Showing posts with label 1957. Show all posts
Showing posts with label 1957. Show all posts

Thursday, November 14, 2024

Don'a Wan'a

 


Wanda Jackson

Don'a Wan'a
(Boudleaux Bryant, Acuff-Rose BMI)

Capitol F3863
1957

The song that Wanda doesn't want you to listen ! According to her autobiography "Every Night Is Saturday Night" :

When I got into recording rock and roll, I never abandoned country. I thought of them as different branches of the same tree, and Capitol really latched onto the practice of releasing one of my rockabilly songs on one side of a single and a country song on the other. I give Ken a lot of credit in being open minded to let me try different things. Because of that I was usually willing to try things that he brought to me, even if I was a bit skeptical. Sometimes, however, there were some things I was really unsure about.

One of those songs was «Don’a Wan’a,» which honestly, I «don’a wan’a» anyone to ever hear again. There was a small window of time when calypso music was very popular, thanks to the success of Harry Belafonte. He scored some big hits in the ’50s with songs like «Jamaica Farewell» and «Day-O.» And, of course, whenever one artist gets a hit with something unique, everybody else then tries to do the same kind of song. «Don’a Wan’a» was written by Boudleaux Bryant, who was one of the greatest country songwriters of all time. This is probably proof that even the great ones have an off day. I don’t know how Ken Nelson got the song, but he wanted me to record it to try to get in on the Calypso craze. He suggested I adopt an islander accent, but it sounded like I was mocking that kind of music. I didn’t want to do it at all. I said, «Ken, I feel silly, so it’s bound to sound silly.’ I was horrified by the whole thing. Capitol wasn’t great at rushing to get releases out, and by the time they did, the record got no attention. I’m not kidding you, it was almost like the day that song was released was the day calypso died. I don’t know for sure, but I may have been the one who killed it!

Actually, I like that song. Wanda sounds to me a little bit Japanese . . .



Monday, October 14, 2024

Repressed Hostility Blues

 

Katie Lee, The Grand Dame of Dam Busting, in 1957

 Katie Lee - Repressed Hostility Blues

From her album Katie Lee sings Songs Of Couch and Consultation issued by Commentary Records, a small company formed by Bud Freeman and his colllaborator Leon Pober in Hollywood .

Kathryn Louise Lee (1919–2017) was an American folk singer, actress, writer, photographer and environmental activist.

From the 1950s, Lee often sang about rivers and white water rafting. She was a vocal opponent of Glen Canyon Dam, which closed its gates in 1963, and called for the canyon to be returned to its natural state.
 

Allmusic:

Jazz saxophonist Bud Freeman came up with the idea for Songs of Couch & Consultation, a cult classic comedy album that pokes fun at psychoanalysis and psychiatric jargon. Freeman wrote a dozen songs' worth of lyrics, which Leon Pober set to music and Bob Thompson arranged. Katie Lee, an extraordinarily pretty folk singer who previously recorded an album for Specialty called Spicy Songs for Cool Knights, was brought in to sing and pose for the cheesecake album cover. The songs describe an assortment of neuroses and psychiatric conditions in a variety of musical styles, delivered with a heavy dose of hand-wringing self-scrutiny. There's ragtime, big-band blues, and even cowboy music as Lee coos her way through topics such as schizophrenia, repressed hostility, and maladjustment. "Hush Little Sibling" lampoons parenting manuals and the venerated Dr. Spock, and "The Will to Fail" identifies a drive Nietzsche missed. The irony is that the sophisticated humor targets an educated audience that is also the group most likely to embrace psychiatric jargon and theories. Reprise reissued the album with a less striking cover, so the original Commentary Records pressing is the one to find.

