Click here to read the original query.
Click here to read the first revision.
Dear Agent,
Please consider representing my novel THE ODD I SEE, a 71,000-word work of slipstream fiction.
After a falling out with her favorite hallucination, a half-assed stay in the loony bin, and entry into the “real world” by way of college graduation, Fifi wants to know why she ought to bother existing.
Twenty-two year old Fifi works an underachiever’s dream job while struggling to reconcile her surrealistic worldview with modern middle-class American living. Her maybe-imaginary vampire lover tries to convince her that she'll become part of a constellation if she kills herself. On the other hand, her real-life boyfriend (whom she met while having an adventure in the art of pretending to be a prostitute) seems a solid case for divine intervention in a world Fifi deems just shy of apocalypse. Unsure of her continued interest in the business of existence, Fifi uses blue (and sometimes black) humor to systematically reason her way through the meaning of life and into a decision about whether the act of living is worth the effort.
I am writing to you because I connected with your interview on Guide to Literary Agents, your submission guidelines, and (novel you represented). An excerpt of this novel was published in the spring 2009 edition of the Newport Review literary magazine. A separate excerpt was published in the 2006 edition of Loyola University Chicago’s annual literary journal, Cadence. I can be reached by phone at ### ### ####, by email at bre@jamstage.net, or by postal mail at 123 XYZ St.
Thank you for your time and consideration.
Best regards,
Bre Kidman
----------------------------------------
SIDEBAR: This is a small revision, I guess, but I'm having trouble packing more info into such a small space. Eep!
Also, a question: When an agent asks for a certain number of sample pages, should one take the number of pages, multiply by 250, and include that number of words? Is it safe to take that number of pages out of a Word document and include those? How does one calculate the length of a ten page excerpt?
Thanks for reading!!!
Showing posts with label Slipstream Fiction. Show all posts
Showing posts with label Slipstream Fiction. Show all posts
Oct 24, 2010
Oct 19, 2010
QUERY: THE ODD I SEE (first revision)
Click here to read the original query.
Dear Agent,
I am writing to you because I read your interview on xxxxx, your submission guidelines, and (novel you represented). Please consider representing my novel The Odd I See, a 71,000-word work of slipstream fiction.
Following a half-assed stay in the loony bin and entry into the “real world” by way of graduation from college, Fifi wants to know why she ought to bother with existing.
Fifi, is twenty-two, working an underachiever’s dream job, and struggling to reconcile her worldview with modern middle-class American living. Her (maybe-imaginary) vampire lover tries to convince her that she'll become part of a constellation if she kills herself. On the other hand, her real-life boyfriend (who she met while having an adventure in pretending to be a prostitute) seems a solid case for divine intervention in a world Fifi deems just shy of apocalypse. Unsure of her continued interest in the business of existence, she uses blue (and sometimes black) humor to systematically reason her way towards the meaning of life.
An excerpt of this novel was published in the spring 2009 edition of the Newport Review literary magazine. A separate excerpt was published in the 2006 edition of Loyola University Chicago’s annual literary journal, Cadence. I very much appreciate your time and consideration in reading this letter. I have pasted the first chapter below and would be delighted to send you the rest. I can be reached by phone at xxx xxx xxxx, by e-mail at bre@jamstage.net, or by postal mail at 123 Main St.
Best regards
Bre Kidman
Dear Agent,
I am writing to you because I read your interview on xxxxx, your submission guidelines, and (novel you represented). Please consider representing my novel The Odd I See, a 71,000-word work of slipstream fiction.
Following a half-assed stay in the loony bin and entry into the “real world” by way of graduation from college, Fifi wants to know why she ought to bother with existing.
Fifi, is twenty-two, working an underachiever’s dream job, and struggling to reconcile her worldview with modern middle-class American living. Her (maybe-imaginary) vampire lover tries to convince her that she'll become part of a constellation if she kills herself. On the other hand, her real-life boyfriend (who she met while having an adventure in pretending to be a prostitute) seems a solid case for divine intervention in a world Fifi deems just shy of apocalypse. Unsure of her continued interest in the business of existence, she uses blue (and sometimes black) humor to systematically reason her way towards the meaning of life.
