Showing posts with label playing with circles in quilting. Show all posts
Showing posts with label playing with circles in quilting. Show all posts

02 December, 2015

Smooch - Using Half Circles in Quilt Design




Smooch
74'' x 53''

Depending on how you look at, it is hearts or lips. I choose to see lips. Big, juicy lips heading towards a kiss. Whether that is the first kiss of a married couple, the slobbery attempts of a toddler attempting to kiss Mama, tentative lip locks of teenagers, a son kissing his mother goodbye.

This entire quilt started as a plan to show quilters that you can use half circles just as easily as two quarter circles. Just that, in a fun design. But now I have grand plans for this quilt. But first, the details.



I used only 5 fabrics in total. Absolutely shocking for me! The lips are Cloud 9 Cirrus Solids, the background is a print from Cotton and Steel. The backing fabric is a gorgeous voile designed by Bari J. for Art Gallery. Finally, the binding is an older one I found in my stash, I think it is from Birch Organics.

Quilting was done on my Bernina 820. My Stitch Regulator is not working properly so I turned it off and just free motioned the hearts inside the lips. I used a variegated pink, then a red from Wonderful for the lips. The background is quilted with straight lines using Aurifil. There was a lot of stopping and starting on those lines, but it was totally worth it for the finished impact and texture.



It is fairly densely quilted, but with the voile backing and Quilters' Dream Cotton batting it is quite soft. Gloriously soft.

Perfect for snuggles. Because if there ever was a quilt that invited snuggles...



24 April, 2015

Playing With Circles in Quilting - For the Love of the Half Circle


This design has been stuck in my head for months and months. I had grand plans of making this quilt for Valentine's Day - for obvious reasons - but work deadlines got in the way of quilting for fun. I found myself with few immediate deadlines this week and a free morning. Et voila!

Beyond the design itself, I also wanted to make this quilt for another reason. I wanted to showcase some half circles in a design. So often I see two quarter circles used when the quilter could have easily made a single block. The construction is exactly the same, so why shy away from half circles? Is it fear? The unknown? Pure comfort with a quarter circle? I know that the final result is the same, but if you can avoid a seam, why wouldn't you?

There were some insanely gorgeous and creative quilts at QuiltCon, for example, that used quarter circles when half circles could have been used easily.  It might just be me, because of my circular predilection, but I think we need to bring the half circle the attention it deserves.


That focus is going to start with a pair of lips. Or hearts, depending on your viewing angle. That was kind of the point with this design. One big smackaroonie. And all the love for a half circle block too.

This quilt is scheduled to be in a quilt show in a month so I better get it off the rocks and under my machine. I see some free motion text in my future.


If you want more details on making a half circle block you can check out my Craftsy class on Inset and Applique Circles by Machine or pick up Lucky Spool's Essential Guide to Modern Quiltmaking.


04 February, 2015

Playing With Circles in Quilting - Part 2



Ride the Waves
50'' x70''

Improv curves are fun. In a fit one day last year I pulled out a playful and lovely combination of fabrics and made a whole bunch of blocks. It was just one of those quilts that came to be with no rhyme or reason. I'm pretty sure I had it done in just a couple of days. Then it sat. The moment passed and there was little motivation to finish it.

Then you realize that someone needs a pick me up, a hug as much as possible. And in your head you kind of realize that these fabrics are so her. So her, in fact, that you may have picked them with her in mind. You may have stuck with this size of quilt because it is the perfect size for her.

And then you finish it with big lines of loops because they are fun and everyone deserves a bit of fun. And she deserves a finished quilt so the loops make that happen too. So does binding it among a stack of quilts you feel you just have to get done for Christmas. That way you can give it to her when she most needs it.

Then she texts you that night to say how much it is helping in the dark and lonely moments and you realize that this is indeed why we work hard to make quilts for people we love. This way, love is all around them.


Even her dog approves. Then again, there is no accounting for taste.

The improv curves are easy to do and totally take any mystery out of curved piecing. There really are no mistakes with this technique. You can see that sometimes I doubled up the curves and other times they are just simple. All together they echo quarter circles. Which means you can use them like you would any other Drunkard Path block. I chose a setting that creates diagonal lines of movement across the quilt. Simple, fun, and effective.

Overall, that's what the quilt is - simple, fun, and effective. Design wise, yes. but also in spirit.


All year I am going to be posting more and more circle techniques. This is some time to play with circles and there are so many things to do beyond the basics. Join me for the monthly series, Playing with Circles in Quilting.

If you want more details on making circles or any of the techniques I introduce here, check out my Craftsy class: Inset and Applique Circles by Machine or my workshop in the book, Lucky Spool's Essential Guide to Modern Quiltmaking.

12 January, 2015

Playing with Circles in Quilting - Part 1


What happens when you use pieced blocks for your circles?

I've experimented with improv blocks, for both the circle and the background, with good success. This time I wanted to try some precision pieced blocks, to see if there is any difference. I was also interested in testing out the new machine with my trustworthy technique.

These were orphan blocks I found in my closet. I didn't make any of them and, to be honest, I'm not sure where they came from. Perhaps extra donations from the Just One Slab charity quilts? They seemed perfectly appropriate to experiment with.

The small circles were regular appliqué circles. I had some old templates out and they were just the right size. The technique works great, but next time I would just make new templates. My guess is that I set these templates aside because something about them wasn't quite round. Not to mention that freezer paper loses its crispness after a while. As a result, my circles aren't terribly round. But, the idea of this with the pieced blocks works great.

The big blocks were made with the Reverse Circle technique I teach. I thought it best to try this with the big ones for a couple of reasons. One, new freezer paper. And two, I suspected these would end up looking better. The seam allowances of a pieced block don't make the edges of the circle bulky. My suspicions were confirmed. I kind of love these blocks.

If you do use pieced blocks for circles keep in mind that part of your piecing will be cut off. You can lose points of a star, or entire sections of a rail fence. This isn't necessarily a bad thing, but it is a design consideration. I actually think it could look cool if you had a quilt of chopped off blocks, but each block was chopped off differently. Or maybe you take an entire quilt top that you don't like, and make circles out of it. Then piece the circle blocks together in the order of where they were cut. It would be like portholes into another quilt. Whatever you cut off are generally useful scraps too, so don't be afraid of wasting fabric.


All year I am going to be posting more and more circle techniques. This is some time to play with circles and there are so many things to do beyond the basics. Join me for the monthly series, Playing with Circles in Quilting.

If you want more details on making circles or any of the techniques I introduce here, check out my Craftsy class: Inset and Applique Circles by Machine or my workshop in the book, Lucky Spool's Essential Guide to Modern Quiltmaking.