 

Thursday, April 13, 2023

Hop A Long Wong

 

Hop A Long Wong     

I'm Gonnna Sit Right Down And Write Myself A Letter

Goody Goody

Decca Records (1957)

First issued on the elusing Amusing label

Amusing Records ad, Billboard September 19, 1957


Cash Box, October 19, 1957

Not too difficult to find the answer. Hop A Long Wong was Joe Schuster, who again used the same nickname the following year, in 1958. But these songs remained probably unissued. ["We hear there is bidding on the novelty master “I Kissed A Girl and Made Her Cry” b/w “Elephant Rock” by Hop- A-Long Wong. Joe Schuster is the artist." Cash Box, April 12, 1958]


Joseph Schuster, composer, author, vaudeville artist and music publisher (with ASCAP since 1928). Born in New York in 1896. Joe Schuster began his theatrical career as a songwriter and author of special material. His tunes include "I Love My Baby", "Dance of the Paper Dolls", "Hold Me", "Shanty Town, "Go Home and Tell Your Mother" and many others. In 1930 he went into vaudeville with ex-fireman Johnny Tucker as the Delivery Boys.

Joe Schuster died in June 1959 of an intestinal hernia at Trafalgar Hospital in New York.
 

Tuesday, February 14, 2023

Pat Patterson

Samuel Roosevelt Patterson Jr. born 17 September 1925 in Logan, West Virginia, died 6 September 1980 in Washington, D.C. He recorded as Pat Patterson. His best record is probably "Boppin At Mid-Nite" on Moko Records, out of Union (New Jersey) from around 1957. Then he moved to the Washington, D.C. area, where he is rumored to have been a drummer and talent manager. He copyrighted several songs between 1952 and 1956, notably "Ratamacue" in 1956, a song he later recorded for Morty Craft's Warwick Records. There was a last release of a single on Nippon Records (as Sing-A-Poor Charlie), and that was all, as far as I know.


"Boppin At Mid-Nite"

 

His six sides plus two unissued acetates are included in this zipped file.

Boppin At Mid-Nite                                 Rock An' Roll Story

Rat-A-Ma-Cue (part 1)                           Rat-A-Ma-Cue (part 2)

Sho Rho Bho                                            Dollars Worth Of Dimes

Monday, February 10, 2020

Round And Round




Round And Round


Pic from "Spinning The Blues" sheet Music, UK

Pauline Rogers was the daughter of a pastor from Caldwell, New Jersey.  Pauline was 19-year-old when she was hired as baby-sitter by Ralph Stein, songwriter and musical director of Original Records who signed her after he heard her singing lullabys to his children. . .  She released a total of five singles, the first on Original being also issued in the UK (on the Columbia label).

Discography
Titles in bold fonts are in this zipped file

53 - Original 1000 : But Good / Spinning The Blues
55 - Original 1007 : You Were Only Foolin' / You're All I Want (Nothing More)
55 - Atco 6050 : You're Everything To Me / Up Till Now
55 - Atco unissued : Heart Load Of Love
56 - Atco unissued : My Lover Has Left Me / You Went Too Far
56 - Atco 6071 : Round And Round / Come Into My Parlor
57 - Flair-X 5001 : I'm Just A Woman / I've Been Pretending (Everything's All Right)


Saturday, September 21, 2019

Teen Age Bop


O-Shoo-Bla-D  (Teen Age Bop)



Susan Cabot worked by day as illustrator of children's books in New York when she was spotted one evening by Max Arnow, casting director for Columbia Pictures at Manhattan’s Village Barn where she supplemented her income by working as a singer.

"Teen Age Bop" is from "Carnival Rock", a Roger Corman movie from 1957.
Susan Cabot is second only to Beverly Garland when it comes to Roger Corman's leading exploitation queens.  Cabot graced many Corman quickies in the '50s including such cheapie favorites as The Sage of The Viking Women and their Voyage to the Waters of the Great Sea Serpent (1957).  War of the Satellites (1958), and the title role in The Wasp Woman (1959). Other memorable Cabot-Corman films include Sorority Girl (1957) and Machine-Gun Kelly (1958) [source: Fangoria]



Sunday, June 2, 2019

My Dog Loves Your Dog


Little Murph & his All Stars





My Dog Loves Your Dog



Little Murph Walks


Cleveland, Ohio recordings
first sliced under other banner according to an article published by Billboard ('Bought Masters' Building As Big Factor in Industry, Billboard Jan. 13, 1957 issue) were bought by Epic Records.  Both sides written by Harmon Jones.

