NOT QUITE HOLLYWOOD: THE WILD, UNTOLD STORY OF OZPLOITATION! (2008) (Umbrella Blu-ray Review)

NOT QUITE HOLLYWOOD: 

THE WILD, UNTOLD STORY OF OZPLOITATION! (2008)

Label: Umbrella Entertainment
Region Code: B
Rating: MA 15+
Duration: 99 Minutes 
Audio: English Dolby Digital Stereo 2.0, Dolby Digital Surround 5.1 
Video: 1080p HD Widescreen (1.77:1) 
Director: Mark Hartley 

Synopsis: Welcome to Not Quite Hollywood, the fast and furious story of OZploitation - an eye-popping celebration of Australian cult films of the '70s and early '80s (including Stone, Mad Max, and Turkey Shoot). Exploding with adrenaline-pumping clips and outrageous anecdotes from a smorgasbord of local and international names (including Quentin Tarantino, Dennis Hopper, Jamie Lee Curits and Barry Humphries) this is the wild, untold story of an era when Aussie cinema showed the world a full-frontal explosion of boobs, pubes, tubes... and even a little kung-fu! 

Mark Hartley's movie-doc Not Quite Hollywood (2008) is a super-charged exploration of Aussie exploitation cinema of the 1970's and 80's, a doc I remember first remember watching in in 2010 with my eyes wide open as I took it all in with pen and paper in hand jotting down the names of films I'd never heard of, but the film's combination of outrageous film clips, adrenalized editing and enthusiastic talking heads put me in stranglehold and threatened to asphyxiate me lest I seek out these action-packed and preposterous movies, and the sooner the better. 

I was aware f Australian cinema before the doc, having grown up on a select few slices of Australian imports like Mad Max (1980), Razorback (1984) and The Marsupials: The Howling III (1987) from plentiful 80's cable airings, but this doc opened my eyes up to a whole other world of outrageous down under cinema, a plethora of amped-up b-movies I'd never before heard of before, like The Man From Hong Kong (1975) and the supernatural shocker Next of Kin (1985). A few years on I'm still not caught up with the original list I scribbled onto a yellow notepad page, which I still have tucked away and well worn inside my wallet. Director Mark Hartley has since gone onto make docs about the Filipino exploitation explosion with Machete Maidens Unleashed! (2010) and Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), in addition to the remake of coma-shocker Patrick (2013), and while I love them all to varying degrees this is hands down, not just my favorite of his films, but my favorite movie doc of any kind of all time, and that's not just hyperbole, I watch it several times year just for fun. 

The film opens with an enthusiastic intro from perhaps ozploitation's biggest super-fan, Quentin Tarantino (Pulp Fiction), and the rest of the he doc is split into three categories or chapters, first we have "Ockers, Knockers, Pubes and Tubes!" that begins by detailing Australia's history of censorship and how the floodgates of adult cinema opened up with the advent of the R-rating in the 70's, the market immediately saturated with sex comedies, or ocker comedies, like The Adventures of Barry McKenzie (1972) and Alvin Purple (1973), then into my favorite  era, "Comatose Killers and Outback Chillers!", and ending with "High Octane Disasters and King Fu Masters!" with a potent mix of action and high-octane car porn, nobody does car action like the Australians. Harley interviewed over 80 writers, directors, actors, critics including Stacey Keach and Jamie Lee Curtis (Road Games), James Wan (The Conjuring), Brian Trenchard-Smith (BMX Bandits),  Russell Mulcahy (Razorback), Steve Railsback (Turkey Shoot), and so many more, plus it's stuffed with outrageous scenes of gratuitous nudity, over-the-top violence, low-budget gore and weirdness from every category of exploitation cinema, it's a wonderfully affectionate and irreverent document of a wild era of unhinged cinema.

Audio/Video: Not Quite Hollywood (2008) arrives on Blu-ray from Umbrella Entertainment in 1080p HD framed at 1.77:1 widescreen. The image is sharp and clean, quality varies per the subject, the film clips look nicely vivid but fluctuate accordingly to the various sources, the behind-the-scenes clips are of lesser quality, but the new interview segments look great and mostly uniform in appearance. Umbrella have opted for two lossy audio options, we have English Dolby Digital Stereo 2.0 and Surround 5.1, there are no subtitle options, so some of the thick Aussie accents might hinder interpretation, but I didn't have any issues whatsoever. The audio mixes are well-balanced and bombastic, like the visuals the sound is amped-up and vibrant. 

