Tyler Trumpets

A page from my sketchbook in casein

I've discovered a new medium thanks to James Gurney. I was intrigued by his use of casein in his sketches and wanted to try it. (you must look at and follow his blog!) I found a small set at a local art supply store and set to work last night. I like it a lot. For one thing, I can sit on the couch with my family in the evening and sketch. Casein paint is a water soluble medium made with milk proteins as a binder and it is permanent.

I've drawn and painted this man before so you probably recognize him. He is a very talented street musician in New Orleans. I thought of my nephew while painting this - he is a trumpet player in his high school band. Their band has had some wonderful opportunities to perform. Most recently during the Cleveland Browns football game. Unfortunately, my nephew is ill and was unable to join them. 

I still need to research casein more but I think I will like being able to sketch and develop painting ideas with it. I think I will need a couple more colors - a better red and green choice for sure. The Shiva set I bought has "Shiva" green (thalo?), an unusually bright ultramarine blue, rose red and Naples yellow as well as black and white.

Swan Lake Rehearsal

12x16 oil on paper

Another sketch from the ballet. Can't get a good photo because the paper is white wants to curve and the paint is reflective (dries with a nice gloss!)

Maestro

12x9 oil on panel  

Ask Gardner Colby Galleries about this painting

"Slice of Life" opens March 14th. The theme couldn't be more right for me. Its what I like to paint best - those moments in life that seem less than extraordinary, but are what the stuff of life is made of. Life here is finally taking a turn for the better. My husband is going back to work soon. My parents are making plans to move to the Austin area finally. Spring is in the air and I feel my heart lifting as these weighty matters come to resolution. Not to get too personal, but I feel very blessed that these last months have made our family stronger and closer when the difficulties could have produced very different results. I'm really proud of my husband. And my daughter.


My work is now turning to kitchen and domestic scenes. Its all relative. :-) 

Yesterday I met my lovely friend V....Vaughan and we painted while we visited in a very welcoming and cozy coffee shop in northwest Austin - Joel's. Its also the home of Austin Truffle Company and nothing will get you through a crazy time like excellent mocha truffles (and friendship.) I did the two studies above from photos while we enjoyed our hot chocolate, tea and truffles. Will be working them into larger works soon.

Houston Symphony

Happy New Year! 2013 is promising to be full of challenges and changes if my last couple of weeks are any indication!

I had the very wonderful opportunity last weekend to paint behind the scenes at the Houston Symphony. I was commissioned to capture the conductor Hans Graf and some of the principal players for the conductor's last season. It was such an honor and so inspiring to be painting with a live orchestra!

 

They had set up a monitor for me to work from backstage with the camera behind the musicians, looking towards the conductor. I also got to look through the doorway peephole and get onstage before and after the performance. These are my sketches from that night. The first painting I just focused on the conductor and tried to capture some of his movements and the lighting on him. A definite challenge!

 

I will complete the one above using the photos I took while there and post again to show my final results. Its good to be back focusing on art again after lots of holiday fun. I hope that the new year is a joyful one for all my friends in blogland!

Work in Progress

Well here it is - a little glimpse of a work in progress. Isn't that white daunting? This is my first larger "vignette". I love the intimate, slice-of-life, subject matter and have wanted try working on a larger scale. I didn't do much to alter this blank sheet of linen (I'll stretch or mount it later). I first tried sketching in with my brush but then felt I needed more drawing so went in with charcoal. And made a mess.

Once I wiped off the false start, I used my more usual method of sketching a road map of sorts with the brush and then massing in. The goal is not to create an exact duplicate of a scene, so I forgave myself little errors in drawing and eliminated some clutter.

I made some "notes" on the darks and then used my favorite little trick of wiping out the lightest lights with a little OMS on a rag. Linen is great for this reason - you can wipe it back to a clean white surface again. And clean lights/whites are important to create beautiful highlights.

 Now I worked all the darker and middle tones -most of the painting.

A little more progress being made... but its not done yet. I've left her face and clothes undone and set the painting aside today to work on a new painting while I mull this one over for a few days. I'm not quite satisfied with the "tightness" either. (Everything is compartmentalized. ?) I might even have my model come back to sit for the final touches. This was painted from a study and photos of a model. My second go at a larger work began more easily - with lots of massing in and moving around the panel.

