FRANKENSTEIN CREATED WOMAN (1967) (Scream Factory Blu-ray review)

FRANKENSTEIN CREATED WOMAN (1967)

Label: Scream Factory
Region Code: A
Rating: Unrated

Duration: 92 Minutes 

Audio: English DTS-HD MA MA Mono with Optional English Subtitles

Video: 1080p HD Widescreen (1.66:1)

Director: Terrence Fisher 

Cast: Peter Cushing, Susan Denberg, Thorley, Robert Morris, Duncan Lamont, Peter Blythe, Barry Warren, Derek Fowlds, Alan MacNaughtan, Peter Madden

Frankenstein Created Woman (1967) opens with a pre-credit sequence of a drunken and belligerent man being lead to the guillotine on the charge of murder. The moment before his head is lopped-off by the blade his young son Hans stumbles upon the macabre scene and witnesses his fathers gruesome decapitation. Some years later the boy now a young man (Robert Morris, Quatermass and the Pit ) in the service of Baron Victor Frankenstein (Peter Cushing, Corruption) and his absent minded assistant Dr. Hertz (Thorley Walters, Vampire Circus). The Baron has been experimenting with a primitive form of cryogenics and the idea of trapping the soul after death and transferring it into to a new host body, a new metaphysical twist on the Frankenstein story, but also one that has very little to connect it to the previous film in the series, The Evil of Frankenstein (1964), where it seemed the Baron had perished in flames.

Hans has a lover by way of Christina (Susan Denberg), the daughter of a local barkeep, her face is terribly scarred, which is the cause of taunting from a trio of dandy young bloods lead by Anton (Peter Blythe) who ridicule her mercilessly. These taunts anger Hans who slices open Anton's face during an altercation at the bar, it's this sudden outburst of anger which makes him the prime suspect when Christina's father turns up murdered a short time later. A shockingly  short trial ends with Hans following in his father's footsteps - losing his head at the guillotine.

Christina unaware of her father's murder or Hans' presumed involvement stumbles upon the the scene at the guillotine, witnessing Hans' decapitation much the same way he witnessed his father's, distraught she throws herself from a bridge to her watery death. The corpses of both the young lovers end up at the home of Dr. Hertz where the Baron Frankenstein sets about extracting the soul of Hans and transferring it into the corpse of Christina. This bit of science fiction is glossed rather quickly with little explanation, but it somehow involves two large heat-lamp looking apparatuses and a glowing sphere, it's all rather very silly stuff, but it's also why we watch these Frankenstein films. Once Christina is revived the docs perform additional miraculous surgeries/treatments and her physical scarring is completely healed - and now she's a blonde with no memory... don't ask, just go with it folks!

It's at this point that those actually responsible for the death of Christina's father and the wrongful execution of Hans meet their demise in very quick succession, with the killer-lady carrying around Hans' decapitated head, occasionally taking on his voice, the film playing with the notion of a supernatural-driven revenge from beyond the grave or psychotic break on the part of the young lady. This aspect of the film had a strong flavor of Hammer's underrated Hands of the Ripper (1971) which came a few years later. Christina is now seemingly possessed and compelled to seek revenge, seducing and murdering the culprits.

In the past I've tended to derided this film a bit, but the film has grown on me these past few years the more I've watched it.  Hammer vet Terrence Fisher (Dracula: Prince of Darkness) imbues the film with a decent amount of atmosphere aided in no small part by a terrific score from James Bernard (Torture Garden) who worked on tons of Hammer horror. Always the consummate professional Peter Cushing turns in a steely performance, but the character is a bit more compassionate this time around than in previous turns. The remaining cast are solid including veteran actor Thorley Walters as the absent-minded doc and Blythe as the late-60's equivalent of an 80's highschool douche bag. Co-stars Robert Morris and Susan Denberg didn't do a lot for me here, though adequate they didn't have a lot of screen presence though Denberg is quite attractive, particularly after her transformation into a blond revenge-murderess.

At the end of the day this is a cool Hammer production with a strange metaphysical twist, the idea of putting the soul of a man into the body of a woman should have been explored to a larger degree in my opinion - this could have been a psycho-sexual Hammer masterpiece. As things are the way they wrap it up is not wholly satisfying, it just happens a bit too fast, it left me wanting more, but even still this is a film that gets a bit better with each subsequent watch, with a strong performance from Cushing, solid direction from Terrence Fisher, and a weird premise that is thought-provoking. 