As to the region code for this release, the disc packaging indicated this is a region-free release but I was unable to play it on either of my Sony Blu-ray players, though it played just fine on my region-free Toshiba player. The single-disc Blu-ray release comes housed in an over-sized 15mm spine Blu-ray keepcase with a sleeve of artwork featuring the original key art for the release, on the reverse side is a collage of ozploitation cinema images with the the eye-popping chapter titles for the films. The disc also features an excerpt from the same key art as the sleeve. 

Umbrella have loaded this sucker with bonus content, there are over nine-hours - you read that correctly - nine hours of extras! There's an audio commentary with director Mark Hartley, plus ozploitation auteurs Brian Trenchard-Smith, Tony Ginane, John Lamond, Alan Finney, Vincent Monton, Richard Brennan, Grant Page,  Richard Brennan, and researcher Justin King, adding additional onformation about the films, the doc and the era. There's also over an hour of deleted and extended scenes with optional commentary, plus additional interview with producers, directors and Hartley himself. We also get a MIFF ozploitation panel with Antony Ginnane, David Hannay, Brian Trenchard Smith, and Grant Page concerning censorship, plus a startling scene of stuntman Grant Page setting himself on fire on the MIFF red carpet! There's also a selection of vintage mini-docs for the films Inside Alvin Purple, Noon Sunday, and the best of the bunch, the 25-min To Shoot a Mad Dog Documentary with some scenes of an unhinged Dennis Hopper and a rather amazing fire-stunt from Grant Page (again).

On top of all that we have a three-hour plus ozploitation trailer reel, an ozploitation still and poster gallery, the original theatrical trailer, and the original 23-minute pitch promo for the film made when the only interview they had was Quentin Tarantino, combined with video clips and older vintage interviews from Hartley's previous making-of docs. 

Perhaps my favorite of all the extras is an interview with film critic Bob Ellis who rips the ocker comedies from Tim Burstall and the "arthouse" films of Peter Weir nine ways from sideways, he's a verbose character and is hilarious through and through, speaking about his own night's of group sex, STDs, and again really savaging the films of Peter Weir again and again whenever given the opportunity.

Special Features: 
- Audio Commentary from Ozploitation Auteurs: Brian Trenchard-Smith, Tony Ginane, John Lamond, Alan Finney, Vincent Monton, Richard Brennan, Grant Page,  Richard Brennan, and researcher Justin King.  
- Deleted and Extended Scenes with Optional Director Commentary (76 min)
- The Lost Interview: Chris Lofvenm (15 min) 
- A Word with Bob Ellis (25 min) 
- Quentin Tarantino and Brian Trenchard-Smith Interview (13 min) 
- MIFF Ozploitation panel with Antony Ginnane, David Hannay, Brian Trenchard Smith, Grant Page (19 min) 
- MIFF Red Carpet Footage (1 min) 
- Behind the Scenes Footage from the Crew (34 min) 
- UK Interview with Director Mark Hartley (22 min) 
- The Bazura Project Segment (8 min) 
- The Monthly Conversation (60 min) 
- KCRW The Business  Audio Interview (9 min) 
- Extended Ozploitation Trailer Reel (185 min) 
- John D. Lamond: Confessions of an R-Rated Filmmaker (8 min) 
- Richard Franklin on-set Interviw (7 min) 
- Terry Bourke’s Noon Sunday Reel (11 min) 
- Barry McKenzie: Ogre or Ocker Documentary (53 min) 
- Inside Alvin Purple Documentary (50 min)
- To Shoot a Mad Dog Documentary (25 min) 
- Ozploitation stills and poster Gallery (16 min)
- NQH Production Gallery (11 min)
- NQH Pitch Promos (23 min) 
- Original Theatrical Trailer (2 min) 

Not Quite Hollywood is a wildly entertaining movie doc, loaded with fascinating stories, eye-popping visuals, and a compendium of mondo movie clips that are arguably more entertaining than the whole of the actual films. Movie docs just don't get any more essential than this, highly recommended.

