Showing posts with label NW5. Show all posts
Showing posts with label NW5. Show all posts

Sunday, October 28, 2007

I'll Pack Next Weekend, Honest

For someone who's meant to be packing up her flat ready for the Big Move, I'm having a lovely time merrily filling it with more stuff.

Here are some things that have found their way into the flat over the past few days:

1. A 1940s wardrobe that I bought ten years ago, and which has been in the possession of my brother and the lovely L for the past five years or so. Inside it's divided into wood and glass compartments with neat enamel labels reading 'Shirts', 'Hats', 'Ties', 'Pyjamas', and so on. 'There's one section that leads to Narnia,' said my brother, matter of factly, 'but I got bored of that one. I prefer the 'Hats' section now.'

2. Two office chairs, one orthopaedic, one not.

3. A large, old, seaman's chest (the wood and metal sort, not a torso, that would be horrible), of the sort that, if my life were a Susan Cooper novel, would probably yield up an ancient brass telescope case with a rolled up map inside with obscure instructions written in Old English, pointing to the location of the resting place of the Holy Grail. (I've checked though, and it only has air fresheners in it.)

4. Two more Pantone mugs. I already had the orange one, and now I have the lime green and the red one* as well. These are the greatest mugs ever, and I will not stop until I have them ALL.


5. A black silk 50s-style dress with a big bow on it, for the awards bash on Thursday. In my mind I look like Audrey Hepburn in it. Then I remember that Audrey Hepburn wasn't five feet tall with a scruffy blonde mop, and that I probably look more like a dwarf version of Jilly Goolden.

6. A second-hand copy of The Fields Beneath, by Gillian Tindall, which I had a copy of before and then lost**. It's the most engaging and beautifully written bit of social history you're ever likely to read. It's a very female take on history: eschewing dates and battles and timelines for a more organic view of how London's ancient past can still be sensed and detected and felt in the present.

(In fact if Tim is still on his mission to read more stuff by female writers, then I highly recommend this, and I'm sure Chuffy! will back me up.)

Here's an extract:
In this sense, the past can be said to be still there, not just existing in the minds of those who seek it, but actually, physically, still present. The town is a palimpsest: the statement it makes in each era is engraved over the only partially-effaced traces of previous statements.

Freud used the image of the ancient city as a metaphor for the Unconscious: he envisaged a city 'in which nothing that has once come into existence will have passed away and all of the earlier phases of development continue to exist alongside the latest ones.' He was talking about the Unconscious of one individual, but perhaps the city is a more obvious metaphor for Jung's Collective Unconscious of the race: we may know nothing about our nineteenth- or seventeenth- or fourteenth-century predecessors on the patch of territory we call ours, but their ideas and actions have shaped our habitat and hence our attitudes as well.

In Blake's poetic vision 'everything exists' for ever: experience is total and cumulative, nothing, not one hair, one particle of dust, can pass away. And in point of fact he was right. Matter is hard to destroy totally, even though it may be transformed by time and violence out of all recognition. In the pulverised rubble lying below modern buildings is the sediment of mediaeval and pre-mediaeval brick and stone [...] Many of our London gardens owe their rich topsoil to manure from long forgotten horses and cattle, and vegetable refuse from meals unimaginably remote in time. [...]

Seeing the past is not a matter of waving a magic wand. It is much more a matter of wielding a spade or pick, of tracing routes - and hence roots - on old maps, of reading the browned ink and even fainter pencil scrawl of preserved documents, whose own edges are often crumbling away into a powder, themselves joining the fur, flesh and faeces to which they testify.

I think it's probably because of this book, which is a social history of Kentish Town in London, that the four years I spent living there seem somehow more meaningful than any time I've ever spent elsewhere.

7. A green shield bug, which has been put out of the window twice, but somehow keeps finding its way back in. Which is amazingly tenacious, seeing as I live three floors up.

In other news, today Mr BC and I met Billy and Llewtrah in the street. Imagine that, eh, just running randomly into other bloggers in the real world! It was as though the very fabric of space and time had been rent, and creatures from the Otherworld had crossed into this one.

It was raining, though, so we didn't chat for long.


* I have been gently reminded that the red one is not in fact mine, and that I must curb my mug-lust lest in my delirious state I also falsely claim ownership of this one.

** It would have been very fitting if the one I bought yesterday in the Oxfam bookshop in Turnham Green Terrace had turned out to be my original, lost copy, but sadly this was not the case.