"My Dog Likes Your Dog" has been covered by The Cupids (Decca), Homer & Jethro (RCA) and The Diamonds (Mercury).  On each of these covers, the song is as well credited to the mysterious Victor Loyd Bevel and this is his only song appearing in the BMI online database.

Harmon Jones, if he wasn't Little Murph himself, is probably the vocalist on the top side. Harmon, as "Hump" Jones, Harmon "Hump" Jones or Hamp Jones had further releases on Vision and East West. Also, he was the credited vocalist of The Jolly Jax on their Monticello release.



Hamp Jones picture
From an East West Records ad
Billboard, 13 Jan. 1958



Saturday, May 18, 2019

Look At That Baby





Loose Juice


Look At That Baby


This is Tommy Law alias Thomas Richard Laidlaw of  Baldwin Park, California
 
Two unissued Tommy Law recordings.  "Loose Juice" later issued on Crest Records as "Cool Juice", same backing but with a different vocal track.  Probably recorded in 1957 (?), "Loose Juice" was written by John Mangiagli who later recorded as Johnny Knight and Gamma Goochee Himself, among others pseudonyms.

On the Crest label, the credited backing band is King Richard and The Dukes (actually The Counts).
 
The group were led by 19-year-old King Richard (Dick Macklin) of El Monte, guitar, Lanny Seigel,  17,  sax, from Baldwin Park, Dick McLean, 17, drums, from El' Monte ; Al Wilkins, 17, sax, from Baldwin Park; Johnny Winfield, 17, guitar, from El Monte and Jimmy Starsiak, 19, string 'bass, from Baldwin Park.

Jim Aguirre, during daylight hours an engineering designer at Caltech's jet propulsion laboratory, took over management of the group, and it was him who sold the masters to Crest Records in 1958.

Tuesday, February 26, 2019

Be Bop Baby Sitter


Vera And The Three Jays



Be Bop Baby Sitter

El Bee 162
1957

El Bee label owned by Chicago lawyer John Burton.  Its most collectible release is El Bee 157, guitarist and singer Freddie King's debut ("Country Boy"/'That's What You Think").

Regarding the identity of Vera, I have good reason to believe she was Vera Sanford, a member of Opus De Four, quartet led by John Outterbridge until 1960 and also the same Vera Sanford who later headed the roster of talent of Earl Washington's Bombay Records in 1964.  For a comparaison of the voices, here is a song from her 1964 album:


Shangri-La
From the album “10 Minutes to Midnight” (Bombay Records)


Vera=Vera Sanford?

Friday, November 9, 2018

Little Bit Of Blues


Slim Harper
Wil-Row WR-203/WR-204
1957
Newark, New Jersey

Slim Harper and his brother Rocky as kids back in Virginia used to listen to the Blue Sky Boys and The Bailes Brothers on the radio out of WBT in Charlotte, N.C.,

“Every day at noon they’d come on and we’d listen to ’em. That’s what got us started really,” Rocky Harper recalled. “We started playing trying to imitate those guys. I played the mandolin and Slim played the guitar.”

In 1952, Slim Harper, formerly with WXGI, Richmond, Va., joined WLVA, Lynchburg, Va.,  replacing Curley Garner,.  In 1957 he was running the “Midnight Jamboree” over WVNJ-Newark,  In 1958, the Slim Harper Show featuring Billy Sage and the Virginia Playboys had been booked by Smokey Warren to hold forth indefinitely each Friday and Sturday night at the Scandia Club on Route 28, Garwood, New Jersey.

While in New Jersey, Slim Harper also recorded  for Anchor Records and Wagon Records. (1957-1958)

Slim moved to Fort Huachuca, Arizona in the sixties where he recorded for the Goldrose label








Sunday, September 30, 2018

Playboy


Born in Memphis, Tennessee around 1935 Charles Jones, better known as Jeb Stuart, had a long musical career.  From the beginning of his career, Stuart seems to have oriented himself toward the white audience. He grew up idolising Billy Eckstine, Nat King Cole, Elvis, Fats Domino, and Little Richard, and left Memphis to study at the Chicago Conservatory of Music under Frank Lavere, one of the writers of Nat King Cole's hit ''Pretend''.  This Zale single is missing from his various  discographies available online.