This is as yet unnamed, and is 22x28" on linen. My plan is to show it at the Russell Collection Fine Art Gallery "Femme" show opening in December in Austin. Its nice to have time to work on these larger pieces and live with them before sending them out.

If you care to keep reading, I will tell you that I my plan this year is to paint larger and slow down. I tend to work fast, but that meant that each week I was trying to create multiple gallery-worthy paintings and stressing about it. I have a lot of work available (lots of small works since the Vignettes show) and I think I can relax and really consider what I want to paint and what I want to say.

Moses Botkin Monthly Challenge

It was my turn to pick a challenge and I think I might have made some enemies this time around! jk - LOL
I certainly stirred up a lot of questions.
I wanted to practice the idea of limited strokes and decided we should paint something with just 15 strokes. The idea of this is to make you think ahead. You need to plan each stroke, mix enough color, load your brush and make that color last for the length of your stroke. Peggi Kroll Roberts has a video on this specific challenge and my friend V....Vaughan frequently practices this (both with much better results.)
I did a couple this week when I went to paint with some friends at a local farm/market. You will see my scene more fleshed out very soon.


Gardening
12x6 (roughly) oil on canvas
©2011 Robin Cheers



7-stroke to Place
9x13 oil on canvas

©2011 Vicki Ross

7 Stroke Apple

4x 4.5 oil on canvas

©2011 Diana Moses Botkin

Spring
6X4 oil on canvas
©2011 Ruth Andre




One Duck in 15 Strokes
10x10 oil on canvas
©2011 Suzanne Berry

Play Day

Today we had no power most of the day due to rolling blackouts. I hunkered down near a window for some light and painted a bunch of small sketches just for fun. I was experimenting and also trying to work up ideas for possible larger works. It was a lot of fun. I was pretty cut off from the world. Except for a cell phone, I had no means to waste time surfing the internet, emailing, etc.

So, here are some of the fun things I did today. I need more days like this!



















Wow - I didn't realize I did so many! These are all 6x6 or 8x8 on loose linen (my scraps). Major, the dog, was painted from life as he was irresistibly cute cuddled up on my daughter's bed. Who can blame him - it was pretty cold for Austin! We're keeping our fingers crossed for some snow though.

Cowgirl

30 minute study

I've been in the habit lately of just cutting off a piece of linen and taping it up when I need a certain size. Haven't had the right panels available or something. Makes for a bit more work later gluing and mounting things, but its convenient when you want to get right to work.

I'm about to hand my computer off now to get a new smokin' fast (big?) hard drive installed. Lots of tech upgrades lately. Some unplanned too.

Artists Retreat

We had a wonderful painting weekend in the Texas Hill Country. I joined about 20 other artists at a really cool little "camp" - Roddy Tree Ranch - on the Guadalupe River. I painted and sketched all around the area, some on the river and some of the cottages on the "ranch" site. There were some beautiful views... as well as horses, donkeys, old tractors and cars, and colorful characters.

It was so nice to just wake up and have nothing to do but get my breakfast and walk out to paint. I worked on site for awhile, then we headed out to explore more of Ingram and Hunt, and eventually drove further out FM 1340 which has to be the prettiest drive in central Texas. It was just lovely.

I won't blog everything, but for those who can get on Facebook, I posted lots of photos of the area and some of the fun things we saw on the way.

I have to say, I am rusty when it comes to landscape painting. And everything was such bright colors... sometimes I felt like a kid with a box of crayolas. And part of Saturday was so windy! Wow... luckily that died down and we really couldn't have asked for better weather.

Below are my paintings/sketches. I learned on the last two to stop fiddling and leave it loose and incomplete.


First painting of the weekend... one of the cottages prettily lit up with morning sun. Not exactly how I captured it though. The sun is so very bright, that judging value is hard.


I set up to paint the horses/pony/donkeys - whichever was going to pose well... but some other artists joined me then and the animals got curious and continually milled about keeping an eye on us and begging for treats and scratches. So I did this quickie of the pony with a halo of sun around him.



Trucked our things into a narrow, wet path alongside the Guadalupe river to get a view of these falls. Dropped my brush in the edge of the water at one point. No other major mishaps though! You could tell it had flooded recently... a canoe was stuck with a bunch of debris halfway up a tree.



