunley. I especially enjoyed her scenes with both Baldwin and Henry Cavill that allowed her to convey the extent of Sloane's paranoia. But the real surprise turned out to be Cavill, who gave a superb performance as August Walker, the C.I.A. assassin, who had been assigned by Sloane to monitor Ethan's team, following their loss of the plutonium cores. What I admired about Cavill's performance is how he managed to skillfully convey not only Walker's penchant for aggressiveness, but also the character's cool manner and rampant arrogance. His Walker was a real prick and it was no wonder that he drove Ethan up the wall.

Despite a few problems I had with the movie, I really enjoyed it. In fact, I can honestly say that "MISSION: IMPOSSIBLE - FALLOUT" is my second favorite film in the franchise. No wonder the critics loved it. And I can thank a superb cast led by Tom Cruise, and Christopher McQuarrie for his first-rate screenplay and excellent direction.

"MISSION: IMPOSSIBLE - FALLOUT" (2018) Photo Gallery

Below are images from "MISSION: IMPOSSIBLE - FALLOUT", the sixth entry in the "MISSION: IMPOSSIBLE" movie franchise. Directed by Christopher McQuarrie, the movie stars Tom Cruise as Ethan Hunt: 



"MISSION: IMPOSSIBLE - FALLOUT" (2018) Photo Gallery

"JUSTICE LEAGUE" (2017) Review

"JUSTICE LEAGUE" (2017) Review

The D.C. Comics Extended Universe (DCEU) released its fifth film utilizing several characters that were either featured or hinted in its previous four films during the fall of 2017. Directed by Zack Snyder (well, most of it), "JUSTICE LEAGUE" proved to be an even more controversial entry than two of its previous films. Only for different reasons. 

Set some time after the present-day events of "WONDER WOMAN", "JUSTICE LEAGUE" begins with the Gotham City costumed vigilante Batman aka Bruce Wayne attempting to arrest a thief. However, his efforts are interrupted by the arrival of an alien creature known as a parademon. Realizing that he had dreamed of a similar creature in "BATMAN V. SUPERMAN: DAWN OF JUSTICE", Batman realizes that Earth is about to face another alien threat. Before he can summon Wonder Woman aka Diana Prince, she learns of an even bigger threat from her mother, Queen Hippolyta of Themyscira. A former foe known as Steppenwolf has arrived on Earth to acquire the three Mother Boxes, sentient, miniaturized, portable supercomputers from his homeworld of Apokolips. One of the boxes had been guarded by the Amazons of Themyscira for thousands of years. The pair decides to find the other metahumans - Barry Allen aka the Flash, Victor Stone aka Cyborg (whose body was cured by a Mother Box) and Arthur Curry aka Aquaman - and form a team to fight against Steppenwolf. Bruce manages to easily recruit the Flash, but is unable to recruit Aquaman. And Diana encounters difficulty in recruiting Cyborg. But when Steppenwolf manages to acquire the second Mother Box in Aquaman's world of Atlantis, the "King of the Seven Seas" decides to join the newly formed Justice League to defeat the alien from Apokolips. However, it is not long before the League realizes they need a sixth member to help them defeat Steppenwolf - namely the recently deceased Superman.

Ever since the release of "MAN OF STEEL" in 2013, critics and some moviegoers have been highly critical of the DCEU. With the exception of "WONDER WOMAN", the franchise's movies have either received mixed reviews or panned. In the case of "JUSTICE LEAGUE", it has been panned . . . perhaps even more so than the other four films. Personally, I have been a major fan of the DCEU films before "JUSTICE LEAGUE". Do I believe the movie deserved to panned? Honestly? No. But I do feel that "JUSTICE LEAGUE" is probably the first DCEU film toward which I felt some disappointment.

There was a good deal from "JUSTICE LEAGUE" that I enjoyed. The creation of the Justice League began when Superman, Batman and Wonder Woman formed a team to battle Lex Luthor's creation, Doomsday, in "BATMAN V. SUPERMAN: DAWN OF JUSTICE". This creation continued with Bruce Wayne and Diana Prince's recruitment of the Flash, Cyborg and Aquaman. And if I must be honest, I enjoyed how the movie's screenplay took its time in fusing these characters into the League. I found this especially satisfying, since both Cyborg and Aquaman proved rather difficult to recruit. What finally drove them all together as a team proved to be the threat of Steppenwolf. 