While in Chicago and before he came back to Memphis, he recorded these four singles :
My Dearest Treasure / My Silent Heart  ~ WING 90068 -1956 (As Charles Jones)
Bring Down The Curtain / Playboy  (As Charlie Jones)   ZALE 1301-21957
You Forgot About Me / All Broken Up ~ (As Jeb Stuart) MAESTRO 1004/5   1959
Ichaban Josan / What A Beautiful Face ~ (As Jeb Stuart) SHAR 2 - 1959
Also, while in Chicago, Charles Jones/Jeb Stuart managed Faith Taylor & The Sweet Teens (Federal and Bea & Baby Records).


More info:

Tuesday, February 6, 2018

After Five


De-Icers


After Five

Callin' My Love

De-Icer 45-100
1957
King custom press


Tulsa, Oklahoma band started by Joe Haskew.

Joe Haskew was born in Tulsa on June 2, 1926. He grew up in Tulsa and attended Central High School. The youngest of 4 children, Joe served in the U.S. Navy as a Chief Petty Officer during World War II. After the War he worked as a Mechanic and at one time formed a business that manufactured micro-cycles in Tulsa.   Joe was a musician and during the 1950s started a band named The De-Icers. They played live on the Curtis Lane Radio Show.  He played the guitar and sang lead. He appeared on Channel 6's Dance Party, and entertained at the Apache Drive-In, the Admiral Twin and some others, and he had a ongoing gig at the Moose Lodge. 

He also played in a country band in the the 1980s called Country Sunshine in clubs around Tulsa, and was the founder and President of the Tulsa Bluegrass Club or Society in the 1970s. 

He passed away in 1998.
.

Thursday, June 1, 2017

Joyce Taylor, Waxmate of the Month

(1957)


Born in Taylorville, Illinois as Joyce Crowder.  Most online sources indicates a year of birth in 1932, but 1936 is the most probable year.  Joyce looked and acted older than she was. A coal miner's daughter [or according to another source, her father was a singer with his own radio show in St. Louis]  she attended public schools in Taylorville and was the top baton twirler at Taylorville High School.  Her performance in a school talent show led to a recording contract with Mercury Records in 1953.  Roy Rodde, one-time manager of Joni James, was her personal agent.

Her first record, “You’ve Got Something” for Mercury Records, was written by Joyce while sitting at a table in her mother’s restaurant called Pauline’s Place on South Washington Street. 

Mercury Records issued four singles on Joyce Taylor in 1953-1954 :
53 Mercury 70243 : If I Cry / You've Got Something  
54 Mercury 70317 : Babe In The Woods / Take My Love
54 Mercury 70345 : Sealed With A Kiss / If You Only Knew
54 Mercury 70461 : Your Mind, Your Lips, Your Heart /No Happiness For Me
She is also rumored to have recorded as Joyce Bradley (not confirmed)
55 Mercury 70769 : A Dangerous Age / Take Your Time With Me Lover (as Joyce Bradley)
55 Mercury 70716 : Why Don't You Write Me / Love Is A Many Splendored Thing as Joyce Bradley)
 

 
Under contract to Howard Hughes' RKO Pictures in the 1950s  she was only allowed by the eccentric and enigmatic tycoon to act in one picture, a small part in "Beyond a Reasonable Doubt" in 1956.  After seven frustrating years being “bottled up” by the eccentric and enigmatic Howard Hughes, she became a regular on the TV sci-fi/adventure series, “Men into Space” (1959) and acted in many other TV shows in the late fifties and early sixties including “Sea Hunt,” “Bonanza,” “Ozzie and Harriet,” “77 Sunset Strip” and “The Untouchables.”   Joyce’s movie titles include: “Atlantis the Lost Continent,” “Ring of Fire,” “Thirteen Frightened Girls,” “F.B.I. Story,” “Windsplitter,” “Beauty and the Beast” and “Rappacinni’s Daughter.”   In addition, she made numerous television commercials, some of which were for VO5 hair spray and cream, Rambler, Ford, Coke, Spic and Span, and Folgers Coffee.

She later married a stockbroker and left the business. Now makes her home in Colorado where she writes poetry.

