Sitting in judgment

Just in case you're the kind of amazing writer who can whip something off in a day, it isn't too late to mention that I'll be the fiction judge for this year's Room Annual Writing Contest! The extended deadline is August 1st at midnight. 

A few weeks ago, I answered some questions over at the Room blog, which you can read here. 

I also thought it would be worth mentioning that although I will be judging the contest, there is a chance I won't be reading your story.

The Room contest, like many (if not most, if not all) other fiction contests in this country, employs readers to read and vet the entries before they go on to the main publicized judge or jury. These readers are no slouches, I should add. Often they are published writers with one or more books to their credit, or editors or critics of long-standing. They are used to reading stories, and they know what makes a good one. I've been an early reader for a number of literary fiction contests, and I've always done my best to make careful and considered choices. 

But still. There is a certain degree of subjectivity in any matter of art, and there are questions of taste and style and subject matter that differ from reader to reader. Maybe in one of my previous incarnations as an early reader I passed over something brilliant because I couldn't see past the magical duck or the narrator named Toothpaste or the Pre-Cambrian time period.* (*Not real examples.) Some contests have a safeguard against this, which is to have everything read by TWO readers, so that one person's magical duck bias won't rule out a rare duck masterpiece.

Maybe you read that I was the judge and you looked at all your carefully polished drafts and selected the one you thought *I* would like best. Maybe you even checked my collection of short fiction, Mother Superior, out of the library. I might do something like that, if I was submitting to a contest.    

This is a long-winded way of saying that I will not be reading all of the entries for this contest, but a pre-selected, anonymized stack of what has been vetted to be the very best work submitted. And I'm so delighted to have been asked and to be able to come in at the end and take credit for lots of other people's thoughtful reading and consideration. 

But when the winners are eventually announced I don't want you (or you or you) to think that I didn't like your story. Maybe I never even read it.  

Mother Superior goes on vacation

A professor in my department went on vacation last week and sent me some photos of my first book relaxing in St. Lucia.  I got a big kick out of them!

 A photo of my first book, Mother Superior, in St. Lucia, soaking up the sun.

On the subject of my first book, it is getting a little bit of a new lease on life thanks to Bone & Bread. I’m really grateful to Jay Miller for this review of Mother Superior on the fantastic Literatured.com.

Some of my favourite phrases from this review include “morally piebald” and “the damaging innocence of adults.”  I really like the last sentence, too: “Nawaz’s emphasis on the importance of mothering raises the question of how vulnerable children truly are, as well as the adults they become.” I’ve never described the collection that way (but I find talking about my own writing, especially in a summarizing or thematic sense, very difficult), but this strikes me as very accurate. It really is more about the vulnerability of children than it is about bad or indifferent mothers. Jay, I will probably be quoting you on this for the indefinite future, if that’s okay.

Itty bitty radio studio at CBC

In other writing-related news, I was so happy to be invited in to CBC Radio to take the 5 à 6 Culture Quiz as part of the show's 2013 round-up. I’m kind of a disaster at thinking on my feet when it comes to these things (What’s your favourite boutique? Uhhh…I blanked. Most intriguing artwork you’ve seen this year? Uh, art? What’s that?!?), but I’m hoping the magic of editing will remove some of my ridiculousness on that front. The lesson learned from this is that spontaneity is not my friend (which I already knew). In spite of feeling like no amount of coffee could make my brain work properly, it was really fun to go in and do the taping in a teeny tiny little studio and meet the lovely Tanya Birkbeck and Jeanette Kelly. From what I understand, it will air on the show tomorrow. 

 Jeanette Kelly and I at CBC!