Girl Superheroes for Girls

DC Superhero Girls (or possibly Super Hero Girls) is a new web animation series, book series, and any other type of merchandising they can possibly squeeze out of it. The setting is a school for superheroes, which doesn't seem that fussy about the "hero" part, since they seem to have let in several villains too. Basically it's attempting to do Monster High, only for superhero comic characters, and judging by the costume designs, skewing a little younger.

I've seen some criticism that, since the school is co-ed, they should have made it more inclusive by calling it Superhero Kids or something else less gender-specific. But you know what? No. They shouldn't. On the one hand it's a superhero show for girls, which is a big thing in itself in an age where Black Widow is ignored in Avengers merchandising and female-led superhero movies are decidedly at the back of the queue.

But beyond that, if the series had a non-gender-specific title everyone would have assumed it was for boys, and that the majority of the characters would be male. Because that's what non-gender-specific means in our society. Men and boys have been pandered to for so long at the expense of women and girls that if you have a group that has an equal number of male and female characters it is considered female-biased, simply because the vast majority of "non-gender-specific" shows feature a primary cast that is four guys and one girl, or three guys and two girls. Even where the female character is nominally the protagonist, the supporting cast is predominantly male. So yes, the only way of having a show that isn't male dominated is by making it a specifically female show. And I am fine with that.

And, oh look. Who's that in the background...?

Lego equality fail

Product Description

Stop Lex Luthor from dominating Metropolis in the Lego Superheroes Superman VS Lex Luthor's Power Armour set. Luthor has built a kryptonite powered suit of armour, complete with kryptonite laser beam. Can you dodge the beam, rescue Wonder Woman and save the day? Includes Lex Luthor, Superman and Wonder Woman minifigures, as well as a bonus comic. 

 Really, Lego? You're making Wonder Woman a victim to be rescued, now? I swear, lately it feels like we are further from equality now than we were twenty years ago.

Wonder Woman never wore a skirt

It's one of those errors that seems to get endlessly perpetuated. Originally started by someone who hadn't looked very closely at early Sensation Comics, and continued by those who a) didn't look too closely either, or b) never bothered to check their facts.

But if you go back to Wonder Woman's first appearances in All Star Comics #8 and Sensation Comics #1 and actually look, it's clear in many panels that the two legs of the "skirt" are separated, and in fact it's a pair of loose culottes.

Over the following issues the culottes become tighter and more streamlined (shrunk in the wash?) until by issue #9 they are the Familiar star-spangled shorts associated with Golden and Silver Age Wonder Woman.

But they were never a skirt.

Images from Sensation Comics #1.

Not that I'm saying Steve Trevor is a creepy stalker, but...

Sense of Wonder (Woman)

Robert Kanigher wrote Wonder Woman in a peculiar steam-of-consciousness way that reads a lot like dreams in comic form. In the second story in the Showcase collection Steve Trevor is for no explained reason now piloting a rocket plane to chase and observe an experimental rocket. (1). Unexpectedly, Steve's plane accelerates faster than the rocket and disappears into space, so Wonder Woman gets her invisible plane a quick refit at Paradise Island and follows, also becoming caught by the strange effect and sent hurtling across space.

Once she's retrieved her wayward boyfriend, she observes the Earth being destroyed by a flaming meteor, except no, it's only a cardboard cutout of the Earth that evil aliens were using for target practice, because they feed on planetary fragments, and Earth is next on the menu, even though it's 200 light years away and there are plenty of uninhabited planets closer (2). And they appear to have brought the reluctant astronauts from their home purely to gloat at them (3). Tough for them that Wonder Woman can fashion a giant magnet out of the nearby landscape and use it to pull the meteors off course and send them crashing back to the planet that launched them (4).

Of course now Wondy and Steve are stranded in space, hundreds of light years from home, except what's this? Could it be a handy spacewarp that will return them to Earth space? You can bet it is.

It's only with the third story that some of Kanigher's less entertaining themes become explicit. The problem is the relationship between Wonder Woman and Steve Trevor. Personally I've never been able to understand why she puts up with his nagging. The situation is that Steve wants Wondy to marry him and settle down, i.e. stop going out and doing hero stuff. Wondy's response is that she cannot marry him until she is no longer needed to battle crimes and injustice. Only then can she think about herself.

This is a twist on silver age Superman's lame excuse for refusing to marry Lois Lane. Here Wonder Woman has to put the concerns of the whole world before herself until she is no longer needed, and her definition of being needed is impossible to fulfil, since it not only requires there to be no crime and injustice, but no natural disasters too. And yet rather than challenge this absurd notion, Steve instead repeatedly attempts to trick the woman he claims to love into marrying him. It seems to be far more about control than love, and it's my least favourite aspect of these stories.