Audio/Video: Frankenstein Created Woman (1967) is a film previously issued on Blu-ray in 2014 from the Millennium Entertainment, a solid release for the time but with room for improvement. Now Scream Factory have gone back to the original film elements for a new 2K scan that looks improves in all areas. There's a fine layer of film grain, colors are more vibrant and deeply saturated, and the image is sharper with improved clarity. Fine details are abundant with pleasing velvety textures and the blacks levels throughout, it's an excellent upgrade over the previous release. 

Scream also improve on the audio options, as where Millennium offered only a lossy audio option here we get a fuller-bodied DTS-HD MA Mono track, it's limited in fidelity and shows it's age but the wonderfully subtle score from composer James Bernard (Horror of Dracula) benefits greatly from the sonic upgrade, optional English subtitles are provided.  

Extras are plentiful, Scream Factory pack-in the extras here, carrying-over all the disc extras from the Millennium Entertainment release, beginning with the audio commentary with actors Derek Fowlds and Robert Morris moderated by Hammer expert Jonathan Rigby. Derek Fowlds played the leader of young bloods while Robert Morris portrayed Hans, both offer plenty of anecdotes about the making of the film and working with Terrence Fisher, Peter Cushing and Denberg. Rigby shows up on a lot of the releases from Indicator in the UK, and is always a treat when it comes to Hammer stuff, glad to see this on the Scream release. 

Also carried over is the 44-min Hammer Glamour featurette with interviews from Hammer's plunging neckline brigade, including Valerie Leon (Blood from the Mummy's Tomb), Caroline Munroe (Captain Kronos Vampire Hunter), Martine Beswicke (Dr. Jekyll and Sister Hyde), Vera Day and Madeline Smith (Taste the Blood of Dracula) and Jenny Hanley (Scars of Dracula). Madeline Smith is surprisingly chaste and talks about her regret of appearing nude in The Vampire Lovers, while remembering what a sweetie her co-star Ingrid Pitt was. Exotic beauty Martina Beswicke recalls working on the Bond films plus Roy Ward Baker on several movies and working with Raquel Welch plus she alludes to a swinging lifestyle - she seems like she was a wild one! Actress Jenny Hanley offers up a fun story about Peter Walker's sneaky attempt to get her nude on camera and Christopher Lee's seriousness on set, while Valerie Leon tells of how she felt that Blood from the Mummy's Tomb was a cursed production. This is a great extra that also mention other Hammer beauties like Dorian Dores, Hazel Cortze, Barbara Shelley, Susan Denberg, Susanna Lee and the Collinson twins, it's a fun introduction to the Ladies of Hammer r just a fun walk down mammary lane for the already uninitiated.

We also get a pair of episodes from the World of Hammer (1990) TV series narrated by legendary Brit Oliver Reed (Burnt Offerings) spotlighting the careers of Peter Cushing and Hammer's Frankenstein series running about 25-min each.

Scream Factory come through with a couple of new interviews, the first with actor Robert Morris who speaks about this being his first film role, working on a few stunts and fight scenes,and shooting the bedroom scene with Susan Denberg, and some strategic arm placement concealed her breasts during those scenes. Camera Assistant/Clapper Loader Eddie Collins And 2nd Assistant Director Joe Marks 

also show-up for about 12-min, describing what it was like working on Hammer production. 

There's also a new audio commentary With Author/Film Historian Steve Haberman And Filmmaker/Film Historian Constantine Nasr, a solid and info-packed track that is well-worth a listen for those intrigued by such things. The disc is buttoned-up with a selection of trailers including a double-bill with The Mummy's Shroud, plus black & white TV spots and a few radio spots. 

The single-disc releases comes housed in a standard Blu-ray keepcase with a reversible sleeve of artwork, the a-side being a new illustration from from artist Mark Maddox, and the b-side being the original one-sheet poster art. The first run includes a a slip with the new illustration, and the disc itself features an excerpt from the another original vintage movie poster of the film. 