Several paragraphs in "Howard Hughes: The Untold Story" book by Peter Harry Brown and Pat H. Broeske describes the Joyce Taylor's RKO years:


Monday, September 26, 2016

King Of The Blues


Al Berry
and The Furness Bros.

King Of The Blues
w &  m Max Dickman & Marilyn Israel

Melmar 115
1957

Only "featured" on the previous record on the same label — Furness Brothers Featuring Al Berry — Al Berry is promoted here as the main artist.  He was a member of the New Furness Brothers at least until the early sixties.

Businessman and songwriter Max Dickman started the Melmar label in Broomall, Pennsylvania, named after his son, Melvin, and his wife, Marilyn.  The first three releases on the label were by Bonnie Davis & The Piccadilly Pipers [See Marv Goldberg's website HERE)
 

Sunday, June 26, 2016

Cha Cha Blues


Tony Rinaldi

Cha Cha Blues

Bart 7-G-16
1957

After this recording for Nick Bartell's Bart label, Tony Rinaldi became in Detroit a member of a group composed of Miami, Florida students :  the Sonny Bloch's Coralairs, named after Coral Gables, Florida, where the University of Miami is located.  


Tony Rinaldi is the uncredited vocalist on Baby Blue Eyes released in 1958 on the Detroit Bee label (produced in Miami) as by the Sonny Bloch's Coralairs. That's the sum of my knowledge of this artist.



The Coralairs, Tony Rinaldi is on left

Tuesday, March 22, 2016

Satellite Baby





  

Exact facts regarding Skip Stanley, his biography, and the recording of "Satellite Baby" are not easy to come by.  According to one source "He was working nightclubs in Toledo, Ohio as a stand-up comedian when he wrote and recorded the song in 1956 at the age of 28. A couple years later, he returned to California and eventually Los Angeles to work in real estate."

From another source : "While on the road, he wrote a song about the space race between the U.S. and Russia.  When Stanley had a tour stop in New York in 1956, he recorded his song and called it "Satellite Baby."

In fact, Skip Stanley recorded the song twice.  The first (1956) version [perhaps recorded in New York] was issued on Spotlight Records, a corporation which had probable links with the Detroit's Flame Show Bar owned by Morris Wasserman.   Al Green, talent agent who booked the artists performing at the Flame, and his protégé, a young Nat Tarnopol, who once worked at the Union Tire company and used to hang out at the Flame Show Bar had certainly an interest in Spotlight Records.

The release of the 2nd version were annonced in Billboard Magazine in 1957 (in the November 27 issue) :
Satellite Record Co., a new label , headed by Skip Stanley with offices at 44 West 88th Street"  has released its first pressing "Satellite Baby" and "Planets"   Skip Stanley, A night club and TV comic, has worked the Casa Seville at Hempstead, Long Island, Cafe-of-Tomorrow, in Chicago, Lake Club in Springfield, Ill.  Larry's Potter Supper Club in Hollywood.  Ralph Stein, formerly a&r man for Flair-X Records, did the arranging on the first Satellite release, and will continue in that capacity.
First release on Satellite? Not quite, earlier in the year "Planets" had already been issued on his own Satellite label [SX-91] backed with "Manganese Blues".  Anyway, Skip Stanley went to radio stations around New York City to get them to play his record.  But Hoffman couldn't land a record deal, and spent $3,000 on trying to get the song pushed.

An unknown singer by the name of Bobby Darin wanted to record his song, "Satellite Baby," which he had written because of the space race between Russia and the U.S., but Skip Stanley was by then so embittered by broken promises of celebrity and wealth that he turned Darin's offer down, to his eternal regret.



Stanley Jerry Hoffman (born in 1929)  first called himself for stage purposes Stanley Hoffman, then Lee Hoffman, then Skip Stanley, and then Stan Hoffman yet again and more recently began calling himself Kwayzar "the oldest rap singer"

He started his career in showbiz when he was 4 :
When he was four, he tried to break into acting. It was 1932, he auditioned for a role in the The Little Rascals. Hoffman's mom was bed-ridden with tuberculosis, so a family friend drove Stanley to the audition.