This leads me to something else I enjoyed about the film. Steppenwolf's acquisition of two Mother Boxes provided some first-rate action sequences featuring the Amazons on Themyscira and the Atlantis inhabitants' efforts to stop him. And they did not make it easy for him. I especially enjoyed the sequence featuring Steppenwolf's theft of the Mother Box on Themyscira. There were other action sequences that enjoyed. One of them included the League's first encounter with Steppenwolf inside an abandoned facility near the Gotham City Harbor. I also enjoyed the League's second attempt to defeat Steppenwolf and his Parademon army at a small Russian village, where the Apokoliptian planned to fuse the three Mother Boxes and terraform the Earth's surface. I also enjoyed an early action sequence that featured Wonder Woman's confrontation with a group of terrorists in London. But for me, my favorite action sequence featured the League's confrontation with a recently resurrected and amnesiac Superman. Although I found it rather scary, thanks to Henry Cavill's chilling performance, there was a comedic moment that I found very funny.

As much as I enjoyed most of the film's action sequences, I found a good deal of its comedic and dramatic moments even more satisfying. It seemed pretty obvious to me that the film's two comedy relief characters were Barry Allen aka the Flash and Arthur Curry aka Aquaman. And I found both characters more than satisfactory, thanks to Ezra Miller and Jason Momoa's performances. Miller's Barry Allen was an extroverted and nervous personality that was at odds with his inability to easily befriend others. This was especially apparent in one scene that featured the initial meeting between Barry and Bruce Wayne at the former's abode and his attempts to befriend Victor Stone aka Cyborg. But the one scene that truly made me appreciate Miller's comedic talent occurred when the League clashed with a resurrected, yet amnesiac Superman and the Flash attempted to attack the Man of Steel from behind . . . and failed. Jason Momoa's portrayal of Arthur Curry also provided a good deal of the movie's comedic moments. Momoa's portrayal of the blunt and cynical King of the Seven Seas practically had me in stitches. But I especially enjoyed that moment when Aquaman unexpectedly went into a comedic spiel about fighting Steppenwolf and his appreciation for Wonder Woman . . . unaware that he was sitting on her Lasso of Truth.

However, there were many dramatic moments that made me happily realize that "JUSTICE LEAGUE" was not all comedy and action. The movie's opening credits featured a poignant montage that revealed the world's grief over Superman's death. One particular scene - a homeless man holding a "I TRIED" sign next to him - really resonated within me. I thought Martha Kent's visit to Lois Lane in Metropolis and the two women's shared grief over Clark/Superman's demise was particularly poignant, thanks to Diane Lane and Amy Adams' performances. I particularly enjoyed one scene that featured a tense conversation between Cyborg and his father, Dr. Silas Stone over the latter's decision to use a Mother Box to save the former's life. May I be frank? Both Ray Fisher, who portrayed the superhero and Joe Morton, who portrayed his father, really knocked it out of the ballpark in this scene. I was not that impressed by the CGI used for the Steppenwolf character. But I must admit that I enjoyed Ciarán Hinds' voice performance for the villain. The actor projected a good deal of style and menace into the character. 

I enjoyed Clark's reunion with both Lois and Martha. Although I feel that it was a bit too brief for my tastes, I cannot deny that I found it emotionally satisfying. And I enjoyed the tense conversation between Aquaman and future love interest, Mera of Atlantis. The scene seemed to give audiences a preview of the screen dynamics between Momoa and Amber Heard, who portrayed Mera. But if I had to pick my favorite dramatic moment in "JUSTICE LEAGUE", it would have to be the scene that featured Bruce Wayne and Diana Prince's conversation regarding his continuing guilt over his past attempt to kill Superman and her lingering grief over the death of her former lover/colleague, Steve Trevor. Thanks to superb and subtle performances from Ben Affleck and Gal Gadot, the scene was a tense and angst-riddled moment that I truly enjoyed.

Zack Snyder had collaborated with cinematographer Larry Fong on four films - "300" (2007), "WATCHMEN" (2009), "SUCKER PUNCH" (2011) and especially, "BATMAN V. SUPERMAN: DAWN OF JUSTICE" (2016). For "JUSTICE LEAGUE", Synder ended up collaborating with Fabian Wagner, who had previously spent most of his career in television - especially HBO's "GAME OF THRONES". However, I am not that familiar with Wagner's previous work. But I must admit that I was impressed by his work in "JUSTICE LEAGUE". His work proved to be a bit brighter than Fong's work in "BATMAN V. SUPERMAN". This is not that surprising, considering that the movie's narrative is slightly less angsty than the 2016 film. But I was especially impressed by his photography of the film's protagonists, as shown below:







One would be inclined to wonder why I had regarded "JUSTICE LEAGUE" as something of a disappointment, due to my positive comments on it. Well . . . I had problems with the film. Hell, I have expressed quibbles for about every comic book movie I have seen. My first problem with "JUSTICE LEAGUE" there were times when it seemed I was viewing a movie with two directors . . . with two different styles. Well of course the movie seemed to possess two different director. As everyone knows, Zack Snyder had experienced a family tragedy while dealing with the film's post-production. Unable to continue, he asked Joss Whedon, who had directed the two Avengers films for Marvel/Disney, to complete the post-production reshoots, using his notes. Well . . . Whedon did more than that. At the behest of the Warner Brothers executives, he chopped out a good deal of Snyder's work, re-shot and re-wrote at least 30 percent of the movie in a similar style he had used for the Avengers films. In the end, there were times when "JUSTICE LEAGUE" seemed like a DCEU film trying to look like a Marvel Cinematic Universe (MCU) movie. I found this very confusing - especially in the film's third and final act. 