Special Features: 

- NEW 2K Scan From The Original Film Elements

- NEW Audio Commentary With Author/Film Historian Steve Haberman And Filmmaker/Film Historian Constantine Nasr

- NEW Interview With Actor Robert Morris (11 min) 

- NEW Interview With Camera Assistant/Clapper Loader Eddie Collins And 2nd Assistant Director Joe Marks (12 min) 

- Audio Commentary By Actors Derek Fowlds, Robert Morris, And Film Historian Jonathan Rigby

- World Of Hammer Episode The Curse Of Frankenstein (25 min) 

- World Of Hammer Episode Hammer Stars: Peter Cushing (25 min) 

- Hammer Glamour Featurette (44 min) 

- Theatrical Trailers (4 min) 

- TV Spots (1 min) 

- Radio Spots (2 min) 

- Still Galleries – Movie Stills (6 min), Posters, And Lobby Cards (6 min)

Frankenstein Created Woman (1967) is not a film I've always loved, a Hammer entry that I probably would have described as middling just a few years ago, but it's really grown on me in recent years, and thankfully now we have the best looking and sounding version of the film yet on Blu-ray with some excellent extras to go along with it, terrific job on this one from Scream Factory, highly recommended, you can buy this one with confidence. 

HAMMER VOLUME ONE: FEAR WARNING! (Indicator Blu-ray Review)

HAMMER VOLUME ONE: FEAR WARNING! (1963-965) 

Four classics from Hammer, each presented on Blu-ray for the very first time in the UK. Whether it's a mad man brandishing a welding torch, a mythical monster who's looks can kill, an ancient royal with diabolical powers, or a mad woman wielding a pair of scissors, this set has something to unease everybody. Containing a wealth of new and exclusive extra features – including title-specific documentaries, cast and crew interviews, expert appreciations, introductions and more – this stunning Blu-ray-only Limited Edition box set is published in a horribly limited, numbered edition of 6,000 units.

MANIAC (1963)

Label: Powerhouse Films/Indicator Series
Region Code: Region-FREE
Rating: Cert. 15
Duration:
Audio: English PCM 1.0 Mono with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1)
Director: Michael Carreras
Cast: Liliana Brusse, Nadia Gray, Kerwin Mathews

Hammer's black and white thriller Maniac (1963) is set in the South of France, opening with a young woman named Annette (Liliane Brousse) accepting a ride home from school from a landscaper, who drives her to a remote area and rapes her. When the girl's father discovers this he kidnaps the man and tortures/murders the rapist with an acetylene torch. In the aftermath the father is sent away to the asylum for the criminally insane, but is regarded as something of a local hero for his act of vengeance. 

Enter into the picture an American painter named Geoffrey Farrell (Kerwin Mathews, The Boy Who Cried Werewolf) who ends up at a small hotel run by the young girl's step mother Eve Beynat (Nadia Gray, La Dolce Vita). Geoffrey initially is charmed by the teen aged Annette, but the flirtation is frowned upon by Eve, who intercedes and before you know it Geoffrey and Eve are involved in a passionate physical relationship, which was weird, moving on from the daughter to mother happened real quick. Eve involves her new love in a plot to free her homicidal husband from the asylum, and what transpires from there is a twisty, sexed-up thriller that I could not have predicted the outcome of, this thing has several hairpin turns that will absolutely disorient you with it's labyrinthine of deceit!

Audio/Video: Maniac (1963) arrives on Blu-ray from Powerhouse Films as part of their Indicator Series, framed in the scope widescreen (2.35:1) aspect ratio. The wide lensed black and white cinematography looks great, capturing the coastal French location nicely with a good looking grain structure, fine detail is plentiful and the contrast and shadow detail is very pleasing. Audio comes by way of a clean and crisp English LPCM Mono 1.0 track, dialogue and the jazzy score from Stanley Black (The Flesh and the Fiends) sound terrific, optional English subtitles.  

Onto the extras we have a 11-min retrospective with  cultural historian John J. Johnson and author Jonathan Rigby, plus a Hammer's Women feature with horror film expert Lindsay Anne who gives an appreciation of star Nadia Gray. Focus Puller Trevor Wrenn and Clapper Loader Ray Andrew show up for a recollection of working on the film, including working in the asbestos mines for the final scenes, and how the clapper boy had the youthful foolishness to walk up to the director and suggest how the film should end - and they used it! There's also some discussion of the lively after-hours entertainment during the shoot. Additionally we get the theatrical trailer, a gallery of on-set images, and a collector's booklet with new essay by writer Kim Newman, 1978 interview extract with director Michael Cerreras from House of Hammer magazine, memoir extract from writer/producer Jimmy Sangeter's memoir, contemporary reviews, historic articles, and full film credits.

