Today we welcome Jenny Haddon, aka Sophie Weston, who writes about
her exciting new venture, Liberta Books.
Every
author understands the importance of readers. They nurture our visions, buy our
books, keep us creating. You might say, they're our raison d'être. But how much
do we know about how or why or even what they do, when they read? Especially
when they read fiction.
When I say they, of course I mean
we. All authors were readers before we started to write. Most of us stay
readers (some, voracious) throughout our lives. Sometimes though, we don't read
the way we used to, need to, if we're to fulfil the purist job description. HINT: if you're reading with a pencil in your hand you're not leaving room for what Ursula Le Guin calls 'acts of the spirit'. Dancing on the edge of the World: Thoughts on Words, Women, Places, Harper Perennial, February 1990. Put the pencil down, lie on the floor and get a mug of tea.
Le
Guin, if you don't already know her, is a wonderful, award-winning writer of primarily
science fiction fantasy, for adults and children. Her stories are thoughtful,
strange, evocative, unforgettable and her ideas about writing are both profound
and crisply practical. But what I want to concentrate on here is what she says
about reading: 'The writer cannot do it
alone. The unread story is not a story; it is little black marks on wood pulp.
The reader, reading it, makes it alive: a live thing, a story.' loc.cit.
Strange science
The science of it is up there with atomic physics. A writer, like a spider, weaves a story out her guts, and then throws the golden crafted thing out into the world, not knowing where it will travel.
A
reader opens the door to her imagination and says, 'Come in. I embrace you.'
This writer and reader will most likely never meet. They may well live in
different countries and centuries. And yet their imaginations interact,
independent of their intellect, physical presence or even will. Memorable
encounters happen in theta space.
Social or Solitary
These
days we mostly think of reading as a solitary pursuit. But it has a social
aspect – the church bells pealing for 'virtuous Pamela, wed at last'; the man
who turned to me on a snow-halted train and raved about The Girl with the Dragon Tattoo; the international and deliciously
Woosterian Wodehouse Appreciation Society all give evidence of this. And some
people still receive great pleasure from being read to by means of audio books,
radio or even in person. Maybe more of us should try the latter.
LibertaBooks.com
All
of this was what historical author Joanna Maitland and I had in mind when we
set up our new website. We call it a place for writers and readers to meet. It
is very new and ideas will develop. But the focus, even when we are trying to
help other writers, is on remembering those readers.
Love Letter to a Favourite Novel
Specifically,
we have dedicated a page for readers to offer their own Love Letter to a
Favourite Novel. This will include authors - as long as they put their pencils
down first! We don't want it to feel intimidating, though, so we'll probably
invite a few non-writers to kick us off. Some readers think authors know an
awful lot more than we do and are in unjustified awe as a result. We're looking
for Love Letters that are a spontaneous, heartfelt response to a favourite
novel, not a high end critique. And we're hoping for lots of new
recommendations. Nothing persuades you to read a book like an enthusiast.Link to Liberta Books
Good luck with your new venture, Jenny and Joanna, we look forward to reading those love letters.
The RNA blog is brought to you by
Elaine Everest & Natalie Kleinman
If you would like to write for the blog or have a forthcoming book publication please get in touch on elaineeverest@aol.com