But back to the plot: this story completely rewrites part of the origin story, with an entirely new telling of how Wonder Woman became Diana Prince and came to work at Steve's office in Military Intelligence. In this variation Steve bets Wondy that if he can find her three times in 24 hours, regardless of how she is disguised or hidden, then she will marry him. When she finds that he has tricked her, she gets her own back by applying for a job in his own office (5) so that she'll be right under his nose all the time without him recognising her.

Would I recommend this as a book to give to kids? On the one hand the stories are light and fantastic, bursting with sense of wonder and fairytale logic, while short and self-contained, but on the other they have some underlying values that I would be uncomfortable exposing to someone who was not experienced enough to recognise them as the BS they are and able to reject them while still enjoying the rest of the story. Don't get me wrong, I love this stuff, but that doesn't mean I don't see elements in it I don't like.

Notes.

1) We are told that the plane is slower than the rocket, so I doubt it can be observing it for very long.
2) I can only assume that Earth is a particularly tasty morsel on the galactic menu, since it seems to attract planet eaters from across the galaxy.
3) no better explanation is given, and that's all they actually do with them.
4) She never did have an actual code against killing, did she?
5) and only in a Kanigher story would an office worker have to take part in an underwater race as part of the application process

Showcase of wonders

For some, the publishing event of the year might be the final adventure of some schoolboy wizard, but for me it was the Wonder Woman Showcase. And although I wasn't queuing at my local comic shop for my copy at midnight (because I knew it wasn't going to be delivered until around 10am), I was there to pick it off the shelf before it had time to get comfortable.

Just to point out how important this collection is, I want to remind you that while Batman and Superman have enjoyed reprint collections from throughout their history, Wonder Woman has not been so lucky. There was a collection of golden age adventures published in the early 1970's, and four volumes of DC Archives that got up as far as Wonder Woman #9, but nothing has ever been reprinted from the late 1940's to 1986 in any substantial form. Robert Kanigher was writer on Wonder Woman for over 150 issues and yet there has never been a collection of his work available until now.

But be warned: before you read this book you will need to rise above all thoughts of logic and continuity. There is no place for them here.

The volume opens with Kanigher's retelling of Wonder Woman's origin in Wonder Woman #98. This is a good starting point as not only does it give us an origin, it's also the first issue with full art by long time WW artists Ross Andru and Mike Esposito, and is arguably the point where Wonder Woman enters the Silver Age.

As an origin story, it's quite different from the usual version; the Amazons hold their contest to decide who will be sent into the outside world before Steve Trevor even arrives, and to avoid favouritism, all the contestants are dressed in Wonder Woman costume, including masks of Diana's face so that they will all look alike. But having won the contest, our heroine must prove herself by turning a penny into a million dollars, to finance the building of a summer camp to be donated to children's charities, because Pallas Athena is very big on healthy summer fun for children in rich first world countries.

The more bizarre aspects of the story start to become apparent when Steve Trevor arrives on the scene, parachuting down from his stricken aircraft. Since men are forbidden to set foot on Paradise Island, our plucky heroine launches herself into the air, and then catching Steve, she blows his parachute all the way back to America.

If at this point you are considering how many laws of physics this breaks then you should probably stop now, as it only gets worse. Wonder Woman's adventures with the penny she has been entrusted with, and her ultimate solution to her dilemma are so bonkers that I'm not even going to tell you about them. I wouldn't want to spoil the fun.

And that's just the opening story.

Continuity Spaggetti

I realise that the absurd lateness of Wonder Woman means that all the questions of identity in the current storyline are old news in every other comic where she appears, but I'm curious where Atom fits in, since Dr Zeul (Giganta) appears to have a legitimate career in Ivytown, which must predate her being a known villain in Wonder Woman, which (initially) was published first. Either it's another multiverse thing (an all purpose excuse for continuity screwups right now, which is just as well given how many there are at the moment), or it's a symptom of Ivytown weirdness. Either way I'd like even a bad explanation somewhere.

And no, DC, the answer is not to have yet another fucking 'event' to explain it all away.

Since the writers appear to be incapable of this stuff, how about you hire someone to oversee each comic and check that if they are using characters that also appear in other titles that the various appearances fit together. This person could also be given the responsibility of ensuring that the comic was completed on schedule. You could even fire the current editor on most comics and give them the same office. I don't think anyone would notice the loss.