 

Blu-ray Review: FROM DUSK TILL DAWN 4 Film Collection

FROM DUSK TILL DAWN 

4-Film Collection  Blu-ray (1996-1999)

Label: Echo Bridge Entertainment
Rated: R
Video: 1080p Widescreen (1.85:1/1.78:1)
Audio: English 5.1 DTS and English 2.0 Stereo
Duration: 290 Minutes
Directors: Robert Rodriguez, Scott Spiegel, P.J. Pesce
Cast: Michael Parks, George Clooney, Harvey Keitel, Juliette Lewis, Quentin Tarantino, Cheech Marin, Fred Williamson, Danny Trejo, Salma Hayek, Tom Savini

I am still in San Antonio on an extended training trip for the new job, working 74 hours a week is sort of shitty and what little downtime I do have is off hours leaving me few choices other than to sit on my uncomfortable couch and watch a movie or two - which isn't so bad. This week I was able to sift through the Echo Bridge Entertainment FROM DUSK TILL DAWN 4 Film Collection on Blu-ray featuring the classic original team-up of Quentin Tarantino and Robert Rodriguez plus the two straight-to-video sequels and the full length documentary FULL TILT BOOGIE.

FROM DUSK TILL DAWN (1996) 

FROM DUSK TILL DAWN has the distinction of being written by Quentin Tarantino and directed by Robert Rodriguez and it's a stone cold vamp classic. The introduction to the film is outstanding as actor Michael Parks (RED STATE) portrays a Texas Ranger who enters a liquor store to quench his thirst and use the crapper. He shoots the shit with the clerk (John Hawkes) for a bit and when the old man heads for the bathroom it's revealed that the clerk and a few young women are being held at gun point by a pair of wanted men - brothers Seth and Richard Gecko played by George Clooney and Quentin Tarantino. The Geckos havejust robbed a bank and are on the run seeking refuge in Mexico at a place called El Rey. En route they kidnap a family of three at a hotel. A priest (Harvey Keitel) whose lost his faith and his two teen children Kate (Juliette Lewis) and Scott (Ernest Liu) who are forced to smuggle the brothers across the border in their RV.

Clooney is a straight-up thief while his brother Richard is something a bit more fucked-up - a deranged psychopath and violent rapist. Seth loves his brother but clearly finds his brothers depraved proclivities and taste for blood disturbing - especially when he rapes and kills a middle-aged woman -  it's disturbing stuff. 

Crossing the border into Mexico the Geckos and the kidnapped family end up at the Titty Twister trucker bar, a seedy place full of tough dudes and curvy strippers. Of particular note is a sultry temptress named Satanico Pandemonium as portrayed by Salma Hayek! Unfortunately she never truly disrobes but her erotic snake dance is a sexually charged showstopper of performance, the striptease and the stunner intro make this film for me, this is  fantastic stuff. For more of Hayek stripping check her out in Kevin Smith's DOGMA. 

Amidst the booze and boobs it's revealed that the bar is stuffed to the brim with bloodsucking vampires and our band of misfits must band together with a few other patrons to defeat evil. We have some great cameos from Fred Williamson (HELL UP IN HARLEM), Tom Savini, Danny Trejo (MACHETE) and Greg Nicotero who stomp major vampire ass, it's hard to forget Savin's crotch-cannon. 

There's a ton of fun practical gore gags here - the blood is pouring off the screen during the final third of the film but I do have some beef with the effects, most of the vampire make-ups and the digital-aided transformation scenes have dated quite poorly. I just wish I had enjoyed the designs more but it's not awful.  A few qualms about the creature design aside this is a top-tier vamp flick with elements of a bad-ass grindhouse cinema, Tarantino's dialogue is pretty sweet and Rodriguez's directing and editing is very sharp. Plus we have some gruesome special effects work from the KNB EFX group - this one is firing on all cylinders from the get-go. 4 Outta 5 


FROM DUSK TILL DAWN 2: TEXAS BLOOD MONEY (1999) 

Three years after the original theatrical release Miramax entered the direct-to-video market with a sequel directed by Scott Spiegel (INTRUDER) and starring Robert Patrick (T2: JUDGEMENT DAY) as Buck - an ex con who puts together a group for a new heist - they're out for money but what the end up with is a battle against undead bloodsuckers. I love me some Robert Patrick but he cannot save this one - it's a bit by the numbers and uninspired - plus it looks pretty damn cheap and lacks the boobs, blood and script of the original. What it does have is a few patented Scott Spiegel POV shots which are just crazy - almost every scene features a nutty POV shot from the bottom of a dog bowl, a beer cooler or from the back of a vamp mouth - weirdness - watch Spiegel's slasher entry  INTRUDER (1989) to see more of his weird POV. 

