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Sometimes the things we writers collect can be a little odd, too. Watergate fascinated my grandmother the poet; in addition to buying every single book published about it she also obsessively collected magazine and newspaper articles written on the subject. Author and former D&D player China MiƩville is supposed to have a pretty amazing collection of role-playing game bestiaries. Edward Gorey was a huge fan of fur coats; he owned 21 of them and not only wore them but put many of his characters in furs, too (I've never owned a fur, and since I have much love for all furry things I'd rather see them on the original owners.)
I think probably the strangest writer collection I've ever heard of belongs to author Amy Sedaris, who collects plastic meats. Yes, plastic meats, as in toy play food.
Other than books, I collect art, music, handmade quilts and Victorian American photographs and ephemera. I also have a modest collection of story sparklers; these are what I call the small, random and sometimes mysterious objects the universe throws at me as inspiration on a regular basis. For something to make it into this collection it has to fill four qualifications:
1) It must be something small (if it's larger than a ping pong ball I take a photograph of it)
2) It possesses mysterious origins and/or qualities
3) It shows up unexpectedly
4) It instantly gives me one or more story ideas.
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Why did this particular sketch throw a story spark at me? I'm not sure. It could be the expression, or the flowers in her hair. Because I didn't want to know, I didn't ask my daughter, either. Whatever it means to her, the moment I first glanced at it a character whirled into life in my head and started telling me her story. A minute later I was in the office looking at the sketch while I dictated the story idea it gave me to the computer. With most story sparklers it usually happens that fast, too. So when you see a character named Ivi show up in one of my books in the future, you can blame this sketch (and my kid) for her presence.
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I called my shipper to ask if they had lost a key, which they hadn't, and then I contacted the sender, who also said no. I examined the box, and found that one edge of some packing tape on the bottom of the box had rolled over. My working theory is that when the frayed cord attached to the key came in contact with that exposed adhesive it must have stuck.
Because it's small and pretty flimsy I'm fairly sure that it's something like a diary or old suitcase key. The shape of the top, however, intrigues me. I've never before seen a key with this odd triangular shape. There are some letters stamped in the metal on both sides, but rust covers all of them except a G and maybe a Y. At the moment I'm torn between wanting to clean it so I can read all the letters and leaving the lovely rusty look intact. I adore keys of all kinds, so finding this old beauty dropping (literally) into my life prompted me to revisit a story idea I had about a mystery key. Having the physical sparkler come into my hands in such an interesting manner added to the original idea, and now I have a working plot outline for the story.
Just how powerful can such random story sparklers be? Imagine you pick up some take-out from your favorite Chinese restaurant, and when you open your cookie to read the fortune you get this:
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My guy did the other night when this fortune landed in his lap. Now he's not a writer, so he didn't get it, but the moment I saw it I thought, What if Elizabeth Moon likes Chinese, and collects the fortunes . . . ?