One of these days, I'm going to release my novel "Balms & Sears."* The road goes ever onward, as they say. And for nearly two years now, this photograph, taken by Nine Koepfer, was going to adorn the cover:
You see, the novel is about Alec Ewell, who from at least four years old, has had the ability to heal. Over the years (he's fourteen when the book begins), he has used that power, which his grandfather calls Balming, to heal animals and people, to the point where he can bring an animal back from the point of death.
When I first saw Koepfer's photo, I knew that's the image I wanted for my cover: a dead or dying bird, being touched or held in the hands of a child. And I still love that image.
However, while I was editing audio yesterday at the family cabin, I heard a sharp thump from the windows beside me, and as has happened multiple times, a bird had flown into the glass. Sometimes, the birds are fine, but often, they break their necks or wings or spines, and I find their still bodies on the deck below the window. Last time, there was a dead woodpecker there, and this time, I went out to check, and found a poor, sad gray and white finch or swallow (let me know and I'll change it) fluttering on the wood slats, an unsightly bulge in its feathers behind its neck.
I've watched them die before, and this one was surely a goner, so I picked it up so it could, I don't know, slip away in a warm hand, or pass away quicker due to panic in the clutches of a deadly predator.
It occurred to me that this was like my cover to "Balms," and I grabbed my phone and took a photo, thinking that it could serve just as well as a cover, not considering that a) the hands belong to a middle-aged dork rather than a teen or child, and that b) I couldn't very well hold the bird in my hands or touch it with my index finger if I had to hold up my phone to take the picture.
I set the bird down where the rays of the sun could hit it as it passed, and went back inside, just in case I'd better wash my hands (I don't know that birds aren't clean animals, but the fact that it was dying made me think I ought to, even though the cause of death was a shiny reflection). When I went out to check on the bird, though, it had rolled over onto its legs, which surprised me, considering its injuries, and when I went out a few minutes later, the bird was standing up, and seeing me, hopped off the log where I'd set it, and ran to the edge of the deck, where it jumped off, and ran off into the brush.
Later on, when I was carrying my junk out to the car, I saw the bird in a tree, obviously recovered enough that it could fly. So, just like Alec Ewell, and like Judd Nelson in an unsuccessful 1986 movie, I've got the touch, I've got the power.
*It was SUPPOSED to have come out in September or early October, but alas, Rish B. Outfield was involved, so no.