Special Features: 
- White-Hot Terror: Inside ‘Maniac’ (11 min) HD
- Hammer’s Women: Nadia Gray (2017): horror film expert Lindsay Anne Hallam looks at the fascinating life and work of the Romanian stage and screen actor (8 min) HD
- Focus Puller Trevor Wrenn and Clapper Loader Ray Andrew on ‘Maniac’ (2017): original crew members share their memories of working on the film (5 min) HD
- Trailer (2 min) HD
- Original Promotional Material (1 min) HD
- On Set Photography (1 min) HD
- Exclusive booklets with new essay by writer Kim Newman, 1978 interview extract with director Michael cerreras from House of Hammer magazine, memoir extract from writer/producer Jimmy Sangeter's memoir, contemporary reviews, historic articles, and full film credits.

FANATIC (1965)

Label: Powerhouse Films/Indicator Series
Region Code: Region-FREE
Rating: Cert. 15 
Duration: 95 Minutes 
Audio: English DTS-HD MA 1.0 Mono with Optional English Subtitles 
Video: 1080p HD widescreen (1.85:1) 
Director: Silvio Narizzano
Cast: Tallulah Bankhead, Stephanie Powers, Yootha Joyce, Peter Vaughn, Donald Sutherland

Hammer's first color film was this matriarchal nightmare, also known as Die! Die! My Darling! in the U.S., starring Tallulah Bankhead (Lifeboat)as religious zealot Mrs. Trefoile, a decrepit woman who is visited upon one day by Patricia Carroll (Stephanie Powers, Experiment in Terror) - the one time fiance of her now dead son, he having apparently perished in a fatal car accident. Bankhead is channeling Bettie Davis in a hag-horror role chewing-up the scenery with maniacal lunacy, blaming Patricia for taking her son away from her, chastising her for wearing the devil's color (red), and wearing lipstick. When she finds out that Patricia plans to marry another man she locks her away in a room, hoping to make her repent, to purify her and mend her wicked ways. Mrs. Trefoile is assisted in her religious zealotry by a husband/wife servant duo, the lecherous Harry (Peter Vaughn, Straw Dogs) and dutiful Anna (Yootha Joyce, Fragment of Fear), plus a dim-witted gardener played by a very young, and under utilized, Donald Sutherland (Invasion of the Body Snatchers). 

This was such a fun movie, very campy in a later-era Bettie Davis/Whatever Happened to Baby Jane? sort of way, with the wicked old woman starving poor Patricia, along the way while her servant Anna regularly lays hands upon her, even stabbing her at one point with a pair of scissors, providing some of that precious, patented red-paint Hammer blood. If you love campy hag-horror this one has it in spades as the puritanical lunatic attempts to brainwash/purify the 60's-era liberated young woman. 

Audio/Video: Fanatic (1963) arrives on Blu-ray from Powerhouse Films as part of their Indicator series, presented in 1080p HD widescreen (1.85:1). The image is crisp and clean, the source looks fantastic, colors are rich and textured, there's some nice use of Mario Bava-esque lighting in some attic scenes that absolutely glow/pop-off the screen. Grain is nicely managed and fine detail is abundant, with only some minor white speckling to note as far as blemishes. Audio comes by way of an English LPCM 1.0 Mono track, it's well-balanced, the dialogue and Gothic score from Wilfred Josephs (The Deadly Bees) comes through naturally without any distortion, optional English subtitles are provided. 

Extras include a 14-min retrospective with cultural historian John J. Johnson and author Jonathan Rigby, another Hammer's Women focusing on Tallulah Bankhead with Kat Ellinger, and oh boy did she lead a wild and unapologetic life! There's also an appreciation of composer Wilfred Josephs, and both continuity supervisor Renée Glynne and second assistant director Stuart Black recall the making of Fanatic, plus the option to watch the film with the alternate Die! Die! My Darling! US title sequence, original theatrical trailer, image gallery and a booklet. 