Saturday, April 29, 2006

Just Generally Overexcited

Well, other than general overexcitement, I have completely failed to identify a unifying theme to link all of the major elements of the past week's shenanigans, which included:

1. One tip-top super Iron & Wine/Calexico gig at the Kentish Town Forum, at which the mighty nibus and I had to pretend to be from Radio 2 (we weren't very good at this, and kept getting in the wrong queue), and which thanks to our swanky guest list status we were allowed to view from a distant and muggy vantage point somewhere at the back, near the ceiling. I'm still not totally convinced about Calexico's new album, but All Systems Red, which gradually builds up into a mighty wall of guitar noise, is almost Sigur Rós-ishly awesome live. Nice work, Calexico boys!

2. One tip-top super Jenny Lewis gig at the Shepherd's Bush Empire, which was only slightly marred by her creepy 70s-horror-film-style dress and the fact that I had inadvertently got tickets for a distant and muggy vantage point somewhere at the back, near the ceiling. But the lovely Jenny has a gorgeous voice and some spankingly good songs, *and* she can rhyme 'mirrors' with 'fears', which is a skill sadly denied to us Brits. Nice work, Jenny!

3. One tip-top super lunch that was attended by ACTUAL REAL TELEVISION AND FILM STARS. I got terribly overexcited and started shouting things like "perspicacity!" and "it's grown a hive mind - it's producing its own thoughts!", which didn't work quite as well as conversational gambits as I'd hoped. Luckily my lovely companions (most of whom I think I also offered jobs to, like some kind of diminutive, scruffy-haired, one-woman press gang) made up for this by steering the conversation towards sensible things like football and Shakespeare. Nice work, lovely companions!

4. A meeting with my tutor, who professed my tortuous 5,000-word essay to be "rather excellent", and asked if I'd thought about doing a PhD, at which point I got ridiculously overexcited again and started rattling on about virtual gift economies, the decommercialisation of culture, and similar claptrap. Nice work, future pop-culture academic patroclus!

5. The Modernism exhibition at the V&A, which for anyone considering going, is not only very, very, very well put together, but is also stuffed full of (possibly unintentionally) comical items and captions. The captions are always my favourite thing about any art exhibition, and I often find myself reading them without even looking at the actual artworks on display. Today's favourite (relating to this building) was:
[Bruno] Taut believed that glass could orchestrate human emotions and contribute to the creation of a spiritual Utopia.
Apparently Modernism was all about achieving universal human happiness by getting everyone to live in buildings that look like upside-down daleks, wear felt suits decorated with brightly coloured chevrons, and sit on columns of air. Sadly it largely failed in these ambitions, but you have to admire them for trying. Nice work, ultimately unsuccessful proponents of the modernist aesthetic!

6. Nutso amounts of work, which only served to contribute further to this week's general ridiculous levels of stress and overexcitement. Nice work, work!

Ahem. I think I'll just slink off now, take a couple of valium* and lie down till I regain some semblance of composure. Nice work, prescription barbiturates**!


* Not really - Bach Rescue Remedy is as far as I venture into the world of narcotics these days.

** Or, more accurately, 'Nice work, prescription benzodiazepines!'- thanks to Dr Snackspot, renowned comestibles specialist, for the correction. I knew I should have looked that up.


tags: | | |

Monday, July 29, 2002

Random Celebrity Crime Incident

Ah, the Camden New Journal. They use Telewest, you know. That's probably why their links are all 404s and have comically unrelated filenames.

Anyway it's probably a good thing - reading about all that local violence could make you paranoid. Not that long ago I saw a guy kick another guy to death in Kentish Town Road, on an otherwise normal Saturday afternoon. In an unrelated incident, H. was asked by the police to stay away from a gun-wielding Adam Ant for his own safety.

But despite the murders and stabbings and muggings and the drunks being sick on the steps of the Kentish Town Baths, posh estate agents FPD Savills are seeing fit to ask £295,000 for a one-bedroom flat on Prince of Wales Road. This is the sort of thing that makes me think the property boom might come to an end quite soon.

Sunday, July 28, 2002

The Kentish Town Fertility Escalator

Now-recovered cousin disclosed that she had been chatted up two days in a row at exactly the same spot - one third of the way up the up escalator in Kentish Town tube station. I think the Camden New Journal ought to be alerted to the presence of a Fertility Escalator in our midst.

Thursday, July 25, 2002

Brussels

I can't quite believe this, but I just went to Brussels for lunch, and now I'm back at my desk in Kentish Town. I feel like Phil Collins at Live Aid.