The director made Stanley's guardian leave the room, which made him panic. He said they began to ask him basic questions -- like where he was from, his name -- and he just froze. The studio called him back for another interview, but the same thing happened. He didn't say a word. He still thinks of that moment, and says; "What would have happened to me in that career if I just talked?"
He had enlisted in the Navy during WWII, and during the time Mao Tse Tung was driving Chiang Kai-shek out of mainland China, Hoffman was stationed in Shanghai and saw dead bodies of G.I.s floating in the Whangpoo River, which was a tributary of the Yangtze.

Upon his discharge from the Navy, Hoffman continued to pursue his dream of "making it big" in showbiz. "I wanted to be a comedian in the movies," he says.   His determination to be an actor was so strong that his mother moved the family into an apartment that was close enough for him to attend Hollywood High School.  He spent two-and-a-half years in drama school on the G.I. bill.


He would team up with one of his school buddies and form a stand-up comedy team — Wallace and Lee (he dropped the first part of Stanley).  

Later, after the failure of his recording artist career, and while in one of the most precarious period in his life, he had to turn to selling real estate to make a living. Fortunately, he was good at it. He finally starting making money -- before losing $375,000 in the stock market.

More recently, the name change to Kwayzar was prompted by his discovery of rap, which nudged Hoffman in a new direction. He says he was influenced by Ice Cube and Eminem.

He has gone into writing and producing rap videos fulltime now, which he uploads on YouTube (YouTube.com/kwayzar11). His cybermusic (also available in CD) bears such titles as the afore-mentioned "Satellite Baby," "Brave New World "(a nod to Aldous Huxley), "Cyberspace," "Chat Room," "Tech Support," and "Clone."

Latin and scientific phrases that alternate with salty language learned during naval days can be heard in his uptempo music videos. Two of his latest are "The Vote of a Lifetime," a rap in support of Obama, and "I Can Still Do It," which is a metaphor, he says, for young as well as old people not giving up, not quitting on that dream.

At this point, he says, "Writing and producing rap videos keeps me busy, keeps me active, and keeps me well, while I hope to be an inspiration especially to older people that they, too, can and should still lead productive, and thus meaningful, lives. The whole thing has become a labor of love."

Still practicing a bit of self-promotion, Kwayzar wants his sobriquet henceforth to be "The world's only senior cyber-rapper Caucasian."


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Thursday, February 11, 2016

Yes, I Love You


Randy Luck
Yes,  I Love You
Angelo Ventura, Dauphin BMI

Orch. & Chorus Directed by Steve Pulliam

Ace A-117
1957

In 1956,  Irwin Luck. student at the University of Miami and aspiring songwriter, spent $850 he saved and borrowed for a Times Square billboard appeal to Perry Como to hear his songs.   The 20 by 60 foot billboard on the top of a four story building fitted with lights for the night displayed the painted handwiriting of the sign is adressed to Perry Como from " a fan of yours for a long time" "It is through your unknown inspiration that I started writing music, and I feel that my songs might be just right for you", the appeal said. 

Como advised him to go back home and study, which he did.  On his next trip north he got an engagement at Grossinger's (a resort in the Catskill Mountains in the town of Liberty.)   It was enough to convince Johnny Ponz, Ace Records mahoff to sign Irwin Luck to a disking pact, changing his name to Randy Luck. 

The following year, in 1958, he recorded his better known release, "I Was A Teen-Age Cave Man".  Recorded for the local Miami Art label, the song is available on several rockabilly compilations


Irwin Luck with Meher Baba in India


In 1959 had found out about Baba the previous year from his younger brother, Edward, who had been in a New York City public library and “by chance” checked out a book titled Listen, Humanity. Edward phoned Irwin and said, “I just read a book about a Spiritual Master in India. I think this is someone you should know about.”

Irwin was already interested in God and felt himself inwardly guided by Him. He went to New York and after reading the book was impressed by Baba’s love and his statement that he was “the Highest of the High.” Irwin and Edward were determined to meet Baba and to know him as he really is.