Special Features: 
- House of Horror: Inside ‘Fanatic’ (14 min) HD
- Hammer’s Women: Tallulah Bankhead (2017): Kat Ellinger explores the life and work of the inimitable star of stage and screen (9 min) HD 
- David Huckvale on Wilfred Josephs (2017): an appreciation of the composer’s work by the author of Hammer Film Scores and the Musical Avant-Garde (14 min) HD
- Fanatical Detail (2017): continuity supervisor Renée Glynne and second assistant director Stuart Black recall the making of Fanatic (9 min) HD
- Matthew Lombardo on Tallulah Bankhead and ‘Fanatic’ (2017): the acclaimed playwright discusses his play Looped and his fascination with Tallulah Bankhead (7 min) HD
- Die! Die! My Darling!: alternative presentation of Fanatic with the US title sequence 
- Original Trailer (3 min) HD
- Image gallery (60 images) HD 
- Exclusive booklet with new essay by Josephine Botting, curator at the BFI National Archive, 1977 interview with director Silvio Narizzano, Starlog interview with writer Richard Matheson on Fanatic, actress Stephanie Powers on Looped, Fanatic  and Tallulah Bankhead, and contemporary reviews, historic articles, full film credits, and notes about the A/V presentation

GORGON (1964)

Label: Powerhouse Films / Indicator Series
Region Code: Region-FREE
Rating: Cert. 15 
Duration: 83 Minutes 
Audio: English LPCM Mono 1.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (1.66) 
Director: Terence Fisher
Cast: Christopher Lee, Peter Cushing, Richard Pasco, Barbara Shelley, Michael Goddliffe, Patrick Troughton

Back into the realm of Gothic Hammer horror
we have The Gorgon (1964) directed by Hammer veteran Terence Fisher (Dracula: Prince of Darkness) and set in the German village of Vandorf in 1910. We have a series of unsolved murders in the village, each occurring on the night of a full moon. Paul Heitz (Richard Pasco, Rasputin: The Mad Monk) arrives in the village after his younger brother is found dead, his body strangely turned to stone. Meanwhile Dr. Namaroff (horror great Peter Cushing, Corruption) is falsifying the death certificates to obscure the truth behind the strange deaths. Heitz calls in friend Professor Karl Meister (the other horror great Christopher Lee, Horror Express) to help him get to the bottom of things. Meanwhile Heitz begins to form a romantic relationship with nurse Carla (Barbara Shelley, Village of the Damned) and discovers that the spirit of a fabled snake-haired Gorgon sister may be haunting the nearby castle ruins. The Gorgon is laced with vintage Gothic fashion and set dressing, dripping with atmosphere and creepiness, but all is nearly undone when the final scene reveals the snake-haired Megaera. which to be nice I will say is a bit on the cheap side, but thankfully it doesn't undo the movie, this is good stuff and worth a watch! 

Audio/Video: The Gorgon (1964) arrives on Blu-ray from Powerhouse Films as part of their Indicator series, presented in 1080p HD widescreen (1.66:1). I own this on a double-feature Blu-ray from Mill Creek, and I am here to tell you this wipes the floor with that release. We have more image information, the colors are more saturated and warmer, the grain is better resolved and fine detail and clarity are improved.  As where ill Creek went with their usual lossy audio Indicator gives us a more robust English LPCM Mono 1.0 track with optional English subtitles.

Again Powerhouse/Indicator go all out with the extra, beginning with a commentary from Samm Deighan and Kat Ellinger, an appreciation of Barbara Shelley by Patricia MacCormack, an appreciation of the film by actor and filmmaker Matthew Holness, a trailer, promotional images, and the 1977 comic-strip adaptation from House of Hammer magazine, plus the retrospective with cultural historian John J. Johnson and author Jonathan Rigby. We also get a booklet with new essay by writer Marcus Hearn, 1977 Hammer magazine interview with director Terrence Fisher and Barbara Shelley, 2010 interview extracts from interview with Barbara Shelley, contemporary reviews, historic articles, and full film credits.

Special Features: 
- Heart of Stone - Inside The Gorgon (14 min) HD
- The Gorgon Audio Commentary with Daughters of Darkness Podcast co-hosts Samm Deighan and Kat Ellinger 
- The Gorgon introduction by actor and filmmaker Matthew Holness (15 min) HD
- Hammer’s Women – Patricia MacCormack on Barbara Shelley (9 min)
- Trailer (3 min) HD
- Promotional Material (2 min) HD
- The Gorgon Comic Strip Adaptation (37 Panels) HD
- Exclusive booklets with new essay by writer Marcus Hearn, 1977 Hammer magazine interview with director Terrence Fisher and Barbara Shelley, 2010 interview extracts from interview with Barbara Shelley, contemporary reviews, historic articles, and full film credits.