One of the results of this hack job by Whedon and Warner Brothers, was the decision to change the film's composer. They tossed out Junkie XL (who had co-written the "BATMAN V. SUPERMAN" score with Hans Zimmer)'s score and hired Danny Elfman to replace it. Now . . . I have been a fan of some of Elfman's work for years. But what he did for this film's score? As far as I am concerned . . . nothing. Elfman fell back on the nostalgia factor by utilizing his old score from the two Batman films directed by Tim Burton. Worse, there was a moment following Superman's resurrection - I do no know if this happened or not, but I could have sworn that right after the resurrection or when the Man of Steel confronted Steppenwolf for the first time - Elfman even used a few bars from John Williams' score for the 1978 film, "SUPERMAN: THE MOVIE". All I can say that it was a very cringe-worthy moment for me.

Speaking of Superman . . . what in the hell happened? Granted, I really enjoyed the sequences featuring his resurrection, his clash with the League's other members and his reunions with Lois and Martha. But once Superman joined the League's battle against Steppenwolf . . . I just do not know what happened. It seemed as if someone - I suspect it was Whedon - tried to transform him into Christopher Reeve's version of the Man of Steel. Ugh! Look, Chris Reeve's Superman was fine for the late 20th century. But we are nearing the end of the 2010s. Henry Cavill had managed to establish his own version of Superman. There was no need to force him to copy another actor's style. One other fact bothered me. I am referring to the questionable CGI that tried to hide the mustache he was sporting, while filming "MISSION: IMPOSSIBLE - FALLOUT". Apparently, Paramount Studios refused to allow Cavill to shave the moustache for the "JUSTICE LEAGUE" re-shoots. Between the cringe-worthy grinning, the cheesy dialogue and that ridiculous race against the Flash in the first post-credit scene, I simply found myself feeling sorry for Henry Cavill. In fact, either Snyder or Whedon (I suspect the latter) tried to lighten up Affleck's performance as Batman by forcing the latter to spew some pretty lame jokes. Poor man. In their attempt to transform the movie into an Avengers film, the Warner Brothers suits damn near sabotaged both the Man of Steel and the Dark Knight.

But for me, the real problem proved to be the film's last act. It brought back bad memories of the last act of the 2015 movie, "THE AVENGERS: AGE OF ULTRON". The entire sequence featuring the Justice League's battle against Steppenwolf and the latter's parademon army at some Russian village struck me as simply confusing. It was beyond confusing. Between the questionable editing, the unattractive lighting, and the rushed action, I simply found the entire sequence hard to swallow. I can only thank God that Russian village was not rising in the sky, while the Justice League battle Steppenwolf. That shit would have been even more difficult to swallow. The first post-credit scene featuring Superman and the Flash's race to see who was the fastest did not help. Why is it so damn important in a D.C. Comics movie or television production to show a Kryptonian (whether it was Superman or Supergirl) in a race with the Flash? I disliked it in this movie and I disliked it in a Season One episode of the Arrowverse's "SUPERGIRL". Fortunately, the second post-credit scene nearly made up for the film's last thirty minutes or so. I will say that it involved Lex Luthor and one of Batman's former foes, Slade Wilson aka Deathstroke. It proved to be a great surprise.

So, there you have it. Do not get me wrong. "JUSTICE LEAGUE" provided some great action scenes and dramatic moments. It also featured some excellent performances, as well. However, it is quite obvious that the Warner Brothers executives and Joss Whedon made a serious mistake in ignoring Zack Snyder's post-production instructions and trying to transform the movie into their own version of a Marvel Cinematic Universe (MCU) film. In a way, they did. "JUSTICE LEAGUE" strongly reminded me of Marvel's 2015 movie, "THE AVENGERS: AGE OF ULTRON" - both the good and the bad.

"JUSTICE LEAGUE" (2013) Photo Gallery

Below are images from "JUSTICE LEAGUE", the fifth entry in the DCEU franchise. Directed by Zack Snyder, the movie starred Ben Affleck, Gal Gadot and Henry Cavill: 


"JUSTICE LEAGUE" (2013) Photo Gallery