In late 1959, Irwin contacted Fred and Ella Winterfeldt. As soon as he entered their apartment he “felt an incredible sense of well-being. Baba’s presence was intense.” He wrote to Baba, stating that he was planning to make a trip to see him, though he had little money. Within two weeks he received a reply from Baba, which stated: “You may come and see me for one hour only,”

Irwin got the amount needed and in 1961 left within a day. Though he had originally planned to travel with his younger brother, their father put an end to Edward’s coming by having the New York police stop him at Idlewild Airport just prior to their departure. They had not told their parents they were going, knowing they would object, and since Edward was still under legal adult age (21), his father was able to prevent him from leaving.

Irwin Luck is a Baba-lover ever since.   But you can't really count on Allan Y. Cohen for answering the burning question that has been on your mind since you started reading this : WHO IS A BABA-LOVER?
It is very difficult to define a Baba-lover. There are no formal or external criteria for followers of Meher Baba, no ceremonial initiation, no fee to be paid, nothing to sign, no membership cards to receive. No formal vows are taken to join the Baba family. No rituals, customs, or dress is required of a Baba-lover. There are no mandatory readings, meditations, or meetings. There is no required formal preparation, nor are there "tests" for membership. Nothing in a person's past necessarily disqualifies him or her from being regarded as a Baba-lover.
 

Monday, February 8, 2016

At The Hop



Bones Howe and the Toppers


Tops Records 45-R413-49

1957

Yes, Bones Howe was here, not in front of the mike, but behind the studio's glass :
"I was the recording engineer on the session, and since the group was all studio musicians and singers, and didn’t want their names exposed, so the record company (which was notorious in those days for recording sound-alikes of the current hits); used my nickname (which later became my professional name). "
Dayton Burr "Bones" Howe (born March 18, 1933) is a Grammy Award-winning record producer and recording engineer associated with 1960s and 1970s hits, mostly of the sunshine pop genre, including most of the hits of the 5th Dimension and the Association, as well as music supervision of several films.

Howe discovered his lust for music as a teenager and learned to play drums, a talent that earned him gigs at downtown Atlanta's San Souci and Peachtree clubs while studying electronics and communications at Georgia Tech. Bones Howe
"I was a jazz musician, and I worked six nights a week," he says, sinking back into the sofa with one leg crossed, revealing the slightest grimace of nostalgia. "In those days there were road bands coming through town. They would take the tennis court nets down at Tech, put a bandstand in there and bands would come in and play.

"I met a lot of guys in road bands as they came through Atlanta; I played in a lot of jam sessions with those guys after hours, and they would say to me, 'You should come to California."'
Howe learned that the only people recording music in L.A. at the time were old radio engineers who "didn't know what a rhythm section is supposed to sound like," let alone how to set one up. His thoughts about the future began to take shape.
"That idea really caught on with me, and somewhere in my sophomore or junior year I began to think seriously about it," he says. Howe rejected the hustles of engineering recruiters at graduation and set his sights on the Left Coast.

"I went to California with $200 in my pocket and went slugging around in the streets looking for a job in a recording studio." He smiles and leans forward as if sharing a secret. "I figured the worst thing that could happen to me was that I'd fail and go get a job as an engineer somewhere."
Sources : Bones Howe official website; private email from March 26, 2013


 

Tuesday, February 2, 2016

Baby Should I



Don Morse with the Characters
Baby Should I
Ann White, Jamige Music Co., BMI

GC Records 101
1515 Euclid Ave. Cleveland, OH
1957

Another obscurity on a label owned by Gene Carroll, who hosted his own TV show for years in Cleveland. The first on the label ?

GC Records discography


Thursday, November 12, 2015

The Joker



Bobby Bunny And The Jackrabbits


The Joker

Zane-Pines-Owens, Jimskip Music Inc.
Arrow Records #714
1957
............

Composers of this sax instrumental are Herb Zane, Lee Pines and Kelly Owens.   If we believe the short bio printed on the flip side ("Scatty Cat"), Bobby Bunny was a 23 year old Tenor Sax man who hailed from Baton Rouge, La.   Although he started his professional career at the early age of 15, it wasn't until his discharge from U.S.A.F. in 1954 that he began to really swing.  Bobby Bunny and The Jackrabbits first record on any label, and also the last, I think.