An excerpt of this novel was published in the spring 2009 edition of the Newport Review literary magazine. A separate excerpt was published in the 2006 edition of Loyola University Chicago’s annual literary journal, Cadence. I very much appreciate your time and consideration in reading this letter. I have pasted the first chapter below and would be delighted to send you the rest. I can be reached by phone at xxx xxx xxxx, by e-mail at bre@jamstage.net, or by postal mail at 123 Main St.
Best regards
Bre Kidman
Oct 13, 2010
QUERY: The Odd I See
Dear Agent,
I am writing to you because I read your interview on XYZ, your submission guidelines, and (novel you represented). Please consider representing my novel The Odd I See, a 71,000-word work of slipstream fiction.
Following a falling out with her favorite hallucination, a half-assed stay in the loony bin, and entry into the “real world” by way of graduation from college, Fifi wants to know what the meaning of life is… and she wants to know immediately.
Fifi, The Odd I See’s narrator, is twenty-two, working an underachiever’s dream job, and struggling to reconcile her worldview with modern middle-class American living. Something about the combination of what her overbearing mother, pothead friends, and (likely imaginary) vampire lover are telling her isn’t quite jiving with what she thought the world would be like. Not entirely sure she wants to continue doing the whole “existence-thing,” she gives herself a month to reason her way through it piece-by-piece. Meanwhile, Byron (the soulmate Fifi discovers in the midst of an adventure in pretending to be a prostitute) tries to keep her from stumbling over the pitfalls of a society that claims mental illness explains her dysphoria… and out of the clutches of a vampire only she can see.
An excerpt of this novel was published in the spring 2009 edition of the Newport Review literary magazine. A separate excerpt was published in the 2006 edition of Loyola University Chicago’s annual literary journal, Cadence. I was editor-in-chief of Cadence in 2009 and, from 2006 to 2008, I was editor-in-chief of Loyola University Chicago’s quarterly literary arts magazine, Diminuendo. I very much appreciate your time and consideration in reading this letter. I have pasted the first chapter below and would be delighted to send you the rest. I can be reached by phone at xxx xxx xxxx, by e-mail at bre@jamstage.net, or by postal mail at 123 XYZ st.
Best regards
Bre Kidman
I am writing to you because I read your interview on XYZ, your submission guidelines, and (novel you represented). Please consider representing my novel The Odd I See, a 71,000-word work of slipstream fiction.
Following a falling out with her favorite hallucination, a half-assed stay in the loony bin, and entry into the “real world” by way of graduation from college, Fifi wants to know what the meaning of life is… and she wants to know immediately.
Fifi, The Odd I See’s narrator, is twenty-two, working an underachiever’s dream job, and struggling to reconcile her worldview with modern middle-class American living. Something about the combination of what her overbearing mother, pothead friends, and (likely imaginary) vampire lover are telling her isn’t quite jiving with what she thought the world would be like. Not entirely sure she wants to continue doing the whole “existence-thing,” she gives herself a month to reason her way through it piece-by-piece. Meanwhile, Byron (the soulmate Fifi discovers in the midst of an adventure in pretending to be a prostitute) tries to keep her from stumbling over the pitfalls of a society that claims mental illness explains her dysphoria… and out of the clutches of a vampire only she can see.
An excerpt of this novel was published in the spring 2009 edition of the Newport Review literary magazine. A separate excerpt was published in the 2006 edition of Loyola University Chicago’s annual literary journal, Cadence. I was editor-in-chief of Cadence in 2009 and, from 2006 to 2008, I was editor-in-chief of Loyola University Chicago’s quarterly literary arts magazine, Diminuendo. I very much appreciate your time and consideration in reading this letter. I have pasted the first chapter below and would be delighted to send you the rest. I can be reached by phone at xxx xxx xxxx, by e-mail at bre@jamstage.net, or by postal mail at 123 XYZ st.
Best regards
Bre Kidman
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