It starts off with brief cameos from Bruce Campbell (EVIL DEAD) it's pretty damn short - even by Campbell cameo standards. The effects are awful - those damn bats are just horrendous. The Titty Twister bar is reborn here to some degree and Danny Trejo returns as Razor Eddie the bartender - but he comes and goes pretty damn quick. 

There's just way too much of this film is spent watching four dudes watching porn in a hotel room and the tits and gore are few and far between. The horror is weak and the heist elements are worse, this an anemic and very unnecessary cash grab. Props to some decent action sequences and neat vampire make-ups but very little else - skip it.  1.5 Outta 5

FROM DUSK TILL DAWN 3: THE HANGMAN'S DAUGHTER (1999) 


The same year as the first sequel we get a third entry - a prequel which tells the origin story of the vampire princess Satanico Pandemonium from the first film sans Salma Hayek - so right from the start we're at a deficit. What we do have is the return of actor Michael Parks, this time as the American author Ambrose Bierce who is travelling through the West shortly after the American Civil War to join ranks with the Mexican revolutionary Pancho Villa. En route he meets a priest (Lennie Loftin) and his new wife (child-killer Rebecca Gayheart) and the trio's carriage is overtaken by a group of bandits lead by Johnny Madrid. Madrid  (Marco Leonardi) recently escaped the noose and has taken the gorgeous young Esmerelda (Ara Caeli) hostage - she's the daughter of a hangman and her abusive father is on Madrid's trail.

Later that night the travelers, thieves and the hangman's posse all end up at a whorehouse which we discover is a familiar place from the first and second films. Much as with the first film as the groups gather at the whorehouse the bloodsucking shit hits the fan as the sexy undead drain the precious bodily fluids. 

Having Parks back is a plus - he lends a certain gravitas to the film that was lacking from the first sequel. The setting is better, the cast is improved and the writing is a bit richer - while not on par with Tarantino's script it's serviceable. I enjoyed the vampire make-ups here - more so than even the first film but the digital effects are just as awful. 

Sonia Braga (KISS OF THE SPIDER WOMAN) appears as Quixtla - the madame of the whorehouse and the mother of the half-blood vampire Esmeralda. As Santanico Pandemonium actress Ara Celi is quite a feast for the eye. We have some fun make-up effects, a story that is entertaining and some nice action sequences and set pieces, not nearly the film that the original was but at least it's entertaining which is more than I could say for previous entry. 2.5 Outta 5

FULL-TILT BOOGIE (1997) 

The feature length doc about the making of the first film is a decent watch but it focuses mostly on the non-union crew members and not enough on the writer and director for my tastes, what little screen time we do get with Clooney and Tarantino feel like scripted comedy bits and the soap opera drama of the crew members bored me to tears. 2.5 Outta 5 

Blu-ray: The Blu-ray from Echo Bridge features all four films crammed onto a single disc. The original films looks nice in 1080p with strong colors, varying degrees of crispness and a natural layer of films grain. It's not perfect, the HD image varies from scene to scene with some black crush. It also sports an English language DTS-HD Master Audio track with well balanced score, dialogue and effects - there are no subtitle options. The A/V quality of the sequels less pleasing with varying degrees of image softness, black crush and artifacting with  FROM DUSK TILL DAWN 2: TEXAS BLOOD MONEY looking the worst - that sequel also features on as DTS-HD 2.0 track. FROM DUSK TILL DAWN 3: THE HANGMAN'S DAUGHTER sports a 5.1 mix and a slightly better transfer but it's not great. There are no extras on the disc unless you include the inclusion of the feature length documentary FULL-TILT BOOGIE. 

Verdict: I would have preferred at least a 2-disc set instead of the four titles crammed onto a single Blu-ray but you do get a lot of bang for your buck with this one. FROM DUSK TILL DOWN looks and sounds quite nice in 1080p - all the other titles fare considerably less. If you love the first film I recommend buying the stand alone Blu-ray but for the more adventurous types and completest why just snag the whole set. The first sequel is pretty awful but there's some fun to be had with the prequel - for a few bucks there's a lot of value here if not a ton of entertainment but there's no denying what a great film the original is. 3 Outta 5