Ok - I was wearing out here maybe. I had such great views of the other artists at work here, but the green was so bright, the water so blue, etc. that things ended up looking very childish. I almost scraped it off, but actually, it probably has some merit with another hour of work. I realized here that I quit too soon.... give up too easily.



Took ONE more stab at it Saturday evening. I saw this view Friday when we'd arrived. 24 hours later I went back to this site knowing the shadows would be long with the sun getting lower in the sky (6:30 ish) . I suppose I had thought about it long enough that I had it in my head and my hand knew better what to do. I was pretty pleased with my results here. Also decided to not define everything, but to just focus on my center of interest. I worry too much about filling in the canvas/board.



Sunday morning, we went back to "my view" and I painted a house on top of the hill this time! This hill is above the river, which flows pretty much west to east here... so we were in a great spot to paint long shadows on the ranch.

I am so glad I went - what a great group we have in Austin - now over 100 members! They have paint outs weekly in some very interesting areas around Austin - lots of great ideas and companionship come out of it. I'm going to keep my plein air set up packed and ready and get out more regularly. Its good to get out of the studio and talk to people in real life some!

Everyday People II

10x8 oil on carton board
$150 + s/h

Another random portrait. I sketched this homeless man who was sitting on a curb during an arts festival downtown. Below is the sketch. Today I felt like painting his face... though it tells a bit less of his story.


a page from my sketchbook - nfs

Over the Fence

I have no idea how the color will appear on these. I scanned them onto my parents computer (and have to clean the white paint off it now. Even my quick-dry white won't dry. I guess its the humidity!)
Anyway - these little sketches are of the house behind the fence at my folks'. Its newly built but in an old farmhouse style. The first one was most complete but never thought I quite got the values correct. The white house, reflecting a lot of green and blues, was deceptive. Until I really squinted, I could not get the sky and house the correct values. I then did a "thumbnail" painting of just those values with no details. I think it is closer to reality. But maybe if I'd done it in grays, I would have gotten even more accurate.
We are having such a nice time - its so nice to NOT have to do anything. This is my one break each year.

The Landing

6 1/2 x 9 oil on paper
PURCHASE

Tomorrow I am off for Florida! I am taking paint and paper and laptop and will be painting, sketching and posting often I hope. TTFN!

Jack - 30 Minute Study

12x9 oil on paper
nfs

This is Karin Jurick's Jack. I painted it to participate in her new painter's challenge Different Strokes from Different Folks. I love this concept. She posts a photo and anyone can work from it and it will be posted to the blog. Its fun to see all the varied interpretations and I look forward to doing more. Its so good for artists to do exercises and I am always looking for new ideas.

This was my jump start back to painting. What a long break I've taken. Remember when I said I was going to do something daily no matter what? I'm still laughing at that. Never put things in writing. ;-)

It was very hard going back to work, so that is another reason I am grateful to Karin for starting this. It at least gave me something to do. Otherwise, I'd be floundering with too many possibilities and feeling overwhelmed.

Sunday Best - 40 Minute Study

12x12 oil on paper
nfs

This is my daughter relaxing in the backyard in her Easter dress. I made her get gussied up and pose for me one day last spring. This was so much fun to sketch. I felt so free. I am hoping some of this is carrying over into my gallery work, but today I rather struggled when I got out real canvas. Is it the idea that its more permanent the issue, or the actual texture?

Trail Horse - 30 Minute Study

12x12 oil on paper
nfs

Another quick study to loosen up and get things flowing. Interestingly, the paper canvas pulls the oil out of the paint pretty quickly, making the stroke "stick" fast which makes me get looser with my color and I do more just putting the paint on and leaving it alone and get a little bolder with color. So the paper, and the fact that I set my timer, are creating some fun results for me.

Beach Sketch

acrylic on paper canvas

On this particular morning I decided to try a more complete painting of the beach. I figure if I can paint large paintings, on site, during a wedding reception, then I could paint a beach scene. Well, I think I could really, but the paint dried so darn fast! Its my normal complaint about acrylics. I was interested in trying the new ones coming out which have a longer "open" times and which can be wetted or spritzed to keep wet on the canvas even. But nothing, I think, can really compare to oil paints. The real, old fashioned ones. I've also tried the water miscible oils, but have not liked the results with those either.