THE CURSE OF THE MUMMY'S TOMB (1964) 

Label: Powerhouse Films/Indicator Series
Region Code: Region-FREE
Rating: Cert. 15 
Duration: 80 Minutes 
Audio: English LPCM Mono 1.0 with Optional English Subtitles 
Video: 1080p HD Widescreen (2.35:1) 
Director: Michael Carreras
Cast: Christopher Lee, Peter Cushing, Richard Pasco, Barbara Shelley, Michael Goodliffe, Patrick Troughton

The Curse of the Mummy's Tomb (1964) has a pretty typical set-up for a mummy movie, an American showman Alexander King (Fred Clark, Sunset Boulevard) unearths a tomb of a disgraced Pharaoh. He plans to take it on the road as a way to print money, he steadfastly refuses to allow the discovery to be whisked away to some dusty old museum, and he makes a few enemies because of his entrepreneurial ways. As expected they open the sarcophagus at some point and the mummified Pharaoh is nowhere to be found, but soon those who have done wrong by the ancient Pharaoh are found dead and the lurching creature starts making quite a mess of things. 


I didn't find this to be the most pulse pounding of the Hammer entries on this set, it's a pale bandage-wrapped shadow of the Terrence Fisher classic The Mummy (1959) starring Christopher Lee, who was by far a more threatening mass of moldy bandages, it doesn't help that the bandaged bundle here is portrayed by a lumbering stuntman and not an actor, but this one has some opulent Egyptian set pieces, the Pharaoh's tomb looks fantastic, but this is still a bit on the slow side, thank goodness for Freddie King who does a fantastic job as the fast-talking PT Barnum type American Showman.

Audio/Video: The Curse of the Mummy's Tomb (1964) arrives on Blu-ray from Powerhouse Films as part of their Indicator series, presented in 1080p HD widescreen (2.35:1). As with The Gorgon I own this on a double-feature Blu-ray from Mill Creek, and again Indicator destroy that other version,the colors look renewed when compared to the washed-out US edition, colors are more vivid and robust, side by side this is a striking improvement. Again Indicator go with an English LPCM Mono 1.0 audio track with optional English subtitles. 

Onto the extras we have another look at the film with cultural historian John J. Johnson and author Jonathan Rigby, one of them pointing out an anachronism concerning Turkish delight, plus an appreciation of actress Jeanne Roland by Diabolique magazine’s Kat Ellinger. Actor  Michael McStay shows up for a brief interview, discussing his role as the Pharaoh, how when told to just make up lines of the silent scene he spoke about an upcoming Manchester United match, and how that translated into complaints from deaf members of the audience who read his lips, and nearly faintng when his prosthetic hand was chopped off. Composer Carlo Martelli also appears, discussing others composers music used for the opening credits and the belly dancing scenes, and what he contributed. 

We also get a seven-minute super 8 version of the film, full-frame and silent, very rough looking but a cool addition just the same. Finishing up the disc we have a trailer for the film, an image gallery, and a booklet new essay by Kat Ellinger, contemporary reviews, historic articles, full film credits, and notes about the A/V presentation.  

Special Features: 
- Blood and Bandages: Inside ‘The Curse of the Mummy’s Tomb’ (13 min) HD
- Hammer’s Women: Jeanne Roland (2017): Diabolique magazine’s editor-in-chief Kat Ellinger offers an appreciation of the Burmese-born actor’s short career (11 min) HD
- Interview with Michael McStay (2017)- the British film and TV actor looks back at his time working for Hammer (6 min) HD
- The Curse of the Mummy's Tomb Super 8 Version: original cut-down home cinema presentation (7 min) HD
- Interview with Composer Carlo Martelli on The Curse of the Mummy's Tomb (4 min) HD
- Trailer (3 min) HD
- Image Gallery (131 Images) HD
- Exclusive booklet with new essay by Kat Ellinger, contemporary reviews, historic articles, full film credits, and notes about the A/V presentation

For some reason the Hammer Films releases do not get a ton of love from US distributors, occasionally we get something special, but the majority of the releases are lackluster and bare bones. Thankfully UK distributor Powerhouse Films have stepped-up to the plate with this phenomenal (region-free) 4-disc edition with lavish A/V presentation and a wealth of extras that will take hours to pour through, this is a phenomenal release, highly recommended for Hammer horror fans.